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Author: Courtney Nimura
Publisher: Oxbow Books
ISBN: 1789253950
Category : History
Languages : en
Pages : 400
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Book Description
Since early discoveries of so-called Celtic Art during the 19th century, archaeologists have mused on the origins of this major art tradition, which emerged in Europe around 500 BC. Classical influence has often been cited as the main impetus for this new and distinctive way of decorating, but although Classical and Celtic Art share certain motifs, many of the design principles behind the two styles differ fundamentally. Instead, the idea that Celtic Art shares its essential forms and themes of transformation and animism with Iron Age art from across northern Eurasia has recently gained currency, partly thanks to a move away from the study of motifs in prehistoric art and towards considerations of the contexts in which they appear. This volume explores Iron Age art at different scales and specifically considers the long-distance connections, mutual influences and shared ‘ways of seeing’ that link Celtic Art to other art traditions across northern Eurasia. It brings together 13 papers on varied subjects such as animal and human imagery, technologies of production and the design theory behind Iron Age art, balancing pan-Eurasian scale commentary with regional and site scale studies and detailed analyses of individual objects, as well as introductory and summary papers. This multi-scalar approach allows connections to be made across wide geographical areas, whilst maintaining the detail required to carry out sensitive studies of objects.
Author: Courtney Nimura
Publisher: Oxbow Books
ISBN: 1789253950
Category : History
Languages : en
Pages : 400
Get Book Here
Book Description
Since early discoveries of so-called Celtic Art during the 19th century, archaeologists have mused on the origins of this major art tradition, which emerged in Europe around 500 BC. Classical influence has often been cited as the main impetus for this new and distinctive way of decorating, but although Classical and Celtic Art share certain motifs, many of the design principles behind the two styles differ fundamentally. Instead, the idea that Celtic Art shares its essential forms and themes of transformation and animism with Iron Age art from across northern Eurasia has recently gained currency, partly thanks to a move away from the study of motifs in prehistoric art and towards considerations of the contexts in which they appear. This volume explores Iron Age art at different scales and specifically considers the long-distance connections, mutual influences and shared ‘ways of seeing’ that link Celtic Art to other art traditions across northern Eurasia. It brings together 13 papers on varied subjects such as animal and human imagery, technologies of production and the design theory behind Iron Age art, balancing pan-Eurasian scale commentary with regional and site scale studies and detailed analyses of individual objects, as well as introductory and summary papers. This multi-scalar approach allows connections to be made across wide geographical areas, whilst maintaining the detail required to carry out sensitive studies of objects.
Author: Courtney Nimura
Publisher: Oxbow Books
ISBN: 1789253977
Category : History
Languages : en
Pages : 257
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Book Description
Since early discoveries of so-called Celtic Art during the 19th century, archaeologists have mused on the origins of this major art tradition, which emerged in Europe around 500 BC. Classical influence has often been cited as the main impetus for this new and distinctive way of decorating, but although Classical and Celtic Art share certain motifs, many of the design principles behind the two styles differ fundamentally. Instead, the idea that Celtic Art shares its essential forms and themes of transformation and animism with Iron Age art from across northern Eurasia has recently gained currency, partly thanks to a move away from the study of motifs in prehistoric art and towards considerations of the contexts in which they appear. This volume explores Iron Age art at different scales and specifically considers the long-distance connections, mutual influences and shared ‘ways of seeing’ that link Celtic Art to other art traditions across northern Eurasia. It brings together 13 papers on varied subjects such as animal and human imagery, technologies of production and the design theory behind Iron Age art, balancing pan-Eurasian scale commentary with regional and site scale studies and detailed analyses of individual objects, as well as introductory and summary papers. This multi-scalar approach allows connections to be made across wide geographical areas, whilst maintaining the detail required to carry out sensitive studies of objects.
Author: Emma C. Bunker
Publisher: Metropolitan Museum of Art
ISBN: 0300096887
Category : Art
Languages : en
Pages : 249
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Book Description
This fascinating book examines the artistic exchange between the nomadic peoples of what is now Inner Mongolia and their settled Chinese neighbors during the first millennium B.C.
Author: Joan Aruz
Publisher: Metropolitan Museum of Art
ISBN: 1588392058
Category : Art, Scythian
Languages : en
Pages : 257
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Book Description
Author: Courtney Nimura
Publisher: Oxbow Books
ISBN: 1789259347
Category : Social Science
Languages : en
Pages : 280
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Book Description
Archaeology in the past century has seen a major shift from theoretical frameworks that treat the remains of past societies as static snapshots of particular moments in time to interpretations that prioritize change and variability. Though established analytical concepts, such as typology, remain key parts of the archaeologist’s investigative toolkit, data-gathering strategies and interpretative frameworks have become infused progressively with the concept that archaeology is living, in the sense of both the objects of study and the discipline as a whole. The significance for the field is that researchers across the world are integrating ideas informed by relational epistemologies and mutually constructive ontologies into their work from the initial stage of project design all the way down to post-excavation interpretation. This volume showcases examples of such work, highlighting the utility of these ideas to exploring material both old and new. The illuminating research and novel explanations presented contribute to resolving long-standing problems in regional archaeologies across Africa, Asia, Australia, Europe, and Oceania. In this way, this volume reinvigorates approaches taken towards older material but also acts as a springboard for future innovative discussions of theory in archaeology and related disciplines.
Author: Rena Maguire
Publisher: Archaeopress Publishing Ltd
ISBN: 1789699924
Category : Social Science
Languages : en
Pages : 294
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Book Description
This is the first practical archaeological study of Irish Iron Age lorinery. The horse and associated equipment were very much at the heart of the social changes set in motion by contact with the Roman Empire; the examination of the snaffles and bosals allows us to bring the people of the Late Iron Age in Ireland into focus.
Author: Esther Jacobson
Publisher: BRILL
ISBN: 9789004098565
Category : Social Science
Languages : en
Pages : 414
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Book Description
This volume offers a detailed consideration of the style, technology, and iconographic implications of the art of the Scythians, organized by object typology and chronology, and considered against a broader historical, expressive, and technical background; that of the Scythians' Eurasian sources, of earlier and contemporary West Asian cultures, and of the Hellenic culture which emerged beside that of the Scythians in the northern littoral of the Black Sea.
Author: Ardi Kia
Publisher: Rowman & Littlefield
ISBN: 1666918598
Category : Social Science
Languages : en
Pages : 231
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Book Description
This book examines the cultural heritage of Inner Eurasia (Central Asia) through the arts, from prehistoric times to the ancient and medieval golden ages. The manuscript features extensive analysis of multiple Inner Eurasian cultural groups, their artistic traditions, and the development thereof throughout the region’s history.
Author: Peter Hupfauf
Publisher: Taylor & Francis
ISBN: 1040033024
Category : Art
Languages : en
Pages : 222
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Book Description
The Art of the Eurasian Steppe is a contextual analysis which traces the stylistic transformation of artefacts depicting animals from various cultures of the Eurasian steppe, and investigates its possible influence on Central and Northern European art. A wide range of individual cultures are "visited" and their historic, cultural, and geographic specifics are explored. The survey in this book is based on a chronological structure, including an East-West geographic direction. This accommodates to position described artefacts of certain styles within time periods, cultures, and locations. Most of the existing literature related to cultures of the Eurasian steppe is specialised on one particular culture or one archaeological excavation. The book is written as a hypothetical journey through time and space, structured in an east to west direction. It provides a wide-reaching overview by placing the discussed artefacts into a cultural, geographic, and chronologic frame, particularly the thousand years between 500 BC and 500 AD. Artistic expression and style are a central theme to explore possible relationships between civilisations of the Eurasian steppe and their influence on medieval Central and Northern European creation of artefacts. Academics in the fields of art history, archaeology, history, and fine arts will find this book compelling/useful.
Author: Arnau Garcia-Molsosa
Publisher: State University of New York Press
ISBN: 1438489897
Category : Social Science
Languages : en
Pages : 475
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Book Description
Mountains contain a rich and diverse set of remnants left by human societies. They have been inhabited since prehistory and have been transformed by human activity during prehistorical and historical times, and that history defines mountain landscapes as we know them today. Archaeology of Mountain Landscapes contains twenty contributions by forty-one specialists currently researching mountain areas in the Americas, Asia, and Europe. The different case studies address the subject diachronically, ranging from prehistory to modern times, and employ a variety of methodological strategies, including archaeological surveys and excavation, paleoenvironmental studies, and historical and ethnographical research. This volume demonstrates how multidisciplinary archaeological fieldwork is radically changing our vision of mountain landscapes. Viewing mountain landscapes as archaeological documents contributes to our understanding of the history of mountain environments and offers new archaeological datasets to use in the interpretation of human societies. Taken together, the essays collected here offer a comprehensive view of current research and suggest new directions for future study.
