Author: William Kelly
Publisher: Macmillan Education AU
ISBN: 9781876832254
Category : Art
Languages : en
Pages : 316
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Book Description
In a radical departure form the conventional art history text, this unique volume brings together a number of the world's great artist/image-makers and thinkers on issues of art and its expression for contemporary humanity. With early seminal texts by novelist Thomas Mann, theologian Paul Tillich, art historian Herbert Read as a foundation, the content then moves through late 20th century to post September 11' material with contributions by Lucy R. Lippard, Barry Schwartz, Suzi Gablik, Vaclav Havel, Philippa Hobbs, Elizabeth Rankin, Guenter Grass, Doreen Mellor, Douglas Kellner, Robert Godfrey, Ricardo Levins Morales, Nigel Spivey and others. It bridges grass-roots to academic cultural dialogue. Focusing on prints - limited editions, hand-pulled posters and photographs - it includes images from poster collectives, work by Peter Schumann from the cheap art movement', photographs by Judith Joy Ross, Dominic Hsieh and Nick Ut's powerful image Vietnam Napalm'. There are drawings and llimited edition prints by leading artist/printmakers from Europe, Africa, Asia, the Middle East, australia, and North and South America. It is a book that intelligently celebrates the engagement of art with life - with issues of social justice, peace, human rights - paying tribute to the seldom acknowledged contribution of Modern Art to humanist thought. In so going, it reassesses what have been regional perspectives as compared to the world-wide contribution of humanist art.
Author: David D. Cooper
Publisher: University of Georgia Press
ISBN: 082033216X
Category : Literary Criticism
Languages : en
Pages : 326
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Book Description
Trappist monk and best-selling author, Thomas Merton battled constantly within himself as he attempted to reconcile two seemingly incompatible roles in life. As a devout Catholic, he took vows of silence and stability, longing for the security and closure of the monastic life. But as a writer he felt compelled to seek friendships in literary circles and success in the secular world. In Thomas Merton's Art of Denial, David D. Cooper traces Merton's attempts to reach an accommodation with himself, to find a way in which "the silence of the monk could live compatibly with the racket of the writer." From the roots of this painful division in the unsettled early years of Merton's life, to the turmoil of his directionless early adult years in which he first attempted to write, he was besieged with self-doubts. Turning to life in a monastery in Kentucky in 1941, Merton believed he would find the solitude and peace lacking in the quotidian world. But, as Merton once wrote, "An author in a Trappist monastery is like a duck in a chicken coop. And he would give anything in the world to be a chicken instead of a duck." Merton felt compelled to choose between life as either a less than perfect priest or a less prolific writer. Discovering in his middle years that the ideal monastic life he had envisioned was an impossibility, Merton turned his energies to abolishing war. It was in this pursuit that he finally succeeded in fusing the two sides of his life, converting his frustrated idealism into a radical humanism placed in the service of world peace. Here is a portrait of a man torn between the influence of the twentieth century and the serenity of the religious ideal, a man who used his own personal crises to guide his youthful ideals to a higher purpose.
Author: Charles G. Nauert
Publisher: Cambridge University Press
ISBN: 0521839092
Category : History
Languages : en
Pages : 11
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Book Description
The updated second edition of a highly readable synthesis of the major determining features of the Renaissance.
Author: Patrick Baker
Publisher: Cambridge University Press
ISBN: 1107111862
Category : Foreign Language Study
Languages : en
Pages : 359
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Book Description
This important study takes a new approach to understanding Italian Renaissance humanism, one of the most important cultural movements in Western history. Through a series of close textual studies, Patrick Baker explores the meaning that Italian Renaissance humanism had for an essential but neglected group: the humanists themselves.
Author: Margaret Lucille Kekewich
Publisher: Yale University Press
ISBN: 9780300082210
Category : History
Languages : en
Pages : 304
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Book Description
These are explored through a reassessment of the role of humanism, with case studies in music (Josquin Desprez), moral philosophy (Valla, Castiglione, Erasmus, More) and political thought (Machiavelli)." "This book is the first in a series of three specifically designed for the Open University course, The Renaissance in Europe: A Cultural Enquiry. The series is designed to appeal both to the general reader and to those studying undergraduate arts courses in the period."--BOOK JACKET.
Author: Marsilius of Padua
Publisher: Cambridge University Press
ISBN: 9781139447300
Category : Political Science
Languages : en
Pages : 648
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Book Description
The Defender of the Peace of Marsilius of Padua is a massively influential text in the history of western political thought. Marsilius offers a detailed analysis and explanation of human political communities, before going on to attack what he sees as the obstacles to peaceful human coexistence - principally the contemporary papacy. Annabel Brett's authoritative rendition of the Defensor Pacis was the first new translation in English for fifty years, and a major contribution to the series of Cambridge Texts: all of the usual series features are provided, included chronology, notes for further reading, and up-to-date annotation aimed at the student reader encountering this classic of medieval thought for the first time. This edition of The Defender of the Peace is a scholarly and a pedagogic event of great importance, of interest to historians, political theorists, theologians and philosophers at all levels from second-year undergraduate upwards.
Author: David Cast
Publisher: Penn State Press
ISBN: 0271034424
Category : Art
Languages : en
Pages : 272
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Book Description
"A study based on the text, the Lives of the Artists, by Giorgio Vasari. Discusses how the visual arts in the Renaissance were an occasion for delight or pleasure. Argues that such an attention was encouraged by certain social and intellectual practices"--Provided by publisher.
Author: Lorenzo Valla
Publisher: Harvard University Press
ISBN: 9780674030893
Category : History
Languages : en
Pages : 148
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Book Description
Valla (1407-1457) was the most important theorist of the humanist movement. His most famous work is the present volume, an oration in which Valla uses new philological methods to attack the authenticity of the most important document justifying the papacy's claims to temporal rule.
Author: Cary Wolfe
Publisher: U of Minnesota Press
ISBN: 1452966567
Category : Art
Languages : en
Pages : 247
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Book Description
A sustained engagement between contemporary art and philosophy relating to our place in, and responsibility to, the nonhuman world How do contemporary art and theory contemplate the problem of the “bio” of biopolitics and bioart? How do they understand the question of “life” that binds human and nonhuman worlds in their shared travail? In Art and Posthumanism, Cary Wolfe argues for the reconceptualization of nature in art and theory to turn the idea of the relationship between the human and the planet upside down. Wolfe explores a wide range of contemporary artworks—from Sue Coe’s illustrations of animals in factory farms and Eduardo Kac’s bioart to the famous performance pieces of Joseph Bueys and the video installations of Eija-Liisa Ahtila, among others—examining how posthumanist theory can illuminate, and be illuminated by, artists’ engagement with the more-than-human world. Looking at biological and social systems, the question of the animal, and biopolitics, Art and Posthumanism explores how contemporary art rivets our attention on the empirically thick, emotionally charged questions of “life” and the “living” amid ecological catastrophe. One of the foremost theorists of posthumanism, Wolfe pushes that philosophy out of the realm of the purely theoretical to show how a posthumanist engagement with particular works and their conceptual underpinnings help to develop more potent ethical and political commitments.
Author: Stephen Campbell
Publisher: Harvey Miller
ISBN: 9781912554348
Category :
Languages : en
Pages : 308
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Book Description
If the fifteenth century in Italy has been seen as the moment when the constellation of disciplines known as "the humanities" begins to take shape, it was also a time when a "crisis in the humanities" - their value, their limits, who and what they included or excluded - was also manifest. A largely nineteenth century construction of "Renaissance humanism" has indelibly cast humanist pursuits in terms of writing, with arts of making or techne sometimes idealized as a second order manifestation of humanist ideas. This book re-examines the career of one socially and intellectually ambitious artist, Andrea Mantegna (1431-1506) and his intellectual network, to re-open questions of the locations of humanism, the notion of "humanist art," or painting as a form of discourse that far from being ancillary to poetry, history, or rhetoric, served as a model for all three. It will be shown that the place of normativity or typicality that Andrea Mantegna occupies in the History of Art - "Early Renaissance artist," "artist as antiquarian," "Albertian perspectivist," has kept from view the more radical potential of his work for a re-description of early Renaissance painting. The major works examined here - the Ovetari Chapel, the Camera Picta, the altarpieces for Padua and Verona, the Triumphs of Caesar, adopt strikingly original means to address their beholder, and to control and even produce their spatial and ideological milieu, challenging conventional notions of "the gaze" and how it operates in early Renaissance art. Furthermore, Mantegna's representations entail a striking integration of writing and painting as modes of transmission: Mantegna and his audience were highly attentive to the materiality of text, image, and object in the transmission of knowledge. Several of Mantegna works in which architecture or sculpture are depicted (such as The Introduction of the Cult of Cybele to Rome) seem preoccupied by the stability of meaning in the artistic object in circumstances of displacement or commodification. The Triumphs - a monumental series of canvases programmatically devoted to the "bringing back" of the riches of a lost world - offer a programmatic pictorial characterization of what we now call "Renaissance art," engaging its stylistic desiderata, its technical accomplishments - and, in ways that exceed any theory committed to writing - its ideological implicatedness.
