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Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870999575
Category : Art, American
Languages : en
Pages : 658
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Book Description
Presented in conjunction with the September 2000 exhibition at the Metropolitan Museum, this volume presents the complex story of the proliferation of the arts in New York and the evolution of an increasingly discerning audience for those arts during the antebellum period. Thirteen essays by noted specialists bring new research and insights to bear on a broad range of subjects that offer both historical and cultural contexts and explore the city's development as a nexus for the marketing and display of art, as well as private collecting; landscape painting viewed against the background of tourism; new departures in sculpture, architecture, and printmaking; the birth of photography; New York as a fashion center; shopping for home decorations; changing styles in furniture; and the evolution of the ceramics, glass, and silver industries. The 300-plus works in the exhibition and comparative material are extensively illustrated in color and bandw. Oversize: 9.25x12.25". Annotation copyrighted by Book News Inc., Portland, OR
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870999575
Category : Art, American
Languages : en
Pages : 658
Get Book Here
Book Description
Presented in conjunction with the September 2000 exhibition at the Metropolitan Museum, this volume presents the complex story of the proliferation of the arts in New York and the evolution of an increasingly discerning audience for those arts during the antebellum period. Thirteen essays by noted specialists bring new research and insights to bear on a broad range of subjects that offer both historical and cultural contexts and explore the city's development as a nexus for the marketing and display of art, as well as private collecting; landscape painting viewed against the background of tourism; new departures in sculpture, architecture, and printmaking; the birth of photography; New York as a fashion center; shopping for home decorations; changing styles in furniture; and the evolution of the ceramics, glass, and silver industries. The 300-plus works in the exhibition and comparative material are extensively illustrated in color and bandw. Oversize: 9.25x12.25". Annotation copyrighted by Book News Inc., Portland, OR
Author: Matt Gallagher
Publisher: Washington Square Press
ISBN: 150117780X
Category : Fiction
Languages : en
Pages : 368
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Book Description
From the author of Youngblood comes a “brilliant and daring” (Phil Klay, award-winning author of Redeployment) novel following a group of super-powered soldiers and civilians as they navigate an imperial America on the precipice of a major upheaval—for fans of The Fortress of Solitude and The Plot Against America. Thirty years after its great triumph in Vietnam, the United States has again become mired in an endless foreign war overseas. Stories of super soldiers known as the Volunteers tuck in little American boys and girls every night. Yet domestic politics are aflame—an ex-military watchdog group clashes with police while radical terrorists threaten to expose government experiments within the veteran rehabilitation colonies. Halfway between war and peace, the Volunteers find themselves waiting for orders in the vast American city-state, Empire City. There they encounter a small group of civilians who know the truth about their powers, including Sebastian Rios, a young bureaucrat wrestling with survivor guilt, and Mia Tucker, a wounded army pilot-turned-Wall Street banker. Meanwhile, Jean-Jacques Saint-Preux, a Haitian American Volunteer from the International Legion, decides he’ll do whatever it takes to return to the front lines. Through it all, a controversial retired general emerges as a frontrunner in the presidential campaign, promising to save the country from itself. Her election would mean unprecedented military control over the country, with promises of security and stability—but at what cost? “A passionate, scary, wise, and perhaps even prophetic novel” (Tim O’Brien, author of The Things They Carried), Empire City is a rousing vision of an alternate—yet all too familiar—America on the brink written by a “preeminent voice in American writing” (Sara Novic, author of Girl at War).
Author: Kenneth T. Jackson
Publisher: Columbia University Press
ISBN: 9780231109086
Category : History
Languages : en
Pages : 1026
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Book Description
This major anthology brings together the best literary writing about New York--from O. Henry, Theodore Dreiser, F. Scott Fitzgerald, and John Steinbeck to Paul Auster and James Baldwin.
Author: Rachel N. Klein
Publisher: University of Pennsylvania Press
ISBN: 0812251946
Category : History
Languages : en
Pages : 296
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Book Description
A study of three controversies that illuminate the changing cultural role of art exhibition in the nineteenth century From the antebellum era through the Gilded Age, New York City's leading art institutions were lightning rods for conflict. In the decades before the Civil War, art promoters believed that aesthetic taste could foster national unity and assuage urban conflicts; by the 1880s such hopes had faded, and the taste for art assumed more personal connotations associated with consumption and domestic decoration. Art Wars chronicles three protracted public battles that marked this transformation. The first battle began in 1849 and resulted in the downfall of the American Art-Union, the most popular and influential art institution in North America at mid-century. The second erupted in 1880 over the Metropolitan Museum's massive collection of Cypriot antiquities, which had been plundered and sold to its trustees by the man who became the museum's first paid director. The third escalated in the mid-1880s and forced the Metropolitan Museum to open its doors on Sunday—the only day when working people were able to attend. In chronicling these disputes, Rachel N. Klein considers cultural fissures that ran much deeper than the specific complaints that landed protagonists in court. New York's major nineteenth-century art institutions came under intense scrutiny not only because Americans invested them with moral and civic consequences but also because they were part and parcel of explosive processes associated with the rise of industrial capitalism. Elite New Yorkers spearheaded the creation of the Art-Union and the Metropolitan, but those institutions became enmeshed in popular struggles related to slavery, immigration, race, industrial production, and the rights of working people. Art Wars examines popular engagement with New York's art institutions and illuminates the changing cultural role of art exhibition over the course of the nineteenth century.
Author: Margaret R. Laster
Publisher: Routledge
ISBN: 1351027565
Category : Art
Languages : en
Pages : 273
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Book Description
Fueled by a flourishing capitalist economy, undergirded by advancements in architectural design and urban infrastructure, and patronized by growing bourgeois and elite classes, New York’s built environment was dramatically transformed in the 1870s and 1880s. This book argues that this constituted the formative period of New York’s modernization and cosmopolitanism—the product of a vital self-consciousness and a deliberate intent on the part of its elite citizenry to create a world-class cultural metropolis reflecting the city’s economic and political preeminence. The interdisciplinary essays in this book examine New York’s late nineteenth-century evolution not simply as a question of its physical layout but also in terms of its radically new social composition, comprising the individuals, institutions, and organizations that played determining roles in the city’s cultural ascendancy.
Author: Cynthia Saltzman
Publisher: Penguin
ISBN: 9780670018314
Category : Art
Languages : en
Pages : 364
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Book Description
SALTZMAN/OLD MASTERS; NEW WORLD
Author: Adriana Turpin
Publisher: Bloomsbury Publishing USA
ISBN: 1501348884
Category : Antiques & Collectibles
Languages : en
Pages : 417
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Book Description
Art Markets, Agents and Collectors brings together a wide variety of case studies, based on letters and detailed archival research, which nuance the history of the art market and the role of the collector within it. Using diaries, account books and other archival sources, the contributions to this volume show how agents set up networks and acquired works of art, often developing the taste and knowledge of the collectors for whom they were working. They are therefore seen as important actors in the market, having a specific role that separates them from auctioneers, dealers, museum curators or amateurs, while at the same time acknowledging and analyzing the dual positions that many held. Each chronological period is introduced by a contextual essay, written by a leading expert in the field, which sets out the art market in the period concerned and the ways in which agents functioned. This book is an invaluable tool for those needing a broader introduction to the intricate workings of the art market.
Author: Paul Goodman
Publisher: David R. Godine Publisher
ISBN: 9781574231779
Category : Fiction
Languages : en
Pages : 638
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Book Description
This is the thirty year epic story of Horatio, an idealist who struggles to learn the hardest lesson of all -- how to take his place in a conformist society and still retain his personal identity.
Author: Edwin G. Burrows
Publisher: Oxford University Press
ISBN: 0190681217
Category : Architecture
Languages : en
Pages : 265
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Book Description
When first opened to the public in 1853, New York's Crystal Palace created a sensation. Those who had seen London's Crystal Palace, the structure it was openly intended to emulate, argued that America's copy far surpassed it. Built in what is today Bryant Park, a four-acre site between 40th and 42nd Streets, the colossus of glass and steel indeed seemed poised to displace the British original in worldwide fame. Walt Whitman pronounced it "unsurpassed anywhere for beauty." Young Samuel Clemens--not yet Mark Twain--called it a "perfect fairy palace." Many perceived it as putting America, still in the thrall of European culture, on the map. "To us on this side of the water," wrote newspaperman Horace Greely, who had also visited London's Crystal Palace, "it was original." Pulitzer Prize-winning historian Edwin G. Burrows offers the tale of what was proclaimed the country's "finest building." Centerpiece of the 1853 World's Fair, the New York Crystal Palace, like its London counterpart, was intended to display the country's latest technological achievements--as well as a few dubious cultural artifacts. But its primary function was simply to be seen and admired by the crowds that thronged to it; its very existence caused patriotic breasts to swell. And then suddenly it was gone. On October 5, 1858, merely five years after its construction, the Crystal Palace caught fire. Despite frantic attempts to save it, the magnificent dome was engulfed and within thirty minutes the entire structure reduced to a heap of smoldering debris, through which for days afterward bereft New Yorkers picked for mementos. With sumptuous images and lively storytelling The Finest Building in America brings back to life an extraordinary monument, one that briefly but wholeheartedly captured the imagination of a country, giving form to its dreams and ambitions, and then vanishing from view.
Author: Kimberly A. Orcutt
Publisher: Fordham Univ Press
ISBN: 153150700X
Category : Art
Languages : en
Pages : 400
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Book Description
The first comprehensive treatment in seventy years of the American Art-Union’s remarkable rise and fall For over a decade, the New York–based American Art-Union shaped art creation, display, and patronage nationwide. Boasting as many as 19,000 members from almost every state, its meteoric rise and its sudden and spectacular collapse still raise a crucial question: Why did such a successful and influential institution fail? The American Art-Union reveals a sprawling and fascinating account of the country’s first nationwide artistic phenomenon, creating a shared experience of visual culture, art news and criticism, and a direct experience with original works. For an annual fee of five dollars, members of the American Art-Union received an engraving after a painting by a notable US artist and the annual publication Transactions (1839–49) and later the monthly Bulletin (1848–53). Most importantly, members’ names were entered in a drawing for hundreds of original paintings and sculptures by most of the era’s best-known artists. Those artworks were displayed in its immensely popular Free Gallery. Unfortunately, the experiment was short-lived. Opposition grew, and a cascade of events led to an 1852 court case that proved to be the Art-Union’s downfall. Illuminating the workings of the American art market, this study fills a gaping lacuna in the history of nineteenth-century US art. Kimberly A. Orcutt draws from the American Art-Union’s records as well as in-depth contextual research to track the organization’s decisive impact that set the direction of the country’s paintings, sculpture, and engravings for well over a decade. Forged in cultural crosscurrents of utopianism and skepticism, the American Art-Union’s demise can be traced to its nature as an attempt to create and control the complex system that the early nineteenth-century art world represented. This study breaks the organization’s activities into their major components to offer a structural rather than chronological narrative that follows mounting tensions to their inevitable end. The institution was undone not by dramatic outward events or the character of its leadership but by the character of its utopianist plan.
