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Author: Edward Carrick
Publisher: [England] : Bledlow Press
ISBN:
Category : Architecture
Languages : en
Pages : 140
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Book Description
Author: Edward Carrick
Publisher: [England] : Bledlow Press
ISBN:
Category : Architecture
Languages : en
Pages : 140
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Book Description
Author: Eugene J. Johnson
Publisher: Cambridge University Press
ISBN: 1108421741
Category : Architecture
Languages : en
Pages : 349
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Book Description
This book examines the invention of the architecture of the modern opera house in Italy between the late fifteenth and late seventeenth centuries.
Author: Paul Kuritz
Publisher: PAUL KURITZ
ISBN: 9780135478615
Category : Performing Arts
Languages : en
Pages : 478
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Book Description
Author: Dorita Hannah
Publisher: Routledge
ISBN: 1135053774
Category : Performing Arts
Languages : en
Pages : 312
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Book Description
As the symbolists, constructivists and surrealists of the historical avant-garde began to abandon traditional theatre spaces and embrace the more contingent locations of the theatrical and political ‘event’, the built environment of a performance became not only part of the event, but an event in and of itself. Event-Space radically re-evaluates the avant garde’s championing of nonrepresentational spaces, drawing on the specific fields of performance studies and architectural studies to establish a theory of ‘performative architecture’. ‘Event’ was of immense significance to modernism’s revolutionary agenda, resisting realism and naturalism – and, simultaneously, the monumentality of architecture itself. Event-Space analyzes a number of spatiotemporal models central to that revolution, both illuminating the history of avant-garde performance and inspiring contemporary approaches to performance space.
Author: Aphra Behn
Publisher: Joe Books Ltd
ISBN: 1987955684
Category : Drama
Languages : en
Pages : 190
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Book Description
The magic of Naples during Carnival inspires love between a disparate group of local citizens and visiting Englishmen.
Author: Margarete Baur-Heinhold
Publisher: New York : McGraw-Hill
ISBN:
Category : Theater
Languages : en
Pages : 352
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Book Description
Author: Barnard Hewitt
Publisher: Literary Licensing, LLC
ISBN: 9781258153434
Category :
Languages : en
Pages : 268
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Book Description
Additional Translator Is George R. Kernodle.
Author: Susan Crabtree
Publisher: Taylor & Francis
ISBN: 0240804627
Category : Art
Languages : en
Pages : 466
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Book Description
With plenty of hints and tips, 'Scenic Art for the Theatre' is an easily understood textbook for students and professionals alike who want to know more about set design and the history of scenic artistry.
Author: Rebecca Harris-Warrick
Publisher: Cambridge University Press
ISBN: 1107137896
Category : Music
Languages : en
Pages : 505
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Book Description
Examines the evolving practices in music, librettos, choreographed dance, and staging throughout the history of French Baroque opera.
Author: Eugenio Barba
Publisher: BRILL
ISBN: 9004392939
Category : Drama
Languages : en
Pages : 420
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Book Description
The Five Continents of Theatre undertakes the exploration of the material culture of the actor, which involves the actors’ pragmatic relations and technical functionality, their behaviour, the norms and conventions that interact with those of the audience and the society in which actors and spectators equally take part. The material culture of the actor is organised around body-mind techniques (see A Dictionary of Theatre Anthropology by the same authors) and auxiliary techniques whose variety concern: ■ the diverse circumstances that generate theatre performances: festive or civil occasions, celebrations of power, popular feasts such as carnival, calendar recurrences such as New Year, spring and summer festivals; ■ the financial and organisational aspects: costs, contracts, salaries, impresarios, tickets, subscriptions, tours; ■ the information to be provided to the public: announcements, posters, advertising, parades; ■ the spaces for the performance and those for the spectators: performing spaces in every possible sense of the term; ■ sets, lighting, sound, makeup, costumes, props; ■ the relations established between actor and spectator; ■ the means of transport adopted by actors and even by spectators. Auxiliary techniques repeat themselves not only throughout different historical periods, but also across all theatrical traditions. Interacting dialectically in the stratification of practices, they respond to basic needs that are common to all traditions when a performance has to be created and staged. A comparative overview of auxiliary techniques shows that the material culture of the actor, with its diverse processes, forms and styles, stems from the way in which actors respond to those same practical needs. The authors’ research for this aspect of theatre anthropology was based on examination of practices, texts and of 1400 images, chosen as exemplars.
