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Author: Elmer Edgar Stoll
Publisher: Cambridge University Press
ISBN: 110761936X
Category : Literary Criticism
Languages : en
Pages : 197
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Book Description
Originally published in 1933, this book argues that Shakespeare's concern was more for plot and contrast than character. Stoll examines many of Shakespeare's plays, predominantly Othello, Macbeth, King Lear, and Hamlet, and compares their method to that of earlier Renaissance and medieval plays as well as more modern compositions.
Author: Elmer Edgar Stoll
Publisher: Cambridge University Press
ISBN: 110761936X
Category : Literary Criticism
Languages : en
Pages : 197
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Book Description
Originally published in 1933, this book argues that Shakespeare's concern was more for plot and contrast than character. Stoll examines many of Shakespeare's plays, predominantly Othello, Macbeth, King Lear, and Hamlet, and compares their method to that of earlier Renaissance and medieval plays as well as more modern compositions.
Author: Elmer Edgar Stoll
Publisher: CUP Archive
ISBN:
Category :
Languages : en
Pages : 204
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Book Description
Author: Elmer Edgar 1874-1959 Stoll
Publisher: Hassell Street Press
ISBN: 9781013735592
Category :
Languages : en
Pages : 200
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Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Thomas Allen Nelson
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111629724
Category : Language Arts & Disciplines
Languages : en
Pages : 100
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Book Description
No detailed description available for "Shakespeare's comic theory".
Author: J.F. Martel
Publisher: North Atlantic Books
ISBN: 1583945784
Category : Philosophy
Languages : en
Pages : 209
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Book Description
Part treatise, part critique, part call to action, Reclaiming Art in the Age of Artifice is a journey into the uncanny realities revealed to us in the great works of art of the past and present. Received opinion holds that art is culturally-determined and relative. We are told that whether a picture, a movement, a text, or sound qualifies as a "work of art" largely depends on social attitudes and convention. Drawing on examples ranging from Paleolithic cave paintings to modern pop music and building on the ideas of James Joyce, Oscar Wilde, Gilles Deleuze, Carl Jung, and others, J.F. Martel argues that art is an inborn human phenomenon that precedes the formation of culture and even society. Art is free of politics and ideology. Paradoxically, that is what makes it a force of liberation wherever it breaks through the trance of humdrum existence. Like the act of dreaming, artistic creation is fundamentally mysterious. It is a gift from beyond the field of the human, and it connects us with realities that, though normally unseen, are crucial components of a living world. While holding this to be true of authentic art, the author acknowledges the presence—overwhelming in our media-saturated age—of a false art that seeks not to liberate but to manipulate and control. Against this anti-artistic aesthetic force, which finds some of its most virulent manifestations in modern advertising, propaganda, and pornography, true art represents an effective line of defense. Martel argues that preserving artistic expression in the face of our contemporary hyper-aestheticism is essential to our own survival. Art is more than mere ornament or entertainment; it is a way, one leading to what is most profound in us. Reclaiming Art in the Age of Artifice places art alongside languages and the biosphere as a thing endangered by the onslaught of predatory capitalism, spectacle culture, and myopic technological progress. The book is essential reading for visual artists, musicians, writers, actors, dancers, filmmakers, and poets. It will also interest anyone who has ever been deeply moved by a work of art, and for all who seek a way out of the web of deception and vampiric diversion that the current world order has woven around us.
Author: J. L. Styan
Publisher: Cambridge University Press
ISBN: 9780521273282
Category : Drama
Languages : en
Pages : 308
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Book Description
This is a succinct and finest history of Shakespeare studies in the nineteenth and twentieth centuries.
Author: D. F. Bratchell
Publisher: Routledge
ISBN: 1134967098
Category : Literary Criticism
Languages : en
Pages : 176
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Book Description
This volume reflects changing critical perceptions of Shakespeare's works from Renaissance to modern times and celebrates the power of Shakespearean tragedy. The selection of critical reaction covers both the general concept of Shakespearean tragedy and its expression in the major plays, illustrating the main directions of critical approaches to Shakespearean tragedy and enabling the reader to develop an informed response to Shakespeare's dramatic works. An introductory chapter traces the development of the concept of tragedy from classical times, and its dramatic expression in the time of Shakespeare. Each of Shakespeare's great tragedies - Hamlet, Macbeth, Lear, and Othello - is considered in turn, and a final chapter summarizes contemporary critical approaches so that the reader can link the best of the critical past with the present critical scene.
Author: Ekbert Faas
Publisher: Cambridge University Press
ISBN: 0521308259
Category : Literary Criticism
Languages : en
Pages : 290
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Book Description
This book tackles the topic of how Shakespeare viewed his own craft and creativity.
Author: Chris Thurman
Publisher: Routledge
ISBN: 1317052331
Category : Literary Criticism
Languages : en
Pages : 230
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Book Description
South African Essays on ’Universal’ Shakespeare collects new scholarship and extant (but previously unpublished) material, reflecting the changing nature of Shakespeare studies across various ’generation gaps’. Each essay, in exploring the nuances of Shakespearean production and reception across time and space, is inflected by a South African connection. In some cases, this is simply because of the author’s nationality or institutional affiliation; in others, there is a direct engagement with what Shakespeare means, or has meant, in South Africa. By investigating the universality of Shakespeare from both implicitly and explicitly ’southern’ perspectives, the book presents new possibilities for considering (and reassessing) shifting manifestations of Shakespeare’s work in major Shakespearean ’centres’ such as Britain and the United States, as well as across the global North and South.
Author: Jonathan Hope
Publisher: Bloomsbury Publishing
ISBN: 1408143747
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
'This book is nothing short of brilliant. It is bursting with new observations, pithy readings and sensitive analyses. One of Hope's skills is to show us that 'language' is not separable from 'ideas'; both are systems of representation. This is a book about words, conventions, artifice, mythology, innovation, reason, eloquence, silence, control, communication, selfhood, dialect, 'late style' and much, much more. After reading Hope's book you will never read Shakespeare in the same way.' (Professor Laurie Maguire, Magdalen College, Oxford) Our understanding of words, and how they get their meanings, relies on a stable spelling system and dictionary definitions - things which simply did not exist in the Renaissance. At that time, language was speech rather than writing; a word was by definition a collection of sounds not letters - and the consequences of this run deep. They explain our culture's inability to fully appreciate Shakespeare's wordplay and they also account for the rift that opened up between Shakespeare and us as language came to be regarded as essentially 'written'. In Shakespeare and Language, Jonathan Hope considers the ideas about language that separate us from Shakespeare. His comprehensive study explores the visual iconography of language in the Renaissance, the influence of the rhetorical tradition, the extent to which Shakespeare's late style is driven by a desire to increase the subjective content of the text, and contemporary ways of studying his language using computers.
