Architecture's Odd Couple PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Architecture's Odd Couple PDF full book. Access full book title Architecture's Odd Couple by Hugh Howard. Download full books in PDF and EPUB format.
Author: Hugh Howard
Publisher: Bloomsbury Publishing USA
ISBN: 1620403765
Category : Architecture
Languages : en
Pages : 369
Get Book Here
Book Description
In architectural terms, the twentieth century can be largely summed up with two names: Frank Lloyd Wright and Philip Johnson. Wright (1867–1959) began it with his romantic prairie style; Johnson (1906–2005) brought down the curtain with his spare postmodernist experiments. Between them, they built some of the most admired and discussed buildings in American history. Differing radically in their views on architecture, Wright and Johnson shared a restless creativity, enormous charisma, and an outspokenness that made each man irresistible to the media. Often publicly at odds, they were the twentieth century's flint and steel; their repeated encounters consistently set off sparks. Yet as acclaimed historian Hugh Howard shows, their rivalry was also a fruitful artistic conversation, one that yielded new directions for both men. It was not despite but rather because of their contentious--and not always admiring--relationship that they were able so powerfully to influence history. In Architecture's Odd Couple, Howard deftly traces the historical threads connecting the two men and offers readers a distinct perspective on the era they so enlivened with their designs. Featuring many of the structures that defined modern space--from Fallingwater to the Guggenheim, from the Glass House to the Seagram Building--this book presents an arresting portrait of modern architecture's odd couple and how they shaped the American landscape by shaping each other.
Author: Hugh Howard
Publisher: Bloomsbury Publishing USA
ISBN: 1620403765
Category : Architecture
Languages : en
Pages : 369
Get Book Here
Book Description
In architectural terms, the twentieth century can be largely summed up with two names: Frank Lloyd Wright and Philip Johnson. Wright (1867–1959) began it with his romantic prairie style; Johnson (1906–2005) brought down the curtain with his spare postmodernist experiments. Between them, they built some of the most admired and discussed buildings in American history. Differing radically in their views on architecture, Wright and Johnson shared a restless creativity, enormous charisma, and an outspokenness that made each man irresistible to the media. Often publicly at odds, they were the twentieth century's flint and steel; their repeated encounters consistently set off sparks. Yet as acclaimed historian Hugh Howard shows, their rivalry was also a fruitful artistic conversation, one that yielded new directions for both men. It was not despite but rather because of their contentious--and not always admiring--relationship that they were able so powerfully to influence history. In Architecture's Odd Couple, Howard deftly traces the historical threads connecting the two men and offers readers a distinct perspective on the era they so enlivened with their designs. Featuring many of the structures that defined modern space--from Fallingwater to the Guggenheim, from the Glass House to the Seagram Building--this book presents an arresting portrait of modern architecture's odd couple and how they shaped the American landscape by shaping each other.
Author: Hugh Howard
Publisher: Bloomsbury Publishing USA
ISBN: 1620403757
Category : Architecture
Languages : en
Pages : 369
Get Book Here
Book Description
In architectural terms, the twentieth century can be largely summed up with two names: Frank Lloyd Wright and Philip Johnson. Wright (1867–1959) began it with his romantic prairie style; Johnson (1906–2005) brought down the curtain with his spare postmodernist experiments. Between them, they built some of the most admired and discussed buildings in American history. Differing radically in their views on architecture, Wright and Johnson shared a restless creativity, enormous charisma, and an outspokenness that made each man irresistible to the media. Often publicly at odds, they were the twentieth century's flint and steel; their repeated encounters consistently set off sparks. Yet as acclaimed historian Hugh Howard shows, their rivalry was also a fruitful artistic conversation, one that yielded new directions for both men. It was not despite but rather because of their contentious--and not always admiring--relationship that they were able so powerfully to influence history. In Architecture's Odd Couple, Howard deftly traces the historical threads connecting the two men and offers readers a distinct perspective on the era they so enlivened with their designs. Featuring many of the structures that defined modern space--from Fallingwater to the Guggenheim, from the Glass House to the Seagram Building--this book presents an arresting portrait of modern architecture's odd couple and how they shaped the American landscape by shaping each other.
Author: Hugh Howard
Publisher:
ISBN: 9781620403778
Category :
Languages : en
Pages : 352
Get Book Here
Book Description
In architectural terms, the twentieth century can be largely summed up with two names- Frank Lloyd Wright and Philip Johnson. Wright (1867-1959) began it with his romantic prairie style; Johnson (1906-2005) brought down the curtain with his spare postmodernist experiments. Between them, they built some of the most admired and discussed buildings in American history. Differing radically in their views on architecture, Wright and Johnson shared a restless creativity, enormous charisma, and an outspokenness that made each man irresistible to the media. Often publicly at odds, they were the twentieth century's flint and steel; their repeated encounters consistently set off sparks. Yet as acclaimed historian Hugh Howard shows, their rivalry was also a fruitful artistic conversation, one that yielded new directions for both men. It was not despite but rather because of their contentious--and not always admiring--relationship that they were able so powerfully to influence history. In Architecture's Odd Couple, Howard deftly traces the historical threads connecting the two men and offers readers a distinct perspective on the era they so enlivened with their designs. Featuring many of the structures that defined modern space--from Fallingwater to the Guggenheim, from the Glass House to the Seagram Building--this book presents an arresting portrait of modern architecture's odd couple and how they shaped the American landscape by shaping each other.
Author: Aaron Betsky
Publisher: Rizzoli Publications
ISBN: 0847865363
Category : Architecture
Languages : en
Pages : 0
Get Book Here
Book Description
50 Lessons to Learn from Frank Lloyd Wright begins with a simple question. What lessons can designers today learn from Frank Lloyd Wright? Unlike recent books focusing on Wright’s tumultuous personal life and the Taliesin Fellowship, and equally unlike certain works that paint Wright as a mythical hero or genius, this handsome and valuable volume aims to reveal some of the design tools Wright used to create exceptional architecture, interiors, and landscapes—and how we may glean insight from an American master and find inspiration for the thoughtful design of our own homes. By means of succinct examples, pithy texts by noted architecture experts Aaron Betsky and Gideon Fink Shapiro, and evocative visuals provided by photographer Andrew Pielage, they share fifty lessons, or "learning points," with an eye to Wright-designed houses and interiors, ranging from "Let Nature Inspire You," "Screen, Don’t Close," and "Embroider Rooms with Textiles," to "Look to Asia," "Design for Resilience" and "Balance the Whole." Each lesson is accompanied by color photographs, original Wright drawings, newly commissioned diagrams, thoughtful analysis by the authors, and pearls of wisdom gathered from the master's trove of writings on architecture and design. Beyond specific lessons, this volume offers an informal yet richly detailed introduction to this seminal figure, world-famous for his romantic Fallingwater and magical Guggenheim Museum, and will be of much interest to the budding architecture enthusiast as well as to the interior designer, to those seeking ideas for their own homes, and to fans of Frank Lloyd Wright looking for just the right book.
Author: Michael Huberman
Publisher: Yale University Press
ISBN: 0300158769
Category : Business & Economics
Languages : en
Pages : 253
Get Book Here
Book Description
It has become commonplace to think that globalization has produced a race to the bottom in terms of labor standards and quality of life: the cheaper the labor and the lower the benefits afforded workers, the more competitively a country can participate on the global stage. But in this book the distinguished economic historian Michael Huberman demonstrates that globalization has in fact been very good for workers’ quality of life, and that improved labor conditions have promoted globalization.
Author: John Silber
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 108
Get Book Here
Book Description
"In his twenty-five years as President of Boston University, Dr. Silber oversaw a building program totaling more than 13 million square feet. Here he constructs an unflinching case, beautifully illustrated, against the worst trends in contemporary architecture. He challenges architects to derive creative satisfaction from meeting the practical needs of clients and the public. He urges the directors of our universities, symphony orchestras, museums, and corporations to stop financing inefficient, overpriced architecture, and calls on clients and the public to tell the emperors of our skylines that their pretensions cannot hide the naked absurdity of their designs."--BOOK JACKET.
Author: Paul Goldberger
Publisher: Random House Digital, Inc.
ISBN: 1580932649
Category : Architecture
Languages : en
Pages : 317
Get Book Here
Book Description
PAUL GOLDBERGER ON THE AGE OF ARCHITECTURE The Guggenheim Museum Bilbao by Frank Gehry, the CCTV Headquarters by Rem Koolhaas, the Getty Center by Richard Meier, the Times Building by Renzo Piano: Pulitzer Prize–winning critic Paul Goldberger’s tenure atThe New Yorkerhas documented a captivating era in the world of architecture, one in which larger-than-life buildings, urban schemes, historic preservation battles, and personalities have commanded an international stage. Goldberger’s keen observations and sharp wit make him one of the most insightful and passionate architectural voices of our time. In this collection of fifty-seven essays, the critic Tracy Kidder called “America’s foremost interpreter of public architecture” ranges from Havana to Beijing, from Chicago to Las Vegas, dissecting everything from skyscrapers by Norman Foster and museums by Tadao Ando to airports, monuments, suburban shopping malls, and white-brick apartment houses. This is a comprehensive account of the best—and the worst—of the “age of architecture.” On Norman Foster: Norman Foster is the Mozart of modernism. He is nimble and prolific, and his buildings are marked by lightness and grace. He works very hard, but his designs don’t show the effort. He brings an air of unnerving aplomb to everything he creates—from skyscrapers to airports, research laboratories to art galleries, chairs to doorknobs. His ability to produce surprising work that doesn’t feel labored must drive his competitors crazy. On the Westin Hotel: The forty-five-story Westin is the most garish tall building that has gone up in New York in as long as I can remember. It is fascinating, if only because it makes Times Square vulgar in a whole new way, extending up into the sky. It is not easy, these days, to go beyond the bounds of taste. If the architects, the Miami-based firm Arquitectonica, had been trying to allude to bad taste, one could perhaps respect what they came up with. But they simply wanted, like most architects today, to entertain us. On Mies van der Rohe: Mies’s buildings look like the simplest things you could imagine, yet they are among the richest works of architecture ever created. Modern architecture was supposed to remake the world, and Mies was at the center of the revolution, but he was also a counterrevolutionary who designed beautiful things. His spare, minimalist objects are exquisite. He is the only modernist who created a language that ranks with the architectural languages of the past, and while this has sometimes been troubling for his reputation . . . his architectural forms become more astonishing as time goes on.
Author: Neil Simon
Publisher: Samuel French, Inc.
ISBN: 9780573613319
Category : Drama
Languages : en
Pages : 108
Get Book Here
Book Description
Two poker buddies, one a hyper-neurotic, the other an incurable slob, suddenly find themselves bachelors again and decide to share a New York City apartment.
Author: James F. O'Gorman
Publisher: Simon and Schuster
ISBN: 0684836181
Category : Architects
Languages : en
Pages : 208
Get Book Here
Book Description
Elegantly written and filled with lush, full-color photos, this is the first in-depth portrait of H.H. Richardson, the greatest American architect of the 19th century and a man whose magnetic, colorful personality was equal to his genius. 150 photos, 100 in full color.
Author: Andrew Ballantyne
Publisher: John Wiley & Sons
ISBN: 0470777346
Category : Architecture
Languages : en
Pages : 272
Get Book Here
Book Description
Architectures: Modernism and After surveys the history of the building from the advent of industrialization to the cultural imperatives of the present moment. Brings together international art and architectural historians to consider a range of topics that have influenced the shape, profile, and aesthetics of the built environment. Presents crucial "moments" in the history of the field when the architecture of the past is made to respond to new and changing cultural circumstances. Provides a view of architectural history as a part of a continuing dialogue between aesthetic criteria and social and cultural imperatives. Part of the New Interventions in Art History Series, which is published in conjunction with the Association of Art Historians.
