Author: Robert Van Meter
Publisher:
ISBN:
Category : Piano
Languages : en
Pages : 494
Book Description
Aspects of Piano Performance in the Keyboard Music of Jan Pieterszoon Sweelinck
Author: Robert Van Meter
Publisher:
ISBN:
Category : Piano
Languages : en
Pages : 494
Book Description
Publisher:
ISBN:
Category : Piano
Languages : en
Pages : 494
Book Description
Works for organ and keyboard
Author: Jan Pieterszoon Sweelinck
Publisher: Courier Corporation
ISBN: 0486249352
Category : Music
Languages : en
Pages : 273
Book Description
Remarkable treasury includes nearly all of early Dutch composer's difficult-to-find organ and keyboard works, reproduced from a clearly-printed, reliable 1943 edition. Includes chorale variations; toccatas and fantasias; variations on secular, dance tunes. Also 3 incomplete and/or modified works, and an authentic fantasia by John Bull, based on a now-lost Sweelinck fugue. New Publisher's Note. Contents with incipits.
Publisher: Courier Corporation
ISBN: 0486249352
Category : Music
Languages : en
Pages : 273
Book Description
Remarkable treasury includes nearly all of early Dutch composer's difficult-to-find organ and keyboard works, reproduced from a clearly-printed, reliable 1943 edition. Includes chorale variations; toccatas and fantasias; variations on secular, dance tunes. Also 3 incomplete and/or modified works, and an authentic fantasia by John Bull, based on a now-lost Sweelinck fugue. New Publisher's Note. Contents with incipits.
Interpreting Historical Keyboard Music
Author: Andrew Woolley
Publisher: Routledge
ISBN: 1317113551
Category : Music
Languages : en
Pages : 334
Book Description
Research in the field of keyboard studies, especially when intimately connected with issues of performance, is often concerned with the immediate working environments and practices of musicians of the past. An important pedagogical tool, the keyboard has served as the ’workbench’ of countless musicians over the centuries. In the process it has shaped the ways in which many historical musicians achieved their aspirations and went about meeting creative challenges. In recent decades interest has turned towards a contextualized understanding of creative processes in music, and keyboard studies appears well placed to contribute to the exploration of this wider concern. The nineteen essays collected here encompass the range of research in the field, bringing together contributions from performers, organologists and music historians. Questions relevant to issues of creative practice in various historical contexts, and of interpretative issues faced today, form a guiding thread. Its scope is wide-ranging, with contributions covering the mid-sixteenth to early twentieth century. It is also inclusive, encompassing the diverse range of approaches to the field of contemporary keyboard studies. Collectively the essays form a survey of the ways in which the study of keyboard performance can enrich our understanding of musical life in a given period.
Publisher: Routledge
ISBN: 1317113551
Category : Music
Languages : en
Pages : 334
Book Description
Research in the field of keyboard studies, especially when intimately connected with issues of performance, is often concerned with the immediate working environments and practices of musicians of the past. An important pedagogical tool, the keyboard has served as the ’workbench’ of countless musicians over the centuries. In the process it has shaped the ways in which many historical musicians achieved their aspirations and went about meeting creative challenges. In recent decades interest has turned towards a contextualized understanding of creative processes in music, and keyboard studies appears well placed to contribute to the exploration of this wider concern. The nineteen essays collected here encompass the range of research in the field, bringing together contributions from performers, organologists and music historians. Questions relevant to issues of creative practice in various historical contexts, and of interpretative issues faced today, form a guiding thread. Its scope is wide-ranging, with contributions covering the mid-sixteenth to early twentieth century. It is also inclusive, encompassing the diverse range of approaches to the field of contemporary keyboard studies. Collectively the essays form a survey of the ways in which the study of keyboard performance can enrich our understanding of musical life in a given period.
Studies on Authorship in Historical Keyboard Music
Author: Andrew Woolley
Publisher: Taylor & Francis
ISBN: 1000968413
Category : Music
Languages : en
Pages : 275
Book Description
Authorship is a pertinent issue for historical musicology and musicians more widely, and some controversies concerned with major figures have even reached wider consciousness. Scholars have clarified some of the issues at stake in recent decades, such as the places of borrowing and arranging in the creative process and the wider cultural significance of these practices. The discovery of new sources and methodologies has also opened up opportunities for reassessing specific authorship problems. Drawing upon this wider musicological literature as well as insights from other disciplines, such as intellectual history and book history, this book aims to build on what has already been achieved by focussing on keyboard music. The nine chapters cover case studies of authorship problems, the socioeconomic conditions of music publishing, the contributions of composers, arrangers, copyists and music publishers in creating notated keyboard compositions, the functions of attribution and ascription, and how the contexts in which notated pieces were used affected concepts of authorship at different times and places.
Publisher: Taylor & Francis
ISBN: 1000968413
Category : Music
Languages : en
Pages : 275
Book Description
Authorship is a pertinent issue for historical musicology and musicians more widely, and some controversies concerned with major figures have even reached wider consciousness. Scholars have clarified some of the issues at stake in recent decades, such as the places of borrowing and arranging in the creative process and the wider cultural significance of these practices. The discovery of new sources and methodologies has also opened up opportunities for reassessing specific authorship problems. Drawing upon this wider musicological literature as well as insights from other disciplines, such as intellectual history and book history, this book aims to build on what has already been achieved by focussing on keyboard music. The nine chapters cover case studies of authorship problems, the socioeconomic conditions of music publishing, the contributions of composers, arrangers, copyists and music publishers in creating notated keyboard compositions, the functions of attribution and ascription, and how the contexts in which notated pieces were used affected concepts of authorship at different times and places.
Reader's Guide to Music
Author: Murray Steib
Publisher: Routledge
ISBN: 1135942625
Category : Music
Languages : en
Pages : 928
Book Description
The Reader's Guide to Music is designed to provide a useful single-volume guide to the ever-increasing number of English language book-length studies in music. Each entry consists of a bibliography of some 3-20 titles and an essay in which these titles are evaluated, by an expert in the field, in light of the history of writing and scholarship on the given topic. The more than 500 entries include not just writings on major composers in music history but also the genres in which they worked (from early chant to rock and roll) and topics important to the various disciplines of music scholarship (from aesthetics to gay/lesbian musicology).
Publisher: Routledge
ISBN: 1135942625
Category : Music
Languages : en
Pages : 928
Book Description
The Reader's Guide to Music is designed to provide a useful single-volume guide to the ever-increasing number of English language book-length studies in music. Each entry consists of a bibliography of some 3-20 titles and an essay in which these titles are evaluated, by an expert in the field, in light of the history of writing and scholarship on the given topic. The more than 500 entries include not just writings on major composers in music history but also the genres in which they worked (from early chant to rock and roll) and topics important to the various disciplines of music scholarship (from aesthetics to gay/lesbian musicology).
Interpreting Historical Keyboard Music
Author: Dr Andrew Woolley
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409464288
Category : Music
Languages : en
Pages : 464
Book Description
Research in the field of keyboard studies, especially when intimately connected with issues of performance, is often concerned with the immediate working environments and practices of musicians of the past. An important pedagogical tool, the keyboard has served as the ‘workbench’ of countless musicians over the centuries. In the process it has shaped the ways in which many historical musicians achieved their aspirations and went about meeting creative challenges. In recent decades interest has turned towards a contextualized understanding of creative processes in music, and keyboard studies appears well placed to contribute to the exploration of this wider concern. The nineteen essays collected here encompass the range of research in the field, bringing together contributions from performers, organologists and music historians. Questions relevant to issues of creative practice in various historical contexts, and of interpretative issues faced today, form a guiding thread. Its scope is wide-ranging, with contributions covering the mid-sixteenth to early twentieth century. It is also inclusive, encompassing the diverse range of approaches to the field of contemporary keyboard studies. Collectively the essays form a survey of the ways in which the study of keyboard performance can enrich our understanding of musical life in a given period.
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409464288
Category : Music
Languages : en
Pages : 464
Book Description
Research in the field of keyboard studies, especially when intimately connected with issues of performance, is often concerned with the immediate working environments and practices of musicians of the past. An important pedagogical tool, the keyboard has served as the ‘workbench’ of countless musicians over the centuries. In the process it has shaped the ways in which many historical musicians achieved their aspirations and went about meeting creative challenges. In recent decades interest has turned towards a contextualized understanding of creative processes in music, and keyboard studies appears well placed to contribute to the exploration of this wider concern. The nineteen essays collected here encompass the range of research in the field, bringing together contributions from performers, organologists and music historians. Questions relevant to issues of creative practice in various historical contexts, and of interpretative issues faced today, form a guiding thread. Its scope is wide-ranging, with contributions covering the mid-sixteenth to early twentieth century. It is also inclusive, encompassing the diverse range of approaches to the field of contemporary keyboard studies. Collectively the essays form a survey of the ways in which the study of keyboard performance can enrich our understanding of musical life in a given period.
Sonatas, Fantasies and Rondos Urtext Edition
Author: Wolfgang Amadeus Mozart
Publisher: Courier Corporation
ISBN: 0486499960
Category : Music
Languages : en
Pages : 226
Book Description
Newly and painstakingly engraved by Ephraim Hammett Jones, the second part of this two-volume Urtext edition completes the sonata cycle with Nos. 10–18 and also features the Adagio in B Minor, K.540.
Publisher: Courier Corporation
ISBN: 0486499960
Category : Music
Languages : en
Pages : 226
Book Description
Newly and painstakingly engraved by Ephraim Hammett Jones, the second part of this two-volume Urtext edition completes the sonata cycle with Nos. 10–18 and also features the Adagio in B Minor, K.540.
Complete organ symphonies
Author: Charles Marie Widor
Publisher: Courier Corporation
ISBN: 0486266915
Category : Music
Languages : en
Pages : 208
Book Description
The greatest French organist of his day, Widor (1844–1937) composed 10 organ "symphonies" — actually solo compositions usually consisting of 6 or 7 short movements, that treat the organ as a kind of self-contained orchestra. Series I includes Symphonies Nos. 1–4, Op. 13 and Symphonie No. 5, Op. 42. Frequently performed today. Glossary of French terms.
Publisher: Courier Corporation
ISBN: 0486266915
Category : Music
Languages : en
Pages : 208
Book Description
The greatest French organist of his day, Widor (1844–1937) composed 10 organ "symphonies" — actually solo compositions usually consisting of 6 or 7 short movements, that treat the organ as a kind of self-contained orchestra. Series I includes Symphonies Nos. 1–4, Op. 13 and Symphonie No. 5, Op. 42. Frequently performed today. Glossary of French terms.
String quartets opp. 42, 50, and 54
Author: Joseph Haydn
Publisher: Courier Corporation
ISBN: 0486242625
Category : Music
Languages : en
Pages : 241
Book Description
Complete reproductions of Op. 42 in D Minor; Op. 50, Nos. 1-6 (the "Prussian Quartets"), and Op. 54, Nos. 1-3 (first set of "Tost Quartets"). Reproduced from the authoritative Eulenburg edition.
Publisher: Courier Corporation
ISBN: 0486242625
Category : Music
Languages : en
Pages : 241
Book Description
Complete reproductions of Op. 42 in D Minor; Op. 50, Nos. 1-6 (the "Prussian Quartets"), and Op. 54, Nos. 1-3 (first set of "Tost Quartets"). Reproduced from the authoritative Eulenburg edition.
Complete preludes and études-tableaux
Author: Sergei Rachmaninoff
Publisher: Courier Corporation
ISBN: 0486256960
Category : Music
Languages : en
Pages : 226
Book Description
These 24 preludes and 17 etudes-tableaux include what are possibly Rachmaninoff's finest compositions for solo piano. Reproduced from authoritative Russian editions, they include the popular C-sharp minor prelude, Op. 3, No. 2; the G-minor prelude, Op. 23, No. 5; and the B-minor prelude, Op. 32, No. 10.
Publisher: Courier Corporation
ISBN: 0486256960
Category : Music
Languages : en
Pages : 226
Book Description
These 24 preludes and 17 etudes-tableaux include what are possibly Rachmaninoff's finest compositions for solo piano. Reproduced from authoritative Russian editions, they include the popular C-sharp minor prelude, Op. 3, No. 2; the G-minor prelude, Op. 23, No. 5; and the B-minor prelude, Op. 32, No. 10.