Antitrust in the Motion Picture Industry PDF Download
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Author: Michael Conant
Publisher: Univ of California Press
ISBN:
Category : Antitrust law
Languages : en
Pages : 264
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Book Description
Author: Michael Conant
Publisher: Univ of California Press
ISBN:
Category : Antitrust law
Languages : en
Pages : 264
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Book Description
Author: Michael Conant
Publisher: Legare Street Press
ISBN: 9781022882508
Category :
Languages : en
Pages : 0
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Book Description
An analysis of the antitrust implications of the Hollywood studio system, revealing the monopolistic practices that dominated the film industry in its early years. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Barak Orbach
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Since the 1970s, at any given movie theater, one price has been charged for all movies, seven days a week, throughout the year. This Article studies the economic and legal causes that led to the formation of this peculiar phenomenon of uniform pricing for differentiated goods. The Article studies the history of the motion picture industry's pricing systems in their legal, economic, and technological contexts. It shows that, despite intensive antitrust scrutiny and litigation, forces with considerable market power have almost always shaped the industry's pricing systems. Uniform pricing, it is argued, is a consequence of the industry's history, structure, and governing legal rules. In particular, the Article argues that the uniform pricing regime has been maintained by the same forces that have always controlled the market. The Article explores the justifications for the uniform pricing regime and concludes that the vertical restraints that perpetuate this regime are the industry's response to the broad 1948 Paramount prohibitions on vertical restraints. The enforcement of uniform pricing is generally less observable than the enforcement of other forms of vertical restraints and has never been challenged by the government or private parties. More generally, the Article illustrates how inefficient pricing systems may form, evolve, and survive in the shadow of antitrust law, even in a high-profile industry such as the motion picture industry.
Author: Peter D. Matthews
Publisher:
ISBN:
Category :
Languages : en
Pages : 136
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Book Description
Author: Paul McDonald
Publisher: Bloomsbury Publishing
ISBN: 183871619X
Category : Law
Languages : en
Pages : 439
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Book Description
Since the earliest days of cinema the law has influenced the conditions in which Hollywood films are made, sold, circulated or presented – from the talent contracts that enable a film to go into production, to the copyright laws that govern its distribution and the censorship laws that may block exhibition. Equally, Hollywood has left its own impression on the American legal system by lobbying to expand the duration of copyright, providing a highly visible stage for contract disputes and representing the legal system on screen. In this comprehensive collection, international experts offer chapters on key topics, including copyright, trademark, piracy, antitrust, censorship, international exhibition, contracts, labour and tax. Drawing on historical and contemporary case studies, Hollywood and the Law provides readers with a wide range of perspectives on how legal frameworks shape the culture and commerce of popular film.
Author: Ralph Cassady
Publisher:
ISBN:
Category :
Languages : en
Pages : 80
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Book Description
Author: United States. Congress. Senate. Select Committee on Small Business
Publisher:
ISBN:
Category : Motion picture industry
Languages : en
Pages : 32
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Book Description
Author: Mark Allen Brubaker
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 330
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Book Description
Author: Gary Edgerton
Publisher: Routledge
ISBN: 1317928903
Category : Performing Arts
Languages : en
Pages : 164
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Book Description
This study looks at how the movie industry organisation functioned between the late ‘40s and 1983 when it was originally published. It describes the changing role of domestic exhibition through this time and analyses the wider film industry to provide a model of the exhibition structure in relation to production, distribution and outside factors. It addresses the growing issues of the cable and video markets as competition to the film exhibition business at that time and looks forward into a highly turbulent environment. With particular interest now as the film industry address a new range of threats and adaptations of its working structure, this book offers and integral understanding of a key stage in cinema history.
Author: Gorham Anders Kindem
Publisher:
ISBN:
Category : Business & Economics
Languages : en
Pages : 486
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Book Description
These seventeen essays make up a history of the American film industry. Because film-making entails a special blend of economic and artistic endeavor, Kindem has chosen contributions from experts in a variety of fields--business, law, mass communications, and cinema studies. The organization of this anthology is both chronological and topical. The first three parts of the book basically follow the history of the film industry's marketing strategies, structural changes, and product innovations: from exhibition in Kinetoscope arcades to film "acts" in vaudeville, Nickelodeons, and movie palaces; from states' rights marketing schemes to block booking and chain-store exhibition strategies; from a production and distribution monopoly based on the pooling of major patents to an oligopoly of production, distribution, and exhibition firms; and from the rise of feature films, the star system, and the studio system to Hollywood's conversions to sound and color. The fourth through sixth parts examine film regulation and censorship, film's interaction with television, and America's role in the international film industry. The diversity of methods and perspectives in this anthology are representative of the field, suggesting that the history of the American film industry is really a collection of histories, not a monolithic, single-strand chronology of events.
