Scroll Paintings of Bengal PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Scroll Paintings of Bengal PDF full book. Access full book title Scroll Paintings of Bengal by Amitabh SenGupta. Download full books in PDF and EPUB format.
Author: Amitabh SenGupta
Publisher: AuthorHouse
ISBN: 147721383X
Category : Art
Languages : en
Pages : 167
Get Book Here
Book Description
Th e art of vernacular painting in India is not only varied and rich but also intriguing for several reasons. With such observations the book addresses certain issues, like the validity of the historical information on Indian Art that excludes vernacular trends. The information on vernacular art in India has either been ignored such as in ancient literary discourses or inadvertently misconstrued within the theoretical purviews of modern days. If the hierarchy of the Hindu caste system has marginalised the culture of the lower rung groups, the lexicon of twentieth century anthropological studies has seen this art as material evidence of undeveloped societies; both creating the same value: to be patronised but not ‘art’. Can art be weighed on a scale of development? Arguments have been developed within the specifi c focus on scroll paintings by the itinerant painter bards in Bengal. Th e bardic tradition has been known to exist in India since a pre-Christian era and still continues within two vibrant trends of vernacular art forms – Bangla and Santhal pat. Th e book redefi nes and repositions the notion of art with contemporary folk art. As the picture Plates are self-evident, the book draws attention on a world of art that has not been present in Indian Art History.
Author: Amitabh SenGupta
Publisher: AuthorHouse
ISBN: 147721383X
Category : Art
Languages : en
Pages : 167
Get Book Here
Book Description
Th e art of vernacular painting in India is not only varied and rich but also intriguing for several reasons. With such observations the book addresses certain issues, like the validity of the historical information on Indian Art that excludes vernacular trends. The information on vernacular art in India has either been ignored such as in ancient literary discourses or inadvertently misconstrued within the theoretical purviews of modern days. If the hierarchy of the Hindu caste system has marginalised the culture of the lower rung groups, the lexicon of twentieth century anthropological studies has seen this art as material evidence of undeveloped societies; both creating the same value: to be patronised but not ‘art’. Can art be weighed on a scale of development? Arguments have been developed within the specifi c focus on scroll paintings by the itinerant painter bards in Bengal. Th e bardic tradition has been known to exist in India since a pre-Christian era and still continues within two vibrant trends of vernacular art forms – Bangla and Santhal pat. Th e book redefi nes and repositions the notion of art with contemporary folk art. As the picture Plates are self-evident, the book draws attention on a world of art that has not been present in Indian Art History.
Author: Frank J. Korom
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 124
Get Book Here
Book Description
Highlights the state's rich cultural and natural landscapes and attractions with fifty-seven photographs in a week-at-a-glance format.
Author:
Publisher:
ISBN:
Category : Decorative arts
Languages : en
Pages : 39
Get Book Here
Book Description
Catalog of the art works displayed at India Art Fair, NSIC Exhibition Grounds, New Delhi from 01-03 February 2013 at stall no. J8.
Author: Mandakranta Bose
Publisher:
ISBN: 9789385285554
Category : Folk art
Languages : en
Pages : 139
Get Book Here
Book Description
The images presented in this book take us into the heart of the rich folk tradition of India. Of that heritage, the display of paintings accompanied by comments recited or sung has been a part of since very early times, as attested by references and legends in Sanskrit sources, including the Harsacarita, a 7th century work by Banabhatta. Known as patacitras or patas in short, these illustrated narratives on rectangular fabric or paper as well as on scrolls are a type of performed art that reaches out to audiences, mostly rural, conveying the artists' responses to legends and social themes of common knowledge across a wide range of audiences from varied social and cultural bases. A particularly powerful class of such paintings that come from the Bengali-speaking region of eastern India comprise the depiction of events from the Ramayana in the form of scrolls that are unrolled as the painter displays and explicates them. The vividly colourful images presented in this book occupy a special niche in the history of Indian art, remarkable because they are not only visual objects but narrative expositions of a text that has been part of vast numbers of the Indian people and often their source of moral guidance. Especially remarkable is that these patas by Bengali folk painters diverge so often from the magisterial Ramayanas of adikavi "First Poet" Valmiki, leave out important parts of it and import into the Rama saga episodes from local narrative caches.
Author: Joseph Charles French
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 116
Get Book Here
Book Description
Author: Samir Kumar Das
Publisher: Springer Nature
ISBN: 9811602638
Category : Social Science
Languages : en
Pages : 240
Get Book Here
Book Description
This book examines the making of the Goddess Durga both as an art and as part of the intangible heritage of Bengal. As the ‘original site of production’ of unbaked clay idols of the Hindu Goddess Durga and other Gods and Goddesses, Kumartuli remains at the centre of such art and heritage. The art and heritage of Kumartuli have been facing challenges in a rapidly globalizing world that demands constant redefinition of ‘art’ with the invasion of market forces and migration of idol makers. As such, the book includes chapters on the evolution of idols, iconographic transformations, popular culture and how the public is constituted by the production and consumption of the works of art and heritage and finally the continuous shaping and reshaping of urban imaginaries and contestations over public space. It also investigates the caste group of Kumbhakars (Kumars or the idol makers), reflecting on the complex relation between inherited skill and artistry. Further, it explores how the social construction of art as ‘art’ introduces a tangled web of power asymmetries between ‘art’ and ‘craft’, between an ‘artist’ and an ‘artisan’, and between ‘appreciation’ and ‘consumption’, along with their implications for the articulation of market in particular and social relations in general. Since little has been written on this heritage hub beyond popular pamphlets, documents on town planning and travelogues, the book, written by authors from various fields, opens up cross-disciplinary conversations, situating itself at the interface between art history, sociology of aesthetics, politics and government, social history, cultural studies, social anthropology and archaeology. The book is aimed at a wide readership, including students, scholars, town planners, heritage preservationists, lawmakers and readers interested in heritage in general and Kumartuli in particular.
Author: Ajit Mookerjee
Publisher:
ISBN:
Category : Folk art
Languages : en
Pages : 136
Get Book Here
Book Description
Author: Partha Mitter
Publisher: Cambridge University Press
ISBN: 9780521443548
Category : Art
Languages : en
Pages : 538
Get Book Here
Book Description
Partha Mitter's book is a pioneering study of the history of modern art on the Indian subcontinent from 1850 to 1922. The author tells the story of Indian art during the Raj, set against the interplay of colonialism and nationalism. The work addresses the tensions and contradictions that attended the advent of European naturalism in India, as part of the imperial design for the westernisation of the elite, and traces the artistic evolution from unquestioning westernisation to the construction of Hindu national identity. Through a wide range of literary and pictorial sources, Art and Nationalism in Colonial India balances the study of colonial cultural institutions and networks with the ideologies of the nationalist and intellectual movements which followed. The result is a book of immense significance, both in the context of South Asian history and in the wider context of art history.
Author: Tarapada Santra
Publisher:
ISBN: 9788189738952
Category : Artisans
Languages : en
Pages : 264
Get Book Here
Book Description
The folk arts of West Bengal have always been a treasure-trove of folk art in diverse forms, which found expression in almost every conceivable item of village life in earlier days. In this book, the author delves into the intricacies of the creative pattern of folk arts of Bengal, providing an overview of the vast array of art forms. The folk arts of West Bengal have always been a treasure-trove of folk art in diverse forms, which found expression in almost every conceivable item of village life in earlier days, starting from clay-built houses and corn-bins to folk painting,
Author: David McCutchion
Publisher: Firma Klm Pvt. Limited
ISBN:
Category : Folk art
Languages : en
Pages : 216
Get Book Here
Book Description
This Book Looks At The Life And Art Of Patua Painters In Bengal. Each Volume Contains An Original Scroll Painting In It.
