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Author: Percy J. Trezise
Publisher:
ISBN:
Category : Aboriginal Australians
Languages : en
Pages : 168
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Book Description
Chap.1; Laura; early history; visit to Jack River (Gugu-Warra tribe), description of paintings in rock-shelter (Platform Gallery); galleries at Red Bluff; Chap.2; The Dig; Laura River, paintings, artefacts (hammer stones, hand-chopper & ochre material; Mushroom Rock gallery; legends of Woolcooldin (Noble Island & Shebas Breast (N.W. Cooktown); Bin Bin (thunderstorm), the moon & others; Chap.3; The Land of Legends; Bull Creek paintings; a Gugu-Imudji myth and others; paintings in Williams Creek shelters; Chap.4; The Old men; legends relating to the dingo, rainbow serpent (Gugu-Yalanji), comparison with Lardil version (few words given with translation); the echidna; the bandicoot & curlew; notes on sorcery paintings; kangaroo hunting magic; rock wallaby legend and many others; Chap.5; Willy and the Quinkans; life after death beliefs (Olcoola people); details of Quinkan beliefs and legends; Chap.6; The Willy-Wagtail and other Men; galleries (Mushroom Rock), legends; Chap.7; Sorcery versus snider rifles; chronological sequence of art styles; series of engravings on flat slabs on bed of Laura River; Chap.8; Emu and Pig galleries; Ginger Creek; the Woolston Gallery; visit to Lardil people on small island of Lungu-Narngi, secret language Damin taped; Chap; 9 Where Quinkans Dwell; stories of the Quinkans, paintings near Umbrella Tree galleries, engravings examined; Culture Hero Gallery; Chap.l0; Black Renegades; man of OcoCarnigal tribe, possibly group of Gugu-Warra; Mun Gin Creek site; Appendix; The Travels of Marnbil, the origin of Baralkea and Wallaby Island; throughout book detailed descriptions are given of all galleries; maps show route of legends demonstrating that Aboriginal migration first occurred from the west; approx. tribal locations & art sites; George Pegus (Gugu-Yalanji), Dick Roughsey (Lardil), Willy Long (Oekula) accompanied author on journeys.
Author: Percy J. Trezise
Publisher:
ISBN:
Category : Aboriginal Australians
Languages : en
Pages : 168
Get Book Here
Book Description
Chap.1; Laura; early history; visit to Jack River (Gugu-Warra tribe), description of paintings in rock-shelter (Platform Gallery); galleries at Red Bluff; Chap.2; The Dig; Laura River, paintings, artefacts (hammer stones, hand-chopper & ochre material; Mushroom Rock gallery; legends of Woolcooldin (Noble Island & Shebas Breast (N.W. Cooktown); Bin Bin (thunderstorm), the moon & others; Chap.3; The Land of Legends; Bull Creek paintings; a Gugu-Imudji myth and others; paintings in Williams Creek shelters; Chap.4; The Old men; legends relating to the dingo, rainbow serpent (Gugu-Yalanji), comparison with Lardil version (few words given with translation); the echidna; the bandicoot & curlew; notes on sorcery paintings; kangaroo hunting magic; rock wallaby legend and many others; Chap.5; Willy and the Quinkans; life after death beliefs (Olcoola people); details of Quinkan beliefs and legends; Chap.6; The Willy-Wagtail and other Men; galleries (Mushroom Rock), legends; Chap.7; Sorcery versus snider rifles; chronological sequence of art styles; series of engravings on flat slabs on bed of Laura River; Chap.8; Emu and Pig galleries; Ginger Creek; the Woolston Gallery; visit to Lardil people on small island of Lungu-Narngi, secret language Damin taped; Chap; 9 Where Quinkans Dwell; stories of the Quinkans, paintings near Umbrella Tree galleries, engravings examined; Culture Hero Gallery; Chap.l0; Black Renegades; man of OcoCarnigal tribe, possibly group of Gugu-Warra; Mun Gin Creek site; Appendix; The Travels of Marnbil, the origin of Baralkea and Wallaby Island; throughout book detailed descriptions are given of all galleries; maps show route of legends demonstrating that Aboriginal migration first occurred from the west; approx. tribal locations & art sites; George Pegus (Gugu-Yalanji), Dick Roughsey (Lardil), Willy Long (Oekula) accompanied author on journeys.
Author: Percy J. Trezise
Publisher: Sydney : Collins, 1978 (1979 printing)
ISBN: 9780001843707
Category : Aboriginal Australians
Languages : en
Pages : 30
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Book Description
SUMMARY: A story of the Quinkins, the spirit people of the Yatanji tribe's land. One group, the Imjim, steal children; the Timara play tricks on people but protect children from the Imjim.
Author: Robert Layton
Publisher: Cambridge University Press
ISBN: 0521346665
Category : Art
Languages : en
Pages : 306
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Book Description
A survey of Australian rock art, presenting detailed case studies revealing the significance of both recent and ancient art for Australia's living indigenous communities.
Author: briann kearney
Publisher: Lulu.com
ISBN: 1794773894
Category : Biography & Autobiography
Languages : en
Pages : 340
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Book Description
KEVIN KEARNEY, Sound designer, Audio Artist and Analogue Location Sound Designer Vol. 2 Part 3 is a historical coverage of the Australian film production period 1977 - 1979 and centres on features, documentaries, short film, music clips, telemovies, series and commercials both nationally and internationally.
Author: Terry Smith
Publisher: Duke University Press
ISBN: 1478003472
Category : Art
Languages : en
Pages : 322
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Book Description
In Art to Come Terry Smith—who is widely recognized as one of the world's leading historians and theorists of contemporary art—traces the emergence of contemporary art and further develops his concept of contemporaneity. Smith shows that embracing contemporaneity as both a historical concept and a condition of the globalized world allows us to grasp how contemporary art exists in a fluid space of increasing interdependencies, multiple contemporaneous modernities, and persistent inequalities. Throughout these essays, Smith offers systematic proposals for writing contemporary art's histories while assessing how curators, critics, philosophers, artists, and art historians are currently doing so. Among other topics, Smith examines the intersection of architecture with other visual arts, Chinese art since the Cultural Revolution, how philosophers are theorizing concepts associated with the contemporary, Australian Indigenous art, and the current state of art history. Art to Come will be essential reading for artists, art students, curators, gallery workers, historians, critics, and theorists.
Author: Liam M. Brady
Publisher: University Press of Colorado
ISBN: 1607324989
Category : Social Science
Languages : en
Pages : 411
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Book Description
Rock art has long been considered an archaeological artifact reflecting activities from the past, yet it is also a phenomenon with present-day meaning and relevance to both indigenous and non-indigenous communities. Relating to Rock Art in the Contemporary World challenges traditional ways of thinking about this highly recognizable form of visual heritage and provides insight into its contemporary significance. One of the most visually striking forms of material culture embedded in landscapes, rock art is ascribed different meanings by diverse groups of people including indigenous peoples, governments, tourism offices, and the general public, all of whom relate to images and sites in unique ways. In this volume, leading scholars from around the globe shift the discourse from a primarily archaeological basis to one that examines the myriad ways that symbolism, meaning, and significance in rock art are being renegotiated in various geographical and cultural settings, from Australia to the British Isles. They also consider how people manage the complex meanings, emotions, and cultural and political practices tied to rock art sites and how these factors impact processes relating to identity construction and reaffirmation today. Richly illustrated and geographically diverse, Relating to Rock Art in the Contemporary World connects archaeology, anthropology, and heritage studies. The book will appeal to students and scholars of archaeology, anthropology, heritage, heritage management, identity studies, art history, indigenous studies, and visual theory, as well as professionals and amateurs who have vested or avocational interests in rock art. Contributors: Agustín Acevedo, Manuel Bea, Jutinach Bowonsachoti, Gemma Boyle, John J. Bradley, Noelene Cole, Inés Domingo, Kurt E. Dongoske, Davida Eisenberg-Degen, Dánae Fiore, Ursula K. Frederick, Kelley Hays-Gilpin, Catherine Namono, George H. Nash, John Norder, Marianna Ocampo, Joshua Schmidt, Duangpond Singhaseni, Benjamin W. Smith, Atthasit Sukkham, Noel Hidalgo Tan, Watinee Tanompolkrang, Luke Taylor, Dagmara Zawadzka
Author: Mike J. Morwood
Publisher:
ISBN:
Category : Aboriginal Australians
Languages : en
Pages : 228
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Book Description
Collection of 15 papers on aspects of the archaeology of the region from Laura to Princess Charlotte Bay, S.E. Cape York, Queensland; includes excavation report; environmental and palaeoecological studies; papers on local history, ethnography, rock art and technological change by Morwood; Ruig and Morwood; Cole; Morwood and LOste-Brown annotated separately.
Author: David Whitley
Publisher: Routledge
ISBN: 1315425998
Category : Social Science
Languages : en
Pages : 228
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Book Description
First published in 2005, this brief introduction to methods of studying rock art has become the standard text for courses on this topic. It was also selected as a Choice Magazine Outstanding Academic Book in 2005. Internationally-known rock art researcher David Whitley takes the reader through the various processes needed to document, interpret, and preserve this fragile category of artifact. Using examples from around the globe, he offers a comprehensive guide to rock art studies of value to archaeologists and art historians, their students, and rock art aficionados. The second edition of this classic work has additional material on mapping sites, ethnographic analogy, neuropsychological models, and Native American consultation.
Author: Jo McDonald
Publisher: ANU Press
ISBN: 1760465364
Category : Social Science
Languages : en
Pages : 306
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Book Description
Australia has one of the largest inventories of rock art in the world with pictographs and petroglyphs found almost anywhere that has suitable rock surfaces – in rock shelters and caves, on boulders and rock platforms. First Nations people have been marking these places with figurative imagery, abstract designs, stencils and prints for tens of thousands of years, often engaging with earlier rock markings. The art reflects and expresses changing experiences within landscapes over time, spirituality, history, law and lore, as well as relationships between individuals and groups of people, plants, animals, land and Ancestral Beings that are said to have created the world, including some rock art. Since the late 1700s, people arriving in Australia have been fascinated with the rock art they encountered, with detailed studies commencing in the late 1800s. Through the 1900s an impressive body of research on Australian rock art was undertaken, with dedicated academic study using archaeological methods employed since the late 1940s. Since then, Australian rock art has been researched from various perspectives, including that of Traditional Owners, custodians and other community members. Through the 1900s, there was also growing interest in Australian rock art from researchers across the globe, leading many to visit or migrate to Australia to undertake rock art research. In this volume, the varied histories of Australian rock art research from different parts of the country are explored not only in terms of key researchers, developments and changes over time, but also the crucial role of First Nations people themselves in investigations of this key component of their living heritage.
Author: Howard Morphy
Publisher: Routledge
ISBN: 1317598075
Category : Social Science
Languages : en
Pages : 641
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Book Description
This book is one of a series of volumes resulting from the World Archaeological Congress, September 1986 which addressed world archaeology in its widest sense, investigating how people lived in the past and how and why changes took place to result in the forms of society and culture which exist now. The series brought together archaeologists and anthropologists from many parts of the world, academics from contingent disciplines, and also non-academics from a wide range of cultural backgrounds who could lend their own expertise to the discussions. This book is an exploration of the way in which the animal world features in the works of art of a variety of cultures of different times and places. Contributors have adopted a variety of perspectives for looking at the complex ways in which past and present humans have interrelated with beings they classify as animals. Some of the approaches are predominantly economic and ecological, some are symbolic and others philosophical or theological. All these different views are included in the interpretation of the artworks of the past, revealing some of the foci and inspirations of cultural attitudes to animals. Originally published 1989.
