Apollinaire, Poet Among the Painters

Apollinaire, Poet Among the Painters PDF Author: Francis Steegmuller
Publisher:
ISBN:
Category : Poets, French
Languages : en
Pages : 392

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Book Description

Apollinaire, Poet Among the Painters

Apollinaire, Poet Among the Painters PDF Author: Francis Steegmuller
Publisher:
ISBN:
Category : Poets, French
Languages : en
Pages : 392

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Book Description


The Aesthetics of Visual Poetry, 1914-1928

The Aesthetics of Visual Poetry, 1914-1928 PDF Author: Willard Bohn
Publisher: University of Chicago Press
ISBN: 0226063259
Category : Literary Criticism
Languages : en
Pages : 239

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Book Description
In this, the only full-length study of the visual poetry of the early twentieth century, Willard Bohn expertly illuminates the works of Apollinaire, Josep-Maria Junow, Guillermo de Torre, and others. His fascinating aesthetic insights bring to life this elusive and often misunderstood genre. "An important contribution. Highly sophisticated, the study tends to raise its reader's impression of visual poetry in the twentieth century from trivial pastime to serious preoccupation."—Eric Sellin, Journal of Modern Literature "With his definitive analyses full of quotable observations and sharp critical insights, Bohn has provided a model, pioneering study, one from which current and future studies of visual poetry will most certainly benefit."—Gerald J. Janacek, Romance Quarterly "Bohn substantiates his thesis with thoughtful and often ingenious explications of texts both well known and hard to find. . . . Aesthetics of Visual Poetry is a thoroughly researched, beautifully written and fascinating introduction to an infinitely intriguing genre."—Mechthild Cranston, French Review

The Cubist Painters

The Cubist Painters PDF Author: Guillaume Apollinaire
Publisher: Univ of California Press
ISBN: 9780520243545
Category : Art
Languages : en
Pages : 306

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Book Description
This is a new, authoritative translation and critical edition of one of the twentieth-century's most important and poetically resonant books on Picasso, Braque, Cubism, and the beginnings of modern art.

Picasso and Apollinaire

Picasso and Apollinaire PDF Author: Peter Read
Publisher: Univ of California Press
ISBN: 0520243617
Category : Art
Languages : en
Pages : 336

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Book Description
Monografie over de vriendschap en creatieve interactie tussen de Spaans/Franse kunstenaar (1881-1973) en de Franse dichter (1880-1918).

Apollinaire and the Painters

Apollinaire and the Painters PDF Author: John Wesley Cameron
Publisher:
ISBN:
Category :
Languages : en
Pages : 322

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Cubism

Cubism PDF Author: Philip Cooper
Publisher: Phaidon Press
ISBN:
Category : Art
Languages : en
Pages : 136

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Book Description
Tells the history of cubism and includes a illustrations.

Picasso and the Painting That Shocked the World

Picasso and the Painting That Shocked the World PDF Author: Miles J. Unger
Publisher: Simon & Schuster
ISBN: 1476794227
Category : Biography & Autobiography
Languages : en
Pages : 480

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Book Description
One of The Christian Science Monitor’s Best Nonfiction Books of 2018 “An engrossing read…a historically and psychologically rich account of the young Picasso and his coteries in Barcelona and Paris” (The Washington Post) and how he achieved his breakthrough and revolutionized modern art through his masterpiece, Les Demoiselles d’Avignon. In 1900, eighteen-year-old Pablo Picasso journeyed from Barcelona to Paris, the glittering capital of the art world. For the next several years he endured poverty and neglect before emerging as the leader of a bohemian band of painters, sculptors, and poets. Here he met his first true love and enjoyed his first taste of fame. Decades later Picasso would look back on these years as the happiest of his long life. Recognition came first from the avant-garde, then from daring collectors like Leo and Gertrude Stein. In 1907, Picasso began the vast, disturbing masterpiece known as Les Demoiselles d’Avignon. Inspired by the painting of Paul Cézanne and the inventions of African and tribal sculpture, Picasso created a work that captured the disorienting experience of modernity itself. The painting proved so shocking that even his friends assumed he’d gone mad, but over the months and years it exerted an ever greater fascination on the most advanced painters and sculptors, ultimately laying the foundation for the most innovative century in the history of art. In Picasso and the Painting That Shocked the World, Miles J. Unger “combines the personal story of Picasso’s early years in Paris—his friendships, his romances, his great ambition, his fears—with the larger story of modernism and the avant-garde” (The Christian Science Monitor). This is the story of an artistic genius with a singular creative gift. It is “riveting…This engrossing book chronicles with precision and enthusiasm a painting with lasting impact in today’s art world” (Publishers Weekly, starred review), all of it played out against the backdrop of the world’s most captivating city.

Cubism

Cubism PDF Author: Guillaume Apollinaire
Publisher: Parkstone International
ISBN:
Category : Art
Languages : en
Pages : 98

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Book Description
Les Demoiselles d'Avignon: five young women that changed modern art forever. Faces seen simultaneously from the front and in profile, angular bodies whose once voluptuous feminine forms disappear behind asymmetric lines - with this work, Picasso revolutionised the entire history of painting. Cubism was thus born in 1907. Transforming natural forms into cylinders and cubes, painters like Juan Gris and Robert Delaunay, led by Braque and Picasso, imposed a new vision upon the world that was in total opposition to the principles of the Impressionists. Largely diffused in Europe, Cubism developed rapidly in successive phases that brought art history to all the richness of the 20th-century: from the futurism of Boccioni to the abstraction of Kandinsky, from the Suprematism of Malevich to the Constructivism of Tatlin. Linking the core text of Guillaume Apollinaire with the studies of Dr Dorothea Eimert, this work offers a new interpretation of modernity's crucial moment and permits the reader to rediscover, through their biographies, the principal representatives of the movement.

Vanished Smile

Vanished Smile PDF Author: R.A. Scotti
Publisher: Vintage
ISBN: 0307278387
Category : Art
Languages : en
Pages : 258

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Book Description
On August 21, 1911, Leonardo da Vinci’s most celebrated painting vanished from the Louvre. The prime suspects were as shocking as the crime: Pablo Picasso and Guillaume Apollinaire, young provocateurs of a new art. The sensational disappearing act captured the world’s imagination. Crowds stood in line to view the empty space on the museum wall. Thousands more waited, as concerned as if Mona Lisa were a missing person, for news of the lost painting. Almost a century later, questions still linger: Who really pinched Mona Lisa, and why? Part love story, part mystery, Vanished Smile reopens the puzzling case that transformed a Renaissance portrait into the most enduring icon of all time.

Art as Music, Music as Poetry, Poetry as Art, from Whistler to Stravinsky and Beyond

Art as Music, Music as Poetry, Poetry as Art, from Whistler to Stravinsky and Beyond PDF Author: Prof Dr Peter Dayan
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409494306
Category : Music
Languages : en
Pages : 208

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Book Description
In 1877, Ruskin accused Whistler of ‘flinging a pot of paint in the public’s face’. Was he right? After all, Whistler always denied that the true function of art was to represent anything. If a painting does not represent, what is it, other than mere paint, flung in the public’s face? Whistler’s answer was simple: painting is music – or it is poetry. Georges Braque, half a century later, echoed Whistler’s answer. So did Braque’s friends Apollinaire and Ponge. They presented their poetry as music too – and as painting. But meanwhile, composers such as Satie and Stravinsky were presenting their own art – music – as if it transposed the values of painting or of poetry. The fundamental principle of this intermedial aesthetic, which bound together an extraordinary fraternity of artists in all media in Paris, from 1885 to 1945, was this: we must always think about the value of a work of art, not within the logic of its own medium, but as if it transposed the value of art in another medium. Peter Dayan traces the history of this principle: how it created our very notion of ‘great art’, why it declined as a vision from the 1960s and how, in the 21st century, it is fighting back.