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Author: Todd Decker
Publisher: Oxford University Press
ISBN: 0197643582
Category :
Languages : en
Pages : 457
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Book Description
Astaire by Numbers looks at every second of dancing Fred Astaire committed to film in the studio era--all six hours, thirty-four minutes, and fifty seconds. Using a quantitative digital humanities approach, as well as previously untapped production records, author Todd Decker takes the reader onto the set and into the rehearsal halls and editing rooms where Astaire created his seemingly perfect film dances. Watching closely in this way reveals how Astaire used the technically sophisticated resources of the Hollywood film making machine to craft a singular career in mass entertainment as a straight white man who danced. Decker dissects Astaire's work at the level of the shot, the cut, and the dance step to reveal the aesthetic and practical choices that yielded Astaire's dancing figure on screen. He offers new insights into how Astaire secured his masculinity and his heterosexuality, along with a new understanding of Astaire's whiteness, which emerges in both the sheer extent of his work and the larger implications of his famous "full figure" framing of his dancing body. Astaire by Numbers rethinks this towering straight white male figure from the ground up by digging deeply into questions of race, gender, and sexuality, ultimately offering a complete re-assessment of a twentieth-century icon of American popular culture.
Author: Todd Decker
Publisher: Oxford University Press
ISBN: 0197643582
Category :
Languages : en
Pages : 457
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Book Description
Astaire by Numbers looks at every second of dancing Fred Astaire committed to film in the studio era--all six hours, thirty-four minutes, and fifty seconds. Using a quantitative digital humanities approach, as well as previously untapped production records, author Todd Decker takes the reader onto the set and into the rehearsal halls and editing rooms where Astaire created his seemingly perfect film dances. Watching closely in this way reveals how Astaire used the technically sophisticated resources of the Hollywood film making machine to craft a singular career in mass entertainment as a straight white man who danced. Decker dissects Astaire's work at the level of the shot, the cut, and the dance step to reveal the aesthetic and practical choices that yielded Astaire's dancing figure on screen. He offers new insights into how Astaire secured his masculinity and his heterosexuality, along with a new understanding of Astaire's whiteness, which emerges in both the sheer extent of his work and the larger implications of his famous "full figure" framing of his dancing body. Astaire by Numbers rethinks this towering straight white male figure from the ground up by digging deeply into questions of race, gender, and sexuality, ultimately offering a complete re-assessment of a twentieth-century icon of American popular culture.
Author: John E. Mueller
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 456
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Book Description
Author: Todd Decker
Publisher: Univ of California Press
ISBN: 0520950062
Category : Music
Languages : en
Pages : 391
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Book Description
Fred Astaire: one of the great jazz artists of the twentieth century? Astaire is best known for his brilliant dancing in the movie musicals of the 1930s, but in Music Makes Me, Todd Decker argues that Astaire’s work as a dancer and choreographer —particularly in the realm of tap dancing—made a significant contribution to the art of jazz. Decker examines the full range of Astaire’s work in filmed and recorded media, from a 1926 recording with George Gershwin to his 1970 blues stylings on television, and analyzes Astaire’s creative relationships with the greats, including George and Ira Gershwin, Irving Berlin, Jerome Kern, and Johnny Mercer. He also highlights Astaire’s collaborations with African American musicians and his work with lesser known professionals—arrangers, musicians, dance directors, and performers.
Author: Kathleen Riley
Publisher: Oxford University Press
ISBN: 0199913072
Category : Music
Languages : en
Pages : 401
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Book Description
This is the first book about the theatre career of Fred and Adele Astaire, detailing their years in vaudeville, on Broadway, and in London, their impact culturally, and the essence of their partnership on and off the stage.
Author: Linda Williams
Publisher: Univ of California Press
ISBN: 9780520066526
Category : Performing Arts
Languages : en
Pages : 350
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Book Description
Looks at the history of pornographic films, discusses what they reveal about attitudes towards sexuality, and considers the censorship issue
Author: Steve Cohan
Publisher: Routledge
ISBN: 1134900090
Category : Social Science
Languages : en
Pages : 292
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Book Description
Screening the male re-examines the problematic status of masculinity both in Hollywood cinema and feminist film theory. Classical Hollywood cinema has been theoretically established as a vast pleasure machine, manufacturing an idealized viewer through its phallocentric ideological apparatus. Feminist criticism has shown how difficult it is for the female viewer to resist becoming implicated in this representational system. But the theroies have overlooked the significance of the problem itself - of the masuline motivation at the core of the system. The essays here explore those male characters, spectators, and performers who occupy positions conventionally encoded as "feminine" in Hollywood narrative and questions just how secure that orthodox male position is. Screening the Male brings together an impressive group of both established and emerging scholars from Britain, the United States and Australia unified by a concern with issues that film theorists have exclusively inked to the femninie and not the masculne: spectacle, masochism, passivity, masquerade and, most of all, the body as it signifies gendered, racial, class and generatonal differences.
Author: Charles River Charles River Editors
Publisher: Createspace Independent Publishing Platform
ISBN: 9781986136532
Category :
Languages : en
Pages : 72
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Book Description
*Includes pictures of Astaire and other important people and scenes. *Includes Astaire's quotes about his own life and others' quotes about him. *Includes a bibliography for further reading. "No dancer can watch Fred Astaire and not know that we all should have been in another business." - Mikhail Baryshnikov A lot of ink has been spilled covering the lives of history's most influential figures, but how much of the forest is lost for the trees? In Charles River Editors' American Legends series, readers can get caught up to speed on the lives of America's most important men and women in the time it takes to finish a commute, while learning interesting facts long forgotten or never known. Virtually all famous actors are regaled by the public, but even still, Fred Astaire occupies a privileged position in American pop culture. The specific films in which Astaire acted may not be especially famous in their own right - most people likely cannot recall the title of Top Hat (1935), his most decorated film - but Astaire's dancing prowess invariably creates a lasting impact on viewers. Instead of tying his fame to a single film, Astaire's genius lay in constructing his star persona around a specific set of iconographic imagery that has become embedded within American culture. Across his films, the recurring iconic images of the top hat, cane, and coat tails, as well as the image of Astaire dancing with Ginger Rogers, all constitute a timeless symbol for elegance that continues to captivate viewers who are unfamiliar with the plots of his films. There have been other film musical actors who were proficient dancers, Gene Kelly chief among them, but none were able to perform with the seamless elegance of Astaire, and none have been remembered nearly as well. Astaire's dancing numbers epitomized grace and gaiety, making it seem as though he was carefree, but this was hardly the case. While it is easy to imagine Astaire being raised in an aristocratic family, his working-class background was so blue collar that his family eventually relied on him and his sister as the primary breadwinners in the family. Rather than being born and raised with wealth in a large city, Astaire came from a working-class neighborhood in Omaha, Nebraska, a setting so antithetical to the world of dance that it quickly became clear that the family would need to relocate. If anything, Astaire's unglamorous origins further demonstrate that the magisterial dancing and the effortlessly elegant image accompanying it were products of Astaire's tireless work ethic and insistence on perfection. Astaire's popularity can in large part be tied to the escapism that his films offered to impoverished Depression-era American audiences, and yet Astaire was a working man, albeit one who labored in the studios of Hollywood rather than the factories of America. Considering the quiet life that he led off the movie set, it can be difficult to disassociate Astaire from his films, and while he may have attempted to project the same image off the screen, the era and his personal background were extremely important. As someone who was born just before the start of the 20th century, Astaire's life sheds light on the developments that occurred in American entertainment, from the stage (where he first performed during his youth) to cinema (the site of his greatest triumphs) and finally to television (a medium Astaire entered at the end of his career.) Astaire's career tends to obscure his all-American success story, one in which hard work transformed a Nebraska boy from a working-class family into America's most prominent symbol of grace. American Legends: The Life of Fred Astaire profiles the life and career of one of America's most famous entertainers. Along with pictures of important people, places, and events, you will learn about Fred Astaire like you never have before, in no time at all.
Author: Fred Astaire
Publisher: Harper Collins
ISBN: 0061567566
Category : Biography & Autobiography
Languages : en
Pages : 364
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Book Description
One of the foremost entertainers of the twentieth century—singer, actor, choreographer, and, of course, the most dazzling "hoofer" in the history of motion pictures—Fred Astaire was the epitome of charm, grace, and suave sophistication, with a style all his own and a complete disregard for the laws of gravity. Steps in Time is Astaire's story in his own words, a memoir as beguiling, exuberant, and enthralling as the great artist himself, the man ballet legends George Balanchine and Rudolf Nureyev cited as, hands down, the century's greatest dancer. From his debut in vaudeville at age six through his remarkable career as the star of many of the most popular Hollywood musicals ever captured on celluloid, Steps in Time celebrates the golden age of entertainment and its royalty, as seen through the eyes of the era's affable and adored prince. Illustrated with more than forty rare photographs from the author's personal collection, here is Astaire in all his debonair glory—his life, his times, his movies, and, above all, his magical screen appearances and enduring friendship with the most beloved of all his dancing partners, Ginger Rogers.
Author: Steven Cohan
Publisher: Psychology Press
ISBN: 9780415235594
Category : Motion picture music
Languages : en
Pages : 226
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Book Description
This book explores one of the most popular genres in film history. Combining classic and recent articles, each section explores a central issue of the musical, including: the musical's significance as a genre; the musical's own particular representation of sexual difference; the idea of camp, both through stars such as Judy Garland and Carmen Miranda and musicals themselves; and the displacement of race in Hollywood's representations of entertainment. Each section features an editor's introduction setting debates in context.
Author: Julie Hubbert
Publisher: Univ of California Press
ISBN: 0520947436
Category : Performing Arts
Languages : en
Pages : 1050
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Book Description
Celluloid Symphonies is a unique sourcebook of writings on music for film, bringing together fifty-three critical documents, many previously inaccessible. It includes essays by those who created the music—Max Steiner, Erich Korngold, Jerry Goldsmith, Elmer Bernstein and Howard Shore—and outlines the major trends, aesthetic choices, technological innovations, and commercial pressures that have shaped the relationship between music and film from 1896 to the present. Julie Hubbert’s introductory essays offer a stimulating overview of film history as well as critical context for the close study of these primary documents. In identifying documents that form a written and aesthetic history for film music, Celluloid Symphonies provides an astonishing resource for both film and music scholars and for students.
