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Author: David Melville Stewart
Publisher:
ISBN:
Category : Faith
Languages : en
Pages : 290
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Book Description
Author: David Melville Stewart
Publisher:
ISBN:
Category : Faith
Languages : en
Pages : 290
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Book Description
Author: John Ademola Aworinde
Publisher:
ISBN:
Category :
Languages : en
Pages : 43
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Book Description
Author: Lawrence Pearsall Jacks
Publisher:
ISBN:
Category : Philosophy
Languages : en
Pages : 978
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Book Description
Author: Richard Sibbes
Publisher:
ISBN:
Category :
Languages : en
Pages : 624
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Book Description
Author: James Wood
Publisher:
ISBN:
Category : Church
Languages : en
Pages : 412
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 890
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Book Description
Author:
Publisher:
ISBN:
Category : Liberalism (Religion)
Languages : en
Pages : 998
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Book Description
Author: James Billet
Publisher:
ISBN:
Category :
Languages : en
Pages : 172
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Book Description
![Expository Notes, with Practical Observations, on the New Testament ... By the Rev. William Burkitt ... To this Edition Will be Added, the Life of the Author, Etc. [With Plates, Including a Portrait.] PDF](https://books.google.com/books/content/images/frontcover/HD-N3-eO0UwC?fife=w80-h100)
Author:
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ISBN:
Category :
Languages : en
Pages : 1410
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Book Description
Author: Kris H.K Chong
Publisher: Routledge
ISBN: 1000095924
Category : Religion
Languages : en
Pages : 176
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Book Description
This book provides a framework by which a global audience might think theologically about contemporary films produced in mainland China by Chinese directors. Up to this point the academic discipline of Christian theology and film has focussed predominantly on Western cinema, and as a result, has missed out the potential insights offered by Chinese spirituality on film. Mainland Chinese films, produced within the nation’s social structure, offer an excellent lingua franca of China. Illuminating the spiritual imagination of Chinese filmmakers and their yearning for transcendence, the book uses Richard A. Blake’s concept of afterimage to analyse the potential theological implications of their films. It then brings Jürgen Moltmann’s "immanent-transcendence" and Robert K. Johnston’s "God’s wider Presence" into conversation with Confucianist and Daoist ideas of there being, spirituality-speaking, "More in Life than Meets the Eye" than simply material existence. This all combines to move beyond film and allow for a Western audience to gain a new perspective on Chinese culture and traditions. One that uses familiar Western terms, while avoiding the imposition of a Western mindset. This is a new perspective on cinema, religion and Chinese culture that will be of keen interest to scholars of Religion and Film, Religious Studies, Theology, Sociology of Religion and Chinese Studies.
