Author: Henry H. Kuehn
Publisher: MIT Press
ISBN: 0262340747
Category : Architecture
Languages : en
Pages : 151
Book Description
An illustrated guide to the monumental and non-monumental final resting places of famous architects from Aalto Alvar to Frank Lloyd Wright. All working architects leave behind a string of monuments to themselves in the form of buildings they have designed. But what about the final spaces that architects themselves will occupy? Are architects' gravesites more monumental—more architectural—than others? This unique book provides an illustrated guide to more than 200 gravesites of famous architects, almost all of them in the United States. Led by our intrepid author, Henry Kuehn, we find that most graves of architects are not monumental but rather modest, that many architects did not design their final resting places, and that a surprising number had their ashes scattered. Architects' Gravesites offers an alphabetical listing, from Alvar Aalto and Dankmar Adler (Louis Sullivan's partner) to Frank Lloyd Wright and Minoru Yamasaki (designer of the Word Trade Center's twin towers). Each entry includes a brief note on the architect's career and a color photograph of the site. For example, Ludwig Mies van der Rohe is buried in Chicago under a simple granite slab designed by his architect grandson; Louise Bethune, the first American woman to become a professional architect, is buried under a headstone inscribed only with her husband's name (a plaque honoring her achievements was installed later); Philip Johnson's ashes were spread in his rose garden, with no marker, across the street from his famous Glass House; and the grave of Pierre L'Enfant in Arlington National Cemetery offers a breathtaking view of Washington, D.C., the city he designed. Architects' Gravesites is an architectural guide like no other, revealing as much about mortality as about monumentality.
Architects' Gravesites
Author: Henry H. Kuehn
Publisher: MIT Press
ISBN: 0262340747
Category : Architecture
Languages : en
Pages : 151
Book Description
An illustrated guide to the monumental and non-monumental final resting places of famous architects from Aalto Alvar to Frank Lloyd Wright. All working architects leave behind a string of monuments to themselves in the form of buildings they have designed. But what about the final spaces that architects themselves will occupy? Are architects' gravesites more monumental—more architectural—than others? This unique book provides an illustrated guide to more than 200 gravesites of famous architects, almost all of them in the United States. Led by our intrepid author, Henry Kuehn, we find that most graves of architects are not monumental but rather modest, that many architects did not design their final resting places, and that a surprising number had their ashes scattered. Architects' Gravesites offers an alphabetical listing, from Alvar Aalto and Dankmar Adler (Louis Sullivan's partner) to Frank Lloyd Wright and Minoru Yamasaki (designer of the Word Trade Center's twin towers). Each entry includes a brief note on the architect's career and a color photograph of the site. For example, Ludwig Mies van der Rohe is buried in Chicago under a simple granite slab designed by his architect grandson; Louise Bethune, the first American woman to become a professional architect, is buried under a headstone inscribed only with her husband's name (a plaque honoring her achievements was installed later); Philip Johnson's ashes were spread in his rose garden, with no marker, across the street from his famous Glass House; and the grave of Pierre L'Enfant in Arlington National Cemetery offers a breathtaking view of Washington, D.C., the city he designed. Architects' Gravesites is an architectural guide like no other, revealing as much about mortality as about monumentality.
Publisher: MIT Press
ISBN: 0262340747
Category : Architecture
Languages : en
Pages : 151
Book Description
An illustrated guide to the monumental and non-monumental final resting places of famous architects from Aalto Alvar to Frank Lloyd Wright. All working architects leave behind a string of monuments to themselves in the form of buildings they have designed. But what about the final spaces that architects themselves will occupy? Are architects' gravesites more monumental—more architectural—than others? This unique book provides an illustrated guide to more than 200 gravesites of famous architects, almost all of them in the United States. Led by our intrepid author, Henry Kuehn, we find that most graves of architects are not monumental but rather modest, that many architects did not design their final resting places, and that a surprising number had their ashes scattered. Architects' Gravesites offers an alphabetical listing, from Alvar Aalto and Dankmar Adler (Louis Sullivan's partner) to Frank Lloyd Wright and Minoru Yamasaki (designer of the Word Trade Center's twin towers). Each entry includes a brief note on the architect's career and a color photograph of the site. For example, Ludwig Mies van der Rohe is buried in Chicago under a simple granite slab designed by his architect grandson; Louise Bethune, the first American woman to become a professional architect, is buried under a headstone inscribed only with her husband's name (a plaque honoring her achievements was installed later); Philip Johnson's ashes were spread in his rose garden, with no marker, across the street from his famous Glass House; and the grave of Pierre L'Enfant in Arlington National Cemetery offers a breathtaking view of Washington, D.C., the city he designed. Architects' Gravesites is an architectural guide like no other, revealing as much about mortality as about monumentality.
Michael Graves
Author: Michael Graves
Publisher: Images Publishing
ISBN: 9781875498734
Category : Architecture
Languages : en
Pages : 266
Book Description
Publisher: Images Publishing
ISBN: 9781875498734
Category : Architecture
Languages : en
Pages : 266
Book Description
Five Architects
Author: Museum of Modern Art (New York, N.Y.)
Publisher: New York : Oxford University Press
ISBN:
Category : Architecture
Languages : en
Pages : 160
Book Description
Five Architects, originally published in 1975, grew out of a meeting of the CASE group (Conference of Architects for the Study of the Environment) held at the Museum of Modern Art in 1969. The purpose of this gathering was to exhibit and criticize the work of five architects -- Eisenman, Graves, Gwathmey, Hejduk, and Meier -- who constituted a New York school, and who are now among the most influential architects working today.The buildings shown here have more diversity than one might expect from a school, but share certain properties of form, scale, and treatment of material. Collectively, their work makes a modest claim: it is only architecture, not the salvation of man and the redemption of the earth.Providing complete drawings and photographic documentation, this collection also includes a comparative critique by Kenneth Frampton, an Introduction by Colin Rowe that suggests a still broader context for the work as a whole, and two short texts in which individual positions are outlined. Now back in,print, Five Architects serves as a reference to the early work of some of America's most important architects and provides us with a glimpse back at the direction of architecture as they saw it over twenty years ago.
Publisher: New York : Oxford University Press
ISBN:
Category : Architecture
Languages : en
Pages : 160
Book Description
Five Architects, originally published in 1975, grew out of a meeting of the CASE group (Conference of Architects for the Study of the Environment) held at the Museum of Modern Art in 1969. The purpose of this gathering was to exhibit and criticize the work of five architects -- Eisenman, Graves, Gwathmey, Hejduk, and Meier -- who constituted a New York school, and who are now among the most influential architects working today.The buildings shown here have more diversity than one might expect from a school, but share certain properties of form, scale, and treatment of material. Collectively, their work makes a modest claim: it is only architecture, not the salvation of man and the redemption of the earth.Providing complete drawings and photographic documentation, this collection also includes a comparative critique by Kenneth Frampton, an Introduction by Colin Rowe that suggests a still broader context for the work as a whole, and two short texts in which individual positions are outlined. Now back in,print, Five Architects serves as a reference to the early work of some of America's most important architects and provides us with a glimpse back at the direction of architecture as they saw it over twenty years ago.
Michael Graves: Images of a Tour
Author: Brian Ambroziak
Publisher: Princeton Architectural Press
ISBN: 9781568985299
Category : Architecture
Languages : en
Pages : 284
Book Description
In 1960, before his skyscrapers and teapots made him a household name, Michael Graves set out on a journey once considered obligatory for a young architect: a grand tour of the great monuments of Europe. As a recipient of the prestigious Prix de Rome, Graves traveled through Italy, Greece, Turkey, Spain, England, Germany, and France, studying and recording the masterworks of both ancient and modern architecture. Michael Graves: Images of A Grand Tour collects for the first time the stunning artwork produced during this trip. Delicate pencil sketches, striking ink washes, and colorful photographs show the deep connection Graves had to the places he visited, from the Roman Forum to the Grecian Acropolis to Wiltshires Stonehenge. They also tell something of the education of an architect, bringing to light the classical buildings that caused Graves to reexamine his early devotion to modernism. A foreword by Graves reflects on these travels from the distance of forty years, while author Brian Ambroziak puts the tour into the context of Graves's life and work.
Publisher: Princeton Architectural Press
ISBN: 9781568985299
Category : Architecture
Languages : en
Pages : 284
Book Description
In 1960, before his skyscrapers and teapots made him a household name, Michael Graves set out on a journey once considered obligatory for a young architect: a grand tour of the great monuments of Europe. As a recipient of the prestigious Prix de Rome, Graves traveled through Italy, Greece, Turkey, Spain, England, Germany, and France, studying and recording the masterworks of both ancient and modern architecture. Michael Graves: Images of A Grand Tour collects for the first time the stunning artwork produced during this trip. Delicate pencil sketches, striking ink washes, and colorful photographs show the deep connection Graves had to the places he visited, from the Roman Forum to the Grecian Acropolis to Wiltshires Stonehenge. They also tell something of the education of an architect, bringing to light the classical buildings that caused Graves to reexamine his early devotion to modernism. A foreword by Graves reflects on these travels from the distance of forty years, while author Brian Ambroziak puts the tour into the context of Graves's life and work.
Michael Graves
Author: Ian Volner
Publisher: Chronicle Books
ISBN: 161689685X
Category : Biography & Autobiography
Languages : en
Pages : 305
Book Description
One of the most prominent and prolific designers and architects of the late twentieth century, Michael Graves is best known for his popular product designs, including the world-famous Alessi whistling-bird teakettle, and controversial buildings, such as the Portland Building in Oregon, Humana Building in Kentucky, and Dolphin and Swan Hotels at Walt Disney World, Florida. Graves was widely seen as the leading voice of postmodernist architecture, which reintroduced human scale, color, and, sometimes, playful forms into the stark white vocabulary of modernism. Following a devastating illness that paralyzed him from the chest down, Graves became a tireless designer and advocate of improved health-care products and facilities before his sudden death in 2015. Shortly before this, he began a series of interviews with journalist Ian Volner, which form the basis of this biography of a remarkable designer. Volner also conducted numerous interviews with Graves's family, patrons, colleagues, and friends. What emerges is a meticulously researched, anecdote-rich human story, as well as a primer on the American architecture scene of the past sixty years and a portrait of a man whose deep passion for his art brought pleasure to millions.
Publisher: Chronicle Books
ISBN: 161689685X
Category : Biography & Autobiography
Languages : en
Pages : 305
Book Description
One of the most prominent and prolific designers and architects of the late twentieth century, Michael Graves is best known for his popular product designs, including the world-famous Alessi whistling-bird teakettle, and controversial buildings, such as the Portland Building in Oregon, Humana Building in Kentucky, and Dolphin and Swan Hotels at Walt Disney World, Florida. Graves was widely seen as the leading voice of postmodernist architecture, which reintroduced human scale, color, and, sometimes, playful forms into the stark white vocabulary of modernism. Following a devastating illness that paralyzed him from the chest down, Graves became a tireless designer and advocate of improved health-care products and facilities before his sudden death in 2015. Shortly before this, he began a series of interviews with journalist Ian Volner, which form the basis of this biography of a remarkable designer. Volner also conducted numerous interviews with Graves's family, patrons, colleagues, and friends. What emerges is a meticulously researched, anecdote-rich human story, as well as a primer on the American architecture scene of the past sixty years and a portrait of a man whose deep passion for his art brought pleasure to millions.
Last Landscapes
Author: Ken Worpole
Publisher: Reaktion Books
ISBN: 1861895399
Category : Architecture
Languages : en
Pages : 236
Book Description
Last Landscapes is an exploration of the cult and celebration of death, loss and memory. It traces the history and design of burial places throughout Europe and the USA, ranging from the picturesque tradition of the village churchyard to tightly packed "cities of the dead", such as the Jewish Cemetery in Prague and Père Lachaise in Paris. Other landscapes that feature in this book include the war cemeteries of northern France, Viking burial islands in central Sweden, Etruscan tombs and early Christian catacombs in Italy, the 17th-century Portuguese–Jewish cemetery "Beth Haim" at Ouderkerk in the Netherlands, Forest Lawns in California, Derek Jarman’s garden in Kent and the Stockholm Woodland Cemetery. It is a fact that architecture "began with the tomb", yet, as Ken Worpole shows us in Last Landscapes, many historic cemeteries have been demolished or abandoned in recent times (notably the case with Jewish cemeteries in Eastern Europe), and there has been an increasing loss of inscription and memorialization in the modern urban cemetery. Too often cemeteries today are both poorly designed and physically and culturally marginalized. Worse, cremation denies a full architectural response to the mystery and solemnity of death. The author explores how modes of disposal – burial, cremation, inhumation in mausoleums and wall tombs – vary across Europe and North America, according to religious and other cultural influences. And Last Landscapes raises profound questions as to how, in an age of mass cremation, architects and landscape designers might create meaningful structures and settings in the absence of a body, since for most of history the human body itself has provided the fundamental structural scale. This evocative book also contemplates other forms of memorialization within modern societies, from sculptures to parks, most notably the extraordinary Duisberg Park, set in a former giant steelworks in Germany’s Ruhr Valley.
Publisher: Reaktion Books
ISBN: 1861895399
Category : Architecture
Languages : en
Pages : 236
Book Description
Last Landscapes is an exploration of the cult and celebration of death, loss and memory. It traces the history and design of burial places throughout Europe and the USA, ranging from the picturesque tradition of the village churchyard to tightly packed "cities of the dead", such as the Jewish Cemetery in Prague and Père Lachaise in Paris. Other landscapes that feature in this book include the war cemeteries of northern France, Viking burial islands in central Sweden, Etruscan tombs and early Christian catacombs in Italy, the 17th-century Portuguese–Jewish cemetery "Beth Haim" at Ouderkerk in the Netherlands, Forest Lawns in California, Derek Jarman’s garden in Kent and the Stockholm Woodland Cemetery. It is a fact that architecture "began with the tomb", yet, as Ken Worpole shows us in Last Landscapes, many historic cemeteries have been demolished or abandoned in recent times (notably the case with Jewish cemeteries in Eastern Europe), and there has been an increasing loss of inscription and memorialization in the modern urban cemetery. Too often cemeteries today are both poorly designed and physically and culturally marginalized. Worse, cremation denies a full architectural response to the mystery and solemnity of death. The author explores how modes of disposal – burial, cremation, inhumation in mausoleums and wall tombs – vary across Europe and North America, according to religious and other cultural influences. And Last Landscapes raises profound questions as to how, in an age of mass cremation, architects and landscape designers might create meaningful structures and settings in the absence of a body, since for most of history the human body itself has provided the fundamental structural scale. This evocative book also contemplates other forms of memorialization within modern societies, from sculptures to parks, most notably the extraordinary Duisberg Park, set in a former giant steelworks in Germany’s Ruhr Valley.
Cemeteries of the Great War by Sir Edwin Lutyens
Author: Jeroen Geurst
Publisher: 010 Publishers
ISBN: 9064507155
Category : Architecture
Languages : en
Pages : 476
Book Description
The British architect Sir Edwin Lutyens (1869-1944) designed 140 cemeteries in the countryside of Flanders and Northern France for soldiers killed in the First World War. The cemeteries can be regarded as an imprint, as it were, of the former battlefront on the map of Europe. All are designed to principles established beforehand, including uniform gravestones, a large Stone of Remembrance and a large cross. Yet the difference in size, alignment and provenance make them all unique variations on the themes in question. The most memorable aspects are their meticulously chosen position in the landscape, the varied selection of trees and other greenery and the architecture of the entrance and shelter buildings. This illustrated book charts the history of the designs and exposes the underlying principle of order and variation in the architecture in an exhaustive landscape-architectural analysis. All 140 cemeteries are fully documented with references to the places where they are to be found.
Publisher: 010 Publishers
ISBN: 9064507155
Category : Architecture
Languages : en
Pages : 476
Book Description
The British architect Sir Edwin Lutyens (1869-1944) designed 140 cemeteries in the countryside of Flanders and Northern France for soldiers killed in the First World War. The cemeteries can be regarded as an imprint, as it were, of the former battlefront on the map of Europe. All are designed to principles established beforehand, including uniform gravestones, a large Stone of Remembrance and a large cross. Yet the difference in size, alignment and provenance make them all unique variations on the themes in question. The most memorable aspects are their meticulously chosen position in the landscape, the varied selection of trees and other greenery and the architecture of the entrance and shelter buildings. This illustrated book charts the history of the designs and exposes the underlying principle of order and variation in the architecture in an exhaustive landscape-architectural analysis. All 140 cemeteries are fully documented with references to the places where they are to be found.
Arts of Allusion
Author: Margaret S. Graves
Publisher: Oxford University Press
ISBN: 0190695935
Category : Art
Languages : en
Pages : 572
Book Description
The art of the object reached unparalleled heights in the medieval Islamic world, yet the intellectual dimensions of ceramics, metalwares, and other plastic arts in this milieu have not always been acknowledged. Arts of Allusion reveals the object as a crucial site where pre-modern craftsmen of the eastern Mediterranean and Persianate realms engaged in fertile dialogue with poetry, literature, painting, and, perhaps most strikingly, architecture. Lanterns fashioned after miniature shrines, incense burners in the form of domed monuments, earthenware jars articulated with arches and windows, inkwells that allude to tents: through close studies of objects from the ninth to the thirteenth centuries, this book reveals that allusions to architecture abound across media in the portable arts of the medieval Islamic world. Arts of Allusion draws upon a broad range of material evidence as well as medieval texts to locate its subjects in a cultural landscape where the material, visual, and verbal realms were intertwined. Moving far beyond the initial identification of architectural types with their miniature counterparts in the plastic arts, Margaret Graves develops a series of new frameworks for exploring the intelligent art of the allusive object. These address materiality, representation, and perception, and examine contemporary literary and poetic paradigms of metaphor, description, and indirect reference as tools for approaching the plastic arts. Arguing for the role of the intellect in the applied arts and for the communicative potential of ornament, Arts of Allusion asserts the reinstatement of craftsmanship into Islamic intellectual history.
Publisher: Oxford University Press
ISBN: 0190695935
Category : Art
Languages : en
Pages : 572
Book Description
The art of the object reached unparalleled heights in the medieval Islamic world, yet the intellectual dimensions of ceramics, metalwares, and other plastic arts in this milieu have not always been acknowledged. Arts of Allusion reveals the object as a crucial site where pre-modern craftsmen of the eastern Mediterranean and Persianate realms engaged in fertile dialogue with poetry, literature, painting, and, perhaps most strikingly, architecture. Lanterns fashioned after miniature shrines, incense burners in the form of domed monuments, earthenware jars articulated with arches and windows, inkwells that allude to tents: through close studies of objects from the ninth to the thirteenth centuries, this book reveals that allusions to architecture abound across media in the portable arts of the medieval Islamic world. Arts of Allusion draws upon a broad range of material evidence as well as medieval texts to locate its subjects in a cultural landscape where the material, visual, and verbal realms were intertwined. Moving far beyond the initial identification of architectural types with their miniature counterparts in the plastic arts, Margaret Graves develops a series of new frameworks for exploring the intelligent art of the allusive object. These address materiality, representation, and perception, and examine contemporary literary and poetic paradigms of metaphor, description, and indirect reference as tools for approaching the plastic arts. Arguing for the role of the intellect in the applied arts and for the communicative potential of ornament, Arts of Allusion asserts the reinstatement of craftsmanship into Islamic intellectual history.
City of Immortals
Author: Carolyn Campbell
Publisher: Goff Books
ISBN: 9781943532292
Category :
Languages : en
Pages : 200
Book Description
This first-person account of a legendary necropolis will delight Francophiles, tourists and armchair travelers, while enriching the experience of taphophiles (cemetery lovers) and aficionados of art and architecture, mystery and romance. Carolyn Campbell's evocative images are complemented by those of renowned landscape photographer Joe Cornish. "City of Immortals" celebrates the novelty and eccentricity of Père-Lachaise Cemetery through the engrossing story of the history of the site established by Napoleonic decree along with portraits of the last moments of the cultural icons buried within its walls. In addition to several "conversations" with some of the high-profile residents, three guided tours are provided along with an illustrated pull-out map featuring the grave sites of eighty-four architects, artists, writers, musicians, dancers, filmmakers and actors, including Oscar Wilde, Jim Morrison of the Doors. Frédéric Chopin, Georges Bizet, Edith Piaf, Maria Callas, Isadora Duncan, Eugène Delacroix, Gertrude Stein, Amedeo Modigliani, Sarah Bernhardt, Simone Signoret, Colette and Marcel Proust.
Publisher: Goff Books
ISBN: 9781943532292
Category :
Languages : en
Pages : 200
Book Description
This first-person account of a legendary necropolis will delight Francophiles, tourists and armchair travelers, while enriching the experience of taphophiles (cemetery lovers) and aficionados of art and architecture, mystery and romance. Carolyn Campbell's evocative images are complemented by those of renowned landscape photographer Joe Cornish. "City of Immortals" celebrates the novelty and eccentricity of Père-Lachaise Cemetery through the engrossing story of the history of the site established by Napoleonic decree along with portraits of the last moments of the cultural icons buried within its walls. In addition to several "conversations" with some of the high-profile residents, three guided tours are provided along with an illustrated pull-out map featuring the grave sites of eighty-four architects, artists, writers, musicians, dancers, filmmakers and actors, including Oscar Wilde, Jim Morrison of the Doors. Frédéric Chopin, Georges Bizet, Edith Piaf, Maria Callas, Isadora Duncan, Eugène Delacroix, Gertrude Stein, Amedeo Modigliani, Sarah Bernhardt, Simone Signoret, Colette and Marcel Proust.
The Cemeteries of New Orleans
Author: Peter B. Dedek
Publisher: LSU Press
ISBN: 080716612X
Category : Social Science
Languages : en
Pages : 325
Book Description
In The Cemeteries of New Orleans, Peter B. Dedek reveals the origins and evolution of the Crescent City’s world-famous necropolises, exploring both their distinctive architecture and their cultural impact. Spanning centuries, this fascinating body of research takes readers from muddy fields of crude burial markers to extravagantly designed cities of the dead, illuminating a vital and vulnerable piece of New Orleans’s identity. Where many histories of New Orleans cemeteries have revolved around the famous people buried within them, Dedek focuses on the marble cutters, burial society members, journalists, and tourists who shaped these graveyards into internationally recognizable emblems of the city. In addition to these cultural actors, Dedek’s exploration of cemetery architecture reveals the impact of ancient and medieval grave traditions and styles, the city’s geography, and the arrival of trained European tomb designers, such as the French architect J. N. B. de Pouilly in 1833 and Italian artist and architect Pietro Gualdi in 1851. As Dedek shows, the nineteenth century was a particularly critical era in the city’s cemetery design. Notably, the cemeteries embodied traditional French and Spanish precedents, until the first garden cemetery—the Metairie Cemetery—was built on the site of an old racetrack in 1872. Like the older walled cemeteries, this iconic venue served as a lavish expression of fraternal and ethnic unity, a backdrop to exuberant social celebrations, and a destination for sightseeing excursions. During this time, cultural and religious practices, such as the celebration of All Saints’ Day and the practice of Voodoo rituals, flourished within the spatial bounds of these resting places. Over the course of the twentieth and twenty-first centuries, however, episodes of neglect and destruction gave rise to groups that aimed to preserve the historic cemeteries of New Orleans—an endeavor, which, according to Dedek, is still wanting for resources and political will. Containing ample primary source material, abundant illustrations, appendices on both tomb styles and the history of each of the city’s eighteenth- and nineteenth-century cemeteries, The Cemeteries of New Orleans offers a comprehensive and intriguing resource on these fascinating historic sites.
Publisher: LSU Press
ISBN: 080716612X
Category : Social Science
Languages : en
Pages : 325
Book Description
In The Cemeteries of New Orleans, Peter B. Dedek reveals the origins and evolution of the Crescent City’s world-famous necropolises, exploring both their distinctive architecture and their cultural impact. Spanning centuries, this fascinating body of research takes readers from muddy fields of crude burial markers to extravagantly designed cities of the dead, illuminating a vital and vulnerable piece of New Orleans’s identity. Where many histories of New Orleans cemeteries have revolved around the famous people buried within them, Dedek focuses on the marble cutters, burial society members, journalists, and tourists who shaped these graveyards into internationally recognizable emblems of the city. In addition to these cultural actors, Dedek’s exploration of cemetery architecture reveals the impact of ancient and medieval grave traditions and styles, the city’s geography, and the arrival of trained European tomb designers, such as the French architect J. N. B. de Pouilly in 1833 and Italian artist and architect Pietro Gualdi in 1851. As Dedek shows, the nineteenth century was a particularly critical era in the city’s cemetery design. Notably, the cemeteries embodied traditional French and Spanish precedents, until the first garden cemetery—the Metairie Cemetery—was built on the site of an old racetrack in 1872. Like the older walled cemeteries, this iconic venue served as a lavish expression of fraternal and ethnic unity, a backdrop to exuberant social celebrations, and a destination for sightseeing excursions. During this time, cultural and religious practices, such as the celebration of All Saints’ Day and the practice of Voodoo rituals, flourished within the spatial bounds of these resting places. Over the course of the twentieth and twenty-first centuries, however, episodes of neglect and destruction gave rise to groups that aimed to preserve the historic cemeteries of New Orleans—an endeavor, which, according to Dedek, is still wanting for resources and political will. Containing ample primary source material, abundant illustrations, appendices on both tomb styles and the history of each of the city’s eighteenth- and nineteenth-century cemeteries, The Cemeteries of New Orleans offers a comprehensive and intriguing resource on these fascinating historic sites.