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Author: Liliana Janik
Publisher: Routledge
ISBN: 1000752631
Category : Art
Languages : en
Pages : 185
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Book Description
The Archaeology of Seeing provides readers with a new and provocative understanding of material culture through exploring visual narratives captured in cave and rock art, sculpture, paintings, and more. The engaging argument draws on current thinking in archaeology, on how we can interpret the behaviour of people in the past through their use of material culture, and how this affects our understanding of how we create and see art in the present. Exploring themes of gender, identity, and story-telling in visual material culture, this book forces a radical reassessment of how the ability to see makes us and our ancestors human; as such, it will interest lovers of both art and archaeology. Illustrated with examples from around the world, from the earliest art from hundreds of thousands of years ago, to the contemporary art scene, including street art and advertising, Janik cogently argues that the human capacity for art, which we share with our most ancient ancestors and cousins, is rooted in our common neurophysiology. The ways in which our brains allow us to see is a common heritage that shapes the creative process; what changes, according to time and place, are the cultural contexts in which art is produced and consumed. The book argues for an innovative understanding of art through the interplay between the way the human brain works and the culturally specific creation and interpretation of meaning, making an important contribution to the debate on art/archaeology.
Author: Liliana Janik
Publisher: Routledge
ISBN: 1000752631
Category : Art
Languages : en
Pages : 185
Get Book Here
Book Description
The Archaeology of Seeing provides readers with a new and provocative understanding of material culture through exploring visual narratives captured in cave and rock art, sculpture, paintings, and more. The engaging argument draws on current thinking in archaeology, on how we can interpret the behaviour of people in the past through their use of material culture, and how this affects our understanding of how we create and see art in the present. Exploring themes of gender, identity, and story-telling in visual material culture, this book forces a radical reassessment of how the ability to see makes us and our ancestors human; as such, it will interest lovers of both art and archaeology. Illustrated with examples from around the world, from the earliest art from hundreds of thousands of years ago, to the contemporary art scene, including street art and advertising, Janik cogently argues that the human capacity for art, which we share with our most ancient ancestors and cousins, is rooted in our common neurophysiology. The ways in which our brains allow us to see is a common heritage that shapes the creative process; what changes, according to time and place, are the cultural contexts in which art is produced and consumed. The book argues for an innovative understanding of art through the interplay between the way the human brain works and the culturally specific creation and interpretation of meaning, making an important contribution to the debate on art/archaeology.
Author:
Publisher: Elsevier
ISBN: 0080461867
Category : Science
Languages : en
Pages : 233
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Book Description
The first of its kind, this series is devoted to the use of physical principles in the study and scientific conservation of objects with cultural heritage significance. It begins with a review of the modern museum, which discusses new techniques employed in the conservation of museum artifacts such as X-ray tomography and other techniques used to study Egyptian mummies, bones and mineralization of bones in the archaeological context, and the degradation of parchment. All of these topics and techniques are essential for the preservation of our history. This includes finding ways to preserve parchment documents and letters, which much of our written heritage is documented on, so that it can be used and understood for generations to come. This book is a must have for any museum as well as any university that teaches or employs the techniques discussed. - Written in a style that is readily understandable by conservation scientists, archaeologists, museum curators, and students - Provides an introduction to the advanced fields of synchrotron radiation science, neutron science, and computed tomography - Outstanding review of the use of modern technology to study museum and archaeological artifacts - Offers solutions through advanced scientific techniques to a wide range of problems facing museum staff
Author: Sjoerd J. Kluiving
Publisher:
ISBN: 9789089644183
Category : Science
Languages : en
Pages : 0
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Book Description
This volume contains thirty-five papers from a 2010 conference on landscape archaeology focusing on the definition of landscape as used by processual archaeologists, earth scientists, and most historical geographers, in contrast to the definition favored by postprocessual archaeologists, cultural geographers, and anthropologists. This tension provides a rich foundation for discussion, and the papers in this collection cover a variety of topics including: how do landscapes change; how to improve temporal, chronological, and transformational frameworks; how to link lowlands with mountainous area.
Author: Michael W. Graves
Publisher: Pearson Education
ISBN: 0321803906
Category : Computers
Languages : en
Pages : 597
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Book Description
In Digital Archaeology, expert practitioner Michael Graves has written the most thorough, realistic, and up-to-date guide to the principles and techniques of modern digital forensics. He begins by providing a solid understanding of the legal underpinnings and critical laws affecting computer forensics, including key principles of evidence and case law. Next, he explains how to systematically and thoroughly investigate computer systems to unearth crimes or other misbehavior, and back it up with evidence that will stand up in court. Drawing on the analogy of archaeological research, Graves explains each key tool and method investigators use to reliably uncover hidden information in digital systems. Graves concludes by presenting coverage of important professional and business issues associated with building a career in digital forensics, including current licensing and certification requirements.
Author:
Publisher:
ISBN:
Category : Archaeology
Languages : en
Pages : 818
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Book Description
Author: Kevin L. Braun
Publisher:
ISBN: 9780841298323
Category : Archaeology
Languages : en
Pages :
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Book Description
"This book is about Contextualizing Chemistry in Art and Archaeology: Inspiration for Instructors"--
Author: Aaron N. Shugar
Publisher: Leuven University Press
ISBN: 9058679071
Category : Art
Languages : en
Pages : 480
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Book Description
This volume focuses specifically on the applications, possibilities, and limitations of handheld X-ray fluorescence devices in art conservation and archaeology.
Author: Helen Chittock
Publisher: Archaeopress Publishing Ltd
ISBN: 1784914932
Category : Social Science
Languages : en
Pages : 196
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Book Description
Based on a 2013 Theoretical Archaeology Group (TAG) conference session, this book aims to merge the perspectives of artists and archaeologists on making art. It explores the relationship between archaeology and art practice, the interactions between materials and practitioners, and the processes that result in the objects and images we call ‘art’.
Author: Université. University of pennsylvania (Philadelphie).
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: John H. Jameson (Jr.)
Publisher: University of Alabama Press
ISBN: 0817312749
Category : Art
Languages : en
Pages : 278
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Book Description
Known widely in Europe as "interpretive narrative archaeology", the practice of using creative methods to interpret and present current knowledge of the past is gaining popularity in North America. This is a compilation of international case studies of the various artistic methods used in this new form of education. Plays, opera, visual art, stories, poetry, performance dance, music, sculpture, digital imagery - all can effectively communicate archaeological processes and cultural values to public audiences. The 23 contributors to this volume are a diverse group of archaeologists, educators and artisans who have direct experience in schools, museums and at archaeological sites. Citing specific examples, such as the film, "The English Patient", science fiction mysteries and hypertext environments, they explain how creative imagination and the power of visual and audio media can personalize, contextualize and demystify the research process
