Baz Luhrmann's "Romeo and Juliet". A postmodern Elizabethan interpretation? PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Baz Luhrmann's "Romeo and Juliet". A postmodern Elizabethan interpretation? PDF full book. Access full book title Baz Luhrmann's "Romeo and Juliet". A postmodern Elizabethan interpretation? by Vera Henne. Download full books in PDF and EPUB format.
Author: Vera Henne
Publisher: GRIN Verlag
ISBN: 3668312036
Category : Performing Arts
Languages : en
Pages : 13
Get Book Here
Book Description
Essay from the year 2015 in the subject Communications - Movies and Television, grade: 1,0, University of Brighton, language: English, abstract: Baz Luhrmann’s "William Shakespeare’s Romeo + Juliet" (1996) retells the famous story of Romeo and Juliet who fall in love but cannot be together due to their families’ old feud. In many English literature lessons this film adaptation is popular to familiarize people with William Shakespeare’s plays and language. Due to the juxtaposition of Shakespeare’s words, fast colourful pictures and teenage stars such as Leonardo DiCaprio and Claire Danes the director Baz Luhrmann claims this adaptation to be an “Elizabethan interpretation of Shakespeare”. Adapted to the modern Zeitgeist Luhrmann staged a combination of an updated version of the classic in a multimedia time and preserved traditional essential elements such as the language and main themes. The adaptation lets the cast speak the Shakespeare’s original text and combines it with fast modern video art. The combination of the Elizabethan English language and the recontextualisation of the classic love story with news, TV, swords as guns, advertisements, and ecstasy led Jane Maslin, a reviewer form the NY Times, to remark “[t]his is headache Shakespeare, but there's method to its madness“. The adaptation is widely recognized to be postmodern. This does not seem to coincide with Luhrmann’s aspiration of an “Elizabethan adaptation” of the classic dramatic love story. So the question arises: Can a postmodern interpretation be an “Elizabethan interpretation” at the same time?
Author: Vera Henne
Publisher: GRIN Verlag
ISBN: 3668312036
Category : Performing Arts
Languages : en
Pages : 13
Get Book Here
Book Description
Essay from the year 2015 in the subject Communications - Movies and Television, grade: 1,0, University of Brighton, language: English, abstract: Baz Luhrmann’s "William Shakespeare’s Romeo + Juliet" (1996) retells the famous story of Romeo and Juliet who fall in love but cannot be together due to their families’ old feud. In many English literature lessons this film adaptation is popular to familiarize people with William Shakespeare’s plays and language. Due to the juxtaposition of Shakespeare’s words, fast colourful pictures and teenage stars such as Leonardo DiCaprio and Claire Danes the director Baz Luhrmann claims this adaptation to be an “Elizabethan interpretation of Shakespeare”. Adapted to the modern Zeitgeist Luhrmann staged a combination of an updated version of the classic in a multimedia time and preserved traditional essential elements such as the language and main themes. The adaptation lets the cast speak the Shakespeare’s original text and combines it with fast modern video art. The combination of the Elizabethan English language and the recontextualisation of the classic love story with news, TV, swords as guns, advertisements, and ecstasy led Jane Maslin, a reviewer form the NY Times, to remark “[t]his is headache Shakespeare, but there's method to its madness“. The adaptation is widely recognized to be postmodern. This does not seem to coincide with Luhrmann’s aspiration of an “Elizabethan adaptation” of the classic dramatic love story. So the question arises: Can a postmodern interpretation be an “Elizabethan interpretation” at the same time?
Author: Robert Shaughnessy
Publisher: Routledge
ISBN: 1136855033
Category : Literary Criticism
Languages : en
Pages : 506
Get Book Here
Book Description
Demystifying and contextualising Shakespeare for the twenty-first century, this book offers both an introduction to the subject for beginners as well as an invaluable resource for more experienced Shakespeareans. In this friendly, structured guide, Robert Shaughnessy: introduces Shakespeare’s life and works in context, providing crucial historical background looks at each of Shakespeare’s plays in turn, considering issues of historical context, contemporary criticism and performance history provides detailed discussion of twentieth-century Shakespearean criticism, exploring the theories, debates and discoveries that shape our understanding of Shakespeare today looks at contemporary performances of Shakespeare on stage and screen provides further critical reading by play outlines detailed chronologies of Shakespeare’s life and works and also of twentieth-century criticism The companion website at www.routledge.com/textbooks/shaughnessy contains student-focused materials and resources, including an interactive timeline and annotated weblinks.
Author: Carla Della Gatta
Publisher: University of Michigan Press
ISBN: 0472903748
Category : Performing Arts
Languages : en
Pages : 455
Get Book Here
Book Description
Latinx peoples and culture have permeated Shakespearean performance in the United States for over 75 years—a phenomenon that, until now, has been largely overlooked as Shakespeare studies has taken a global turn in recent years. Author Carla Della Gatta argues that theater-makers and historians must acknowledge this presence and influence in order to truly engage the complexity of American Shakespeares. Latinx Shakespeares investigates the history, dramaturgy, and language of the more than 140 Latinx-themed Shakespearean productions in the United States since the 1960s—the era of West Side Story. This first-ever book of Latinx representation in the most-performed playwright’s canon offers a new methodology for reading ethnic theater looks beyond the visual to prioritize aural signifiers such as music, accents, and the Spanish language. The book’s focus is on textual adaptations or performances in which Shakespearean plays, stories, or characters are made Latinx through stage techniques, aesthetics, processes for art-making (including casting), and modes of storytelling. The case studies range from performances at large repertory theaters to small community theaters and from established directors to emerging playwrights. To analyze these productions, the book draws on interviews with practitioners, script analysis, first-hand practitioner insight, and interdisciplinary theoretical lenses, largely by scholars of color. Latinx Shakespeares moves toward healing by reclaiming Shakespeare as a borrower, adapter, and creator of language whose oeuvre has too often been mobilized in the service of a culturally specific English-language whiteness that cannot extricate itself from its origins within the establishment of European/British colonialism/imperialism.
Author: A. Cranny-Francis
Publisher: Springer
ISBN: 113726831X
Category : Social Science
Languages : en
Pages : 314
Get Book Here
Book Description
Technology and Touch addresses the development of a range of new touch technologies, both technologies that we reach out to touch and technologies that touch us, by exploring how we use touch to connect with and understand our world, and ourselves.
Author: Emma Smith
Publisher: Vintage
ISBN: 1524748552
Category : Literary Criticism
Languages : en
Pages : 267
Get Book Here
Book Description
An electrifying new study that investigates the challenges of the Bard’s inconsistencies and flaws, and focuses on revealing—not resolving—the ambiguities of the plays and their changing topicality A genius and prophet whose timeless works encapsulate the human condition like no other. A writer who surpassed his contemporaries in vision, originality, and literary mastery. A man who wrote like an angel, putting it all so much better than anyone else. Is this Shakespeare? Well, sort of. But it doesn’t tell us the whole truth. So much of what we say about Shakespeare is either not true, or just not relevant. In This Is Shakespeare, Emma Smith—an intellectually, theatrically, and ethically exciting writer—takes us into a world of politicking and copycatting, as we watch Shakespeare emulating the blockbusters of Christopher Marlowe and Thomas Kyd (the Spielberg and Tarantino of their day), flirting with and skirting around the cutthroat issues of succession politics, religious upheaval, and technological change. Smith writes in strikingly modern ways about individual agency, privacy, politics, celebrity, and sex. Instead of offering the answers, the Shakespeare she reveals poses awkward questions, always inviting the reader to ponder ambiguities.
Author: Sarah Hatchuel
Publisher: Cambridge University Press
ISBN: 1139454323
Category : Literary Criticism
Languages : en
Pages : 204
Get Book Here
Book Description
How is a Shakespearean play transformed when it is directed for the screen? In this 2004 book, Sarah Hatchuel uses literary criticism, narratology, performance history, psychoanalysis and semiotics to analyse how the plays are fundamentally altered in their screen versions. She identifies distinct strategies chosen by film directors to appropriate the plays. Instead of providing just play-by-play or film-by-film analyses, the book addresses the main issues of theatre/film aesthetics, making such theories and concepts accessible before applying them to practical cases. Her book also offers guidelines for the study of sequences in Shakespearean adaptations and includes examples from all the major films from the 1899 King John, through the adaptations by Olivier, Welles and Branagh, to Taymor's 2000 Titus and beyond. This book is aimed at scholars, teachers and students of Shakespeare and film studies, providing a clear and logical apparatus with which to examine Shakespearean screen adaptations.
Author: Jim Piper
Publisher: Simon and Schuster
ISBN: 1621534472
Category : Performing Arts
Languages : en
Pages : 369
Get Book Here
Book Description
This is a book for cinephiles, pure and simple. Author and filmmaker, Jim Piper, shares his vast knowledge of film and analyzes the most striking components of the best movies ever made. From directing to cinematography, from editing and music to symbolism and plot development, The Film Appreciation Book covers hundreds of the greatest works in cinema, combining history, technical knowledge, and the art of enjoyment to explain why some movies have become the most treasured and entertaining works ever available to the public, and why these movies continue to amaze viewers after decades of notoriety. Read about such classic cinematic masterpieces as Citizen Kane, Gandhi, Midnight Cowboy, Easy Rider, True Grit, Gone With the Wind, and The Wizard of Oz, as well as more recent accomplishments in feature films, such as Requiem for a Dream, Munich, The King’s Speech, and The Hurt Locker. Piper breaks down his analysis for you and points out aspects of production that movie-lovers (even the devoted ones) would never recognize on their own. This book will endlessly fascinate, and by the time you get to the last chapter, you’re ready to start all over again. In-depth analysis and thoughtful and wide-ranging film choices from every period of cinema history will ensure that you never tire of this reading companion to film. Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.
Author: Joseph M. Boggs
Publisher: McGraw-Hill College
ISBN: 9780073535074
Category : Performing Arts
Languages : en
Pages : 553
Get Book Here
Book Description
Accompanying CD-ROM provides short film clips that reinforce the key concepts and topics in each chapter.
Author: Douglas Brode
Publisher: Oxford University Press
ISBN: 019972802X
Category : Performing Arts
Languages : en
Pages : 268
Get Book Here
Book Description
Shakespeare is now enjoying perhaps his most glorious--certainly his most popular--filmic incarnation. Indeed, the Bard has been splashed across the big screen to great effect in recent adaptations of Hamlet, Henry V, Othello, Twelfth Night, Romeo and Juliet, Much Ado About Nothing, Richard II, A Midsummer Night's Dream, and of course in the hugely successful Shakespeare in Love. Unlike previous studies of Shakespeare's cinematic history, Shakespeare in the Movies proceeds chronologically, in the order that plays were written, allowing the reader to trace the development of Shakespeare as an author--and an auteur--and to see how the changing cultural climate of the Elizabethans flowered into film centuries later. Prolific film writer Douglas Brode provides historical background, production details, contemporary critical reactions, and his own incisive analysis, covering everything from the acting of Marlon Brando, Laurence Olivier, Richard Burton, and Gwyneth Paltrow, to the direction of Orson Welles, Kenneth Branagh, and others. Brode also considers the many films which, though not strict adaptations, contain significant Shakespearean content, such as West Side Story and Kurosawa's Ran and Throne of Blood. Nor does Brode ignore the ignoble treatment the master has sometimes received. We learn, for instance, that the 1929 version of The Taming of the Shrew (which featured the eyebrow-raising writing credit: "By William Shakespeare, with additional dialogue by Sam Taylor"), opens not so trippingly on the tongue--PETRUCHIO: "Howdy Kate." KATE: "Katherine to you, mug." For anyone wishing to cast a backward glance over the poet's film career and to better understand his current big-screen popularity, Shakespeare in the Movies is a delightful and definitive guide.
Author: Joyce L. Arriola
Publisher:
ISBN:
Category : Film adaptations
Languages : en
Pages : 286
Get Book Here
Book Description
