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Author: Chiara Minestrelli
Publisher: Taylor & Francis
ISBN: 1317217543
Category : Religion
Languages : en
Pages : 252
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Book Description
This book investigates the discursive and performative strategies employed by Australian Indigenous rappers to make sense of the world and establish a position of authority over their identity and place in society. Focusing on the aesthetics, the language, and the performativity of Hip Hop, this book pays attention to the life stance, the philosophy, and the spiritual beliefs of Australian Indigenous Hip Hop artists as ‘glocal’ producers and consumers. With Hip Hop as its main point of analysis, the author investigates, interrogates, and challenges categories and preconceived ideas about the critical notions of authenticity, ‘Indigenous’ and dominant values, spiritual practices, and political activism. Maintaining the emphasis on the importance of adopting decolonizing research strategies, the author utilises qualitative and ethnographic methods of data collection, such as semi-structured interviews, informal conversations, participant observation, and fieldwork notes. Collaborators and participants shed light on some of the dynamics underlying their musical decisions and their view within discussions on representations of ‘Indigenous identity and politics’. Looking at the Indigenous rappers’ local and global aspirations, this study shows that, by counteracting hegemonic narratives through their unique stories, Indigenous rappers have utilised Hip Hop as an expressive means to empower themselves and their audiences, entertain, and revive their Elders’ culture in ways that are contextual to the society they live in.
Author: Chiara Minestrelli
Publisher: Taylor & Francis
ISBN: 1317217543
Category : Religion
Languages : en
Pages : 252
Get Book
Book Description
This book investigates the discursive and performative strategies employed by Australian Indigenous rappers to make sense of the world and establish a position of authority over their identity and place in society. Focusing on the aesthetics, the language, and the performativity of Hip Hop, this book pays attention to the life stance, the philosophy, and the spiritual beliefs of Australian Indigenous Hip Hop artists as ‘glocal’ producers and consumers. With Hip Hop as its main point of analysis, the author investigates, interrogates, and challenges categories and preconceived ideas about the critical notions of authenticity, ‘Indigenous’ and dominant values, spiritual practices, and political activism. Maintaining the emphasis on the importance of adopting decolonizing research strategies, the author utilises qualitative and ethnographic methods of data collection, such as semi-structured interviews, informal conversations, participant observation, and fieldwork notes. Collaborators and participants shed light on some of the dynamics underlying their musical decisions and their view within discussions on representations of ‘Indigenous identity and politics’. Looking at the Indigenous rappers’ local and global aspirations, this study shows that, by counteracting hegemonic narratives through their unique stories, Indigenous rappers have utilised Hip Hop as an expressive means to empower themselves and their audiences, entertain, and revive their Elders’ culture in ways that are contextual to the society they live in.
Author: Chiara Minestrelli
Publisher:
ISBN:
Category :
Languages : en
Pages : 760
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Book Description
Focusing on the critical expression 'Indigenous/Aboriginal Hip Hop', this thesis investigates the meanings generated by this expression through the discursive strategies employed by those rappers who identify as Indigenous and whose music has been labelled 'Indigenous/Aboriginal Hip Hop' by virtue of its lyrics, musical style and the rappers' public image. Elaborating on this aspect, the thesis's argument develops around two distinct, and yet deeply intertwined, semantic areas: the politics of identity and the political power of 'Indigenous/Aboriginal Hip Hop'. Engaging in a discussion around these aspects, the thesis investigates the complexities inherent in the discourses produced by Indigenous rappers through their music and validated by their direct testimonies. Collaborators and participants shed light on some of the dynamics underlying their musical decisions and their position within discussions on representations of 'Indigenous identity and politics'. Maintaining a focus on the importance of adopting decolonising research strategies, the thesis has engaged with academic scholarship on the topic and its related areas, thus integrating pre-exiting knowledge with various in-depth analyses and two case studies. This ethnographic research utilises qualitative methods of data collection, such as formal semi-structured interviews, informal conversations, participant observation and fieldwork notes. The data gathered during my fieldwork experience was recorded in accordance with the requirements imposed by ethical protocols. The themes that emerged from the material were successively classified and interpreted in cooperation with collaborators and participants, respecting their different views and their intrinsic complexities. Looking at the Indigenous rappers' local and global aspirations, the thesis shows that, by counteracting dominant narratives through their unique stories, Indigenous rappers have utilised Hip Hop as an expressive means to empower themselves and revive their Elders' culture in ways that are contextual to the society they live in. Borrowing from different cultural practices, and moving freely across imposed categories (of race, gender and music) the younger generations of Indigenous people have found an avenue that allows them to be active performers, community members and citizens.
Author: Peter Dunbar-Hall
Publisher: UNSW Press
ISBN: 9780868406220
Category : History
Languages : en
Pages : 300
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Book Description
A comprehensive book on contemporary Aboriginal music in Australia.
Author: Ian Maxwell
Publisher: Wesleyan University Press
ISBN: 9780819566386
Category : History
Languages : en
Pages : 324
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Book Description
How Aussies came to belong to the hip-hop nation.
Author: Daniel Fisher
Publisher: Duke University Press
ISBN: 0822374420
Category : Social Science
Languages : en
Pages : 322
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Book Description
Beginning in the early 1980s Aboriginal Australians found in music, radio, and filmic media a means to make themselves heard across the country and to insert themselves into the center of Australian political life. In The Voice and Its Doubles Daniel Fisher analyzes the great success of this endeavor, asking what is at stake in the sounds of such media for Aboriginal Australians. Drawing on long-term ethnographic research in northern Australia, Fisher describes the close proximity of musical media, shifting forms of governmental intervention, and those public expressions of intimacy and kinship that suffuse Aboriginal Australian social life. Today’s Aboriginal media include genres of country music and hip-hop; radio requests and broadcast speech; visual graphs of a digital audio timeline; as well as the statistical media of audience research and the discursive and numerical figures of state audits and cultural policy formation. In each of these diverse instances the mediatized voice has become a site for overlapping and at times discordant forms of political, expressive, and institutional creativity.
Author: Jeff Berglund
Publisher: University of Arizona Press
ISBN: 0816509441
Category : Music
Languages : en
Pages : 261
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Book Description
"This book is an interdisciplinary discussion of popular music performed and created by American Indian musicians, providing an important window into history, politics, and tribal communities as it simultaneously complements literary, historiographic, anthropological, and sociological discussions of Native culture"--Provided by publisher.
Author: Amanda Harris
Publisher: ANU Press
ISBN: 1925022218
Category : Social Science
Languages : en
Pages : 276
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Book Description
Circulating Cultures is an edited book about the transformation of cultural materials through the Australian landscape. The book explores cultural circulation, exchange and transit, through events such as the geographical movement of song series across the Kimberley and Arnhem Land; the transformation of Australian Aboriginal dance in the hands of an American choreographer; and the indigenisation of symbolic meanings in heavy metal music. Circulating Cultures crosses disciplinary boundaries, with contributions from historians, musicologists, linguists and dance historians, to depict shifts of cultural materials through time, place and interventions from people. It looks at the way Indigenous and non-Indigenous performing arts have changed through intercultural influence and collaboration.
Author: Adam Briggs
Publisher:
ISBN: 9781760509859
Category :
Languages : en
Pages : 20
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Book Description
Adapted from Briggs' celebrated song 'The Children Came Back', Our Home, Our Heartbeat is a celebration of past and present Indigenous legends, as well as emerging generations, and at its heart honours the oldest continuous culture on earth. Readers will recognise Briggs' distinctive voice and contagious energy within the pages of Our Home, Our Heartbeat, signifying a new and exciting chapter in children's Indigenous publishing.
Author: Desert Pea Media
Publisher: Hardie Grant Publishing
ISBN: 1743586574
Category : Social Science
Languages : en
Pages : 236
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Book Description
'[W]e are strong, we are beautiful and we should be proud of our culture, our stories, our languages.' – Danzal Baker (aka Baker Boy) Homeland Calling is a collection of poems created from hip-hop song lyrics that channel culture and challenge stereotypes. Written by First Nations youth from communities all around Australia, the powerful words display a maturity beyond their years. Edited by award-winning author and poet Ellen van Neerven, and brought to you by Desert Pea Media, the verses in this book are the result of young artists exploring their place in the world, expressing the future they want for themselves and their communities. These young people are the future, and their passion for their culture, languages and homelands is beyond inspiring. Check out many of the original songs and music videos on Spotify or YouTube. All royalties from the sale of the book will go towards Desert Pea Media's training and development programs in Indigenous communities. Artwork by Gamilaroi Yuwaalaraay artist Lakkari Pitt.
Author:
Publisher:
ISBN:
Category : Aboriginal Australians
Languages : en
Pages :
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Book Description
"Stylin'UP is an Indigenous owned Hip Hop and R'n'B music and dance skills development workshop and event program. Stylin' UP is developed with and for young people from diverse linguistic and cultural backgrounds in Brisbane's South West communities. Over the past 13 years Stylin' UP has grown to become Australia's largest Indigenous Hip-Hop and R&B music and dance event and a nationally significant contemporary Indigenous creative arts development program. Stylin'UP originated as an initiative of Brisbane City Council and the Indigenous Community of Inala, and has been nurtured and developed by the Stylin'UP Community Crew, made up of elders, community leaders and government representatives. In 2009 the event drew over 15,000 attendees and participants from Inala, Brisbane and surrounding regions and from all across the country as well as official visitors and community members from Logan, Hopevale, Cherbourg, and Woorabinda through the Stylin'UP Regional Program." -- [About page]
