Author: Adam Sonstegard
Publisher: University of Alabama Press
ISBN: 0817318054
Category : Art
Languages : en
Pages : 247
Book Description
A landmark study of the illustrations that originally accompanied now-classic works of American literary realism Though today we commonly read major works of nineteenth-century American literature in unillustrated paperbacks or anthologies, many of them first appeared as magazine serials, accompanied by ample illustrations that sometimes made their way into the serials’ first printings as books. The graphic artists creating these illustrations often visually addressed questions that the authors had left for the reader to interpret, such as the complexions of racially ambiguous characters in Uncle Tom’s Cabin. The artists created illustrations that depicted what outsiders saw in Huck and Jim in Adventures of Huckleberry Finn, rather than what Huck and Jim learned to see in one another. These artists even worked against the texts on occasion—for instance, when the illustrators reinforced the same racial stereotypes that writers such as Paul Laurence Dunbar had intended to subvert in their works. Authors of American realism commonly submitted their writing to editors who allowed them little control over the aesthetic appearance of their work. In his groundbreaking Artistic Liberties, Adam Sonstegard studies the illustrations from these works in detail and finds that the editors employed illustrators who were often unfamiliar with the authors’ intentions and who themselves selected the literary material they wished to illustrate, thereby taking artistic liberties through the tableaux they created. Sonstegard examines the key role that the appointed artists played in visually shaping narratives—among them Mark Twain’s Pudd’nhead Wilson, Stephen Crane’s The Monster, and Edith Wharton’s The House of Mirth—as audiences tended to accept their illustrations as guidelines for understanding the texts. In viewing these works as originally published, received, and interpreted, Sonstegard offers a deeper knowledge not only of the works, but also of the realities surrounding publication during this formative period in American literature.
Artistic Liberties
Author: Adam Sonstegard
Publisher: University of Alabama Press
ISBN: 0817318054
Category : Art
Languages : en
Pages : 247
Book Description
A landmark study of the illustrations that originally accompanied now-classic works of American literary realism Though today we commonly read major works of nineteenth-century American literature in unillustrated paperbacks or anthologies, many of them first appeared as magazine serials, accompanied by ample illustrations that sometimes made their way into the serials’ first printings as books. The graphic artists creating these illustrations often visually addressed questions that the authors had left for the reader to interpret, such as the complexions of racially ambiguous characters in Uncle Tom’s Cabin. The artists created illustrations that depicted what outsiders saw in Huck and Jim in Adventures of Huckleberry Finn, rather than what Huck and Jim learned to see in one another. These artists even worked against the texts on occasion—for instance, when the illustrators reinforced the same racial stereotypes that writers such as Paul Laurence Dunbar had intended to subvert in their works. Authors of American realism commonly submitted their writing to editors who allowed them little control over the aesthetic appearance of their work. In his groundbreaking Artistic Liberties, Adam Sonstegard studies the illustrations from these works in detail and finds that the editors employed illustrators who were often unfamiliar with the authors’ intentions and who themselves selected the literary material they wished to illustrate, thereby taking artistic liberties through the tableaux they created. Sonstegard examines the key role that the appointed artists played in visually shaping narratives—among them Mark Twain’s Pudd’nhead Wilson, Stephen Crane’s The Monster, and Edith Wharton’s The House of Mirth—as audiences tended to accept their illustrations as guidelines for understanding the texts. In viewing these works as originally published, received, and interpreted, Sonstegard offers a deeper knowledge not only of the works, but also of the realities surrounding publication during this formative period in American literature.
Publisher: University of Alabama Press
ISBN: 0817318054
Category : Art
Languages : en
Pages : 247
Book Description
A landmark study of the illustrations that originally accompanied now-classic works of American literary realism Though today we commonly read major works of nineteenth-century American literature in unillustrated paperbacks or anthologies, many of them first appeared as magazine serials, accompanied by ample illustrations that sometimes made their way into the serials’ first printings as books. The graphic artists creating these illustrations often visually addressed questions that the authors had left for the reader to interpret, such as the complexions of racially ambiguous characters in Uncle Tom’s Cabin. The artists created illustrations that depicted what outsiders saw in Huck and Jim in Adventures of Huckleberry Finn, rather than what Huck and Jim learned to see in one another. These artists even worked against the texts on occasion—for instance, when the illustrators reinforced the same racial stereotypes that writers such as Paul Laurence Dunbar had intended to subvert in their works. Authors of American realism commonly submitted their writing to editors who allowed them little control over the aesthetic appearance of their work. In his groundbreaking Artistic Liberties, Adam Sonstegard studies the illustrations from these works in detail and finds that the editors employed illustrators who were often unfamiliar with the authors’ intentions and who themselves selected the literary material they wished to illustrate, thereby taking artistic liberties through the tableaux they created. Sonstegard examines the key role that the appointed artists played in visually shaping narratives—among them Mark Twain’s Pudd’nhead Wilson, Stephen Crane’s The Monster, and Edith Wharton’s The House of Mirth—as audiences tended to accept their illustrations as guidelines for understanding the texts. In viewing these works as originally published, received, and interpreted, Sonstegard offers a deeper knowledge not only of the works, but also of the realities surrounding publication during this formative period in American literature.
Plague Birds
Author: Jason Sanford
Publisher: Apex Publications
ISBN:
Category : Fiction
Languages : en
Pages : 407
Book Description
Glowing red lines split their faces. Shock-red hair and clothes warn people to flee their approach. They are plague birds, the powerful merging of humans and artificial intelligences who serve as judges and executioners after the collapse of civilization. And the plague birds’ judgment is swift and deadly, as Crista discovered as a child when she watched one kill her mother. In a world of gene-modded humans constantly watched over by benevolent AIs, everyone hates and fears the plague birds. But to save her father and home village, Crista becomes the very creature she fears the most. And her first task as a plague bird is hunting down an ancient group of murderers wielding magic-like powers. As Crista and her AI symbiote travel farther from home than she ever imagined, they are plunged into a strange world where she judges wrongdoers, befriends other outcasts, and uncovers an extremely personal conspiracy that threatens the lives of millions. Plague Birds is a genre-bending mix of science fiction and dark fantasy and the epic story of a young woman who becomes one of the future’s most hated creatures, with a killer AI bonded to her very blood.
Publisher: Apex Publications
ISBN:
Category : Fiction
Languages : en
Pages : 407
Book Description
Glowing red lines split their faces. Shock-red hair and clothes warn people to flee their approach. They are plague birds, the powerful merging of humans and artificial intelligences who serve as judges and executioners after the collapse of civilization. And the plague birds’ judgment is swift and deadly, as Crista discovered as a child when she watched one kill her mother. In a world of gene-modded humans constantly watched over by benevolent AIs, everyone hates and fears the plague birds. But to save her father and home village, Crista becomes the very creature she fears the most. And her first task as a plague bird is hunting down an ancient group of murderers wielding magic-like powers. As Crista and her AI symbiote travel farther from home than she ever imagined, they are plunged into a strange world where she judges wrongdoers, befriends other outcasts, and uncovers an extremely personal conspiracy that threatens the lives of millions. Plague Birds is a genre-bending mix of science fiction and dark fantasy and the epic story of a young woman who becomes one of the future’s most hated creatures, with a killer AI bonded to her very blood.
Liberties Journal of Culture and Politics
Author: Liberties Journal Foundation
Publisher: Liberties Journal
ISBN: 9781735718781
Category : Political Science
Languages : en
Pages : 350
Book Description
Liberties Journal of Culture and Politics is devoted to educating the general public about the history, current trends, and possibilities of culture and politics.
Publisher: Liberties Journal
ISBN: 9781735718781
Category : Political Science
Languages : en
Pages : 350
Book Description
Liberties Journal of Culture and Politics is devoted to educating the general public about the history, current trends, and possibilities of culture and politics.
Artistic License
Author: Darren Hudson Hick
Publisher: University of Chicago Press
ISBN: 022646038X
Category : Law
Languages : en
Pages : 240
Book Description
The art scene today is one of appropriation—of remixing, reusing, and recombining the works of other artists. From the musical mash-ups of Girl Talk to the pop-culture borrowings of Damien Hirst and Jeff Koons, it’s clear that the artistic landscape is shifting—which leads to some tricky legal and philosophical questions. In this up-to-date, thorough, and accessible analysis of the right to copyright, Darren Hudson Hick works to reconcile the growing practice of artistic appropriation with innovative views of artists’ rights, both legal and moral. Engaging with long-standing debates about the nature of originality, authorship, and artists’ rights, Hick examines the philosophical challenges presented by the role of intellectual property in the artworld and vice versa. Using real-life examples of artists who have incorporated copyrighted works into their art, he explores issues of artistic creation and the nature of infringement as they are informed by analytical aesthetics and legal and critical theory. Ultimately, Artistic License provides a critical and systematic analysis of the key philosophical issues that underlie copyright policy, rethinking the relationship between artist, artwork, and the law.
Publisher: University of Chicago Press
ISBN: 022646038X
Category : Law
Languages : en
Pages : 240
Book Description
The art scene today is one of appropriation—of remixing, reusing, and recombining the works of other artists. From the musical mash-ups of Girl Talk to the pop-culture borrowings of Damien Hirst and Jeff Koons, it’s clear that the artistic landscape is shifting—which leads to some tricky legal and philosophical questions. In this up-to-date, thorough, and accessible analysis of the right to copyright, Darren Hudson Hick works to reconcile the growing practice of artistic appropriation with innovative views of artists’ rights, both legal and moral. Engaging with long-standing debates about the nature of originality, authorship, and artists’ rights, Hick examines the philosophical challenges presented by the role of intellectual property in the artworld and vice versa. Using real-life examples of artists who have incorporated copyrighted works into their art, he explores issues of artistic creation and the nature of infringement as they are informed by analytical aesthetics and legal and critical theory. Ultimately, Artistic License provides a critical and systematic analysis of the key philosophical issues that underlie copyright policy, rethinking the relationship between artist, artwork, and the law.
Identifying a Free Society
Author: Milan Zafirovski
Publisher: BRILL
ISBN: 900434733X
Category : Social Science
Languages : en
Pages : 488
Book Description
In Identifying a Free Society Milan Zafirovski offers a holistic sociological approach to modern free society as a total social system. The book examines the main conditions and indicators of modern free society such as democracy, a free economy, a free culture, and a free civil society, hence political, economic, cultural, and individual liberty entwined with equality and justice. It provides specific and aggregate free-society estimates for Western and related societies based on a variety of objective rankings, data, and reports. On the basis of these estimates, the book identifies liberal societies as the freest as a whole, and their anti-liberal opposites as the most unfree.
Publisher: BRILL
ISBN: 900434733X
Category : Social Science
Languages : en
Pages : 488
Book Description
In Identifying a Free Society Milan Zafirovski offers a holistic sociological approach to modern free society as a total social system. The book examines the main conditions and indicators of modern free society such as democracy, a free economy, a free culture, and a free civil society, hence political, economic, cultural, and individual liberty entwined with equality and justice. It provides specific and aggregate free-society estimates for Western and related societies based on a variety of objective rankings, data, and reports. On the basis of these estimates, the book identifies liberal societies as the freest as a whole, and their anti-liberal opposites as the most unfree.
Art Escapes
Author: Dory Kanter
Publisher: Penguin
ISBN: 1440317151
Category : Art
Languages : en
Pages : 287
Book Description
Inspire your creative spirit--everyday! Whether you're a beginner or an experienced artist, Art Escapes provides the ideas and encouragement you need to discover greater creativity and artistic confidence, even when you're short on time. Professional artist and instructor Dory Kanter shows you how to: • Experience more fun and greater confidence drawing and painting. • Express yourself and experiment everyday with an art journal. • Reinterpret daily life with simple, beautiful sketches. • Find painting inspiration in unexpected places. • Paint freely, intuitively and passionately with a simple four-step approach. • Create new forms of art, including watercolor mosaics, paper weavings and found object collages. You'll also find 13 drawing, watercolor, mixed media, and assemblage projects, plus several "page-a-day" ideas. With Art Escapes, you'll learn how to build an art "habit," one that brings joy with every stroke of your brush.
Publisher: Penguin
ISBN: 1440317151
Category : Art
Languages : en
Pages : 287
Book Description
Inspire your creative spirit--everyday! Whether you're a beginner or an experienced artist, Art Escapes provides the ideas and encouragement you need to discover greater creativity and artistic confidence, even when you're short on time. Professional artist and instructor Dory Kanter shows you how to: • Experience more fun and greater confidence drawing and painting. • Express yourself and experiment everyday with an art journal. • Reinterpret daily life with simple, beautiful sketches. • Find painting inspiration in unexpected places. • Paint freely, intuitively and passionately with a simple four-step approach. • Create new forms of art, including watercolor mosaics, paper weavings and found object collages. You'll also find 13 drawing, watercolor, mixed media, and assemblage projects, plus several "page-a-day" ideas. With Art Escapes, you'll learn how to build an art "habit," one that brings joy with every stroke of your brush.
Rodin's Art
Author: the late Albert E. Elsen
Publisher: Oxford University Press
ISBN: 0198030614
Category : Art
Languages : en
Pages : 681
Book Description
The late Albert Elsen was the first American scholar to study seriously the work of the French sculptor Auguste Rodin, and the person most responsible for a revival of interest in the artist as a modern innovator--after years during which the sculpture had been dismissed as so much Victorian bathos. After a fortuitous meeting with the financier, philanthropist, and art collector B. Gerald Cantor, Elsen helped Cantor to build up a major collection of Rodin's work. A large part of this collection, consisting of more than 200 pieces, was donated to the Stanford Museum by Mr. Cantor, who died recently. In size it is surpassed only the by the Musée Rodin in Paris and rivaled only by the collection in Philadelphia. In scope the collection is unique in having been carefully selected to present a balanced view of Rodin's work throughout his life. Rodin's Art encompasses a lifetime's thoughts on Rodin's career, surveying the artist's accomplishments through the detailed discussion of each object in the collection. It will begin with essays on the formation of the collection, the reception of Rodin's work, and his casting techniques. The entries that follow are arranged topically and include extensive discussions of Rodin's major projects.
Publisher: Oxford University Press
ISBN: 0198030614
Category : Art
Languages : en
Pages : 681
Book Description
The late Albert Elsen was the first American scholar to study seriously the work of the French sculptor Auguste Rodin, and the person most responsible for a revival of interest in the artist as a modern innovator--after years during which the sculpture had been dismissed as so much Victorian bathos. After a fortuitous meeting with the financier, philanthropist, and art collector B. Gerald Cantor, Elsen helped Cantor to build up a major collection of Rodin's work. A large part of this collection, consisting of more than 200 pieces, was donated to the Stanford Museum by Mr. Cantor, who died recently. In size it is surpassed only the by the Musée Rodin in Paris and rivaled only by the collection in Philadelphia. In scope the collection is unique in having been carefully selected to present a balanced view of Rodin's work throughout his life. Rodin's Art encompasses a lifetime's thoughts on Rodin's career, surveying the artist's accomplishments through the detailed discussion of each object in the collection. It will begin with essays on the formation of the collection, the reception of Rodin's work, and his casting techniques. The entries that follow are arranged topically and include extensive discussions of Rodin's major projects.
The Digital Art Revolution: Exploring Cutting-Edge Illustration Workflows for Creatives
Author: Layla Ward
Publisher: Daniel O Brien
ISBN:
Category : Design
Languages : en
Pages : 140
Book Description
Embark on an extraordinary journey into the world of digital science illustration with "The Digital Art Revolution." This comprehensive guide empowers creatives with cutting-edge workflows, innovative techniques, and practical advice. From understanding the fundamentals of digital art to mastering advanced rendering and coloring skills, this book provides a solid foundation for both aspiring and experienced illustrators. Explore the latest software and hardware, uncover the secrets of digital painting, sketching, and inking, and discover the nuances of post-processing for breathtaking results. Unleash your creativity and expand your knowledge of design thinking principles, ensuring your illustrations are not only visually stunning but also scientifically accurate. Learn from case studies of exceptional digital science illustrations and gain insights into emerging trends and technologies shaping the industry. This comprehensive resource includes a glossary of industry terms, recommendations for digital art tools, a troubleshooting guide, and an inspirational gallery to spark your imagination. Whether you're navigating career pathways or navigating the ethical landscape, "The Digital Art Revolution" equips you with the knowledge and skills to thrive in the ever-evolving digital art world.
Publisher: Daniel O Brien
ISBN:
Category : Design
Languages : en
Pages : 140
Book Description
Embark on an extraordinary journey into the world of digital science illustration with "The Digital Art Revolution." This comprehensive guide empowers creatives with cutting-edge workflows, innovative techniques, and practical advice. From understanding the fundamentals of digital art to mastering advanced rendering and coloring skills, this book provides a solid foundation for both aspiring and experienced illustrators. Explore the latest software and hardware, uncover the secrets of digital painting, sketching, and inking, and discover the nuances of post-processing for breathtaking results. Unleash your creativity and expand your knowledge of design thinking principles, ensuring your illustrations are not only visually stunning but also scientifically accurate. Learn from case studies of exceptional digital science illustrations and gain insights into emerging trends and technologies shaping the industry. This comprehensive resource includes a glossary of industry terms, recommendations for digital art tools, a troubleshooting guide, and an inspirational gallery to spark your imagination. Whether you're navigating career pathways or navigating the ethical landscape, "The Digital Art Revolution" equips you with the knowledge and skills to thrive in the ever-evolving digital art world.
Dictionary of Artists' Models
Author: Jill Berk Jiminez
Publisher: Routledge
ISBN: 1135959218
Category : Social Science
Languages : en
Pages : 628
Book Description
The first reference work devoted to their lives and roles, this book provides information on some 200 artists' models from the Renaissance to the present day. Most entries are illustrated and consist of a brief biography, selected works in which the model appears (with location), a list of further reading. This will prove an invaluable reference work for art historians, librarians, museum and gallery curators, as well as students and researchers.
Publisher: Routledge
ISBN: 1135959218
Category : Social Science
Languages : en
Pages : 628
Book Description
The first reference work devoted to their lives and roles, this book provides information on some 200 artists' models from the Renaissance to the present day. Most entries are illustrated and consist of a brief biography, selected works in which the model appears (with location), a list of further reading. This will prove an invaluable reference work for art historians, librarians, museum and gallery curators, as well as students and researchers.
Art and Biotechnology
Author: Claire Correo Nettleton
Publisher: Bloomsbury Publishing
ISBN: 1350376051
Category : Art
Languages : en
Pages : 313
Book Description
This interdisciplinary anthology examines the relationship between developments in biotechnology and both artistic and literary innovation, focussing in particular on how newfound molecular technologies and knowledge regimes, such as CRISPR gene editing, alter conceptions of what it means to be human. The book presents 21 essays, split across four parts, from a coterie of artists, theorists, historians and scientists which examine the symbiotic relationship between humans, animals, and viruses as well as the impossibility of germ-free existence. The essays in this volume are urgent in their topicality, embodying the exhilarating yet alarming zeitgeist of contemporary nonhuman-to-human viral transmission and gene editing technologies. Ultimately, Art and Biotechnology reveals how art and biotechnology influence each other and how art has shaped the discussion around gene editing and the socio-cultural aspects of the Covid-19 pandemic. It is essential reading for students and researchers focussing on science and art, environmental humanities, and ethics.
Publisher: Bloomsbury Publishing
ISBN: 1350376051
Category : Art
Languages : en
Pages : 313
Book Description
This interdisciplinary anthology examines the relationship between developments in biotechnology and both artistic and literary innovation, focussing in particular on how newfound molecular technologies and knowledge regimes, such as CRISPR gene editing, alter conceptions of what it means to be human. The book presents 21 essays, split across four parts, from a coterie of artists, theorists, historians and scientists which examine the symbiotic relationship between humans, animals, and viruses as well as the impossibility of germ-free existence. The essays in this volume are urgent in their topicality, embodying the exhilarating yet alarming zeitgeist of contemporary nonhuman-to-human viral transmission and gene editing technologies. Ultimately, Art and Biotechnology reveals how art and biotechnology influence each other and how art has shaped the discussion around gene editing and the socio-cultural aspects of the Covid-19 pandemic. It is essential reading for students and researchers focussing on science and art, environmental humanities, and ethics.