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Author: Michael Talbot
Publisher: Routledge
ISBN: 1351537288
Category : Music
Languages : en
Pages : 375
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Book Description
Federico Maria Sardelli writes from the perspective of a professional baroque flautist and recorder-player, as well as from that of an experienced and committed scholar, in order to shed light on the bewildering array of sizes and tunings of the recorder and transverse flute families as they relate to Antonio Vivaldi's compositions. Sardelli draws copiously on primary documents to analyse and place in context the capable and surprisingly progressive instrumental technique displayed in Vivaldi's music. The book includes a discussion of the much-disputed chronology of Vivaldi's works, drawing on both internal and external evidence. Each known piece by him in which the flute or the recorder appears is evaluated fully from historical, biographical, technical and aesthetic standpoints. This book is designed to appeal not only to Vivaldi scholars and lovers of the composer's music, but also to players of the two instruments, students of organology and those with an interest in late baroque music in general. Vivaldi is a composer who constantly springs surprises as, even today, new pieces are discovered or old ones reinterpreted. Much has happened since Sardelli's book was first published in Italian, and this new English version takes full account of all these new discoveries and developments. The reader will be left with a much fuller picture of the composer and his times, and the knowledge and insights gained from minutely examining his music for these two wind instruments will be found to have a wider relevance for his work as a whole. Generous music examples and illustrations bring the book's arguments to life.
Author: Michael Talbot
Publisher: Routledge
ISBN: 1351537288
Category : Music
Languages : en
Pages : 375
Get Book Here
Book Description
Federico Maria Sardelli writes from the perspective of a professional baroque flautist and recorder-player, as well as from that of an experienced and committed scholar, in order to shed light on the bewildering array of sizes and tunings of the recorder and transverse flute families as they relate to Antonio Vivaldi's compositions. Sardelli draws copiously on primary documents to analyse and place in context the capable and surprisingly progressive instrumental technique displayed in Vivaldi's music. The book includes a discussion of the much-disputed chronology of Vivaldi's works, drawing on both internal and external evidence. Each known piece by him in which the flute or the recorder appears is evaluated fully from historical, biographical, technical and aesthetic standpoints. This book is designed to appeal not only to Vivaldi scholars and lovers of the composer's music, but also to players of the two instruments, students of organology and those with an interest in late baroque music in general. Vivaldi is a composer who constantly springs surprises as, even today, new pieces are discovered or old ones reinterpreted. Much has happened since Sardelli's book was first published in Italian, and this new English version takes full account of all these new discoveries and developments. The reader will be left with a much fuller picture of the composer and his times, and the knowledge and insights gained from minutely examining his music for these two wind instruments will be found to have a wider relevance for his work as a whole. Generous music examples and illustrations bring the book's arguments to life.
Author: Michael Brim Beckerman
Publisher: Pendragon Press
ISBN: 9780945193364
Category : Juvenile Nonfiction
Languages : en
Pages : 424
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Book Description
In the first week of May 1988, more than seventy scholars and musicians from five countries gathered at Washington University in St. Louis to participate in the first conference and festival ever to take place in the United States on the Moravian composer Leos Janácek. This volume, arranged in seven parts, is a collection of thirty-five of the papers presented at the conference. It is the first large collection of essays in English concerning Janácek's music, and the only collection of proceedings from a Janácek symposium to be published in the last twenty-five years... most of its essays deal with Janácek's music, while some with other Czech music, mostly from before the time of Bedrich Smetana. This breadth of scope is not a weakness of either the conference or the volume, since it places Janácek in historical perspective, and since the articles that deal with the earlier music are among the best in the volume and are deserving of a forum. John K. Novak, Notes June 1996
Author:
Publisher:
ISBN:
Category : Musicals
Languages : en
Pages : 1058
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Book Description
Author: Michael Talbot
Publisher: Routledge
ISBN: 1351537318
Category : History
Languages : en
Pages : 565
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Book Description
Since 1978, the 300th anniversary of Vivaldi's death, there has been an explosion of serious writing about his music, life and times. Much of this has taken the form of articles published in academic journals or conference proceedings, some of which are not easy to obtain. The twenty-two articles selected by Michael Talbot for this volume form a representative selection of the best writing on Vivaldi from the last 30 years, featuring such major figures in Vivaldi research as Reinhard Strohm, Paul Everett, Gastone Vio and Federico Maria Sardelli. Aspects covered include biography, Venetian cultural history, manuscript studies, genre studies and musical analysis. The intention is to serve as a 'first port of call' for those wishing to learn more about Vivaldi or to refresh their existing knowledge. An introduction by Michael Talbot reviews the state of Vivaldi scholarship past and present and comments on the significance of the articles.
Author: Antonio Vivaldi
Publisher: Delphi Classics
ISBN: 1788779991
Category : Music
Languages : en
Pages : 221
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Book Description
The Italian composer and violinist Antonio Vivaldi left a decisive mark on the form of the concerto, influencing the emerging style of late Baroque music. In spite of his widespread popularity today, Vivaldi was largely forgotten after death and his reputation was only re-established in the 1920’s. Vivaldi’s greatest contribution to the history of classical music was his development of the ritornello form, where recurrent restatements of a refrain alternate with further episodic passages by a solo instrument, allowing for greater depth of virtuosic display. The passion and lyricism of Vivaldi’s music would have a lasting impact on Baroque and Classical-era composers. Delphi’s Great Composers Series offers concise illustrated guides to the life and works of our greatest composers. Analysing the masterworks of each composer, these interactive eBooks include links to popular streaming services, allowing you to listen to the pieces of music you are reading about. Evaluating the masterworks of each composer, you will explore the development of their works, tracing how they changed the course of music history. Whether a classical novice or a cultivated connoisseur, this series offers an intriguing overview of the world’s most famous and iconic compositions. This volume presents Vivaldi’s masterworks in succinct detail, with informative introductions, accompanying illustrations and streaming links. (Version 1) * Concise and informative overview of Vivaldi’s masterworks * Learn about the classical pieces that made Vivaldi a celebrated composer * Links to popular streaming services (free and paid), allowing you to listen to the masterpieces you’re reading about * Features a special ‘Complete Compositions’ section, with an index of Vivaldi’s complete extant works and links to popular streaming services * Links to rare works recently rediscovered Please note: due to the relative recent obscurity of Vivaldi’s reputation, which was only restored in the mid-twentieth century, we are sadly unable to provide our usual range of bonus texts of biographies, critical essays or letters. CONTENTS: The Masterworks Violin Sonata in A Major, Op.2 L’estro armonico, Op.3 La stravaganza, Op.4 Gloria in D Major, RV 589 Oboe Concerto in A Minor, RV 461 Juditha triumphans, RV 644 Tito Manlio, RV 778 The Four Seasons, Op.8 Concerto for 2 Cellos in G Minor, RV 531 Mandolin Concerto in C Major, RV 425 Concerto for Strings in G Major, RV 151 Flute Concerto in G Minor, RV 439 Recorder Concerto in C Major, RV 443 Bassoon Concerto in A Minor, RV 497 Griselda, RV 718 Nulla in mundo pax sincera, RV 630 Dixit Dominus in D Major, RV 594 Complete Compositions Index of Vivaldi’s Compositions Please visit www.delphiclassics.com to learn more about our wide range of exciting titles
Author: Reinhard Strohm
Publisher: Cambridge University Press
ISBN: 9780521088350
Category : Biography & Autobiography
Languages : en
Pages : 322
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Book Description
Reinhard Strohm examines the relationship between Handel's great operas and the earlier European Baroque tradition.
Author: Bella Brover-Lubovsky
Publisher: Indiana University Press
ISBN: 0253028035
Category : Music
Languages : en
Pages : 384
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Book Description
Tonal Space in the Music of Antonio Vivaldi incorporates an analytical study of Vivaldi's style into a more general exploration of harmonic and tonal organization in the music of the late Italian Baroque. The harmonic and tonal language of Vivaldi and his contemporaries, full of curious links between traditional modal thinking and what would later be considered common-practice major-minor tonality, directly reflects the historical circumstances of the shifting attitude toward the conceptualization of tonal space so crucial to Western art music. Vivaldi is examined in a completely new context, allowing both his prosaic and idiosyncratic sides to emerge clearly. This book contributes to a better understanding of Vivaldi's individual style, while illuminating wider processes of stylistic development and the diffusion of artistic ideas in the 18th century.
Author: Karl Heller
Publisher: Rowman & Littlefield
ISBN: 1458412857
Category : Biography & Autobiography
Languages : en
Pages : 361
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Book Description
Antonio Vivaldi's rediscovery after World War II quickly led him from obscurity to his present renown as one of the most popular 18th-century composers. Heller's biography presents the important facets of his life, his works, and his influence on music history.
Author: Paul Everett
Publisher: Cambridge University Press
ISBN: 9780521406925
Category : Music
Languages : en
Pages : 122
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Book Description
The Four Seasons and the rest of the concertos in Op. 8 represent Vivaldi's remarkable innovation in the field of the Baroque concerto. This detailed guide examines the work's origin and construction in a way that enables the reader to distinguish what is extraordinary about the Seasons and what constitutes the composer's customary method of 'characterising' the solo concerto. Drawing on recent research and his own expertise in the appraisal of Vivaldi's manuscripts, the author draws interesting and sometimes startling conclusions about the conception of the Seasons, the origin of their programme, the dating of the concertos and the rationale behind the collection's ritornello-form structures and aria-like slow movements. The significance of Vivaldi's idiosyncratic art is thus revealed in some of the most popular concert music of all time.
Author: James Fritz
Publisher: BookCaps Study Guides
ISBN: 1629170275
Category : Biography & Autobiography
Languages : en
Pages : 46
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Book Description
Born in Venice, Italy, Antonio Vivaldi was one of the most influential and highly regarded Baroque composers, although his fame blazed only briefly. He is most remembered for his concertos, particularly “The Four Seasons,” but his overall production was enormous, ranging from orchestral and vocal music for both secular and church settings, as well as opera scores and libretti. In addition, Vivaldi was a master violinist and spent much of his career as an instructor at a famous institution for girls, the Hospital of Mercy. He was educated as a priest, but poor health and probably a lack of interest in the calling encouraged him to follow another path in life. During his lifetime, the red-haired virtuoso and opera impresario was easily among the most famous musicians in Italy; this fame eventually extended throughout civilized Europe. His name was sufficient to open doors to the richest and most powerful people in the Western world. Before his death, however, his heyday had long passed. After an extended period of obscurity, the music of Vivaldi underwent a revival in the early 20th century. This book is Vivaldi’s incredible story.
