Author: Jessica Gunderson
Publisher: The Creative Company
ISBN: 9781583416112
Category : Juvenile Nonfiction
Languages : en
Pages : 48
Book Description
Presents an introduction to Impressionism, describing the art movement's basic tenets, how and when it started, and its most significant artists.
Impressionism
Author: Jessica Gunderson
Publisher: The Creative Company
ISBN: 9781583416112
Category : Juvenile Nonfiction
Languages : en
Pages : 48
Book Description
Presents an introduction to Impressionism, describing the art movement's basic tenets, how and when it started, and its most significant artists.
Publisher: The Creative Company
ISBN: 9781583416112
Category : Juvenile Nonfiction
Languages : en
Pages : 48
Book Description
Presents an introduction to Impressionism, describing the art movement's basic tenets, how and when it started, and its most significant artists.
Renoir, My Father
Author: Jean Renoir
Publisher: New York Review of Books
ISBN: 9780940322776
Category : Biography & Autobiography
Languages : en
Pages : 472
Book Description
In this delightful memoir, Jean Renoir, the director of such masterpieces of the cinema as Grand Illusion and The Rules of the Game, tells the life story of his father, Pierre-Auguste Renoir, the great Impressionist painter. Recounting Pierre-Auguste's extraordinary career, beginning as a painter of fans and porcelain, recording the rules of thumb by which he worked, and capturing his unpretentious and wonderfully engaging talk and personality, Jean Renoir's book is both a wonderful double portrait of father and son and, in the words of the distinguished art historian John Golding, it "remains the best account of Renoir, and, furthermore, among the most beautiful and moving biographies we have." Includes 12 pages of color plates and 18 pages of black and white images.
Publisher: New York Review of Books
ISBN: 9780940322776
Category : Biography & Autobiography
Languages : en
Pages : 472
Book Description
In this delightful memoir, Jean Renoir, the director of such masterpieces of the cinema as Grand Illusion and The Rules of the Game, tells the life story of his father, Pierre-Auguste Renoir, the great Impressionist painter. Recounting Pierre-Auguste's extraordinary career, beginning as a painter of fans and porcelain, recording the rules of thumb by which he worked, and capturing his unpretentious and wonderfully engaging talk and personality, Jean Renoir's book is both a wonderful double portrait of father and son and, in the words of the distinguished art historian John Golding, it "remains the best account of Renoir, and, furthermore, among the most beautiful and moving biographies we have." Includes 12 pages of color plates and 18 pages of black and white images.
Impressionism
Author: John House
Publisher: Yale University Press
ISBN: 9780300102406
Category : History
Languages : en
Pages : 272
Book Description
A new perspective on Impressionist art that offers revealing, fresh interpretations of familiar paintings In this handsome book, a leading authority on Impressionist painting offers a new view of this admired and immensely popular art form. John House examines the style and technique, subject matter and imagery, exhibiting and marketing strategies, and social, political, and ideological contexts of Impressionism in light of the perspectives that have been brought to it in the last twenty years. When all of these diverse approaches are taken into account, he argues, Impressionism can be seen as a movement that challenged both artistic and political authority with its uncompromisingly modern subject matter and its determinedly secular worldview. Moving from the late 1860s to the early 1880s, House analyzes the paintings and career strategies of the leading Impressionist artists, pointing out the ways in which they countered the dominant conventions of the contemporary art world and evolved their distinctive and immediately recognizable manner of painting. Focusing closely on the technique, composition, and imagery of the paintings themselves and combining this fresh appraisal with recent historical studies of Impressionism, House explores how pictorial style could generate social and political meanings and opens new ways of looking at this luminous art.
Publisher: Yale University Press
ISBN: 9780300102406
Category : History
Languages : en
Pages : 272
Book Description
A new perspective on Impressionist art that offers revealing, fresh interpretations of familiar paintings In this handsome book, a leading authority on Impressionist painting offers a new view of this admired and immensely popular art form. John House examines the style and technique, subject matter and imagery, exhibiting and marketing strategies, and social, political, and ideological contexts of Impressionism in light of the perspectives that have been brought to it in the last twenty years. When all of these diverse approaches are taken into account, he argues, Impressionism can be seen as a movement that challenged both artistic and political authority with its uncompromisingly modern subject matter and its determinedly secular worldview. Moving from the late 1860s to the early 1880s, House analyzes the paintings and career strategies of the leading Impressionist artists, pointing out the ways in which they countered the dominant conventions of the contemporary art world and evolved their distinctive and immediately recognizable manner of painting. Focusing closely on the technique, composition, and imagery of the paintings themselves and combining this fresh appraisal with recent historical studies of Impressionism, House explores how pictorial style could generate social and political meanings and opens new ways of looking at this luminous art.
Paris
Author: Mary McAuliffe
Publisher: Rowman & Littlefield
ISBN: 1538173344
Category : History
Languages : en
Pages : 305
Book Description
Follow in the footsteps of history to discover the hidden places, extraordinary people, and captivating stories of Paris. Paris: Secret Gardens, Hidden Places, and Stories of the City of Light, Mary McAuliffe’s multilayered exploration of Paris, weaves a narrative that takes the reader into secret and hidden places, even in the midst of the most well-known Paris destinations. McAuliffe’s hidden places can be small but are always revealing, whether a bas-relief on an ignored corner of Notre-Dame or an overlooked courtyard inside an ancient and busy hospital. She takes the reader below the streets and sidewalks of Paris to discover ancient aqueducts and a lost river, and she prompts the reader to notice overlooked treasures in the most trafficked of museums. Always, McAuliffe’s focus is on people and their stories. Evil queens, designing noblemen, bold chevaliers, and desperate lovers mingle with Resistance fighters and obsessed artists rising out of abject poverty into unexpected fame and fortune, adding to the tidal wave of creativity that is the lifeblood of the City of Light. One person, place, and story lead to another, each linked by a common thread within the layered richness of Paris’s past. The story of Paris is not a chronology but an exploration of the many layers of this remarkable city throughout the ages.
Publisher: Rowman & Littlefield
ISBN: 1538173344
Category : History
Languages : en
Pages : 305
Book Description
Follow in the footsteps of history to discover the hidden places, extraordinary people, and captivating stories of Paris. Paris: Secret Gardens, Hidden Places, and Stories of the City of Light, Mary McAuliffe’s multilayered exploration of Paris, weaves a narrative that takes the reader into secret and hidden places, even in the midst of the most well-known Paris destinations. McAuliffe’s hidden places can be small but are always revealing, whether a bas-relief on an ignored corner of Notre-Dame or an overlooked courtyard inside an ancient and busy hospital. She takes the reader below the streets and sidewalks of Paris to discover ancient aqueducts and a lost river, and she prompts the reader to notice overlooked treasures in the most trafficked of museums. Always, McAuliffe’s focus is on people and their stories. Evil queens, designing noblemen, bold chevaliers, and desperate lovers mingle with Resistance fighters and obsessed artists rising out of abject poverty into unexpected fame and fortune, adding to the tidal wave of creativity that is the lifeblood of the City of Light. One person, place, and story lead to another, each linked by a common thread within the layered richness of Paris’s past. The story of Paris is not a chronology but an exploration of the many layers of this remarkable city throughout the ages.
Art in America
Author: Frank Jewett Mather
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 282
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 282
Book Description
The Little Renoir
Author: Catherine de Duve
Publisher: Kate'Art Éditions
ISBN: 2875750658
Category : Education
Languages : en
Pages : 59
Book Description
Discover Renoir's life and work as you read, draw and play The joy of painting It’s the bohemian lifestyle. The artist’s life... Renoir and his friends lived in an artist’s studio in Paris. They created with Claude Monet the first impressionist landscapes. Visit the Louvre with Renoir. Dance at the Moulin de la Galette. Lunch with the boatmen. Applaud at the opera. Travel in the land of the sun. And paint the sweetness of life together with Renoir... Dance at Le Moulin de la Galette, Luncheon of the Boating Party, impressionism: share a fun moment with your family while discovering Renoir's major paintings thanks to this richly illustrated book! ABOUT THE COLLECTION Put yourself in the shoes of an artist or an explorer and learn all there is to know about art and history! Whether it is as a museum guide, a temporary exhibition catalog or a monograph, each book from the "Happy Museum" collection can be read while visiting a museum, an exhibition or simply at home. The concept is entertaining and interactive so that children can learn while having fun! Throughout the pages, you will find some games, observations, thoughts, creations, drawings and art history notions. Thanks to this varied and interactive content, children will be able to assimilate technical and theoretical notions like “still life”, “watercolors” and “impressionism”, which are sometimes abstract and difficult to understand. From 4 years old and for the whole family (parents, grandparents and teachers). ABOUT THE AUTHOR Catherine de Duve is an art historian and a painter. She worked for the Royal museums of Belgium’s educational services and created teaching workshops at the Brussels Foundation for Architecture. In 2000, she launched her own publishing house with a brand new concept. Advised by the director of MAC (Grand Hornu), she created the international collection “Happy Museum”, dedicated to a young audience. Catherine de Duve is also published by RMN, Hatier and Alice editions, and works with dozens of international museum curators. Thanks to this ebook, the whole family will learn more about: • Renoir's workshop • His life • His masterpieces
Publisher: Kate'Art Éditions
ISBN: 2875750658
Category : Education
Languages : en
Pages : 59
Book Description
Discover Renoir's life and work as you read, draw and play The joy of painting It’s the bohemian lifestyle. The artist’s life... Renoir and his friends lived in an artist’s studio in Paris. They created with Claude Monet the first impressionist landscapes. Visit the Louvre with Renoir. Dance at the Moulin de la Galette. Lunch with the boatmen. Applaud at the opera. Travel in the land of the sun. And paint the sweetness of life together with Renoir... Dance at Le Moulin de la Galette, Luncheon of the Boating Party, impressionism: share a fun moment with your family while discovering Renoir's major paintings thanks to this richly illustrated book! ABOUT THE COLLECTION Put yourself in the shoes of an artist or an explorer and learn all there is to know about art and history! Whether it is as a museum guide, a temporary exhibition catalog or a monograph, each book from the "Happy Museum" collection can be read while visiting a museum, an exhibition or simply at home. The concept is entertaining and interactive so that children can learn while having fun! Throughout the pages, you will find some games, observations, thoughts, creations, drawings and art history notions. Thanks to this varied and interactive content, children will be able to assimilate technical and theoretical notions like “still life”, “watercolors” and “impressionism”, which are sometimes abstract and difficult to understand. From 4 years old and for the whole family (parents, grandparents and teachers). ABOUT THE AUTHOR Catherine de Duve is an art historian and a painter. She worked for the Royal museums of Belgium’s educational services and created teaching workshops at the Brussels Foundation for Architecture. In 2000, she launched her own publishing house with a brand new concept. Advised by the director of MAC (Grand Hornu), she created the international collection “Happy Museum”, dedicated to a young audience. Catherine de Duve is also published by RMN, Hatier and Alice editions, and works with dozens of international museum curators. Thanks to this ebook, the whole family will learn more about: • Renoir's workshop • His life • His masterpieces
Shadows of Old Paris
Author: Georges Duval
Publisher:
ISBN:
Category : Buildings
Languages : en
Pages : 306
Book Description
Publisher:
ISBN:
Category : Buildings
Languages : en
Pages : 306
Book Description
An Outline Of 19th Century European Painting
Author: Lorenz Eitner
Publisher: Routledge
ISBN: 0429708912
Category : Art
Languages : en
Pages : 703
Book Description
This one-volume edition contains both text and plates and includes corrections in the text and bibliography made since the books publication in 1987. There are concise monographic chapters on the important artists and movements of the period, with material on each artists life and work, characteristics of style, and the relationship of the artistic movements to historical and intellectual currents of the time. The author covers a wide range of material and his presentation is lucid and perceptive. Neoclassicism, Romanticism, Realism, Academics and Salon Painters, and Impressionism are covered, and the following artists are included: David, Gros, Girodet, Grard, Gurin, Prudhon, Goya, Fuseli, Blake, Runge, Friedrich, Turner, Constable, Igres, Gricault, Delacroix, Corot, Rousseau, Daumier, Millet, Courbet, Manet, Degas, Monet, Renoir, Sisley, Pissarro, and Czanne.
Publisher: Routledge
ISBN: 0429708912
Category : Art
Languages : en
Pages : 703
Book Description
This one-volume edition contains both text and plates and includes corrections in the text and bibliography made since the books publication in 1987. There are concise monographic chapters on the important artists and movements of the period, with material on each artists life and work, characteristics of style, and the relationship of the artistic movements to historical and intellectual currents of the time. The author covers a wide range of material and his presentation is lucid and perceptive. Neoclassicism, Romanticism, Realism, Academics and Salon Painters, and Impressionism are covered, and the following artists are included: David, Gros, Girodet, Grard, Gurin, Prudhon, Goya, Fuseli, Blake, Runge, Friedrich, Turner, Constable, Igres, Gricault, Delacroix, Corot, Rousseau, Daumier, Millet, Courbet, Manet, Degas, Monet, Renoir, Sisley, Pissarro, and Czanne.
Uprooted
Author: Brand Whitlock
Publisher: G.J. McLeod
ISBN:
Category : Americans
Languages : en
Pages : 360
Book Description
Publisher: G.J. McLeod
ISBN:
Category : Americans
Languages : en
Pages : 360
Book Description
Pierre-Auguste Renoir and artworks
Author: Natalia Brodskaya
Publisher: Parkstone International
ISBN: 1781609411
Category : Art
Languages : en
Pages : 254
Book Description
Pierre-Auguste Renoir was born in Limoges on 25 February 1841. In 1854, the boy’s parents took him from school and found a place for him in the Lévy brothers’ workshop, where he was to learn to paint porcelain. Renoir’s younger brother Edmond had this to say this about the move: “From what he drew in charcoal on the walls, they concluded that he had the ability for an artist’s profession. That was how our parents came to put him to learn the trade of porcelain painter.” One of the Lévys’ workers, Emile Laporte, painted in oils in his spare time. He suggested Renoir makes use of his canvases and paints. This offer resulted in the appearance of the first painting by the future impressionist. In 1862 Renoir passed the examinations and entered the Ecole des Beaux-Arts and, simultaneously, one of the independent studios, where instruction was given by Charles Gleyre, a professor at the Ecole des Beaux-Arts. The second, perhaps even the first, great event of this period in Renoir’s life was his meeting, in Gleyre’s studio, with those who were to become his best friends for the rest of his days and who shared his ideas about art. Much later, when he was already a mature artist, Renoir had the opportunity to see works by Rembrandt in Holland, Velázquez, Goya and El Greco in Spain, and Raphael in Italy. However, Renoir lived and breathed ideas of a new kind of art. He always found his inspirations in the Louvre. “For me, in the Gleyre era, the Louvre was Delacroix,” he confessed to Jean. For Renoir, the First Impressionist Exhibition was the moment his vision of art and the artist was affirmed. This period in Renoir’s life was marked by one further significant event. In 1873 he moved to Montmartre, to the house at 35 Rue Saint-Georges, where he lived until 1884. Renoir remained loyal to Montmartre for the rest of his life. Here he found his “plein-air” subjects, his models and even his family. It was in the 1870s that Renoir acquired the friends who would stay with him for the remainder of his days. One of them was the art-dealer Paul Durand-Ruel, who began to buy his paintings in 1872. In summer, Renoir continued to paint a great deal outdoors together with Monet. He would travel out to Argenteuil, where Monet rented a house for his family. Edouard Manet sometimes worked with them too. In 1877, at the Third Impressionist Exhibition, Renoir presented a panorama of over twenty paintings. They included landscapes created in Paris, on the Seine, outside the city and in Claude Monet’s garden; studies of women’s heads and bouquets of flowers; portraits of Sisley, the actress Jeanne Samary, the writer Alphonse Daudet and the politician Spuller; and also The Swing and The Ball at the Moulin de la Galette. Finally, in the 1880s Renoir hit a “winning streak”. He was commissioned by rich financiers, the owner of the Grands Magasins du Louvre and Senator Goujon. His paintings were exhibited in London and Brussels, as well as at the Seventh International Exhibition held at Georges Petit’s in Paris in 1886. In a letter to Durand-Ruel, then in New York, Renoir wrote: “The Petit exhibition has opened and is not doing badly, so they say. After all, it’s so hard to judge about yourself. I think I have managed to take a step forward towards public respect. A small step, but even that is something.”
Publisher: Parkstone International
ISBN: 1781609411
Category : Art
Languages : en
Pages : 254
Book Description
Pierre-Auguste Renoir was born in Limoges on 25 February 1841. In 1854, the boy’s parents took him from school and found a place for him in the Lévy brothers’ workshop, where he was to learn to paint porcelain. Renoir’s younger brother Edmond had this to say this about the move: “From what he drew in charcoal on the walls, they concluded that he had the ability for an artist’s profession. That was how our parents came to put him to learn the trade of porcelain painter.” One of the Lévys’ workers, Emile Laporte, painted in oils in his spare time. He suggested Renoir makes use of his canvases and paints. This offer resulted in the appearance of the first painting by the future impressionist. In 1862 Renoir passed the examinations and entered the Ecole des Beaux-Arts and, simultaneously, one of the independent studios, where instruction was given by Charles Gleyre, a professor at the Ecole des Beaux-Arts. The second, perhaps even the first, great event of this period in Renoir’s life was his meeting, in Gleyre’s studio, with those who were to become his best friends for the rest of his days and who shared his ideas about art. Much later, when he was already a mature artist, Renoir had the opportunity to see works by Rembrandt in Holland, Velázquez, Goya and El Greco in Spain, and Raphael in Italy. However, Renoir lived and breathed ideas of a new kind of art. He always found his inspirations in the Louvre. “For me, in the Gleyre era, the Louvre was Delacroix,” he confessed to Jean. For Renoir, the First Impressionist Exhibition was the moment his vision of art and the artist was affirmed. This period in Renoir’s life was marked by one further significant event. In 1873 he moved to Montmartre, to the house at 35 Rue Saint-Georges, where he lived until 1884. Renoir remained loyal to Montmartre for the rest of his life. Here he found his “plein-air” subjects, his models and even his family. It was in the 1870s that Renoir acquired the friends who would stay with him for the remainder of his days. One of them was the art-dealer Paul Durand-Ruel, who began to buy his paintings in 1872. In summer, Renoir continued to paint a great deal outdoors together with Monet. He would travel out to Argenteuil, where Monet rented a house for his family. Edouard Manet sometimes worked with them too. In 1877, at the Third Impressionist Exhibition, Renoir presented a panorama of over twenty paintings. They included landscapes created in Paris, on the Seine, outside the city and in Claude Monet’s garden; studies of women’s heads and bouquets of flowers; portraits of Sisley, the actress Jeanne Samary, the writer Alphonse Daudet and the politician Spuller; and also The Swing and The Ball at the Moulin de la Galette. Finally, in the 1880s Renoir hit a “winning streak”. He was commissioned by rich financiers, the owner of the Grands Magasins du Louvre and Senator Goujon. His paintings were exhibited in London and Brussels, as well as at the Seventh International Exhibition held at Georges Petit’s in Paris in 1886. In a letter to Durand-Ruel, then in New York, Renoir wrote: “The Petit exhibition has opened and is not doing badly, so they say. After all, it’s so hard to judge about yourself. I think I have managed to take a step forward towards public respect. A small step, but even that is something.”