Author: Piero Melograni
Publisher: University of Chicago Press
ISBN: 0226519562
Category : Biography & Autobiography
Languages : en
Pages : 325
Book Description
Publisher description
Wolfgang Amadeus Mozart
Author: Piero Melograni
Publisher: University of Chicago Press
ISBN: 0226519562
Category : Biography & Autobiography
Languages : en
Pages : 325
Book Description
Publisher description
Publisher: University of Chicago Press
ISBN: 0226519562
Category : Biography & Autobiography
Languages : en
Pages : 325
Book Description
Publisher description
Catalogue of Opera Librettos Printed Before 1800
Author: Library of Congress. Music Division
Publisher:
ISBN:
Category : Librettos
Languages : en
Pages : 516
Book Description
Publisher:
ISBN:
Category : Librettos
Languages : en
Pages : 516
Book Description
Catalogue of Opera Librettos Printed Before 1800
Author: Library of Congress. Music Division
Publisher:
ISBN:
Category : Government publications
Languages : en
Pages : 1184
Book Description
Publisher:
ISBN:
Category : Government publications
Languages : en
Pages : 1184
Book Description
Catalogue of Opera Librettos Printed Before 1800
Author: Oscar George Theodore Sonneck
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 516
Book Description
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 516
Book Description
Dictionary-catalogue of Operas and Operettas which Have Been Performed on the Public Stage
Author:
Publisher:
ISBN:
Category : Musicals
Languages : en
Pages : 1058
Book Description
Publisher:
ISBN:
Category : Musicals
Languages : en
Pages : 1058
Book Description
Annibale Fagnola, Annibalotto Fagnola, Stefano Vittorio Fasciolo, Riccardo Genovese
Author: Giovanni Accornero
Publisher: Il Salabue
ISBN:
Category : Music
Languages : en
Pages : 284
Book Description
Publisher: Il Salabue
ISBN:
Category : Music
Languages : en
Pages : 284
Book Description
In Search of Pre-Classical Antiquity: Rediscovering Ancient Peoples in Mediterranean Europe (19th and 20th c.)
Author:
Publisher: BRILL
ISBN: 9004335420
Category : History
Languages : en
Pages : 224
Book Description
The book aims rethinking the cultural history of Mediterranean nationalisms between 19th and 20th centuries by tracing their specific approach to antiquity in the forging of a national past. By focusing on how national imaginaries dealt with this topic and how history and archaeology relied on antiquity, this collection of essays introduces a comparative approach presenting several cases studies concerning many regions including Spain, Italy and Slovenia as well as Albania, Greece and Turkey. By adopting the perspective of a dialogue among all these Mediterranean political cultures, this book breaks significantly new ground, because it shifts attention on how Southern Europe nationalisms are an interconnected political and cultural experience, directly related to the intellectual examples of Northern Europe, but also developing its own particular trends. Contributors are: Çiğdem Atakuman, Filippo Carlà, Francisco Garcia Alonso, Maja Gori, Eleni Stefanou, Rok Stergar, Katia Visconti.
Publisher: BRILL
ISBN: 9004335420
Category : History
Languages : en
Pages : 224
Book Description
The book aims rethinking the cultural history of Mediterranean nationalisms between 19th and 20th centuries by tracing their specific approach to antiquity in the forging of a national past. By focusing on how national imaginaries dealt with this topic and how history and archaeology relied on antiquity, this collection of essays introduces a comparative approach presenting several cases studies concerning many regions including Spain, Italy and Slovenia as well as Albania, Greece and Turkey. By adopting the perspective of a dialogue among all these Mediterranean political cultures, this book breaks significantly new ground, because it shifts attention on how Southern Europe nationalisms are an interconnected political and cultural experience, directly related to the intellectual examples of Northern Europe, but also developing its own particular trends. Contributors are: Çiğdem Atakuman, Filippo Carlà, Francisco Garcia Alonso, Maja Gori, Eleni Stefanou, Rok Stergar, Katia Visconti.
Opera on Stage
Author: Lorenzo Bianconi
Publisher: University of Chicago Press
ISBN: 0226045919
Category : Music
Languages : en
Pages : 449
Book Description
The History of Italian Opera marks the first time a team of expert scholars has worked together to investigate the Italian operatic tradition in its entirety, rather than limiting its focus to individual eras or major composers and their masterworks. Including both musicologists and historians of other arts, the contributors approach opera not only as a distinctive musical genre but also as a form of extravagant theater and a complex social phenomenon-resulting in the sort of panoramic view critical to a deep and fruitful understanding of the art. Opera on Stage, the second book of this multi-volume work to be published in English-in an expanded and updated version-focuses on staging and viewing Italian opera, from the court spectacles of the late sixteenth century to modern-day commercial productions. Mercedes Viale Ferrero describes the history of theater and stage design, detailing the evolution of the art well into the twentieth century. Gerardo Guccini does the same for stage and opera direction and the development of the director's role as an autonomous creative force. Kathleen Kuzmick Hansell discusses the interrelationships between theatrical ballet and Italian opera, from the age of Venetian opera to the early twentieth century. The visual emphasis of all three contributions is supplemented by over one hundred illustrations, and because much of this material-on the more "spectacular" visual aspects of Italian opera-has never before appeared in English, Opera on Stage will be welcomed by scholars and opera enthusiasts alike.
Publisher: University of Chicago Press
ISBN: 0226045919
Category : Music
Languages : en
Pages : 449
Book Description
The History of Italian Opera marks the first time a team of expert scholars has worked together to investigate the Italian operatic tradition in its entirety, rather than limiting its focus to individual eras or major composers and their masterworks. Including both musicologists and historians of other arts, the contributors approach opera not only as a distinctive musical genre but also as a form of extravagant theater and a complex social phenomenon-resulting in the sort of panoramic view critical to a deep and fruitful understanding of the art. Opera on Stage, the second book of this multi-volume work to be published in English-in an expanded and updated version-focuses on staging and viewing Italian opera, from the court spectacles of the late sixteenth century to modern-day commercial productions. Mercedes Viale Ferrero describes the history of theater and stage design, detailing the evolution of the art well into the twentieth century. Gerardo Guccini does the same for stage and opera direction and the development of the director's role as an autonomous creative force. Kathleen Kuzmick Hansell discusses the interrelationships between theatrical ballet and Italian opera, from the age of Venetian opera to the early twentieth century. The visual emphasis of all three contributions is supplemented by over one hundred illustrations, and because much of this material-on the more "spectacular" visual aspects of Italian opera-has never before appeared in English, Opera on Stage will be welcomed by scholars and opera enthusiasts alike.
Catalogue of Printed Books in the Library of the British Museum
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 1072
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 1072
Book Description
Music, Place, and Identity in Italian Urban Soundscapes circa 1550-1860
Author: Franco Piperno
Publisher: Taylor & Francis
ISBN: 1000899918
Category : Music
Languages : en
Pages : 357
Book Description
Music, Place, and Identity in Italian Urban Soundscapes circa 1550-1860 presents new perspectives on the role music played in the physical, cultural, and civic spaces of Italian cities from the sixteenth to the nineteenth century. Across thirteen chapters, contributors explore the complex connections between sound and space within these urban contexts, demonstrating how music and sound were intimately connected to changing social and political practices. The volume offers a critical redefinition of the core concept of soundscape, considering musical practices through the lenses of territory, space, representation, and identity, in five parts: Soundscape, Phonosphere, and Urban History Urban Soundscapes across Time Urban Soundscapes and Acoustic Communities Urban Soundscapes in Literary Sources Reconstructing Urban Soundscapes in the Digital Era Music, Place, and Identity in Italian Urban Soundscapes circa 1550-1860 reframes our understanding of Italian music history beyond models of patronage, investigating how sounds and musics have contributed to the construction of human identities and communities.
Publisher: Taylor & Francis
ISBN: 1000899918
Category : Music
Languages : en
Pages : 357
Book Description
Music, Place, and Identity in Italian Urban Soundscapes circa 1550-1860 presents new perspectives on the role music played in the physical, cultural, and civic spaces of Italian cities from the sixteenth to the nineteenth century. Across thirteen chapters, contributors explore the complex connections between sound and space within these urban contexts, demonstrating how music and sound were intimately connected to changing social and political practices. The volume offers a critical redefinition of the core concept of soundscape, considering musical practices through the lenses of territory, space, representation, and identity, in five parts: Soundscape, Phonosphere, and Urban History Urban Soundscapes across Time Urban Soundscapes and Acoustic Communities Urban Soundscapes in Literary Sources Reconstructing Urban Soundscapes in the Digital Era Music, Place, and Identity in Italian Urban Soundscapes circa 1550-1860 reframes our understanding of Italian music history beyond models of patronage, investigating how sounds and musics have contributed to the construction of human identities and communities.