Annals of Opera, 1597-1940: Text

Annals of Opera, 1597-1940: Text PDF Author: Alfred Loewenberg
Publisher: Genève : Societas Bibliographica
ISBN:
Category : Music
Languages : en
Pages : 756

Get Book

Book Description

Annals of Opera, 1597-1940: Text

Annals of Opera, 1597-1940: Text PDF Author: Alfred Loewenberg
Publisher: Genève : Societas Bibliographica
ISBN:
Category : Music
Languages : en
Pages : 756

Get Book

Book Description


Annals of opera, 1597-1940 [vol.1, text] : compiled from the original sources....

Annals of opera, 1597-1940 [vol.1, text] : compiled from the original sources.... PDF Author: Alfred Loewenberg
Publisher:
ISBN:
Category :
Languages : en
Pages : 720

Get Book

Book Description


Annals of Opera, 1597-1940, Compiled from the Original Sources

Annals of Opera, 1597-1940, Compiled from the Original Sources PDF Author: Alfred Loewenberg
Publisher:
ISBN:
Category :
Languages : en
Pages :

Get Book

Book Description


Annals of Opera, 1597-1940

Annals of Opera, 1597-1940 PDF Author:
Publisher:
ISBN:
Category : Opera
Languages : en
Pages : 25

Get Book

Book Description


Annals of Opera

Annals of Opera PDF Author: Alfred Loewenberg
Publisher:
ISBN:
Category : Opera
Languages : en
Pages : 1756

Get Book

Book Description


Annals of Opera, 1597-1940: Indexes

Annals of Opera, 1597-1940: Indexes PDF Author: Alfred Loewenberg
Publisher:
ISBN:
Category : Opera
Languages : en
Pages : 176

Get Book

Book Description


Annals of Opera, 1597-1940

Annals of Opera, 1597-1940 PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 25

Get Book

Book Description


Curating Opera

Curating Opera PDF Author: Stephen Mould
Publisher: Routledge
ISBN: 1000338606
Category : Music
Languages : en
Pages : 178

Get Book

Book Description
Curation as a concept and a catchword in modern parlance has, over recent decades, become deeply ingrained in modern culture. The purpose of this study is to explore the curatorial forces at work within the modern opera house and to examine the functionaries and processes that guide them. In turn, comparisons are made with the workings of the traditional art museum, where artworks are studied, preserved, restored, displayed and contextualised – processes which are also present in the opera house. Curatorial roles in each institution are identified and described, and the role of the celebrity art curator is compared with that of the modern stage director, who has acquired previously undreamt-of licence to interrogate operatic works, overlaying them with new concepts and levels of meaning in order to reinvent and redefine the operatic repertoire for contemporary needs. A point of coalescence between the opera house and the art museum is identified, with the transformation, towards the end of the nineteenth century, of the opera house into the operatic museum. Curatorial practices in the opera house are examined, and further communalities and synergies in the way that ‘works’ are defined in each institution are explored. This study also considers the so-called ‘birth’ of opera around the start of the seventeenth century, with reference to the near-contemporary rise of the modern art museum, outlining operatic practice and performance history over the last 400 years in order to identify the curatorial practices that have historically been employed in the maintenance and development of the repertoire. This examination of the forces of curation within the modern opera house will highlight aspects of authenticity, authorial intent, preservation, restoration and historically informed performance practice.

Text

Text PDF Author:
Publisher:
ISBN:
Category : Opera
Languages : en
Pages : 25

Get Book

Book Description


Johann Joseph Fux and the Music of the Austro-Italian Baroque

Johann Joseph Fux and the Music of the Austro-Italian Baroque PDF Author: Harry White
Publisher: Routledge
ISBN: 1351561642
Category : Music
Languages : en
Pages : 345

Get Book

Book Description
Johann Joseph Fux's reputation as a theorist and the long-term influence of his theoretical and pedagogical work have ensured that his name is widely known in music circles in the West. His pre-eminence as the foremost native-born composer of the Austrian Baroque has resulted in attention being focused on his work as an exemplum of virtually every genre, sacred or secular of Austro-Italian early eighteenth-century music. The publication of the Fux Gesamtausgabe has greatly enhanced the reputation of his music and the essays in this volume will develop our understanding of Fux, his music, and his place in musical history.