Author: Carl Engel
Publisher: London : Longmans, Green, Reader, and Dyer
ISBN:
Category : Folk songs
Languages : en
Pages : 456
Book Description
An Introduction to the Study of National Music; comprising researches into popular songs, traditions and customs
Author: Carl ENGEL (Musician.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 460
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 460
Book Description
An Introduction to the Study of National Music
Author: Carl Engel
Publisher: London : Longmans, Green, Reader, and Dyer
ISBN:
Category : Folk songs
Languages : en
Pages : 456
Book Description
Publisher: London : Longmans, Green, Reader, and Dyer
ISBN:
Category : Folk songs
Languages : en
Pages : 456
Book Description
American Negro Folk-songs
Author: Newman Ivey White
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 520
Book Description
While his father works in the city over the winter, a young boy thinks of some good times they've shared and looks forward to his return to their South African home in the spring.
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 520
Book Description
While his father works in the city over the winter, a young boy thinks of some good times they've shared and looks forward to his return to their South African home in the spring.
The National Quarterly Review
Author: Edward Isidore Sears
Publisher:
ISBN:
Category : Periodicals
Languages : en
Pages : 414
Book Description
Publisher:
ISBN:
Category : Periodicals
Languages : en
Pages : 414
Book Description
The National quarterly review, ed. by E.I. Sears
Author: Edward Isidore Sears
Publisher:
ISBN:
Category :
Languages : en
Pages : 412
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 412
Book Description
The Book Buyer
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 650
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 650
Book Description
Theory and Method in Historical Ethnomusicology
Author: Jonathan McCollum
Publisher: Lexington Books
ISBN: 1498507050
Category : Music
Languages : en
Pages : 431
Book Description
Historical ethnomusicology is increasingly acknowledged as a significant emerging subfield of ethnomusicology due to the fact that historical research requires a different set of theories and methods than studies of contemporary practices and many historiographic techniques are rapidly transforming as a result of new technologies. In 2005, Bruno Nettl observed that “the term ‘historical ethnomusicology’ has begun to appear in programs of conferences and in publications” (Nettl 2005, 274), and as recently as 2012 scholars similarly noted “an increasing concern with the writing of musical histories in ethnomusicology” (Ruskin and Rice 2012, 318). Relevant positions recently advanced by other authors include that historical musicologists are “all ethnomusicologists now” and that “all ethnomusicology is historical” (Stobart, 2008), yet we sense that such arguments—while useful, and theoretically correct—may ultimately distract from careful consideration of the kinds of contemporary theories and rigorous methods uniquely suited to historical inquiry in the field of music. In Theory and Method in Historical Ethnomusicology, editors Jonathan McCollum and David Hebert, along with contributors Judah Cohen, Chris Goertzen, Keith Howard, Ann Lucas, Daniel Neuman, and Diane Thram systematically demonstrate various ways that new approaches to historiography––and the related application of new technologies––impact the work of ethnomusicologists who seek to meaningfully represent music traditions across barriers of both time and space. Contributors specializing in historical musics of Armenia, Iran, India, Japan, southern Africa, American Jews, and southern fiddling traditions of the United States describe the opening of new theoretical approaches and methodologies for research on global music history. In the Foreword, Keith Howard offers his perspective on historical ethnomusicology and the importance of reconsidering theories and methods applicable to this field for the enhancement of musical understandings in the present and future.
Publisher: Lexington Books
ISBN: 1498507050
Category : Music
Languages : en
Pages : 431
Book Description
Historical ethnomusicology is increasingly acknowledged as a significant emerging subfield of ethnomusicology due to the fact that historical research requires a different set of theories and methods than studies of contemporary practices and many historiographic techniques are rapidly transforming as a result of new technologies. In 2005, Bruno Nettl observed that “the term ‘historical ethnomusicology’ has begun to appear in programs of conferences and in publications” (Nettl 2005, 274), and as recently as 2012 scholars similarly noted “an increasing concern with the writing of musical histories in ethnomusicology” (Ruskin and Rice 2012, 318). Relevant positions recently advanced by other authors include that historical musicologists are “all ethnomusicologists now” and that “all ethnomusicology is historical” (Stobart, 2008), yet we sense that such arguments—while useful, and theoretically correct—may ultimately distract from careful consideration of the kinds of contemporary theories and rigorous methods uniquely suited to historical inquiry in the field of music. In Theory and Method in Historical Ethnomusicology, editors Jonathan McCollum and David Hebert, along with contributors Judah Cohen, Chris Goertzen, Keith Howard, Ann Lucas, Daniel Neuman, and Diane Thram systematically demonstrate various ways that new approaches to historiography––and the related application of new technologies––impact the work of ethnomusicologists who seek to meaningfully represent music traditions across barriers of both time and space. Contributors specializing in historical musics of Armenia, Iran, India, Japan, southern Africa, American Jews, and southern fiddling traditions of the United States describe the opening of new theoretical approaches and methodologies for research on global music history. In the Foreword, Keith Howard offers his perspective on historical ethnomusicology and the importance of reconsidering theories and methods applicable to this field for the enhancement of musical understandings in the present and future.
Representing Non-Western Music in Nineteenth-century Britain
Author: Bennett Zon
Publisher: University Rochester Press
ISBN: 9781580462594
Category : History
Languages : en
Pages : 380
Book Description
Explores the influence of anthropological theories, travel literature, psychology, and other intellectual trends on the perception of non-Western music and elucidates the roots of today's field of ethnomusicology.
Publisher: University Rochester Press
ISBN: 9781580462594
Category : History
Languages : en
Pages : 380
Book Description
Explores the influence of anthropological theories, travel literature, psychology, and other intellectual trends on the perception of non-Western music and elucidates the roots of today's field of ethnomusicology.
Report on "The Star-Spangled Banner," "Hail Columbia," "America," "Yankee Doodle"
Author: Oscar George Sonneck
Publisher:
ISBN:
Category : Hail Columbia (Song)
Languages : en
Pages : 270
Book Description
Publisher:
ISBN:
Category : Hail Columbia (Song)
Languages : en
Pages : 270
Book Description
Report on "The Star-Spangled Banner", "Hail Columbia", "America", "Yankee Doodle"
Author: Oscar George Theodore Sonneck
Publisher: The Minerva Group, Inc.
ISBN: 0898755328
Category : Music
Languages : en
Pages : 200
Book Description
A report by the Chief of the Music Division of the Library of Congress on the history and evolution of several of the United State's most evocative and patriotic songs --: "The Star-Spangled Banner," "Hail Columbia," "America," and "Yankee Doodle," with fascinating details on each of these works, and examination of many false popular legends about the various songs.
Publisher: The Minerva Group, Inc.
ISBN: 0898755328
Category : Music
Languages : en
Pages : 200
Book Description
A report by the Chief of the Music Division of the Library of Congress on the history and evolution of several of the United State's most evocative and patriotic songs --: "The Star-Spangled Banner," "Hail Columbia," "America," and "Yankee Doodle," with fascinating details on each of these works, and examination of many false popular legends about the various songs.