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Author: Mieke Bal
Publisher: Rodopi
ISBN: 9042032642
Category : Art
Languages : en
Pages : 335
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Book Description
This book explores the idea that art can enact small-scale resistances against the status quo in the social domain. These acts, which we call “little resistances,” determine the limited yet potentially powerful political impact of art. From different angles, seventeen authors consider the spaces where art events occur as “political spaces,” and explore how such spaces host events of disagreements in migratory culture. The newly coined word “migratory” refers to the sensate traces of the movements of migration that characterize contemporary culture. In other words, movement is not an exceptional occurrence in an otherwise stable world, but a normal, generalized process in a world that cannot be grasped in terms of any given notion of stability. Thus the book offers fresh reflections on art’s power to move people, in the double sense of that verb, and shows how it helps to illuminate migratory culture’s contributions to this process.
Author: Mieke Bal
Publisher: Rodopi
ISBN: 9042032642
Category : Art
Languages : en
Pages : 335
Get Book Here
Book Description
This book explores the idea that art can enact small-scale resistances against the status quo in the social domain. These acts, which we call “little resistances,” determine the limited yet potentially powerful political impact of art. From different angles, seventeen authors consider the spaces where art events occur as “political spaces,” and explore how such spaces host events of disagreements in migratory culture. The newly coined word “migratory” refers to the sensate traces of the movements of migration that characterize contemporary culture. In other words, movement is not an exceptional occurrence in an otherwise stable world, but a normal, generalized process in a world that cannot be grasped in terms of any given notion of stability. Thus the book offers fresh reflections on art’s power to move people, in the double sense of that verb, and shows how it helps to illuminate migratory culture’s contributions to this process.
Author: Sten Pultz Mosland
Publisher: Bloomsbury Publishing
ISBN: 178673995X
Category : Social Science
Languages : en
Pages : 363
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Book Description
Migration has been a phenomenon throughout human history but today, as a result of economic hardship, conflict and globalization, a higher percentage of people than ever before live outside their country of birth. Increased international migration has resulted in more movement of information, traditions and cultures. Migration acts as a catalyst: not only for social change, but also for the generation of new aesthetic phenomena. The Culture of Migration explores the ways in which culture and the arts have been transformed by migration in recent decades--and, in turn, how these cultural and aesthetic transformations have contributed to shaping our identities, politics and societies.Making an important contribution to the emerging cross-disciplinary field of migration studies, this book examines contemporary cultural and artistic representations of migration and gathers new perspectives on the subject from across the disciplines of the arts and humanities. Renowned and emerging scholars in the field of migration, culture and aesthetics--among them the distinguished theorists Mieke Bal, Nikos Papastergiadis, Roger Bromley and Edward Casey--address the broader themes and underlying discourses of recent studies in migration and culture.
Author: Anne Ring Petersen
Publisher: Manchester University Press
ISBN: 152612193X
Category : Art
Languages : en
Pages : 381
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Book Description
This book addresses a topic of increasing importance to artists, art historians and scholars of cultural studies, migration studies and international relations: migration as a profoundly transforming force that has remodelled artistic and art institutional practices across the world. It explores contemporary art’s critical engagement with migration and globalisation as a key source for improving our understanding of how these processes transform identities, cultures, institutions and geopolitics. The author explores three interwoven issues of enduring interest: identity and belonging, institutional visibility and recognition of migrant artists, and the interrelations between aesthetics and politics, including the balancing of aesthetics, politics and ethics in representations of forced migration.
Author: Bénédicte Miyamoto
Publisher: Manchester University Press
ISBN: 1526149699
Category : Art
Languages : en
Pages : 468
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Book Description
This collection offers a response to the view that migration disrupts national heritage. Investigating the mediation provided by migrant art, it asks how we can rethink art history in a way that uproots its reliance on space and place as stable definitions of style. Beginning with an invaluable overview of migration studies terminology and concepts, Art and migration opens dialogues between academics of art history and migrations studies through a series of essays and interviews. It also re-evaluates the cultural understanding of borders and revisits the contours of the art world – a supposedly globalised community re-assessed here as structurally bordered by art market dynamics, career constraints, gatekeeping and patronage networks.
Author: Keith Moxey
Publisher: Duke University Press
ISBN: 0822395932
Category : Art
Languages : en
Pages : 222
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Book Description
Visual Time offers a rare consideration of the idea of time in art history. Non-Western art histories currently have an unprecedented prominence in the discipline. To what extent are their artistic narratives commensurate with those told about Western art? Does time run at the same speed in all places? Keith Moxey argues that the discipline of art history has been too attached to interpreting works of art based on a teleological categorization—demonstrating how each work influences the next as part of a linear sequence—which he sees as tied to Western notions of modernity. In contrast, he emphasizes how the experience of viewing art creates its own aesthetic time, where the viewer is entranced by the work itself rather than what it represents about the historical moment when it was created. Moxey discusses the art, and writing about the art, of modern and contemporary artists, such as Gerard Sekoto, Thomas Demand, Hiroshi Sugimoto, and Cindy Sherman, as well as the sixteenth-century figures Pieter Bruegel the Elder, Albrecht Dürer, Matthias Grünewald, and Hans Holbein. In the process, he addresses the phenomenological turn in the study of the image, its application to the understanding of particular artists, the ways verisimilitude eludes time in both the past and the present, and the role of time in nationalist accounts of the past.
Author: Susanne Korbel
Publisher: Routledge
ISBN: 1000423158
Category : History
Languages : en
Pages : 259
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Book Description
The book investigates and compares the role of artistic and academic refugees from National Socialism acting as "cultural mediators" or "agents of knowledge" between their origin and host societies. By doing so, it locates itself at the intersection of the recently emerging field of the history of knowledge, transnational history, migration, exile, as well as cultural transfer studies. The case studies provided in this volume are of global scope, focusing on routes of escape and migration to Iceland, Italy, the Near East, Portugal and Shanghai, and South-, Central-, and North America. The chapters examine the hybrid ways refugees envisaged, managed, organized, and subsequently mediated their migrations. It focuses on how they dealt with their escape in their art and science. The chapters ask how the emigrants located themselves––did they associate with ethnic, religious, and/or cultural affiliations, specific social classes, or specific parts of society—and how such identifications were portrayed in their knowledge transfer and cultural translations. Building on such possible avenues for research, this volume aims to offer a global analysis of the multifarious processes not only of cultural translation and knowledge transfer affecting culture, sciences, networks, but also everyday life in different areas of the world.
Author: Clare Wallace
Publisher: Bloomsbury Publishing
ISBN: 1350180866
Category : Performing Arts
Languages : en
Pages : 257
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Book Description
A collection of incisive investigations into the ways that 21st-century British theatre works with - and through - crisis. It pays particular attention to the way in which writers and practitioners consider the ethical and social challenges of crisis. Anchored in an interdisciplinary approach that draws from sociology, cultural theory, feminism, performance and philosophy, the book brings multi-faceted ideas into dialogue with the diverse aesthetics, practices and themes of a range of theatrical work produced in Britain since 2005. Topics discussed include: Ageing Austerity Gender Migrancy Multiculturalism Aesthetics Companies discussed include: Theatre Uncut Lost Dog Camden People's People Lung Brighton People's Theatre Phosphoros Theatre Playwrights discussed include: Jez Butterworth Caryl Churchill Tim Crouch Vivienne Franzmann James Graham debbie tucker green Ella Hickson Charlene James Lucy Kirkwood Simon Longman Cordelia Lynn Simon Stephens Jack Thorne Chris Thorpe Gloria Williams Building on recent publications in the area and engaging in dialogue with them, Crisis, Representation and Resilience considers how crisis is being re-thought and re-orientated through theatrical performance and the ways theatre invites us to respond to the many challenges of the contemporary times.
Author: Isabel Hoving
Publisher: Lexington Books
ISBN: 1498526764
Category : Science
Languages : en
Pages : 257
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Book Description
Why do we find so many references to nature and the environment in the many Caribbean literary texts that try to come to terms with the contemporary age of globalization? Even when these novels and poems do not seem to be concerned with environmental issues at all, they abound with fragrant, creepy or dark references to flowers, insects, trees, gardens, and mud. This book discusses a range of Anglophone and Dutch-language Caribbean literary texts to propose an answer. It shows that some writers evoke nature to question oppressive notions of what is natural, and what is not, when it comes to race, gender, and desire. Other writers choose to counter the destructive dichotomies of wildness/order, nature/culture, nature/human that marked colonialism. Instead, they represent the environment as a field of interconnectedness, marked by intense semiotic interaction, in which human beings are also implicated. But writing about nature can also be a means to reconnect with the very foundations of life itself. In the most dramatic cases, references to nature evoke an extra-discursive space that then functions to subvert existing discourses. That space may even mark the site of the annihilation of discourse, or of the self. These texts suggest that, in times of globalization, it is only the dark, queer turn to matter that will free the path to imagining human existence in a new way. The book’s proposal to understand some of these fascinating texts as an effort to relate to the mind-baffling, explosive real is inspired by postcolonial trauma theory, posthumanism, and new materialism. However, Caribbean literature is a layered practice, that does much more than merely explore the world’s materiality. It works simultaneously as cultural critique, counter-discourse, and as the manipulation of affect. This book therefore brings together ecocriticism with Caribbean and postcolonial studies, the study of globalization, trauma theory, the study of gender and sexuality, posthumanism and new materialism, to bring out the full complexity of these wise texts. Thus, it hopes to show its readers their extraordinary innovative potential.
Author: Dan Karlholm
Publisher: Routledge
ISBN: 1351858971
Category : Art
Languages : en
Pages : 327
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Book Description
Addressed to students of the image—both art historians and students of visual studies—this book investigates the history and nature of time in a variety of different environments and media as well as the temporal potential of objects. Essays will analyze such topics as the disparities of power that privilege certain forms of temporality above others, the nature of temporal duration in different cultures, the time of materials, the creation of pictorial narrative, and the recognition of anachrony as a form of historical interpretation.
Author:
Publisher: BRILL
ISBN: 900468042X
Category : Literary Criticism
Languages : en
Pages : 182
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Book Description
An important task for scholars of cultural studies and the humanities, as well as for artistic creators, is to refigure the frames and concepts by which the world as we know it is kept in place. Without these acts of refiguration, the future could only ever be more of the (violent) same. In close dialogue with literary and cinematic works and practices, the essays of this volume help refigure and rethink such pressing contemporary issues as migration, inequality, racism, post-coloniality, political violence and human-animal relations. A range of fresh perspectives are introduced, amounting to a call for intellectuals to remain critically engaged with the social and planetary.
