An Interpretive Guide to Operatic Arias

An Interpretive Guide to Operatic Arias PDF Author: Martial Singher
Publisher: Penn State Press
ISBN: 0271065176
Category : Music
Languages : en
Pages : 347

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Book Description
A premier singer and master teacher here tells other singers how to get the most from 151 famous arias selected for their popularity or their greatness from 66 operas, ranging in time and style from Christopher Gluck to Carlisle Floyd, from Mozart to Menotti. “The most memorable thrills in an opera singer's life,” according to the author's Introduction, “may easily derive from the great arias in his or her repertoire.” This book continues the work Martial Singher has done, in performances, in concerts, and in master classes and lessons, by drawing attention “not only to precise features of text, notes, and markings but also to psychological motivations and emotional impulses, to laughter and tears, to technical skills, to strokes of genius, and even here and there to variations from the original works that have proved to be fortunate.” For each aria, the author gives the dramatic and musical context, advice about interpretation, and the lyric—with the original language (if it is not English) and an idiomatic American English translation, in parallel columns. The major operatic traditions—French, German, Italian, Russian, and American—are represented, as are the major voice types—soprano, mezzo-soprano, tenor, baritone, bass-baritone, and bass. The dramatic context is not a mere summary of the plot but is a penetrating and often witty personality sketch of an operatic character in the midst of a situation. The musical context is presented with the dramatic situation in a cleverly integrated way. Suggestions about interpretation, often illustrated with musical notation and phonetic symbols, are interspersed among the author's explication of the music and the action. An overview of Martial Singher’s approach—based on fifty years of experience on stage in a hundred roles and in class at four leading conservatories—is presented in his Introduction. As the reader approaches each opera discussed in this book, he or she experiences the feeling of participation in a rehearsal on stage under an urbane though demanding coach and director. The Interpretive Guide will be of value to professional singers as a source of reference or renewed inspiration and a memory refresher, to coaches for checking and broadening personal impressions, to young singers and students for learning, to teachers who have enjoyed less than a half century of experience, and to opera broadcast listeners and telecast viewers who want to understand what goes into the sounds and sights that delight them.

An Interpretive Guide to Operatic Arias

An Interpretive Guide to Operatic Arias PDF Author: Martial Singher
Publisher: Penn State Press
ISBN: 0271065176
Category : Music
Languages : en
Pages : 347

Get Book Here

Book Description
A premier singer and master teacher here tells other singers how to get the most from 151 famous arias selected for their popularity or their greatness from 66 operas, ranging in time and style from Christopher Gluck to Carlisle Floyd, from Mozart to Menotti. “The most memorable thrills in an opera singer's life,” according to the author's Introduction, “may easily derive from the great arias in his or her repertoire.” This book continues the work Martial Singher has done, in performances, in concerts, and in master classes and lessons, by drawing attention “not only to precise features of text, notes, and markings but also to psychological motivations and emotional impulses, to laughter and tears, to technical skills, to strokes of genius, and even here and there to variations from the original works that have proved to be fortunate.” For each aria, the author gives the dramatic and musical context, advice about interpretation, and the lyric—with the original language (if it is not English) and an idiomatic American English translation, in parallel columns. The major operatic traditions—French, German, Italian, Russian, and American—are represented, as are the major voice types—soprano, mezzo-soprano, tenor, baritone, bass-baritone, and bass. The dramatic context is not a mere summary of the plot but is a penetrating and often witty personality sketch of an operatic character in the midst of a situation. The musical context is presented with the dramatic situation in a cleverly integrated way. Suggestions about interpretation, often illustrated with musical notation and phonetic symbols, are interspersed among the author's explication of the music and the action. An overview of Martial Singher’s approach—based on fifty years of experience on stage in a hundred roles and in class at four leading conservatories—is presented in his Introduction. As the reader approaches each opera discussed in this book, he or she experiences the feeling of participation in a rehearsal on stage under an urbane though demanding coach and director. The Interpretive Guide will be of value to professional singers as a source of reference or renewed inspiration and a memory refresher, to coaches for checking and broadening personal impressions, to young singers and students for learning, to teachers who have enjoyed less than a half century of experience, and to opera broadcast listeners and telecast viewers who want to understand what goes into the sounds and sights that delight them.

Aria's Fate

Aria's Fate PDF Author: Lanita17
Publisher: Mangatoon HK Limited
ISBN:
Category : Fiction
Languages : en
Pages : 404

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Book Description
From a very young age, Aria has lived among the shadows, treated as a slave and subjected to multiple abuses. She hoped that upon reaching the age of majority, she could escape from that terrible place, a pack that was not welcoming to her. Following the demands of her pack's Luna, Aria eagerly awaits the day she can finally escape from that place, but unexpectedly discovers who her mate is. But he, not willing to continue with this eternal union, rejects Aria as his mate. With those painful and heartbreaking words, an unbearable pain took hold of her chest, which was enough to make Aria decide to definitely run away from the pack, fleeing towards the territory of the vampires and facing new changes. Will Aria be able to fulfill what is predestined?

Arias for Soprano

Arias for Soprano PDF Author: Hal Leonard Corp.
Publisher: Hal Leonard Corporation
ISBN: 1480319937
Category : Music
Languages : en
Pages : 204

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Book Description
(Vocal Collection). Contents: Handel: V'adoro pupille (Giulio Cesare) Mozart: Porgi, amor (Le Nozze di Figaro) * Dove sono (Le Nozze Figaro) * Deh vieni, non tardar (Le Nozze di Figaro) * Bester Jungling (Der Schauspieldirektor) * Batti, batti, bel Masetto (Don Giovanni) * Vedrai carino (Don Giovanni) * Ach, ich fuhl's (Die Zauberflote) Beethoven: O war' ich schon mit dir vereint (Fidelio) C.M. von Weber: Kommt ein schlanker Bursch gegangen (Der Freischutz) Verdi: Caro nome (Rigoletto) * Saper vorreste (Un Ballo in Maschera) * Sul fil d'un soffio etesio (Falstaff) Gounod: The Jewel Song (Faust) * Ah! Je veux vivre (Romeo et Juliette) Bizet: Je dis que rien ne m 'epouvante (Carmen) Offenbach: Elle a fui, la tourterelle! (Les Contes d'Hoffmann) Massenet: Adieu, notre petite table (Manon) Leoncavallo: Ballatella (I Pagliacci) Puccini: Mi chiamano Mimi (La Boheme) * Donde lieta (La Boheme) * Quando men vo (La Boheme) * Un bel di (Madama Butterfly) * O mio babbino caro (Gianni Schicchi) * Signore, ascolta (Turandot) * Tu che di gel sei cinta (Turandot) Menotti: The Black Swan (The Medium) * Monica's Waltz (The Medium) Moore: Willow Song (The Ballad of Baby Doe) * The Silver Aria (The Ballad of Baby Doe) Mechem: Fair Robin, I love (Tartuffe).

Identities in Crisis

Identities in Crisis PDF Author: Melveena McKendrick
Publisher: Edition Reichenberger
ISBN: 9783935004527
Category : Honor in literature
Languages : en
Pages : 258

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Book Description


The Operas of Leonardo Vinci, Napoletano

The Operas of Leonardo Vinci, Napoletano PDF Author: Kurt Sven Markstrom
Publisher: Pendragon Press
ISBN: 9781576470947
Category : Art
Languages : en
Pages : 418

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Book Description
Vinci produced a string of operas during a brief career of little more than a decade. He died mysteriously. He was hailed by connoisseurs of the later 18th century as one of the originators of the classical style.

Blackwood's Edinburgh magazine

Blackwood's Edinburgh magazine PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 812

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Book Description


A History of the Oratorio

A History of the Oratorio PDF Author: Howard E. Smither
Publisher: UNC Press Books
ISBN: 0807837733
Category : Music
Languages : en
Pages : 513

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Book Description
Howard Smither has written the first definitive work on the history of the oratorio since Arnold Schering published his Geschichte des Oratoriums in 1911. This volume is the first of a four-volume comprehensive study that offers a new synthesis of what is known to date about the oratorio. Volume 1, divided into three parts, opens with the examination of the medieval, Renaissance, and early Baroque antecedents and origins of the oratorio, with emphasis on Rome and Philip Neri's Congregation of the Oratory and with special attention to the earliest works for which the term oratorio seems appropriate. The second part recounts the development of the oratorio in Italy, circa 1640-1720. It reviews the social contexts, patrons, composers, poets, librettos, and music of the oratorio in Italy, especially in Vienna and Paris. The procedure adapted throughout the work is to treat first the social context, particularly the circumstances of performance of the oratorio in a given area and period, then to treat the libretto, and finally the music. For each geographic area and period, the author has selected for special attention a few oratorios that appear to be particularly important or representative. He has verified the information offered in the specialized literature whenever possible by reference to the music or documents. In a number of areas, particular seventeenth-century Italy, in which relatively few previous studies have been undertaken or secondary sources have proven to be inadequate, the author has examined the primary sources in manuscript and printed form -- music, librettos, and documents of early oratorio history. Impressive research and intelligent integration of disparate elements make this complicated, diffuse subject both readable and accessible to the student of music. Volume 2, The Oratorio in the Baroque Era: Protestant Germany and England, and Volume 3, The Oratorio in the Classical Era, continue and expand the study of oratorio history. Although this series was originally announced as a three-volume study, Smither will conclude with a fourth volume. This new work--the first English-language study of the history of the oratorio will become the standard work on its subject and an enduring contribution to music and scholarship. Originally published in 1977. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

The Life and Death of Classical Music

The Life and Death of Classical Music PDF Author: Norman Lebrecht
Publisher: Anchor
ISBN: 1400096588
Category : Music
Languages : en
Pages : 351

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Book Description
In this compulsively readable, fascinating, and provocative guide to classical music, Norman Lebrecht, one of the world’s most widely read cultural commentators tells the story of the rise of the classical recording industry from Caruso’s first notes to the heyday of Bernstein, Glenn Gould, Callas, and von Karajan. Lebrecht compellingly demonstrates that classical recording has reached its end point–but this is not simply an expos? of decline and fall. It is, for the first time, the full story of a minor art form, analyzing the cultural revolution wrought by Schnabel, Toscanini, Callas, Rattle, the Three Tenors, and Charlotte Church. It is the story of how stars were made and broken by the record business; how a war criminal conspired with a concentration-camp victim to create a record empire; and how advancing technology, boardroom wars, public credulity and unscrupulous exploitation shaped the musical backdrop to our modern lives. The book ends with a suitable shrine to classical recording: the author’s critical selection of the 100 most important recordings–and the 20 most appalling. Filled with memorable incidents and unforgettable personalities–from Goddard Lieberson, legendary head of CBS Masterworks who signed his letters as God; to Georg Solti, who turned the Chicago Symphony into “ the loudest symphony on earth”–this is at once the captivating story of the life and death of classical recording and an opinioned, insider’s guide to appreciating the genre, now and for years to come.

Flower World - Mundo Florido

Flower World - Mundo Florido PDF Author: Alexander Herrera Wassilowski
Publisher: Ekho Verlag
ISBN: 3944415469
Category : Music
Languages : en
Pages : 181

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Book Description
The bilingual series Flower World - Music Archaeology of the Americas raises the study of ancient music and music-related activities of the pre-Columbian Americas to the next level. For the first time in the history of science, a series offering anthologies featuring scientific investigations in this fascinating multidisciplinary field is available. The series encompasses peer-reviewed studies by renowned scholars on both past and living music traditions from South, Central and North America, and thus constitute a platform for the most up-to-date information on the music archaeology of the continent. It features case studies and the results of research projects in the field, in which a great variety of music-archaeological approaches, such as conventional archaeology - for the interpretation of the find contexts, experimental archaeology - for reconstructive instrument making and playing, ethnohistory and ethnolinguistics - for the interpretation of textual sources, music iconology - for the interpretation if visual sources, organology and acoustics, and ethnomusicology - for the research on contemporary legacies - for the study of the instrument finds, are commonly applied. The title of the series, Flower World, refers to a mythological, even sacred place filled with the sweet scent of flowers, bird calls, pleasant sounds, and dance. It is a place full of happiness and joy, even if it belongs to the realm of the Dead, which sustains the enduring renewal of life on earth.

Arias for Tenor

Arias for Tenor PDF Author: Hal Leonard Corp.
Publisher: Hal Leonard Corporation
ISBN: 1480320048
Category : Music
Languages : en
Pages : 214

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Book Description
(Vocal Collection). Contents: Mozart: O wie angstlich (Die Entfuhrung aus dem Serail) * Frisch zum Kampfe! (Die Entfuhrung aus dem Serail) * Dalla sua pace (Don Giovanni) * Il mio tesoro (Don Giovanni) * Un' aura amorosa (Cosi fan tutte) * Dies Bildnis ist bezaubernd schon (Die Zauberflote) Rossini: Ecco ridente in cielo (Il Barbiere di Siviglia) Donizetti: Quanto e bella (L'Elisir d'Amore) * Una furtiva lagrima (L'Elisir d'Amore) * Spirto gentil (La Favorita) * Com' e gentil (Don Pasquale) Flotow: Ach! so fromm (Martha) Nicolai: Horch, die Lerche (Die Lustigen Weiber von Windsor) Verdi: Questa o quella (Rigoletto) * La Donna e mobile (Rigoletto) * De' miei bollenti spiriti (La Traviata) * Dal labbro il canto estasiato vola (Falstaff) Gounod: Salut! demeure chaste et pure (Faust) Bizet: Je crois entendre encore (Les Pecheurs de Perles) * La fleur que tu m'avais jettee (Carmen) Tchaikovsky: Lenski's Aria (Eugen Onegin) Massenet: En fermant les yeus (Manon) * Pourquoi me reveiller (Werther) Lalo: Vainemant, ma bien-aimee (Le Roi d'Ys) Puccini: Che gelida manina (La Boheme) * Amore, grillo (Madama Butterfly) * Firenze e come un alberto fiorito (Gianni Schicchi) Cilea: E la solita storia del pastore (L'Arlesiana) Giordano: Amor ti vieta (Fedora) Britten: Inkslinger's Song (Paul Bunyan) Weill: Lonely House (Street Scene) Menotti: I know that you all hate me (The Saint of Bleecker Street) Barber: Outside this house (Vanessa) Hoiby: Caliban's Aria (The Tempest).