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Author: John N. Howard
Publisher:
ISBN:
Category :
Languages : en
Pages : 84
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Book Description
Author: John N. Howard
Publisher:
ISBN:
Category :
Languages : en
Pages : 84
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Book Description
Author: John Howard
Publisher:
ISBN:
Category : Optics
Languages : en
Pages : 80
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Book Description
Author: Paul Klee
Publisher:
ISBN:
Category : Composition (Art)
Languages : en
Pages : 546
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Book Description
Author: Hannah Higgins
Publisher: Univ of California Press
ISBN: 0520228669
Category : Art
Languages : en
Pages : 278
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Book Description
Hannah Higgins explores the influential art movement Fluxus. Daring, disparate and contentious, Fluxus artists worked with minimal and prosaic materials now familiar in post-World War II art. Higgins describes the experience of Fluxus for viewers as affirming transactions between the self and the world.
Author: Paul Klee
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 544
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Book Description
Author: Edward Bond
Publisher: A&C Black
ISBN: 1472536681
Category : Drama
Languages : en
Pages : 332
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Book Description
In this first volume of notebooks, Edward Bond reveals himself to be one of the finest and most creative minds to have emerged in the twentieth century. Exploring the meeting point between politics and the art of the writer, Bond's notes chart the creative progress of his work and thinking over a twenty-year period, from 1959, when his first plays started to be produced at London's Royal Court Theatre, to 1979, when he had achieved fame as a major writer. While providing a detailed commentary on his plays the Notebooks also contain early play drafts, poems and stories, his thoughts on life, Brecht, art and dramatic method as well as his notes on censorship.
Author:
Publisher:
ISBN:
Category : China
Languages : en
Pages : 928
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Book Description
Author: David R Beasley
Publisher: David Beasley
ISBN: 0915317109
Category : Art
Languages : en
Pages : 162
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Book Description
150 p., 154 illus. 74 in color, Soft cover. ISBN 0-915317-10-9 $10 “This eminently readable, vivid account of the American artist, Clay Edgar Spohn (1898-1977) provides numerous revelations about modern art, isms, and art institutions.... By 1948 Abstract Expressionism became a recognized "School" and Marcel Duchamp's anti-art was being transcended by Spohn's Assemblage-art, and ‘Discovered Objects.’... This portrait mirrors again the fate of artists who "follow their own direction" without compromise to the establishment of the day or the market, and present a challenge to contemporary society,” Maria Maryniak. “... Spohn’s, The Ballet of the Elements (front cover). San Francisco art critic Tom Albright described this painting exhibited with the best works of West Coast painters, “...with its stripe-like allusions to landscape under a ‘sky’ of fluid, shorthand squiggles, is altogether unique in this context (i.e. the projection still of the fervor, the desperation, the iconoclasm and ethical commitment etc. that went into them) and perhaps for that reason stands out as the exhibition’s most monumental single masterpiece."
Author: Susan Sontag
Publisher: Macmillan
ISBN: 0374100764
Category : Biography & Autobiography
Languages : en
Pages : 542
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Book Description
This second of three volumes begins in the middle of the 1960s and traces Sontag's evolution from fledgling participant in the artistic and intellectual world to renowned critic.
Author: Michael Questier
Publisher: Oxford University Press
ISBN: 0192847023
Category : Christian martyrs
Languages : en
Pages : 681
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Book Description
Catholics and Treason takes the narratives generated by the contemporary law of treason as it applied to Roman Catholics, during and after the Reformation of the Church in the sixteenth century, and uses them to explore the Catholic community's writing of its own history. Prosecutions of Catholics under the existing law and via new legislation produced a great deal of documentation which tells us much about contemporary politics that we could not garner from any other source. The intention here is to locate the narratives of persecution inside the context of the 'mainstream' history of the period from which, for the most part, they have been routinely excluded but out of which they partly emerged. In that respect, this is the history of the post-Reformation Church and State with the politics (of violence) put back. This volume takes as its starting point the magnum opus of Bishop Richard Challoner, his Memoirs of Missionary Priests, and it works backwards from that book into the period that Challoner describes. Historian Michael Questier seeks to reassemble as far as possible the historical jigsaw puzzle on which Challoner laboured but which he could not complete, thinking about the implications for our view of the post-Reformation and of the way in which Challoner and others described the Catholic experience of in/tolerance.
