Author: Jas Elsner
Publisher: CUP Archive
ISBN: 9780521430302
Category : Art
Languages : en
Pages : 416

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Book Description
This is a collection of specially commissioned essays exploring the interface between words and images in the Roman world.

Author: Jaś Elsner
Publisher:
ISBN:
Category :
Languages : en
Pages : 391

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Book Description

Author: Jaś Elsner
Publisher: Princeton University Press
ISBN: 9780691096773
Category : Art
Languages : en
Pages : 384

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Book Description
In Roman Eyes, Jas Elsner seeks to understand the multiple ways that art in ancient Rome formulated the very conditions for its own viewing, and as a result was complicit in the construction of subjectivity in the Roman Empire. Elsner draws upon a wide variety of visual material, from sculpture and wall paintings to coins and terra-cotta statuettes. He examines the different contexts in which images were used, from the religious to the voyeuristic, from the domestic to the subversive. He reads images alongside and against the rich literary tradition of the Greco-Roman world, including travel writing, prose fiction, satire, poetry, mythology, and pilgrimage accounts. The astonishing picture that emerges reveals the mindsets Romans had when they viewed art--their preoccupations and theories, their cultural biases and loosely held beliefs. Roman Eyes is not a history of official public art--the monumental sculptures, arches, and buildings we typically associate with ancient Rome, and that tend to dominate the field. Rather, Elsner looks at smaller objects used or displayed in private settings and closed religious rituals, including tapestries, ivories, altars, jewelry, and even silverware. In many cases, he focuses on works of art that no longer exist, providing a rare window into the aesthetic and religious lives of the ancient Romans.

Author: Jaś Elsner
Publisher: Cambridge University Press
ISBN: 1107000718
Category : Art
Languages : en
Pages : 527

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Book Description
Demonstrates the central significance of rhetoric in ancient responses to and receptions of Roman art.

Author: Peter V. Jones
Publisher: Cambridge University Press
ISBN: 9780521386005
Category : History
Languages : en
Pages : 430

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Book Description
The World of Rome is an introduction to the history and culture of Rome for students at university and at school as well as for anyone seriously interested in the ancient world. Drawing on the latest scholarship, it covers all aspects of the city - its rise to power, what made it great, and why it still engages and challenges us today. The first two chapters outline the history and changing identity of Rome from 1000 BC to AD 476. Subsequent chapters examine the mechanisms of government, the economic and social life of Rome, and Roman ways of looking at and reflecting the world. Frequent quotations from ancient writers and numerous illustrations make this a stimulating and accessible introduction to ancient Rome. The World of Rome is particularly designed to serve as a background book to Reading Latin (Cambridge University Press, 1986).

Author: Jaś Elsner
Publisher: Oxford University Press
ISBN: 019876863X
Category : Art
Languages : en
Pages : 337

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Book Description
A beautifully illustrated, new edition of the best single-volume guide to Roman and early Christian art. Provides an introduction to the great diversity of artistic styles during the period, and their context.

Author: Zahra Newby
Publisher: Cambridge University Press
ISBN: 1107072247
Category : Art
Languages : en
Pages : 409

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Book Description
A new reading of the portrayal of Greek myths in Roman art, revealing important shifts in Roman values and identities.

Author: Matthew B. Roller
Publisher: Cambridge University Press
ISBN: 1107162599
Category : History
Languages : en
Pages : 343

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Book Description
Presents a coherent model for understanding historical examples in Ancient Rome and their rhetorical, moral and historiographical functions.

Author: Jaś Elsner
Publisher: Oxford University Press, USA
ISBN: 9780192842015
Category : Art
Languages : en
Pages : 344

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Book Description
Western culture saw some of the most significant and innovative developments take place during the passage from antiquity to the middle ages. This stimulating new book investigates the role of the visual arts as both reflections and agents of those changes. It tackles two inter-related periodsof internal transformation within the Roman Empire: the phenomenon known as the 'Second Sophistic' (c. ad 100300)two centuries of self-conscious and enthusiastic hellenism, and the era of late antiquity (c. ad 250450) when the empire underwent a religious conversion to Christianity. Vases, murals, statues, and masonry are explored in relation to such issues as power, death, society, acculturation, and religion. By examining questions of reception, viewing, and the culture of spectacle alongside the more traditional art-historical themes of imperial patronage and stylisticchange, Jas Elsner presents a fresh and challenging account of an extraordinarily rich cultural crucible in which many fundamental developments of later European art had their origins. 'a highly individual work . . . wonderful visual and comparative analysis . . . I can think of no other general book on Roman art that deals so elegantly and informatively with the theme of visuality and visual desire.' Professor Natalie Boymel Kampen, Barnard College, New York 'exciting and original . . . a vibrant impression of creative energy and innovation held in constant tension by the persistence of more traditional motifs and techniques. Elsner constantly surprises and intrigues the reader by approaching familiar material in new ways.' Professor Averil Cameron,Keble College, Oxford

Author: Emma Scioli
Publisher: University of Wisconsin Pres
ISBN: 0299303845
Category : Art
Languages : en
Pages : 297

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Book Description
The elegists, ancient Rome's most introspective poets, filled their works with vivid, first-person accounts of dreams. Emma Scioli examines these varied and visually striking textual dreamscapes, arguing that the poets exploited dynamics of visual representation to share with readers the intensely personal experience of dreaming.