Author: Frans Hempen
Publisher:
ISBN:
Category :
Languages : en
Pages : 210
Book Description
An Introduction to Rationality and Metaphysics in the Theater Esthetics and Practice of Antonin Artaud, Bertolt Brecht, and Joseph Chaikin
Author: Frans Hempen
Publisher:
ISBN:
Category :
Languages : en
Pages : 210
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 210
Book Description
Twentieth Century Actor Training
Author: Alison Hodge
Publisher: Psychology Press
ISBN: 0415194512
Category : Art
Languages : en
Pages : 271
Book Description
THE SECOND EDITION OF THIS TITLE, ENTITLED ACTOR TRAINING, IS NOW AVAILABLE. Actor training is arguably the central phenomenon of twentieth century theatre making. Here for the first time, the theories, training exercises and productions of fourteen directors are analysed in a single volume, each one written by a leading expert. The practitioners included are: * Stella Adler * Bertolt Brecht * Joseph Chaikin * Jacques Copeau * Joan Littlewood * Vsevelod Meyerhold * Konstantin Stanislavsky * Eugenio Barba * Peter Brook * Michael Chekhov * Jerzy Grotowski * Sanford Meisner * Wlodimierz Staniewski * Lee Strasbourg Each chapter provides a unique account of specific training exercises and an analysis of their relationship to the practitioners theoretical and aesthetic concerns. The collection examines the relationship between actor training and production and considers how directly the actor training relates to performance. With detailed accounts of the principles, exercises and their application to many of the landmark productions of the past hundred years, this book will be invaluable to students, teachers, practitioners, and academics alike.
Publisher: Psychology Press
ISBN: 0415194512
Category : Art
Languages : en
Pages : 271
Book Description
THE SECOND EDITION OF THIS TITLE, ENTITLED ACTOR TRAINING, IS NOW AVAILABLE. Actor training is arguably the central phenomenon of twentieth century theatre making. Here for the first time, the theories, training exercises and productions of fourteen directors are analysed in a single volume, each one written by a leading expert. The practitioners included are: * Stella Adler * Bertolt Brecht * Joseph Chaikin * Jacques Copeau * Joan Littlewood * Vsevelod Meyerhold * Konstantin Stanislavsky * Eugenio Barba * Peter Brook * Michael Chekhov * Jerzy Grotowski * Sanford Meisner * Wlodimierz Staniewski * Lee Strasbourg Each chapter provides a unique account of specific training exercises and an analysis of their relationship to the practitioners theoretical and aesthetic concerns. The collection examines the relationship between actor training and production and considers how directly the actor training relates to performance. With detailed accounts of the principles, exercises and their application to many of the landmark productions of the past hundred years, this book will be invaluable to students, teachers, practitioners, and academics alike.
Presence in Play
Author: Cormac Power
Publisher: BRILL
ISBN: 940120571X
Category : History
Languages : en
Pages : 238
Book Description
Presence in Play: A Critique of Theories of Presence in the Theatre is the first comprehensive survey and analysis of theatrical presence to be published. Theatre as an art form has often been associated with notions of presence. The ‘live’ immediacy of the actor, the unmediated unfolding of dramatic action and the ‘energy’ generated through an actor-audience relationship are among the ideas frequently used to explain theatrical experience – and all are underpinned by some understanding of ‘presence.’ Precisely what is meant by presence in the theatre is part of what Presence in Play sets out to explain. While this work is rooted in twentieth century theatre and performance since modernism, the author draws on a range of historical and theoretical material. Encompassing ideas from semiotics and phenomenology, Presence in Play puts forward a framework for thinking about presence in theatre, enriched by poststructuralist theory, forcefully arguing in favour of ‘presence’ as a key concept for theatre studies today.
Publisher: BRILL
ISBN: 940120571X
Category : History
Languages : en
Pages : 238
Book Description
Presence in Play: A Critique of Theories of Presence in the Theatre is the first comprehensive survey and analysis of theatrical presence to be published. Theatre as an art form has often been associated with notions of presence. The ‘live’ immediacy of the actor, the unmediated unfolding of dramatic action and the ‘energy’ generated through an actor-audience relationship are among the ideas frequently used to explain theatrical experience – and all are underpinned by some understanding of ‘presence.’ Precisely what is meant by presence in the theatre is part of what Presence in Play sets out to explain. While this work is rooted in twentieth century theatre and performance since modernism, the author draws on a range of historical and theoretical material. Encompassing ideas from semiotics and phenomenology, Presence in Play puts forward a framework for thinking about presence in theatre, enriched by poststructuralist theory, forcefully arguing in favour of ‘presence’ as a key concept for theatre studies today.
The Rhythm of Space and the Sound of Time
Author: Cynthia Ashperger
Publisher: Rodopi
ISBN: 9042023872
Category : Drama
Languages : en
Pages : 393
Book Description
The Rhythm of Space and the Sound of Time examines the place of Chekhov's Technique in contemporary acting pedagogy and practice. Cynthia Ashperger answers the questions: What are the reasons behind the technique's current resurgence? How has this cohesive and holistic training been brought into today's mainstream acting training? What separates this technique from the other currently popular methods? Ashperger offers an analysis of the complex philosophical influences that shaped Chekhov's ideas about this psycho-physical approach to acting. Chekhov's five guiding principles are introduced to demonstrate how eastern ideas and practices have been integrated into this western technique and how they have continued to develop on both theoretical and practical levels in contemporary pedagogy, thereby rendering it intercultural. The volume also focuses on the work of several contemporary teachers of the technique associated with Michael Chekhov International Association (MICHA). Current teacher training is described as well as the different modes of hybridization of Chekhov's technique with other current methods. Contemporary practical experiments and some fifty exercises at both beginner and intermediate/advanced levels are presented through analysis, examples, student journals and case studies, delineating the sequences in which units are taught and specifying the exercises that differ from those in Chekhov's original writing. This book is for practitioners as well as students of the theatre.
Publisher: Rodopi
ISBN: 9042023872
Category : Drama
Languages : en
Pages : 393
Book Description
The Rhythm of Space and the Sound of Time examines the place of Chekhov's Technique in contemporary acting pedagogy and practice. Cynthia Ashperger answers the questions: What are the reasons behind the technique's current resurgence? How has this cohesive and holistic training been brought into today's mainstream acting training? What separates this technique from the other currently popular methods? Ashperger offers an analysis of the complex philosophical influences that shaped Chekhov's ideas about this psycho-physical approach to acting. Chekhov's five guiding principles are introduced to demonstrate how eastern ideas and practices have been integrated into this western technique and how they have continued to develop on both theoretical and practical levels in contemporary pedagogy, thereby rendering it intercultural. The volume also focuses on the work of several contemporary teachers of the technique associated with Michael Chekhov International Association (MICHA). Current teacher training is described as well as the different modes of hybridization of Chekhov's technique with other current methods. Contemporary practical experiments and some fifty exercises at both beginner and intermediate/advanced levels are presented through analysis, examples, student journals and case studies, delineating the sequences in which units are taught and specifying the exercises that differ from those in Chekhov's original writing. This book is for practitioners as well as students of the theatre.
From Acting to Performance
Author: Philip Auslander
Publisher: Routledge
ISBN: 1134727194
Category : Performing Arts
Languages : en
Pages : 196
Book Description
From Acting to Performance collects for the first time major essays by performance theorist and critic Philip Auslander. Together these essays provide a survey of the changes in acting and performance during the crucial transition from the ecstatic theatre of the 1960s to the ironic postmodernism of the 1980s. Auslander examines performance genres ranging from theatre and dance to performance art and stand-up comedy. In doing so he discusses an impressive line-up of practitioners including Antonin Artaud, Jerzy Grotowski, Peter Brook, Willem Dafoe, the Wooster Group, Augusto Boal, Kate Bornstein, and Orlan. From Acting to Performance is a must for all students and scholars interested in contemporary theatre and performance.
Publisher: Routledge
ISBN: 1134727194
Category : Performing Arts
Languages : en
Pages : 196
Book Description
From Acting to Performance collects for the first time major essays by performance theorist and critic Philip Auslander. Together these essays provide a survey of the changes in acting and performance during the crucial transition from the ecstatic theatre of the 1960s to the ironic postmodernism of the 1980s. Auslander examines performance genres ranging from theatre and dance to performance art and stand-up comedy. In doing so he discusses an impressive line-up of practitioners including Antonin Artaud, Jerzy Grotowski, Peter Brook, Willem Dafoe, the Wooster Group, Augusto Boal, Kate Bornstein, and Orlan. From Acting to Performance is a must for all students and scholars interested in contemporary theatre and performance.
The Cambridge History of American Literature: Volume 7, Prose Writing, 1940-1990
Author: Sacvan Bercovitch
Publisher: Cambridge University Press
ISBN: 9780521497329
Category : Literary Criticism
Languages : en
Pages : 824
Book Description
Volume VII of the Cambridge History of American Literature examines a broad range of American literature of the past half-century, revealing complex relations to changes in society. Christopher Bigsby discusses American dramatists from Tennessee Williams to August Wilson, showing how innovations in theatre anticipated a world of emerging countercultures and provided America with an alternative view of contemporary life. Morris Dickstein describes the condition of rebellion in fiction from 1940 to 1970, linking writers as diverse as James Baldwin and John Updike. John Burt examines writers of the American South, describing the tensions between modernization and continued entanglements with the past. Wendy Steiner examines the postmodern fictions since 1970, and shows how the questioning of artistic assumptions has broadened the canon of American literature. Finally, Cyrus Patell highlights the voices of Native American, Asian American, Chicano, gay and lesbian writers, often marginalized but here discussed within and against a broad set of national traditions.
Publisher: Cambridge University Press
ISBN: 9780521497329
Category : Literary Criticism
Languages : en
Pages : 824
Book Description
Volume VII of the Cambridge History of American Literature examines a broad range of American literature of the past half-century, revealing complex relations to changes in society. Christopher Bigsby discusses American dramatists from Tennessee Williams to August Wilson, showing how innovations in theatre anticipated a world of emerging countercultures and provided America with an alternative view of contemporary life. Morris Dickstein describes the condition of rebellion in fiction from 1940 to 1970, linking writers as diverse as James Baldwin and John Updike. John Burt examines writers of the American South, describing the tensions between modernization and continued entanglements with the past. Wendy Steiner examines the postmodern fictions since 1970, and shows how the questioning of artistic assumptions has broadened the canon of American literature. Finally, Cyrus Patell highlights the voices of Native American, Asian American, Chicano, gay and lesbian writers, often marginalized but here discussed within and against a broad set of national traditions.
Franz Kafka's The Trial
Author: Paul M. Malone
Publisher: Frankfurt am Main : P. Lang
ISBN:
Category : Literary Criticism
Languages : en
Pages : 312
Book Description
"The low critical opinion of dramatic adaptations of prose works makes clear that the dramatic text is widely seen as unable to compete with the narrative text that it adapts. Privileging the text of a play as the site of meaning is inadequate, however, given the social nature of theatre; rather, the socio-historical context of a production must be investigated to flesh out the meaning of the text in dramatic production. In this study, four theatrical adaptations of Franz Kafka's novel The Trial (1925) from different decades and countries, and in three different languages, illustrate a history not only of Kafka reception, but also of society, politics and theatrical practice in western Europe and Canada. The diversity of these visions of Kafka's work pleads for the acceptance of dramatic adaptation as a creative form of interpretation, rather than as an ill-advised misappropriation, of its source."
Publisher: Frankfurt am Main : P. Lang
ISBN:
Category : Literary Criticism
Languages : en
Pages : 312
Book Description
"The low critical opinion of dramatic adaptations of prose works makes clear that the dramatic text is widely seen as unable to compete with the narrative text that it adapts. Privileging the text of a play as the site of meaning is inadequate, however, given the social nature of theatre; rather, the socio-historical context of a production must be investigated to flesh out the meaning of the text in dramatic production. In this study, four theatrical adaptations of Franz Kafka's novel The Trial (1925) from different decades and countries, and in three different languages, illustrate a history not only of Kafka reception, but also of society, politics and theatrical practice in western Europe and Canada. The diversity of these visions of Kafka's work pleads for the acceptance of dramatic adaptation as a creative form of interpretation, rather than as an ill-advised misappropriation, of its source."
Theorising Performance
Author: Edith Hall
Publisher: A&C Black
ISBN: 0715638262
Category : Literary Criticism
Languages : en
Pages : 320
Book Description
Constitutes the first analysis of the modern performance of ancient Greek drama from a theoretical perspective.
Publisher: A&C Black
ISBN: 0715638262
Category : Literary Criticism
Languages : en
Pages : 320
Book Description
Constitutes the first analysis of the modern performance of ancient Greek drama from a theoretical perspective.
The Routledge Reader in Politics and Performance
Author: Jane de Gay
Publisher: Routledge
ISBN: 1134686676
Category : Performing Arts
Languages : en
Pages : 351
Book Description
This is the first ever reader in political theatre Regards courses for which this will be a core text Tried and tested formula (see The Routledge Reader in Performance below) Marketing Executivearea: this book reinforces our reputation Routledge l the classic texts and star names
Publisher: Routledge
ISBN: 1134686676
Category : Performing Arts
Languages : en
Pages : 351
Book Description
This is the first ever reader in political theatre Regards courses for which this will be a core text Tried and tested formula (see The Routledge Reader in Performance below) Marketing Executivearea: this book reinforces our reputation Routledge l the classic texts and star names
The Theatre Guide
Author: Trevor R. Griffiths
Publisher: A&C Black
ISBN: 9780713661712
Category : Drama
Languages : en
Pages : 424
Book Description
With over 500 entries on the most important plays and playwrights performed today, The Theatre Guide provdies an anuthoritative A - Z of the contemporary theatre scene. From Aristophanes to Mark Ravenhill, The alchemist ot The Talking Cure, the guide is both biogrpahically detailed and critically curent, while an extensive cross-referencing system allows for wider perspectives and new discoveries. Stimulating, observant and informative, The Theatre Guide is an essential companion and reference tool for anyone with an active interest in drama.
Publisher: A&C Black
ISBN: 9780713661712
Category : Drama
Languages : en
Pages : 424
Book Description
With over 500 entries on the most important plays and playwrights performed today, The Theatre Guide provdies an anuthoritative A - Z of the contemporary theatre scene. From Aristophanes to Mark Ravenhill, The alchemist ot The Talking Cure, the guide is both biogrpahically detailed and critically curent, while an extensive cross-referencing system allows for wider perspectives and new discoveries. Stimulating, observant and informative, The Theatre Guide is an essential companion and reference tool for anyone with an active interest in drama.