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Author: Robert Weimann
Publisher: JHU Press
ISBN: 9780801851919
Category : History
Languages : en
Pages : 260
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Book Description
This path-breaking study attempts to view both Reformation discourse and Renaissance fiction (and, by implication, the Elizabethan theater) as constitutive of an early modern paradigm change in the authorization of discourse. The profound crisis in traditional locations of authority, affecting religious, political, and poetic courts of appeal, is traced as interactive with an unprecedented proliferation of both signifying practices and communicative technologies. Representation itself seeks to cope with these changing uses of language and power vis- -vis deep divisions (but also new patterns of socialization) in contemporary culture and society. Authority, now that it is less given before an utterance begins, comes to constitute itself through the competence, cogency, and efficacy of representational practice itself, even as this practice privileges, and draws upon, pictorial form in diverse cultural contexts. This book continues to search for answers to questions of why and under what conditions in the early modern period the representation of authority could increasingly be challenged by the authority of signs. Initially raised in Weimann's Shakespeare und die Macht der Mimesis, these questions are developed towards a theory and history of early modern representation that involves close encounters with a wide variety of texts, from Luther, Henry Tudor, Edward Seymour, Gardiner, and Bancroft to Malory, Erasmus, Rabelais, Sidney, Nashe, and Cervantes. "Robert Weimann is one of the world's most eminent and intellectually formidable scholars of early modern culture -- and he has written a work of the utmost importance to the theory and practice of cultural and literary history, and to the study of sixteenth century English and European culture in particular. The book is an intellectual tour de force, yet one utterly devoid of the flourishes of academic self-display. This work genuinely impresses without ever seeking to impress." -- Louis A. Montrose, University of California, San Diego
Author: Robert Weimann
Publisher: JHU Press
ISBN: 9780801851919
Category : History
Languages : en
Pages : 260
Get Book Here
Book Description
This path-breaking study attempts to view both Reformation discourse and Renaissance fiction (and, by implication, the Elizabethan theater) as constitutive of an early modern paradigm change in the authorization of discourse. The profound crisis in traditional locations of authority, affecting religious, political, and poetic courts of appeal, is traced as interactive with an unprecedented proliferation of both signifying practices and communicative technologies. Representation itself seeks to cope with these changing uses of language and power vis- -vis deep divisions (but also new patterns of socialization) in contemporary culture and society. Authority, now that it is less given before an utterance begins, comes to constitute itself through the competence, cogency, and efficacy of representational practice itself, even as this practice privileges, and draws upon, pictorial form in diverse cultural contexts. This book continues to search for answers to questions of why and under what conditions in the early modern period the representation of authority could increasingly be challenged by the authority of signs. Initially raised in Weimann's Shakespeare und die Macht der Mimesis, these questions are developed towards a theory and history of early modern representation that involves close encounters with a wide variety of texts, from Luther, Henry Tudor, Edward Seymour, Gardiner, and Bancroft to Malory, Erasmus, Rabelais, Sidney, Nashe, and Cervantes. "Robert Weimann is one of the world's most eminent and intellectually formidable scholars of early modern culture -- and he has written a work of the utmost importance to the theory and practice of cultural and literary history, and to the study of sixteenth century English and European culture in particular. The book is an intellectual tour de force, yet one utterly devoid of the flourishes of academic self-display. This work genuinely impresses without ever seeking to impress." -- Louis A. Montrose, University of California, San Diego
Author: Nely Keinänen
Publisher: Cambridge Scholars Publishing
ISBN: 1443808024
Category : Literary Criticism
Languages : en
Pages : 225
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Book Description
Authority of Expression in Early Modern England brings together an international group of scholars writing on the relationships between authority and the self in early modern English literature, discussing writers such as Edmund Spenser, William Shakespeare, John Donne, Ben Jonson, Thomas Middleton and Andrew Marvell. The early modern period was a time of momentous religious, political and cultural change, with scientific and geographical exploration opening new horizons, challenging established truths, and unsettling the concepts and practices of authority. In this book, scholars approach the texts from a literary, historical and/or linguistic point of view, thus providing multiple perspectives on the topic. Themes explored include the links between sense perception and cognition in the establishment of authority; the ways that sexuality, gender relations and language are implicated in expressing and responding to authority; and conceptions of the self and the strategies that individuals adopt to cope with changes in their frameworks of authority and power. This wide-ranging collection offers new perspectives on how authority was negotiated in the English Renaissance.
Author: Robert Hornback
Publisher: DS Brewer
ISBN: 1843843560
Category : Drama
Languages : en
Pages : 260
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Book Description
From the late-medieval period through to the seventeenth century, English theatrical clowns carried a weighty cultural significance, only to have it stripped from them, sometimes violently, by the close of the Renaissance when the famed "license" of fooling was effectively revoked. This groundbreaking survey of clown traditions in the period looks both at their history, and reveals their hidden cultural contexts and legacies; it has far-reaching implications not only for our general understanding of English clown types, but also their considerable role in defining social, religious and racial boundaries. It begins with an exploration of previously un-noted early representations of blackness in medieval psalters, cycle plays, and Tudor interludes, arguing that they are emblematic of folly and ignorance rather than of evil. Subsequent chapters show how protestants at Cambridge and at court, during the reigns of Henry VIII and Edward, patronised a clownish, iconoclastic Lord of Misrule; look at the Elizabethan puritan stage clown; and move on to a provocative reconsideration of the Fool in King Lear, drawing completely fresh conclusions. Finally, the epilogue points to the satirical clowning which took place surreptitiously in the Interregnum, and the (sometimes violent) end of "licensed" folly. Professor ROBERT HORNBACK teaches in the Departments of Literature and Theatre at Oglethorpe University.
Author: D.J. Hopkins
Publisher: Routledge
ISBN: 1135869065
Category : Literary Criticism
Languages : en
Pages : 239
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Book Description
This interdisciplinary study theorizes the interaction of individual performance and social space. Examining three categories of space – the urban, the theatrical, and the cartographic – this volume considers the role of performance in the production and operation of these spaces during a period in London’s history defined roughly by the life of Shakespeare. City/Stage/Globe not only organizes a selection of plays, pageants, maps, and masques in the historical and cultural contexts in which they emerged, but also uses performance theory to locate the ways in which these seemingly ephemeral events contributed to lasting change in the spatial concepts and physical topograpy of early modern London.
Author: Michael Hattaway
Publisher: John Wiley & Sons
ISBN: 9781444319026
Category : Literary Criticism
Languages : en
Pages : 1264
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Book Description
In this revised and greatly expanded edition of theCompanion, 80 scholars come together to offer an originaland far-reaching assessment of English Renaissance literature andculture. A new edition of the best-selling Companion to EnglishRenaissance Literature, revised and updated, with 22 newessays and 19 new illustrations Contributions from some 80 scholars including Judith H.Anderson, Patrick Collinson, Alison Findlay, Germaine Greer,Malcolm Jones, Arthur Kinney, James Knowles, Arthur Marotti, RobertMiola and Greg Walker Unrivalled in scope and its exploration of unfamiliar literaryand cultural territories the Companion offers new readingsof both ‘literary’ and ‘non-literary’texts Features essays discussing material culture, sectarian writing,the history of the body, theatre both in and outside theplayhouses, law, gardens, and ecology in early modern England Orientates the beginning student, while providing advancedstudents and faculty with new directions for theirresearch All of the essays from the first edition, along with therecommendations for further reading, have been reworked orupdated
Author:
Publisher: BRILL
ISBN: 9004407111
Category : Literary Criticism
Languages : en
Pages : 295
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Book Description
Self-reflection is fundamental for human thinking on many levels. Philosophy has described the mind's capacity to observe itself as a core element of human existence. Political and social sciences have shown how modern democracies depend on society's ability to critically reflect on their own values and practices. And literature of all ages has proven self-reflexivity to be a crucial trait of cultural production. This volume provides the first diachronic panorama of genres, forms, and functions of literary self-reflection and their connections with social, political and philosophical discourses from the 17th century to the present. Far beyond the usual focus on postmodernist opacity, these contributions present a rich tradition of critical transparency: Literary texts that show us what is behind and beyond them.
Author: David Schalkwyk
Publisher: Cambridge University Press
ISBN: 9780521811156
Category : Drama
Languages : en
Pages : 284
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Book Description
David Schalkwyk offers a sustained reading of Shakespeare's sonnets in relation to his plays. He argues that the la nguage of the sonnets is primarily performative rather than descriptive. In a wide-ranging analysis of both the 1609 quarto of Shakespeare's sonnets and the Petrarchan discourses in a selection of plays, Schalkwyk addresses such issues as embodiment and silencing, interiority and theatricality, inequalities of power, status, gender and desire, both in the published poems and on the stage and in the context of the early modern period.
Author: Bill Angus
Publisher: Edinburgh University Press
ISBN: 1474415121
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
Have you ever wondered what was really going on in the inner-plays, secret overhearing, and tacit observations of early modern drama? Taking on the shadowy figure of the early modern informer, this book argues that far more than mere artistic experimentation is happening here. In case studies of metadramatic plays, and the devices which Shakespeare and Jonson constantly revisit, this book offers critical insight into intrinsic connections between informers and authors, discovering an uneasy sense of common practice at the core of the metadrama, which drives both its self-awareness and its paranoia. Drama is most self-revealing at these moments where it reflects upon its own dramatic register: where it is most metadramatic. To understand their metadrama is therefore to understand these most seminal authors in a new way.
Author: Adrian Poole
Publisher: Bloomsbury Publishing
ISBN: 1472578627
Category : Literary Criticism
Languages : en
Pages : 932
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Book Description
Great Shakespeareans presents a systematic account of those figures who have had the greatest influence on the interpretation, understanding and cultural reception of Shakespeare, both nationally and internationally. This major project offers an unprecedented scholarly analysis of the contribution made by the most important Shakespearean critics, editors, actors and directors as well as novelists, poets, composers, and thinkers from the seventeenth to the twentieth century. An essential resource for students and scholars in Shakespeare studies.
Author: Kenneth L. Parker
Publisher: Routledge
ISBN: 1351963198
Category : History
Languages : en
Pages : 384
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Book Description
Richard Greenham was one of the most important and respected figures among the Elizabethan clergy. His contemporaries described him as the founder of a previously unknown pastoral art: the cure of cases of conscience. Despite his fame in the Elizabethan period as a model pastor, pioneer in reformed casuistry, and founder of one of the first rectory seminaries, scholars have made little use of his life and works in their study of Elizabethan religious life. This study restores Richard Greenham to the central place he held in the development of Elizabethan Reformed parochial ministry. The monograph-length introduction includes a biography, an analysis of his pastoral style, and a study of his approach to curing cases of conscience. The transcription of Rylands English Manuscript 524, cross-referenced with the published editions of the sayings, offers a useful source to scholars who wish to study the collecting and ’framing’ process of the humanist pedagogical tradition. The selection of early published works includes Greenham’s (unfinished) catechism, treatises on the Sabbath and marriage, and advice on reading scripture and educating children.
