Author: Timothy Long
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 248
Book Description
Greeks divided the world into Greece vs. the land of foreigners, into Hellenes vs. barbarians, seeing their country as a bastion of culture, learning, and military might surrounded by a sea of the uncivilized. Long shows how comedy expressed the Greek feeling of superiority over the barbarians, how it dealt with the so-called barbarian-Hellene antithesis. The result is a contribution to the study of ancient Greek comedy--both the comedy itself and the beliefs, the prejudices, the limitations, and the variety in the society from which the plays emerged. The comedians' responses to the barbarians ranged from idealization to neutrality to raw racism. Although contemptuous of barbarians, the Hellenes could not keep elements of foreign culture from entering their own. Long's major contention is that the Greek reaction to Oriental and other foreign influence can be seen in the treatment of barbarians in Greek comedy.
Barbarians in Greek Comedy
Author: Timothy Long
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 248
Book Description
Greeks divided the world into Greece vs. the land of foreigners, into Hellenes vs. barbarians, seeing their country as a bastion of culture, learning, and military might surrounded by a sea of the uncivilized. Long shows how comedy expressed the Greek feeling of superiority over the barbarians, how it dealt with the so-called barbarian-Hellene antithesis. The result is a contribution to the study of ancient Greek comedy--both the comedy itself and the beliefs, the prejudices, the limitations, and the variety in the society from which the plays emerged. The comedians' responses to the barbarians ranged from idealization to neutrality to raw racism. Although contemptuous of barbarians, the Hellenes could not keep elements of foreign culture from entering their own. Long's major contention is that the Greek reaction to Oriental and other foreign influence can be seen in the treatment of barbarians in Greek comedy.
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 248
Book Description
Greeks divided the world into Greece vs. the land of foreigners, into Hellenes vs. barbarians, seeing their country as a bastion of culture, learning, and military might surrounded by a sea of the uncivilized. Long shows how comedy expressed the Greek feeling of superiority over the barbarians, how it dealt with the so-called barbarian-Hellene antithesis. The result is a contribution to the study of ancient Greek comedy--both the comedy itself and the beliefs, the prejudices, the limitations, and the variety in the society from which the plays emerged. The comedians' responses to the barbarians ranged from idealization to neutrality to raw racism. Although contemptuous of barbarians, the Hellenes could not keep elements of foreign culture from entering their own. Long's major contention is that the Greek reaction to Oriental and other foreign influence can be seen in the treatment of barbarians in Greek comedy.
The Cambridge Companion to Greek Comedy
Author: Martin Revermann
Publisher: Cambridge University Press
ISBN: 0521760283
Category : Drama
Languages : en
Pages : 523
Book Description
This book provides a unique panorama of this challenging area of Greek literature, combining literary perspectives with historical issues and material culture.
Publisher: Cambridge University Press
ISBN: 0521760283
Category : Drama
Languages : en
Pages : 523
Book Description
This book provides a unique panorama of this challenging area of Greek literature, combining literary perspectives with historical issues and material culture.
Greeks And Barbarians
Author: Harrison Thomas Harrison
Publisher: Edinburgh University Press
ISBN: 1474468918
Category : Greece
Languages : en
Pages : 288
Book Description
How did the Greeks view foreign peoples? This book considers what the Greeks thought of foreigners and their religions, cultures and politics, and what these beliefs and opinions reveal about the Greeks. The Greeks were occasionally intrigued by the customs and religions of the many different peoples with whom they came into contact; more often they were disdainful or dismissive, tending to regard non-Greeks as at best inferior, and at worst as candidates for conquest and enslavement. Facing up to this less attractive aspect of the classical tradition is vital, Thomas Harrison argues, to seeing both what the ancient world was really like and the full nature of its legacy in the modern. In this book he brings together outstanding European and American scholarship to show the difference and complexity of Greek representations of foreign peoples - or barbarians, as the Greeks called them - and how these representations changed over time.The book looks first at the main sources: the Histories of Herodotus, Greek tragedy, and Athenian art. Part II examines how the Greeks distinguished themselves from barbarians through myth, language and religion. Part III considers Greek representations of two different barbarian peoples - the allegedly decadent and effeminate Persians, and the Egyptians, proverbial for their religious wisdom. In part IV three chapters trace the development of the Greek-barbarian antithesis in later history: in nineteenth-century scholarship, in Byzantine and modern Greece, and in western intellectual history.Of the twelve chapters six are published in English for the first time. The editor has provided an extensive general introduction, as well as introductions to the parts. The book contains two maps, a guide to further reading and an intellectual chronology. All passages of ancient languages are translated, and difficult terms are explained.
Publisher: Edinburgh University Press
ISBN: 1474468918
Category : Greece
Languages : en
Pages : 288
Book Description
How did the Greeks view foreign peoples? This book considers what the Greeks thought of foreigners and their religions, cultures and politics, and what these beliefs and opinions reveal about the Greeks. The Greeks were occasionally intrigued by the customs and religions of the many different peoples with whom they came into contact; more often they were disdainful or dismissive, tending to regard non-Greeks as at best inferior, and at worst as candidates for conquest and enslavement. Facing up to this less attractive aspect of the classical tradition is vital, Thomas Harrison argues, to seeing both what the ancient world was really like and the full nature of its legacy in the modern. In this book he brings together outstanding European and American scholarship to show the difference and complexity of Greek representations of foreign peoples - or barbarians, as the Greeks called them - and how these representations changed over time.The book looks first at the main sources: the Histories of Herodotus, Greek tragedy, and Athenian art. Part II examines how the Greeks distinguished themselves from barbarians through myth, language and religion. Part III considers Greek representations of two different barbarian peoples - the allegedly decadent and effeminate Persians, and the Egyptians, proverbial for their religious wisdom. In part IV three chapters trace the development of the Greek-barbarian antithesis in later history: in nineteenth-century scholarship, in Byzantine and modern Greece, and in western intellectual history.Of the twelve chapters six are published in English for the first time. The editor has provided an extensive general introduction, as well as introductions to the parts. The book contains two maps, a guide to further reading and an intellectual chronology. All passages of ancient languages are translated, and difficult terms are explained.
Barbarian or Greek?
Author: Stamenka Antonova
Publisher: BRILL
ISBN: 9004306242
Category : Religion
Languages : en
Pages : 348
Book Description
In her book Barbarian or Greek?: The Charge of Barbarism and Early Christian Apologetics, Stamenka Antonova examines different aspects of the charge of barbarism in the Greek and Latin Christian apologetic texts (2-4th centuries) and the various responses to it by the early Christians. The author demonstrates that the charge of barbarism encompasses a broad range of meanings, such as low social class, inadequate education, immorality, criminal activity, political treason, as well as foreign ethnicity and language. In addition to contextualizing the charge of barbarism in ancient rhetorical practices, the author also applies literary criticism and post-colonial theory to shed light on the concept of the barbarian as an ideological-rhetorical tool for othering, marginalization and persecution in the Roman Empire.
Publisher: BRILL
ISBN: 9004306242
Category : Religion
Languages : en
Pages : 348
Book Description
In her book Barbarian or Greek?: The Charge of Barbarism and Early Christian Apologetics, Stamenka Antonova examines different aspects of the charge of barbarism in the Greek and Latin Christian apologetic texts (2-4th centuries) and the various responses to it by the early Christians. The author demonstrates that the charge of barbarism encompasses a broad range of meanings, such as low social class, inadequate education, immorality, criminal activity, political treason, as well as foreign ethnicity and language. In addition to contextualizing the charge of barbarism in ancient rhetorical practices, the author also applies literary criticism and post-colonial theory to shed light on the concept of the barbarian as an ideological-rhetorical tool for othering, marginalization and persecution in the Roman Empire.
Menander, New Comedy and the Visual
Author: Antonis K. Petrides
Publisher: Cambridge University Press
ISBN: 1107068436
Category : History
Languages : en
Pages : 335
Book Description
This book shows how both verbal and visual allusion position the plays of New Comedy within the context of contemporary polis culture.
Publisher: Cambridge University Press
ISBN: 1107068436
Category : History
Languages : en
Pages : 335
Book Description
This book shows how both verbal and visual allusion position the plays of New Comedy within the context of contemporary polis culture.
Fragmentation in Ancient Greek Drama
Author: Anna A. Lamari
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 311062169X
Category : Literary Criticism
Languages : en
Pages : 734
Book Description
This volume examines whether dramatic fragments should be approached as parts of a greater whole or as self-contained entities. It comprises contributions by a broad spectrum of international scholars: by young researchers working on fragmentary drama as well as by well-known experts in this field. The volume explores another kind of fragmentation that seems already to have been embraced by the ancient dramatists: quotations extracted from their context and immersed in a new whole, in which they work both as cohesive unities and detachable entities. Sections of poetic works circulated in antiquity not only as parts of a whole, but also independently, i.e. as component fractions, rather like quotations on facebook today. Fragmentation can thus be seen operating on the level of dissociation, but also on the level of cohesion. The volume investigates interpretive possibilities, quotation contexts, production and reception stages of fragmentary texts, looking into the ways dramatic fragments can either increase the depth of fragmentation or strengthen the intensity of cohesion.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 311062169X
Category : Literary Criticism
Languages : en
Pages : 734
Book Description
This volume examines whether dramatic fragments should be approached as parts of a greater whole or as self-contained entities. It comprises contributions by a broad spectrum of international scholars: by young researchers working on fragmentary drama as well as by well-known experts in this field. The volume explores another kind of fragmentation that seems already to have been embraced by the ancient dramatists: quotations extracted from their context and immersed in a new whole, in which they work both as cohesive unities and detachable entities. Sections of poetic works circulated in antiquity not only as parts of a whole, but also independently, i.e. as component fractions, rather like quotations on facebook today. Fragmentation can thus be seen operating on the level of dissociation, but also on the level of cohesion. The volume investigates interpretive possibilities, quotation contexts, production and reception stages of fragmentary texts, looking into the ways dramatic fragments can either increase the depth of fragmentation or strengthen the intensity of cohesion.
The Invention of Racism in Classical Antiquity
Author: Benjamin Isaac
Publisher: Princeton University Press
ISBN: 140084956X
Category : History
Languages : en
Pages : 592
Book Description
There was racism in the ancient world, after all. This groundbreaking book refutes the common belief that the ancient Greeks and Romans harbored "ethnic and cultural," but not racial, prejudice. It does so by comprehensively tracing the intellectual origins of racism back to classical antiquity. Benjamin Isaac's systematic analysis of ancient social prejudices and stereotypes reveals that some of those represent prototypes of racism--or proto-racism--which in turn inspired the early modern authors who developed the more familiar racist ideas. He considers the literature from classical Greece to late antiquity in a quest for the various forms of the discriminatory stereotypes and social hatred that have played such an important role in recent history and continue to do so in modern society. Magisterial in scope and scholarship, and engagingly written, The Invention of Racism in Classical Antiquity further suggests that an understanding of ancient attitudes toward other peoples sheds light not only on Greco-Roman imperialism and the ideology of enslavement (and the concomitant integration or non-integration) of foreigners in those societies, but also on the disintegration of the Roman Empire and on more recent imperialism as well. The first part considers general themes in the history of discrimination; the second provides a detailed analysis of proto-racism and prejudices toward particular groups of foreigners in the Greco-Roman world. The last chapter concerns Jews in the ancient world, thus placing anti-Semitism in a broader context.
Publisher: Princeton University Press
ISBN: 140084956X
Category : History
Languages : en
Pages : 592
Book Description
There was racism in the ancient world, after all. This groundbreaking book refutes the common belief that the ancient Greeks and Romans harbored "ethnic and cultural," but not racial, prejudice. It does so by comprehensively tracing the intellectual origins of racism back to classical antiquity. Benjamin Isaac's systematic analysis of ancient social prejudices and stereotypes reveals that some of those represent prototypes of racism--or proto-racism--which in turn inspired the early modern authors who developed the more familiar racist ideas. He considers the literature from classical Greece to late antiquity in a quest for the various forms of the discriminatory stereotypes and social hatred that have played such an important role in recent history and continue to do so in modern society. Magisterial in scope and scholarship, and engagingly written, The Invention of Racism in Classical Antiquity further suggests that an understanding of ancient attitudes toward other peoples sheds light not only on Greco-Roman imperialism and the ideology of enslavement (and the concomitant integration or non-integration) of foreigners in those societies, but also on the disintegration of the Roman Empire and on more recent imperialism as well. The first part considers general themes in the history of discrimination; the second provides a detailed analysis of proto-racism and prejudices toward particular groups of foreigners in the Greco-Roman world. The last chapter concerns Jews in the ancient world, thus placing anti-Semitism in a broader context.
Classical Greek and Roman Drama
Author: Robert J. Forman
Publisher: Scarecrow Press
ISBN: 9780893566593
Category : Drama
Languages : en
Pages : 258
Book Description
An essential companion for the student of literature. Works selected include the best-known works of the classical Greek and Roman theatre.
Publisher: Scarecrow Press
ISBN: 9780893566593
Category : Drama
Languages : en
Pages : 258
Book Description
An essential companion for the student of literature. Works selected include the best-known works of the classical Greek and Roman theatre.
Rome, China, and the Barbarians
Author: Randolph B. Ford
Publisher: Cambridge University Press
ISBN: 1108596606
Category : History
Languages : en
Pages : 391
Book Description
This book addresses a largely untouched historical problem: the fourth to fifth centuries AD witnessed remarkably similar patterns of foreign invasion, conquest, and political fragmentation in Rome and China. Yet while the Western Roman Empire was never reestablished, China was reunified at the end of the sixth century. Following a comparative discussion of earlier historiographical and ethnographic traditions in the classical Greco-Roman and Chinese worlds, the book turns to the late antique/early medieval period, when the Western Roman Empire 'fell' and China was reconstituted as a united empire after centuries of foreign conquest and political division. Analyzing the discourse of ethnic identity in the historical texts of this later period, with original translations by the author, the book explores the extent to which notions of Self and Other, of 'barbarian' and 'civilized', help us understand both the transformation of the Roman world as well as the restoration of a unified imperial China.
Publisher: Cambridge University Press
ISBN: 1108596606
Category : History
Languages : en
Pages : 391
Book Description
This book addresses a largely untouched historical problem: the fourth to fifth centuries AD witnessed remarkably similar patterns of foreign invasion, conquest, and political fragmentation in Rome and China. Yet while the Western Roman Empire was never reestablished, China was reunified at the end of the sixth century. Following a comparative discussion of earlier historiographical and ethnographic traditions in the classical Greco-Roman and Chinese worlds, the book turns to the late antique/early medieval period, when the Western Roman Empire 'fell' and China was reconstituted as a united empire after centuries of foreign conquest and political division. Analyzing the discourse of ethnic identity in the historical texts of this later period, with original translations by the author, the book explores the extent to which notions of Self and Other, of 'barbarian' and 'civilized', help us understand both the transformation of the Roman world as well as the restoration of a unified imperial China.
Barbarian: Explorations of a Western Concept in Theory, Literature, and the Arts
Author: Markus Winkler
Publisher: Springer Nature
ISBN: 3476046117
Category : Literary Criticism
Languages : en
Pages : 501
Book Description
Since Greek antiquity, the ‘barbarian’ captivates the Western imaginary and operates as the antipode against which self-proclaimed civilized groups define themselves. Therefore, the study of the cultural history of barbarism is a simultaneous exploration of the shifting contours of European identity. This two-volume co-authored study explores the history of the concept ‘barbarism’ from the 18th century to the present and illuminates its foundational role in modern European and Western identity. It constitutes an original comparative, interdisciplinary exploration of the concept’s modern European and Western history, with emphasis on the role of literature in the concept’s shifting functions. Critically responding to the contemporary popularity of the term ‘barbarian' in political rhetoric and the media, and its violent, exclusionary workings, the study contributes to a historically grounded understanding of this figure’s past and contemporary uses. It combines overviews with detailed analyses of representative works of literature, art, film, philosophy, political and cultural theory, in which “barbarism” figures prominently.
Publisher: Springer Nature
ISBN: 3476046117
Category : Literary Criticism
Languages : en
Pages : 501
Book Description
Since Greek antiquity, the ‘barbarian’ captivates the Western imaginary and operates as the antipode against which self-proclaimed civilized groups define themselves. Therefore, the study of the cultural history of barbarism is a simultaneous exploration of the shifting contours of European identity. This two-volume co-authored study explores the history of the concept ‘barbarism’ from the 18th century to the present and illuminates its foundational role in modern European and Western identity. It constitutes an original comparative, interdisciplinary exploration of the concept’s modern European and Western history, with emphasis on the role of literature in the concept’s shifting functions. Critically responding to the contemporary popularity of the term ‘barbarian' in political rhetoric and the media, and its violent, exclusionary workings, the study contributes to a historically grounded understanding of this figure’s past and contemporary uses. It combines overviews with detailed analyses of representative works of literature, art, film, philosophy, political and cultural theory, in which “barbarism” figures prominently.