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Author:
Publisher:
ISBN: 9782847424157
Category :
Languages : fr
Pages : 228
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Book Description
Author:
Publisher:
ISBN: 9782847424157
Category :
Languages : fr
Pages : 228
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Book Description
Author: Andrew Tierney
Publisher: UCL Press
ISBN: 1800086954
Category : Architecture
Languages : en
Pages : 370
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Book Description
The seventeenth and eighteenth centuries represent a high point in the intersection between design and workmanship. Skilled artisans, creative and technically competent agents within their own field, worked across a wide spectrum of practice that encompassed design, supervision and execution, and architects relied heavily on the experience they brought to the building site. Despite this, the bridge between design and tacit artisanal knowledge has been an underarticulated factor in the architectural achievement of the early modern era. Building on the shift towards a collaborative and qualitative analysis of architectural production, Between Design and Making re-evaluates the social and professional fabric that binds design to making, and reflects on the asymmetry that has emerged between architecture and craft. Combining analysis of buildings, archival material and eighteenth-century writings, the authors draw out the professional, pedagogical and social links between architectural practice and workmanship. They argue for a process-oriented understanding of architectural production, exploring the obscure centre ground of the creative process: the scribbled, sketched, hatched and annotated beginnings of design on the page; the discussions, arguments and revisions in the forging of details; and the grappling with stone, wood and plaster on the building site that pushed projects from conception to completion.
Author: Fabio Colonnese
Publisher: Cambridge Scholars Publishing
ISBN: 1527565912
Category : Architecture
Languages : en
Pages : 653
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Book Description
Architects draw for a variety of purposes; they draw to assimilate places and precedents, to generate ideas, to develop a concept into a consistent project in a team, to communicate ideas and solutions to patrons and clients, and to guide building contractors during the construction stages, as well as to produce further elaborations in order to publish their project in a treatise, a journal or their own portfolio. Most importantly, architects draw to think and to manage complexity in a visual way. By taking into account innovative and interdisciplinary uses of architectural drawing in the design process, both historical and current, the collection of chapters and interviews in this book frames a new critical perspective and a uniquely contextual appreciation of drawing as a way to encourage spatial thinking and practice in architecture and urbanism. The authors take the discussion to a new level of philosophical sophistication, while also considering drawing in relation to a series of specific engagements with urban development, planning, and architecture.
Author: Basile Baudez
Publisher: Princeton University Press
ISBN: 0691213569
Category : ARCHITECTURE
Languages : en
Pages : 288
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Book Description
"Today, architectural plans and drawings are always signposted with colors: pink for poché, or exterior walls, yellow for certain interior elements, and blue for details and ornament. How and why did this practice begin? The craft of architectural drawing-plans, sections, and details-was originally developed during the Italian Renaissance under the influence of engravers. The results were correspondingly monochromatic, relying on representation through line and perspective. But in the 1800s, an influx of painters-turned-architects in Holland and Germany brought color into their designs. This innovation eventually spread throughout Europe, inspiring French architectural engineers to adopt a common color system in order to more clearly communicate their designs across the kingdom, and giving architects another tool with which to impress academic juries and the public. In this book, author Basile Baudez argues that color was not an essential feature of architectural drawing until European architects adopted a precise system of representation in response to political and artistic rivalry between countries, as well as the needs of public exhibitions. He shows that French engineers learned to use color from the Dutch colleagues they worked with and then fought against during the Dutch War (1672-78), demonstrating that a color-based system was published in French manuals for military engineers and used by royal architects, and that architects who wanted to compete with paintings for the public's attention needed to use the familiar language of color. This history reveals that color came to have three functions: to imitate architectural materials, to establish concise representational conventions that could span large geographic distances, and to seduce the public, including tourists. The book will feature a large number of fascinating, previously unpublished archival drawings, and will contribute to growing interest in the origins and professionalization of architecture, as well as the history of drawing as a medium"--
Author: Anna Bortolozzi
Publisher: Hatje Cantz Verlag
ISBN: 3775748024
Category : Art
Languages : en
Pages : 161
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Book Description
Dieser Band stellt die erste umfassende Untersuchung italienischer Architekturzeichnungen aus der Sammlung Cronstedt im Nationalmuseum Stockholm vor. Besprochen werden rund 180 Zeichnungen aus der Zeit zwischen 1570 und 1620. Darunter befinden sich Werke von Francesco da Capriani daVolterra, Carlo Maderno und anderen in Rom ansässigen Architekten, die für Kirchen, Kapellen, Paläste, Gärten und Brunnen angefertigt wurden – viele von ihnen stellen die wichtigsten und doch kaum bekannten Quellen für die Architektur des Spätmanierismus und Frühbarock dar. Ebenfalls enthalten sind Pläne und Detailzeichnungen französischer Künstler, die viele antike Monumente ebenso akribisch dokumentierten wie die Bauten der Renaissancebaumeister Bramante, Antonio da Sangallo, Michelangelo und Vignola. Italian Architectural Drawings kommt aufgrund aktueller Forschungsergebnisse zu ganz neuen Zuschreibungen, die auf einer genauen Analyse der Zeichnungen (Papier, Medium, Technik, Montage) beruhen. Ergänzende Vergleichsabbildungen und eine fotografische Bestandsaufnahme der Wasserzeichen runden diesen Band ab.
Author: Alexandre Cojannot
Publisher:
ISBN: 9782847423747
Category : Architects
Languages : fr
Pages : 350
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Book Description
Quelques grands noms, Lemercier, Le Vau ou Mansart, suffisent aujourd'hui à incarner dans la mémoire collective le prestige des architectes français du XVIIe siècle. Leur célébrité individuelle, liée à des bâtiments et à des commanditaires particulièrement prestigieux, cache en réalité une autre histoire : celle du changement profond de la pratique des arts et de la construction en France. Derrière leurs figures emblématiques, c'est en fait tout un groupe professionnel qui émerge alors des anciens métiers du bâtiment, pour occuper une place nouvelle dans la société de leur époque. A travers quelques cent soixante-dix oeuvres et documents exceptionnels, issus d'archives publiques, de musées français et étrangers et de collections particulières, le catalogue de l'exposition Dessiner pour bâtir explore les enjeux artistiques et culturels de l'affirmation de l'architecte moderne dans la France du Grand Siècle. La première partie, consacrée à la carrière, éclaire les mutations de la formation, de la culture et du statut des architectes, avec ses conséquences sur leur image et leur position sociale. Réservée à l'analyse des esquisses et dessins de projet, la deuxième partie met en lumière la diversité des personnalités artistiques et l'évolution de leur expression graphique au cours du siècle, à travers un superbe choix de feuilles connues ou inédites. Enfin, c'est l'action concrète de l'architecte sur le chantier qui est envisagée dans la troisième et dernière partie, non seulement à travers la conception technique des ouvrages, mais aussi par ses relations avec les différents acteurs de la construction, commanditaires, entrepreneurs et ouvriers du bâtiment.
Author:
Publisher: Metropolitan Museum of Art
ISBN:
Category :
Languages : en
Pages : 773
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Author: Emmanuel Bénézit
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 1200
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Book Description
Author: Peter Fuhring
Publisher:
ISBN:
Category : Decorative arts
Languages : en
Pages : 372
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Book Description
Author: Emmanuel Bénézit
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 1238
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Book Description
