The Barnes Collection

The Barnes Collection PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 8

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The Barnes Collection

The Barnes Collection PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 8

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Book Description


Catalogue of the Collection: Precursors of the cinema

Catalogue of the Collection: Precursors of the cinema PDF Author: Barnes Museum of Cinematography
Publisher:
ISBN:
Category : Cinematography
Languages : en
Pages :

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Barnes Museum of Cinematography

Barnes Museum of Cinematography PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Catalogue of the Collections

Catalogue of the Collections PDF Author: Barnes Museum of Cinematography
Publisher:
ISBN:
Category : Cinematography
Languages : en
Pages : 0

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The Barnes Foundation: Masterworks

The Barnes Foundation: Masterworks PDF Author: Judith F. Dolkart
Publisher: Rizzoli Publications
ISBN: 0847838064
Category : Art
Languages : en
Pages : 377

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Book Description
The Barnes Foundation, established by scientist, entrepreneur, and educator Dr. Albert C. Barnes in 1922, is home to a legendary art collection. Barnes assembled one of the world’s largest and finest groups of post-impressionist and early modern paintings, with holdings by such luminaries as Renoir, Cézanne, Matisse, Picasso, Rousseau, Modigliani, Soutine, Manet, Monet, Seurat, Degas, Van Gogh, and Gauguin. The Foundation’s collection also holds significant examples of American art, including works by Demuth, Glackens, and the Prendergasts; African sculpture; Native American ceramics, jewelry, and textiles; Asian paintings, prints, and sculptures; medieval manuscripts and sculptures; Old Master paintings by El Greco, Rubens, Titian, and others; ancient Egyptian, Greek, and Roman art; and American and European decorative arts and metalwork. The presentation of the collection reflects Barnes’s educational and aesthetic approach: symmetrical “ensembles,” or wall compositions, combine works of different periods, mediums, cultures, and styles for the purpose of comparison and study. Texts by Judith F. Dolkart and Martha Lucy explore the Barnes Foundation’s collection, educational mission, ensembles, and individual works. Large color plates, little-seen archival photographs, and numerous gatefolds illustrate 150 of the greatest hits of the collection and twenty gallery ensembles.

Precursors of the Cinema; Shadow-graphy Panoramas, Dioramas and Peep-shows Considered in Their Relation to the History of the Cinema

Precursors of the Cinema; Shadow-graphy Panoramas, Dioramas and Peep-shows Considered in Their Relation to the History of the Cinema PDF Author: Barnes Museum of Cinematography
Publisher:
ISBN:
Category : Cinematography
Languages : en
Pages : 68

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Catalogue of the collection

Catalogue of the collection PDF Author: Barnes Museum of Cinematography
Publisher:
ISBN: 9780901014016
Category : Cinematography
Languages : en
Pages : 70

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Cézanne in the Barnes Foundation

Cézanne in the Barnes Foundation PDF Author: André Dombrowski
Publisher: Rizzoli Publications
ISBN: 084786488X
Category : Art
Languages : en
Pages : 0

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Book Description
A monumental volume devoted to one of the world’s largest and most spectacular collections of Cézannes. The Barnes Foundation’s holdings of works by the renowned Post-Impressionist Paul Cézanne (1839–1906)—sixty-one oils on canvas and eight works on paper—are among the most significant in the world. The Barnes Foundation was established in 1922 by scientist, entrepreneur, and educator Dr. Albert C. Barnes, a passionate supporter of European modernism. His virtually unrivaled collection, which can only be viewed at the Barnes Foundation, also includes exceptional paintings by Pierre-Auguste Renoir, Henri Matisse, Pablo Picasso, and many others. Beginning in 1912, Barnes acquired works by Cézanne from major Paris dealers such as Paul Durand-Ruel and soon ranked among the artist’s most prominent collectors. At the time, this expressed a pioneering taste that Barnes shared with only a small group of enthusiasts, even though Cézanne had been posthumously hailed as a father of modern art at the turn of the twentieth century. The foundation’s impressive holdings of Cézannes—never before published in a single study in their entirety—span every period of the artist’s career and include his largest rendition of The Card Players and one of the three versions of The Large Bathers, one of his signal testaments. This lavishly illustrated landmark volume is both a work on Cézanne and his time, and an impetus for further study of an artist whose oeuvre is at once luminous, austere, challenging, and deeply confounding.

The Barnes Foundation Handbook

The Barnes Foundation Handbook PDF Author: The Barnes Foundation
Publisher:
ISBN: 9781736125205
Category :
Languages : en
Pages :

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Book Description
The Barnes Foundation HandbookPaperback; 224 pages; 6 x 9 in.The Barnes Foundation Handbook is a compact, portable introduction to our renowned collection of art and objects. This lavishly illustrated book offers a room-by-room tour of the Barnes Foundation, with concise entries on 172 works in the collection ranging from important paintings by Vincent van Gogh, Paul Cézanne, Pierre-Auguste Renoir, Henri Matisse, and others, to metalwork, ceramics, textiles, furniture, and sculptures from Africa, Asia, and North America. An introduction and an essay on Dr. Albert Barnes's unique approach to displaying works of art place these objects in the larger context of the Barnes Foundation and its educational mission.

The Beginnings of the Cinema in England, 1894-1901: 1894-1896

The Beginnings of the Cinema in England, 1894-1901: 1894-1896 PDF Author: John Barnes
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 320

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Book Description
Describing in detail one of the most inventive periods in the history of English cinema, the volumes in this celebrated series are already established as classics in their field. Each volume details the highlights of a single cinematic year, including details of production, manufacturers of equipment, dealers and exhibitors. This is augmented by numerous carefully chosen illustrations and a comprehensive filmography of English films, fiction and non-fiction, for the year. Taking the Kinetoscope as its point of departure, Volume 1 explores in depth the progress made in the field of cinematography up until the end of 1896, by which time the film had become the main attraction of almost every major music hall in Great Britain. The contribution made by inventors such as R.W. Paul and Birt Acres is discussed in detail, as is also the work of hitherto forgotten pioneers of the British film.