Author: Nadia Maria El Cheikh
Publisher: BRILL
ISBN: 900445909X
Category : History
Languages : en
Pages : 345
Book Description
Literary anthology is a general category of adab that encompasses a range of compilations which has enjoyed tremendous popularity in Arabic literature, probably like no other literature of the world. The aim of this volume is to raise and discuss questions about the different approaches to the study of pre-modern Arabic anthologies from the perspectives of philology, religion, history, geography, and literature. Contributors: Lyall Armstrong, Carl Davila, Matthew L. Keegan, Boutheina Khaldi, Enass Khansa, Jeremy Kurzyniec, David Larsen, Nathaniel A. Miller, Suleiman A. Mourad, Hans-Peter Pökel, Isabel Toral
Approaches to the Study of Pre-Modern Arabic Anthologies
Author: Nadia Maria El Cheikh
Publisher: BRILL
ISBN: 900445909X
Category : History
Languages : en
Pages : 345
Book Description
Literary anthology is a general category of adab that encompasses a range of compilations which has enjoyed tremendous popularity in Arabic literature, probably like no other literature of the world. The aim of this volume is to raise and discuss questions about the different approaches to the study of pre-modern Arabic anthologies from the perspectives of philology, religion, history, geography, and literature. Contributors: Lyall Armstrong, Carl Davila, Matthew L. Keegan, Boutheina Khaldi, Enass Khansa, Jeremy Kurzyniec, David Larsen, Nathaniel A. Miller, Suleiman A. Mourad, Hans-Peter Pökel, Isabel Toral
Publisher: BRILL
ISBN: 900445909X
Category : History
Languages : en
Pages : 345
Book Description
Literary anthology is a general category of adab that encompasses a range of compilations which has enjoyed tremendous popularity in Arabic literature, probably like no other literature of the world. The aim of this volume is to raise and discuss questions about the different approaches to the study of pre-modern Arabic anthologies from the perspectives of philology, religion, history, geography, and literature. Contributors: Lyall Armstrong, Carl Davila, Matthew L. Keegan, Boutheina Khaldi, Enass Khansa, Jeremy Kurzyniec, David Larsen, Nathaniel A. Miller, Suleiman A. Mourad, Hans-Peter Pökel, Isabel Toral
كتاب الديارات
Author: al-Shābushtī
Publisher: NYU Press
ISBN: 147982576X
Category : Literary Collections
Languages : en
Pages : 560
Book Description
"A literary anthology of poetry and anecdotes related to Christian monasteries of the medieval Middle East"--
Publisher: NYU Press
ISBN: 147982576X
Category : Literary Collections
Languages : en
Pages : 560
Book Description
"A literary anthology of poetry and anecdotes related to Christian monasteries of the medieval Middle East"--
An Unruly Classic: Kalīla and Dimna and Its Syriac, Arabic, and Early Persian Versions
Author: Isabel Toral
Publisher: BRILL
ISBN: 9004693572
Category : Literary Collections
Languages : en
Pages : 349
Book Description
In this collected volume, members of the Kalīla and Dimna project discuss, from different perspectives, a core aspect of their work with this textual tradition: the study of variation and mutability. The aim is to shed light on Kalīla and Dimna’s so-called mouvance and establish typologies of textual mobility and instability across linguistic traditions and historical periods, as well as to develop analytical tools to describe, classify, represent, and interpret these dynamics. As will be shown, the progressive digitalization of philology in the last decades has offered the unique opportunity of putting the concept of mouvance into practice. Contributors: Theodore S. Beers, Jan J. van Ginkel, Beatrice Gründler, Khouloud Khalfallah, Mahmoud Kozae, Rima Redwan, Johannes Stephan, Isabel Toral.
Publisher: BRILL
ISBN: 9004693572
Category : Literary Collections
Languages : en
Pages : 349
Book Description
In this collected volume, members of the Kalīla and Dimna project discuss, from different perspectives, a core aspect of their work with this textual tradition: the study of variation and mutability. The aim is to shed light on Kalīla and Dimna’s so-called mouvance and establish typologies of textual mobility and instability across linguistic traditions and historical periods, as well as to develop analytical tools to describe, classify, represent, and interpret these dynamics. As will be shown, the progressive digitalization of philology in the last decades has offered the unique opportunity of putting the concept of mouvance into practice. Contributors: Theodore S. Beers, Jan J. van Ginkel, Beatrice Gründler, Khouloud Khalfallah, Mahmoud Kozae, Rima Redwan, Johannes Stephan, Isabel Toral.
The Door of the Caliph
Author: Elsa Cardoso
Publisher: Taylor & Francis
ISBN: 1000878422
Category : History
Languages : en
Pages : 293
Book Description
This book focuses on the conceptualization of the court, palace and ruler of the Umayyad Caliphate of al-Andalus. Western terminology still plays a normative role in the representation of foreign courts, determining concepts that fit poorly into chronologies with their own dynamics and specificities, which is the case of Muslim courts. While Court Studies is a well-developed field for modern Western societies, Muslim medieval courts lack a consistent field of research. Sources elaborate a specific terminology for medieval Muslim court societies. In the specific case of the Umayyad Caliphate of al-Andalus, the court is usually articulated as Bāb Suddat al-Khalīfa (“The door of the Sudda of the caliph”) – a reference to the symbology of the main city gate of Cordoba – or simply as Bāb. Bāb Suddat al-Khalīfa became the most emblematic concept to name the Umayyad palace and its society, which will be additionally interpreted in the framework of the performance of ceremonial. The strong conceptualization of the Umayyad court of Cordoba was highlighted through the articulation of ceremonial, as the mis-en-scène of the conceptualization, expressed by gestures, insignia and hierarchies. The preliminary comparative perspective with the Umayyad Caliphate of Damascus, the ‘Abbasid and Fatimid Caliphates and the Byzantine Empire further discusses the Umayyad Andalusi model in relation to other dynasties. While this book focuses on the Umayyad conceptualization and articulation of ceremonial, this model will be discussed within the Mediterranean and Eastern framework of the 10th and 11th centuries, which broadens the interest of the book to other fields of research.
Publisher: Taylor & Francis
ISBN: 1000878422
Category : History
Languages : en
Pages : 293
Book Description
This book focuses on the conceptualization of the court, palace and ruler of the Umayyad Caliphate of al-Andalus. Western terminology still plays a normative role in the representation of foreign courts, determining concepts that fit poorly into chronologies with their own dynamics and specificities, which is the case of Muslim courts. While Court Studies is a well-developed field for modern Western societies, Muslim medieval courts lack a consistent field of research. Sources elaborate a specific terminology for medieval Muslim court societies. In the specific case of the Umayyad Caliphate of al-Andalus, the court is usually articulated as Bāb Suddat al-Khalīfa (“The door of the Sudda of the caliph”) – a reference to the symbology of the main city gate of Cordoba – or simply as Bāb. Bāb Suddat al-Khalīfa became the most emblematic concept to name the Umayyad palace and its society, which will be additionally interpreted in the framework of the performance of ceremonial. The strong conceptualization of the Umayyad court of Cordoba was highlighted through the articulation of ceremonial, as the mis-en-scène of the conceptualization, expressed by gestures, insignia and hierarchies. The preliminary comparative perspective with the Umayyad Caliphate of Damascus, the ‘Abbasid and Fatimid Caliphates and the Byzantine Empire further discusses the Umayyad Andalusi model in relation to other dynasties. While this book focuses on the Umayyad conceptualization and articulation of ceremonial, this model will be discussed within the Mediterranean and Eastern framework of the 10th and 11th centuries, which broadens the interest of the book to other fields of research.
L’adab, toujours recommencé
Author:
Publisher: BRILL
ISBN: 9004526358
Category : Religion
Languages : en
Pages : 890
Book Description
The notion of adab is at the very heart of the Islamicate cultures. Born in the crucible of the Arabic and Persian civilisations of the Late Antiquity period, nourished by Greek, Syriac and Indian influences, this polysemic notion could cover a variegated range of meanings, ranging from good behaviour, good manners, etiquette, proper knowledge of the rules, to belles-lettres, and finally, literature. This volume addresses the notion of adab through four perspectives, which correspond to the four parts into which it is divided: “Origins”; “Transmissions”; “Metamorphosis” of the “Origins” and finally “Origins” through the lens of modernity.
Publisher: BRILL
ISBN: 9004526358
Category : Religion
Languages : en
Pages : 890
Book Description
The notion of adab is at the very heart of the Islamicate cultures. Born in the crucible of the Arabic and Persian civilisations of the Late Antiquity period, nourished by Greek, Syriac and Indian influences, this polysemic notion could cover a variegated range of meanings, ranging from good behaviour, good manners, etiquette, proper knowledge of the rules, to belles-lettres, and finally, literature. This volume addresses the notion of adab through four perspectives, which correspond to the four parts into which it is divided: “Origins”; “Transmissions”; “Metamorphosis” of the “Origins” and finally “Origins” through the lens of modernity.
Of Lost Cities
Author: Nizar F. Hermes
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228023033
Category : Literary Criticism
Languages : en
Pages : 270
Book Description
The poetic memorialization of the Maghribī city illuminates the ways in which exilic Maghribī poets constructed idealized images of their native cities from the ninth to nineteenth centuries CE. The first work of its kind in English, Of Lost Cities explores the poetics and politics of elegiac and nostalgic representations of the Maghribī city and sheds light on the ingeniously indigenous and indigenously ingenious manipulation of the classical Arabic subgenres of city elegy and nostalgia for one’s homeland. Often overlooked, these poems – distinctively Maghribī, both classical and vernacular, and written in Arabic and Tamazight – deserve wider recognition in the broader tradition and canon of (post)classical Arabic poetry. Alongside close readings of Maghribī poets such as Ibn Rashīq, Ibn Sharaf, al-Ḥuṣrī al-Ḍarīr, Ibn Ḥammād al-Ṣanhājī, Ibn Khamīs, Abū al-Fatḥ al-Tūnisī, al-Tuhāmī Amghār, and Ibn al-Shāhid, Nizar Hermes provides a comparative analysis using Western theories of place, memory, and nostalgia. Containing the first translations into English of many poetic gems of premodern and precolonial Maghribī poetry, Of Lost Cities reveals the enduring power of poetry in capturing the essence of lost cities and the complex interplay of loss, remembrance, and longing.
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228023033
Category : Literary Criticism
Languages : en
Pages : 270
Book Description
The poetic memorialization of the Maghribī city illuminates the ways in which exilic Maghribī poets constructed idealized images of their native cities from the ninth to nineteenth centuries CE. The first work of its kind in English, Of Lost Cities explores the poetics and politics of elegiac and nostalgic representations of the Maghribī city and sheds light on the ingeniously indigenous and indigenously ingenious manipulation of the classical Arabic subgenres of city elegy and nostalgia for one’s homeland. Often overlooked, these poems – distinctively Maghribī, both classical and vernacular, and written in Arabic and Tamazight – deserve wider recognition in the broader tradition and canon of (post)classical Arabic poetry. Alongside close readings of Maghribī poets such as Ibn Rashīq, Ibn Sharaf, al-Ḥuṣrī al-Ḍarīr, Ibn Ḥammād al-Ṣanhājī, Ibn Khamīs, Abū al-Fatḥ al-Tūnisī, al-Tuhāmī Amghār, and Ibn al-Shāhid, Nizar Hermes provides a comparative analysis using Western theories of place, memory, and nostalgia. Containing the first translations into English of many poetic gems of premodern and precolonial Maghribī poetry, Of Lost Cities reveals the enduring power of poetry in capturing the essence of lost cities and the complex interplay of loss, remembrance, and longing.
The Anthologist’s Art
Author: Bilal Orfali
Publisher: BRILL
ISBN: 900431735X
Category : History
Languages : en
Pages : 291
Book Description
Why did premodern authors in the Arabic-Islamic culture compile literary anthologies, and why were these works remarkably popular? How can an anthology that consists of reproduced material be original and creative, and serve various literary and political ends? How did anthologists select their material, then record and arrange it? This book examines the life and works of Abū Manṣūr al-Thaʿālibī (350–429/961–1039), an eminent anthologist from Nīshāpūr, paying special attention to his magnum opus, Yatīmat al-dahr (The Unique Pearl), and its sequel, Tatimmat al-Yatīma (The Completion of the Yatīma). This book is a direct window on to an anthologist’s workshop in the second half of the fourth/tenth century. It examines the methodological consciousness expressed in Thaʿālibī’s selection and arrangement, and his sophisticated system of internal references and cross-references to other works; how he selected from his contemporaries’ oeuvres; how he sought, recorded, memorized, misplaced, and sometimes lost or forgot his selections; how he scrutinized the authenticity of material, accepting, questioning, or rejecting its attribution; and the errors and inconsistencies that resulted from this process.
Publisher: BRILL
ISBN: 900431735X
Category : History
Languages : en
Pages : 291
Book Description
Why did premodern authors in the Arabic-Islamic culture compile literary anthologies, and why were these works remarkably popular? How can an anthology that consists of reproduced material be original and creative, and serve various literary and political ends? How did anthologists select their material, then record and arrange it? This book examines the life and works of Abū Manṣūr al-Thaʿālibī (350–429/961–1039), an eminent anthologist from Nīshāpūr, paying special attention to his magnum opus, Yatīmat al-dahr (The Unique Pearl), and its sequel, Tatimmat al-Yatīma (The Completion of the Yatīma). This book is a direct window on to an anthologist’s workshop in the second half of the fourth/tenth century. It examines the methodological consciousness expressed in Thaʿālibī’s selection and arrangement, and his sophisticated system of internal references and cross-references to other works; how he selected from his contemporaries’ oeuvres; how he sought, recorded, memorized, misplaced, and sometimes lost or forgot his selections; how he scrutinized the authenticity of material, accepting, questioning, or rejecting its attribution; and the errors and inconsistencies that resulted from this process.
Concepts of Authorship in Pre-Modern Arabic Texts
Author: Lale Behzadi
Publisher: University of Bamberg Press
ISBN: 3863093836
Category : Arabic fiction
Languages : en
Pages : 240
Book Description
Publisher: University of Bamberg Press
ISBN: 3863093836
Category : Arabic fiction
Languages : en
Pages : 240
Book Description
The Power of Oratory in the Medieval Muslim World
Author: Linda G. Jones
Publisher: Cambridge University Press
ISBN: 113953680X
Category : History
Languages : en
Pages :
Book Description
Oratory and sermons had a fixed place in the religious and civic rituals of pre-modern Muslim societies and were indispensable for transmitting religious knowledge, legitimising or challenging rulers and inculcating the moral values associated with being part of the Muslim community. While there has been abundant scholarship on medieval Christian and Jewish preaching, Linda G. Jones's book is the first to consider the significance of the tradition of pulpit oratory in the medieval Islamic world. Traversing Iberia and North Africa from the twelfth to the fifteenth centuries, the book analyses the power of oratory, the ritual juridical and rhetorical features of pre-modern sermons and the social profiles of the preachers and orators who delivered them. The biographical and historical sources, which form the basis of this remarkable study, shed light on different regional practices and the juridical debates between individual preachers around correct performance.
Publisher: Cambridge University Press
ISBN: 113953680X
Category : History
Languages : en
Pages :
Book Description
Oratory and sermons had a fixed place in the religious and civic rituals of pre-modern Muslim societies and were indispensable for transmitting religious knowledge, legitimising or challenging rulers and inculcating the moral values associated with being part of the Muslim community. While there has been abundant scholarship on medieval Christian and Jewish preaching, Linda G. Jones's book is the first to consider the significance of the tradition of pulpit oratory in the medieval Islamic world. Traversing Iberia and North Africa from the twelfth to the fifteenth centuries, the book analyses the power of oratory, the ritual juridical and rhetorical features of pre-modern sermons and the social profiles of the preachers and orators who delivered them. The biographical and historical sources, which form the basis of this remarkable study, shed light on different regional practices and the juridical debates between individual preachers around correct performance.
How Do You Say “Epigram” in Arabic?: Literary History at the Limits of Comparison
Author: Adam Talib
Publisher: BRILL
ISBN: 9004350535
Category : Literary Criticism
Languages : en
Pages : 351
Book Description
The qaṣīdah and the qiṭʿah are well known to scholars of classical Arabic literature, but the maqṭūʿ, a form of poetry that emerged in the thirteenth century and soon became ubiquitous, is as obscure today as it was once popular. These poems circulated across the Arabo-Islamic world for some six centuries in speech, letters, inscriptions, and, above all, anthologies. Drawing on more than a hundred unpublished and published works, How Do You Say “Epigram” in Arabic? is the first study of this highly popular and adaptable genre of Arabic poetry. By addressing this lacuna, the book models an alternative comparative literature, one in which the history of Arabic poetry has as much to tell us about epigrams as does Greek.
Publisher: BRILL
ISBN: 9004350535
Category : Literary Criticism
Languages : en
Pages : 351
Book Description
The qaṣīdah and the qiṭʿah are well known to scholars of classical Arabic literature, but the maqṭūʿ, a form of poetry that emerged in the thirteenth century and soon became ubiquitous, is as obscure today as it was once popular. These poems circulated across the Arabo-Islamic world for some six centuries in speech, letters, inscriptions, and, above all, anthologies. Drawing on more than a hundred unpublished and published works, How Do You Say “Epigram” in Arabic? is the first study of this highly popular and adaptable genre of Arabic poetry. By addressing this lacuna, the book models an alternative comparative literature, one in which the history of Arabic poetry has as much to tell us about epigrams as does Greek.