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Author: Anirudha Bhattacherjee
Publisher: Penguin Random House India Private Limited
ISBN: 9354929745
Category : Biography & Autobiography
Languages : en
Pages : 342
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Book Description
A behind-the scenes look at Basu Chatterji's most loved films This is the enigma of Basu Chatterji. His films did not have the box-office ingredients that could make them a distributor's hot pick, nor were they art house cinema that needed unravelling over many cups of tea. He was the quintessential 'middle-of-the-road' film-maker, a genre that he founded in Bollywood. His films, whether it be Chhoti Si Baat or Rajnigandha or Chitchor, were about common people and common problems, such as employment and love, social and economic inequalities, and joint family conflicts. Like fellow cartoonist R.K. Laxman, who created the 'common man', Chatterji too was an auteur of the common man, whose journey he portrayed with charm, delicate warmth and humour. As a person, Basu was much like his common man: mild, unobtrusive and media-shy. He preferred not to scout for stars and mostly made his films with rookies, giving them respectability as artists. And today, names like Amol Palekar, Vidya Sinha, Pearl Padamsee, Zarina Wahab, Nandita Thakur, Girish Karnad, Rakesh Pandey, Bindiya Goswami and Ranjit Chowdhry have become central to the history of Indian cinema, thanks to Basu. Basu Chatterji: And Middle-of-the-Road Cinema, anecdotal in nature, goes behind the scenes of his films. It places Basu's cinema and television work in the context of the changing times, like the emergence of Rajesh Khanna, Kishore Kumar and Amitabh Bachchan, the Emergency, the return of Sarat Chandra's stories, the introduction of disco and the decadent phase of Hindi cinema in the 1980s. The book celebrates the work of one of the most underrated, yet successful, film-makers in Hindi cinema.
Author: Anirudha Bhattacherjee
Publisher: Penguin Random House India Private Limited
ISBN: 9354929745
Category : Biography & Autobiography
Languages : en
Pages : 342
Get Book Here
Book Description
A behind-the scenes look at Basu Chatterji's most loved films This is the enigma of Basu Chatterji. His films did not have the box-office ingredients that could make them a distributor's hot pick, nor were they art house cinema that needed unravelling over many cups of tea. He was the quintessential 'middle-of-the-road' film-maker, a genre that he founded in Bollywood. His films, whether it be Chhoti Si Baat or Rajnigandha or Chitchor, were about common people and common problems, such as employment and love, social and economic inequalities, and joint family conflicts. Like fellow cartoonist R.K. Laxman, who created the 'common man', Chatterji too was an auteur of the common man, whose journey he portrayed with charm, delicate warmth and humour. As a person, Basu was much like his common man: mild, unobtrusive and media-shy. He preferred not to scout for stars and mostly made his films with rookies, giving them respectability as artists. And today, names like Amol Palekar, Vidya Sinha, Pearl Padamsee, Zarina Wahab, Nandita Thakur, Girish Karnad, Rakesh Pandey, Bindiya Goswami and Ranjit Chowdhry have become central to the history of Indian cinema, thanks to Basu. Basu Chatterji: And Middle-of-the-Road Cinema, anecdotal in nature, goes behind the scenes of his films. It places Basu's cinema and television work in the context of the changing times, like the emergence of Rajesh Khanna, Kishore Kumar and Amitabh Bachchan, the Emergency, the return of Sarat Chandra's stories, the introduction of disco and the decadent phase of Hindi cinema in the 1980s. The book celebrates the work of one of the most underrated, yet successful, film-makers in Hindi cinema.
Author: Michael Peschke
Publisher: Walter de Gruyter
ISBN: 9783598249617
Category : Biography & Autobiography
Languages : en
Pages : 400
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Book Description
This Encyclopedia is the first to compile pseudonyms from all over the world, from all ages and occupations in a single work: some 500,000 pseudonyms of roughly 270,000 people are deciphered here. Besides pseudonyms in the narrower sense, initials, nick names, order names, birth and married names etc. are included. The volumes 1 to 9 list persons by their real names in alphabetical order. To make the unequivocal identification of a person easier, year and place of birth and death are provided where available, as are profession, nationality, the pseudonym under which the person was known, and finally, the sources used. The names of professions given in the source material have been translated into English especially for this encyclopaedia. In the second part, covering the volumes 10 to 16, the pseudonyms are listed alphabetically and the real names provided. Approx. 500,000 pseudonyms of about 270,000 persons First encyclopedia including pseudonyms from all over the world, all times and all occupations Essential research tool for anyone wishing to identify persons and names for his research within one single work
Author: Anirudha Bhattacharjee
Publisher: Penguin Random House India Private Limited
ISBN: 9354927971
Category : Biography & Autobiography
Languages : en
Pages : 345
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Book Description
SD, or Sachin Dev Burman, the man who gave Hindi film music its grammar, is perhaps the most enigmatic figure in Indian cine history. As the young scion of the Tripura royal family, SD struck out into the world of cinema and popular music. The early years were difficult, professionally and personally. His unconventional choice of profession and marriage to a 'commoner' caused his family to ostracize him, and his formal training was not enough to stave off rejections. This well-researched biography is both a tribute to a great artist, and a deep inquiry into what made his music great. Going well beyond merely listing his greatest songs, it explores hitherto unknown stories about the creation of each gem: 'Mera sundar sapna beet gaya' (Do Bhai, 1948); 'Thandi hawaein' (Naujawan, 1951); 'Yeh raat yeh chandni' (Jaal, 1952); 'Babu samjho ishaare' (Chalti Ka Naam Gaadi, 1958); 'Meet na mila re mann ka' (Abhiman, 1973), and more. The book is packed with insights into SD's life, work and his astute understanding of Hindi cinema. Despite the fact that he was an outsider who spoke little Hindi or Urdu, SD was the man who introduced Sahir Ludhianvi to the world, and the one who gave Kishore Kumar's musical brilliance its due. His readiness to adapt to modern sounds and techniques, his unwavering faith in Lata Mangeshkar's virtuosity, his closeness to Dev Anand that was seen as nepotism, charges of plagiarism-S.D. Burman: The Prince-Musician provides unmatched insight into both the genius of one of India's most significant composers and a crucial aspect of its glorious cinematic history. An essential addition to every film music aficionado's library.
Author: Anirudha Bhattacharjee
Publisher: Vintage Books
ISBN: 9780670096251
Category :
Languages : en
Pages : 0
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Book Description
A behind-the scenes look at Basu Chatterji's most loved films This is the enigma of Basu Chatterji. His films did not have the box-office ingredients that could make them a distributor's hot pick, nor were they art house cinema that needed unravelling over many cups of tea. He was the quintessential 'middle-of-the-road' film-maker, a genre that he founded in Bollywood. His films, whether it be Chhoti Si Baat or Rajnigandha or Chitchor, were about common people and common problems, such as employment and love, social and economic inequalities, and joint family conflicts. Like fellow cartoonist R.K. Laxman, who created the 'common man', Chatterji too was an auteur of the common man, whose journey he portrayed with charm, delicate warmth and humour. As a person, Basu was much like his common man: mild, unobtrusive and media-shy. He preferred not to scout for stars and mostly made his films with rookies, giving them respectability as artists. And today, names like Amol Palekar, Vidya Sinha, Pearl Padamsee, Zarina Wahab, Nandita Thakur, Girish Karnad, Rakesh Pandey, Bindiya Goswami and Ranjit Chowdhry have become central to the history of Indian cinema, thanks to Basu. Basu Chatterji: And Middle-of-the-Road Cinema, anecdotal in nature, goes behind the scenes of his films. It places Basu's cinema and television work in the context of the changing times, like the emergence of Rajesh Khanna, Kishore Kumar and Amitabh Bachchan, the Emergency, the return of Sarat Chandra's stories, the introduction of disco and the decadent phase of Hindi cinema in the 1980s. The book celebrates the work of one of the most underrated, yet successful, film-makers in Hindi cinema.
Author:
Publisher:
ISBN:
Category : Motion picture industry
Languages : en
Pages : 360
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Book Description
Vols. for 1984- deal with Indian films entered in the 10th- International Film Festival of India.
Author: Anirban DasGupta
Publisher: Springer Science & Business Media
ISBN: 1441958258
Category : Mathematics
Languages : en
Pages : 416
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Book Description
This book contains a little more than 20 of Debabrata Basu's most significant articles and writings. Debabrata Basu is internationally known for his highly influential and fundamental contributions to the foundations of statistics, survey sampling, sufficiency, and invariance. The major theorem bearing his name has had numerous applications to statistics and probability. The articles in this volume are reprints of the original articles, in a chronological order. The book also contains eleven commentaries written by some of the most distinguished scholars in the area of foundations and statistical inference. These commentaries are by George Casella and V. Gopal, Phil Dawid, Tom DiCiccio and Alastair Young, Malay Ghosh, Jay kadane, Glen Meeden, Robert Serfling, Jayaram Sethuraman, Terry Speed, and Alan Welsh.
Author: Sudha Tiwari
Publisher: Taylor & Francis
ISBN: 1000952061
Category : Performing Arts
Languages : en
Pages : 296
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Book Description
This book examines the relationship between the newly independent Indian state and its New Cinema movement. It looks at state formative practices articulating themselves as cultural policy. It presents an institutional history of the Film Finance Corporation (FFC), later the National Film Development Corporation (NFDC), and their patronage of the New Cinema in India, from the 1960s to the 1990s, bringing into focus an extraordinary but neglected cultural moment in Indian film history and in the history of contemporary India. The chapters not only document the artistic pursuit of cinema, but also the emergence of a larger field where the market, political inclinations of the Indian state, and the more complex determinants of culture intersect — how the New Cinema movement faced external challenges from the industrial lobby and politicians, as well as experienced deep rifts from within. It also shows how the Emergency, the Janata Party regime, economic liberalization, and the opening of airwaves all left their impact on the New Cinema. The volume will be of great interest to scholars and researchers of film studies, politics and public policy, especially cultural policy, media and culture studies, and South Asian studies.
Author: Gulazāra
Publisher: Popular Prakashan
ISBN: 9788179910665
Category : Biography & Autobiography
Languages : en
Pages : 692
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Book Description
The Encyclopaedia Which Brings Together An Array Of Experts, Gives A Perspective On The Fascinating Journey Of Hindi Cinema From The Turn Of The Last Century To Becoming A Leader In The World Of Celluloid.
Author: Laurence Raw
Publisher: Univ. Press of Mississippi
ISBN: 1617032387
Category : Performing Arts
Languages : en
Pages : 219
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Book Description
Merchant-Ivory: Interviews gathers together, for the first time, interviews made over a span of fifty years with director James Ivory (b. 1928), producer Ismail Merchant (1936–2005), and screenwriter Ruth Prawer Jhabvala (1927–2013). Beginning with their earliest work in India, and ending with James Ivory's last film, The City of Your Final Destination (2009), the book traces their career, while offering valuable insights into their creative filmmaking process. The volume serves as a corrective to the prevailing critical orthodoxy attached to Merchant-Ivory's work, which tends to regard them as being solely concerned with historically accurate costumes and settings. As independent filmmakers, they have developed an idiosyncratic approach that resists facile classification. Merchant-Ivory have insisted on maintaining their independence. More importantly, this book shows how Merchant-Ivory have always taken considerable care in casting their films, as well as treating actors with respect. This is a deliberate policy, designed to bring out one of the triumvirate's principal thematic concerns, running throughout their work—the impact of the “clash of cultures” on individuals. Partly this has been inspired by their collective experiences of living and working in different cultures. They do not offer any answers to this issue; rather they believe that their task is simply to raise awareness; to make filmgoers conscious of the importance of cultural sensitivities that assume paramount significance in any exchange, whether verbal or nonverbal.
Author: Hema Malini
Publisher: Roli Books Private Limited
ISBN: 9351940489
Category : Biography & Autobiography
Languages : en
Pages : 221
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Book Description
Hema Malini, the quintessential 'Dream Girl'of Hindi cinema, has truly nurtured a dream and followed it to its realization. After being unceremoniously dropped from her first Tamil film as the director felt that she didn't have 'star quality', Hema signed the Hindi film she was offered opposite Raj Kapoor. Just eighteen, she soon conquered the hearts of all moviegoers with her beauty, grace and charisma. From Johnny Mera Naam to Sholay, from Meera to Baghbaan, she has portrayed a diverse range of characters that will always remain a part of film legend. Raj Kapoor, Dev Anand, Sanjeev Kumar . she worked with all the leading stars, but it was with Dharmendra that the chemistry on screen was palpable. The special bond she shared with Dharmendra set the rumour mills buzzing, and defying all conventions, Hema married her Jat hero in May 1980. Striking a perfect balance between her personal and professional life, Hema maintains a dignity about the little world she shares with daughters Esha and Ahana. This intimate portrayal, the first authorized biography, by Bhawana Somaaya is a result of her long years of association with Hema as a film journalist and critic. Hema speaks to Bhawana more candidly than ever before about her life, with and without Dharmendra, her children, her mother and her twin passions of dance and acting.
