Author: James Andrew Hiddleston
Publisher: Oxford University Press
ISBN:
Category : Art
Languages : en
Pages : 336
Book Description
This study of Baudelaire's art criticism and its relationship with his writing seeks to cover all aspects of the subject, including the key aesthetic ideas, the essays on laughter and caricature, and the idea that all art springs from memory.
Baudelaire and the Art of Memory
Author: James Andrew Hiddleston
Publisher: Oxford University Press
ISBN:
Category : Art
Languages : en
Pages : 336
Book Description
This study of Baudelaire's art criticism and its relationship with his writing seeks to cover all aspects of the subject, including the key aesthetic ideas, the essays on laughter and caricature, and the idea that all art springs from memory.
Publisher: Oxford University Press
ISBN:
Category : Art
Languages : en
Pages : 336
Book Description
This study of Baudelaire's art criticism and its relationship with his writing seeks to cover all aspects of the subject, including the key aesthetic ideas, the essays on laughter and caricature, and the idea that all art springs from memory.
Between Baudelaire and Mallarmé
Author: Helen Abbott
Publisher: Routledge
ISBN: 1317175069
Category : Literary Criticism
Languages : en
Pages : 258
Book Description
As the status of poetry became less and less certain over the course of the nineteenth century, poets such as Baudelaire and Mallarmé began to explore ways to ensure that poetry would not be overtaken by music in the hierarchy of the arts. Helen Abbott examines the verse and prose poetry of these two important poets, together with their critical writings, to address how their attitudes towards the performance practice of poetry influenced the future of both poetry and music. Central to her analysis is the issue of 'voice', a term that remains elusive in spite of its broad application. Acknowledging that voice can be physical, textual and symbolic, Abbott explores the meaning of voice in terms of four categories: (1) rhetoric, specifically the rules governing the deployment of voice in poetry; (2) the human body and its effect on how voice is used in poetry; (3) exchange, that is, the way voices either interact or fail to interact; and (4) music, specifically the question of whether poetry should be sung. Abbott shows how Baudelaire and Mallarmé exploit the complexity and instability of the notion of voice to propose a new aesthetic that situates poetry between conversation and music. Voice thus becomes an important process of interaction and exchange rather than something stable or static; the implications of this for Baudelaire and Mallarmé are profoundly significant, since it maps out the possible future of poetry.
Publisher: Routledge
ISBN: 1317175069
Category : Literary Criticism
Languages : en
Pages : 258
Book Description
As the status of poetry became less and less certain over the course of the nineteenth century, poets such as Baudelaire and Mallarmé began to explore ways to ensure that poetry would not be overtaken by music in the hierarchy of the arts. Helen Abbott examines the verse and prose poetry of these two important poets, together with their critical writings, to address how their attitudes towards the performance practice of poetry influenced the future of both poetry and music. Central to her analysis is the issue of 'voice', a term that remains elusive in spite of its broad application. Acknowledging that voice can be physical, textual and symbolic, Abbott explores the meaning of voice in terms of four categories: (1) rhetoric, specifically the rules governing the deployment of voice in poetry; (2) the human body and its effect on how voice is used in poetry; (3) exchange, that is, the way voices either interact or fail to interact; and (4) music, specifically the question of whether poetry should be sung. Abbott shows how Baudelaire and Mallarmé exploit the complexity and instability of the notion of voice to propose a new aesthetic that situates poetry between conversation and music. Voice thus becomes an important process of interaction and exchange rather than something stable or static; the implications of this for Baudelaire and Mallarmé are profoundly significant, since it maps out the possible future of poetry.
Nabokov's Art of Memory and European Modernism
Author: John Burt Foster, Jr.
Publisher: Princeton University Press
ISBN: 1400820898
Category : Literary Criticism
Languages : en
Pages : 279
Book Description
Despite Vladimir Nabokov's hostility toward literary labels, he clearly recognized his own place in cultural history. In a fresh approach stressing Nabokov's European context, John Foster shows how this writer's art of memory intersects with early twentieth-century modernism. Tracing his interests in temporal perspective and the mnemonic image, in intertextual "reminiscences," and in individuality amid cultural multiplicity, the book begins with such early Russian novels as Mary, then treats his emerging art of memory from Laughter in the Dark to The Gift. After discussing the author's cultural repositioning in his first English novels, Foster turns to Nabokov's masterpiece as an artist of memory, the autobiography Speak, Memory, and ends with an epilogue on Pale Fire. As a cross-cultural overview of modernism, this book examines how Nabokov navigated among Proust and Bergson, Freud and Mann, and Joyce and Eliot. It also explores his response to Baudelaire and Nietzsche as theorists of modernity, and his sense of Dostoevsky, Tolstoy, and Pushkin as modernist precursors. As an approach to Nabokov, the book reflects the heightened importance of autobiography in current literary study. Other critical issues addressed include Bakhtin's theory of intertextuality, deconstructive views of memory, Benjamin's modernism of memory, and Nabokov's assumptions about modernism as a concept.
Publisher: Princeton University Press
ISBN: 1400820898
Category : Literary Criticism
Languages : en
Pages : 279
Book Description
Despite Vladimir Nabokov's hostility toward literary labels, he clearly recognized his own place in cultural history. In a fresh approach stressing Nabokov's European context, John Foster shows how this writer's art of memory intersects with early twentieth-century modernism. Tracing his interests in temporal perspective and the mnemonic image, in intertextual "reminiscences," and in individuality amid cultural multiplicity, the book begins with such early Russian novels as Mary, then treats his emerging art of memory from Laughter in the Dark to The Gift. After discussing the author's cultural repositioning in his first English novels, Foster turns to Nabokov's masterpiece as an artist of memory, the autobiography Speak, Memory, and ends with an epilogue on Pale Fire. As a cross-cultural overview of modernism, this book examines how Nabokov navigated among Proust and Bergson, Freud and Mann, and Joyce and Eliot. It also explores his response to Baudelaire and Nietzsche as theorists of modernity, and his sense of Dostoevsky, Tolstoy, and Pushkin as modernist precursors. As an approach to Nabokov, the book reflects the heightened importance of autobiography in current literary study. Other critical issues addressed include Bakhtin's theory of intertextuality, deconstructive views of memory, Benjamin's modernism of memory, and Nabokov's assumptions about modernism as a concept.
Baudelaire and the Art of Memory
Author: James Andrew Hiddleston
Publisher:
ISBN:
Category : Art criticism
Languages : en
Pages : 304
Book Description
Publisher:
ISBN:
Category : Art criticism
Languages : en
Pages : 304
Book Description
Remnants of Song
Author: Ulrich Baer
Publisher: Stanford University Press
ISBN: 9780804739276
Category : Literary Criticism
Languages : en
Pages : 364
Book Description
In a bold reassessment, this book analyzes the works of Baudelaire and Celan, two poets who frame our sense of modern poetry and define the beginning and end of modernity itself. It relates Baudelaire s exploration of the trauma of the minute personal shocks of everyday existence to Celan s engagement with the catastrophic magnitude of the Holocaust."
Publisher: Stanford University Press
ISBN: 9780804739276
Category : Literary Criticism
Languages : en
Pages : 364
Book Description
In a bold reassessment, this book analyzes the works of Baudelaire and Celan, two poets who frame our sense of modern poetry and define the beginning and end of modernity itself. It relates Baudelaire s exploration of the trauma of the minute personal shocks of everyday existence to Celan s engagement with the catastrophic magnitude of the Holocaust."
The Art of Memory/the Loss of History
Author:
Publisher: Australian Geographic
ISBN:
Category : History
Languages : en
Pages : 68
Book Description
Publisher: Australian Geographic
ISBN:
Category : History
Languages : en
Pages : 68
Book Description
Charles Baudelaire
Author: Rosemary Lloyd
Publisher: Reaktion Books
ISBN: 1861894120
Category : Biography & Autobiography
Languages : en
Pages : 176
Book Description
In nineteenth-century Paris, Charles Baudelaire provoked the excoriations of critics and was legally banned for corrupting public morality, yet he was a key influence on many later thinkers and writers, including Marcel Proust, Walter Benjamin, and T. S. Eliot. Baudelaire’s life was as controversial and vivid as his works, as Rosemary Lloyd reveals in Charles Baudelaire, a succinct yet learned recounting. Lloyd argues that Baudelaire’s writings and life were intimately intertwined—and both were powerfully informed by contemporaneous political events, from his participation in the 1848 Revolution to the public morality codes that banned his controversial writings, such as Les fleurs du mal. The book traces the influence of these events and other political moments in his poems and essays and analyzes his works in this new light. Lloyd also examines the links between Baudelaire’s works and cultural movements of the time, from the rise and fall of Romanticism to symbolism, and explores his groundbreaking translations of Edgar Allan Poe’s writings into French. Baudelaire’s tumultuous personal life figures large here, too, as Lloyd draws out fascinating aspects of his personality and daily life through analysis of archival writings of his friends and acquaintances. The book also documents his battles with syphilis and drug addiction, which ultimately resulted in his death. An engrossing and wholly readable biography, Charles Baudelaire will be essential for scholars and Baudelaire admirers alike.
Publisher: Reaktion Books
ISBN: 1861894120
Category : Biography & Autobiography
Languages : en
Pages : 176
Book Description
In nineteenth-century Paris, Charles Baudelaire provoked the excoriations of critics and was legally banned for corrupting public morality, yet he was a key influence on many later thinkers and writers, including Marcel Proust, Walter Benjamin, and T. S. Eliot. Baudelaire’s life was as controversial and vivid as his works, as Rosemary Lloyd reveals in Charles Baudelaire, a succinct yet learned recounting. Lloyd argues that Baudelaire’s writings and life were intimately intertwined—and both were powerfully informed by contemporaneous political events, from his participation in the 1848 Revolution to the public morality codes that banned his controversial writings, such as Les fleurs du mal. The book traces the influence of these events and other political moments in his poems and essays and analyzes his works in this new light. Lloyd also examines the links between Baudelaire’s works and cultural movements of the time, from the rise and fall of Romanticism to symbolism, and explores his groundbreaking translations of Edgar Allan Poe’s writings into French. Baudelaire’s tumultuous personal life figures large here, too, as Lloyd draws out fascinating aspects of his personality and daily life through analysis of archival writings of his friends and acquaintances. The book also documents his battles with syphilis and drug addiction, which ultimately resulted in his death. An engrossing and wholly readable biography, Charles Baudelaire will be essential for scholars and Baudelaire admirers alike.
Memory
Author: Bernadette Mayer
Publisher:
ISBN:
Category : Memory
Languages : en
Pages : 200
Book Description
Publisher:
ISBN:
Category : Memory
Languages : en
Pages : 200
Book Description
Baudelaire's Le Spleen de Paris
Author: MariaC. Scott
Publisher: Routledge
ISBN: 1351574353
Category : Literary Criticism
Languages : en
Pages : 271
Book Description
Maria Scott's study of the operation of irony in Baudelaire's Le Spleen de Paris contends that the principal target of the collection's spleen is its own readership. Baudelaire, as one of the most perceptive cultural commentators of the nineteenth century, was naturally very keenly aware of the growing dominance of the bourgeoisie in France, not least as a market for art and literature. Despite being dependent on this market for his own writing, the poet was highly critical of bourgeois values and attitudes. Scott builds on existing criticism of the collection to argue that these are indirectly mocked in Le Spleen de Paris, often in the person of the poet's supposed textual alter ego. The contention is that the prose poems betray the trust of readers by way of an apparent transparency of meaning that functions to blind us to their embedded irony. Though focused on Le Spleen de Paris, Scott's study engages with the full range of Baudelaire's writings, including his art and literary criticism. Her book will be of interest not only to Baudelaire scholars but also to those engaged more generally with nineteenth-century French culture.
Publisher: Routledge
ISBN: 1351574353
Category : Literary Criticism
Languages : en
Pages : 271
Book Description
Maria Scott's study of the operation of irony in Baudelaire's Le Spleen de Paris contends that the principal target of the collection's spleen is its own readership. Baudelaire, as one of the most perceptive cultural commentators of the nineteenth century, was naturally very keenly aware of the growing dominance of the bourgeoisie in France, not least as a market for art and literature. Despite being dependent on this market for his own writing, the poet was highly critical of bourgeois values and attitudes. Scott builds on existing criticism of the collection to argue that these are indirectly mocked in Le Spleen de Paris, often in the person of the poet's supposed textual alter ego. The contention is that the prose poems betray the trust of readers by way of an apparent transparency of meaning that functions to blind us to their embedded irony. Though focused on Le Spleen de Paris, Scott's study engages with the full range of Baudelaire's writings, including his art and literary criticism. Her book will be of interest not only to Baudelaire scholars but also to those engaged more generally with nineteenth-century French culture.
Reading Baudelaire's Le Spleen de Paris and the Nineteenth-Century Prose Poem
Author: Seth Whidden
Publisher: Oxford University Press
ISBN: 0192849905
Category : Literary Criticism
Languages : en
Pages : 332
Book Description
A study of Charles Baudelaire's Le spleen de Paris (1859) that explores how the practice of reading prose poems might be different from reading poetry in verse, illustrating how Baudelaire wrote texts that he considered poems and how this form shows aspects of his poetic modernity.
Publisher: Oxford University Press
ISBN: 0192849905
Category : Literary Criticism
Languages : en
Pages : 332
Book Description
A study of Charles Baudelaire's Le spleen de Paris (1859) that explores how the practice of reading prose poems might be different from reading poetry in verse, illustrating how Baudelaire wrote texts that he considered poems and how this form shows aspects of his poetic modernity.