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Author: Kris Halpern
Publisher:
ISBN:
Category : Music and the Internet
Languages : en
Pages : 86
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Book Description
Author: Kris Halpern
Publisher:
ISBN:
Category : Music and the Internet
Languages : en
Pages : 86
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Book Description
Author: Martin Strang
Publisher: GRIN Verlag
ISBN: 3638890481
Category : Computers
Languages : en
Pages : 37
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Book Description
Essay from the year 2005 in the subject Communications - Multimedia, Internet, New Technologies, grade: High Distinction, Macquarie University (Centre for International Communication), course: New Media, 22 entries in the bibliography, language: English, abstract: This essay examines the usage of peer-to-peer (P2P) networks for music file-sharing and intends to analyse this usage in the context of current copyright policy. This will be achieved by addressing the following issues. Firstly, the history and principle of P2P networks will be outlined. Secondly, it will be analysed whether P2P file-sharing can be seen as an act of 'theft'. Thirdly, the paper will examine how P2P networks are used and what cultural significance they represent. Fourthly, the future of P2P networks will be debated and finally the results of this paper will be summarised and discussed.
Author: Camilo Kejner
Publisher:
ISBN:
Category :
Languages : en
Pages : 164
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Book Description
(cont.) An ample research study of music downloaders based in the Argentinean music market was designed and carried out for the purpose of this paper, and its results are exclusively commented here. It is the author's belief that this study does very well in representing the Latin American region's outlook for the legitimate music business going forward and to a moderately large extent, the global one. In the end, personal conclusions from the author will set a critical point of view from within the music industry, with an emphasis on what principles are applied by me daily in my present position as Managing Director of a major label in the region formed by Argentina, Bolivia, Chile, Paraguay and Uruguay.
Author: Matthew David
Publisher: SAGE Publications
ISBN: 1847870058
Category : Social Science
Languages : en
Pages : 201
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Book Description
Have the music and movie industries lost the battle to criminalize downloading? This penetrating and informative book provides readers with the perfect systematic critical guide to the file-sharing phenomenon. Combining inter-disciplinary resources from sociology, history, media and communication studies and cultural studies, David unpacks the economics, psychology and philosophy of file-sharing. The book carefully situates the reader in a field of relevant approaches including Network Society Theory, Post-structuralism and ethnographic research. It uses this to launch into a fascinating enquiry into: * the rise of file-sharing, * the challenge to intellectual property law posed by new technologies of communication, * the social psychology of cyber crime * and the response of the mass media and multi-national corporations. The book concludes with a balanced, eye-opening assessment of alternative cultural modes of participation and their relationship to cultural capitalism. This is a landmark work in the sociology of popular culture and cultural criminology. It fuses a deep knowledge of the music industry and the new technologies of mass communication with a powerful perspective on how multinational corporations seek to monopolize markets, how international and state agencies defend property, while a global multitude undermine and/or reinvent both.
Author: Georgios Vazeos
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Andrew Leyshon
Publisher: OUP Oxford
ISBN: 0191024740
Category : Political Science
Languages : en
Pages : 225
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Book Description
The impact of digital technology on the musical economy has been profound. From its production, reproduction, distribution, and consumption, the advent of MP3 and the use of the Internet as a medium of distribution has brought about a significant transformation in the way that music is made, how it is purchased and listened to, and, significantly, how the musical economy itself is able to reproduce itself. In the late 1990s the obscure practice of 'ripping' tracks from CDs through the use of compression programmes was transformed from the illegal hobby of a few thousand computer specialists to a practice available to millions of people worldwide through the development of peer-to-peer computer networks. This continues to have important implications for the viability of the musical economy. At the same time, the production of music has become more accessible and the role of key gatekeepers in the industry—such as record companies and recording studios— has been undermined, whilst the increased accessibility of music at reduced cost via the Internet has revalorised live performance, and now generates revenues higher than recorded music. The early 21st century has provided an extraordinary case study of an industry in flux, and one that throws light on the relationship between culture and economy, between passion and calculation. This book provides a theoretically grounded account of the implications of digital technology on the musical economy, and develops the concept of the musical network to understand the transformation of this economy over space and through time.
Author: Paolo Nesi
Publisher: Firenze University Press
ISBN: 8884533554
Category : Computers
Languages : en
Pages : 212
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Book Description
Author: Michael D. Ayers
Publisher: Peter Lang
ISBN: 9780820478616
Category : Computers
Languages : en
Pages : 298
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Book Description
Textbook
Author: M.I. Franklin
Publisher: Springer
ISBN: 1137056177
Category : Political Science
Languages : en
Pages : 327
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Book Description
This book explores a provocative area of inquiry for critical theory and research into world politics and popular culture: music. Not just because political science barely engages with anything musical, but also because it is clear that many opportunities for critical scholarship and reflection on global politics and economics are present in the spaces and relationships created by organized sound. It is easy to focus on the textual elements of music, but there is more at stake than just the words. Critical reflection on the intersections between music and politics also need to take into account the visceral and non-verbal elements such as counterpoint and harmony, polyphony and dissonance, noise, rhymes, rhythms, performance and the visual/aural dimensions to music-making.
Author: Patrik Wikström
Publisher: John Wiley & Sons
ISBN: 0745645704
Category : Social Science
Languages : en
Pages : 267
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Book Description
The music industry is going through a period of immense change brought about in part by the digital revolution. What is the role of music in the age of computers and the Internet? How has the music industry been transformed by the economic and technological upheavals of recent years, and how is it likely to change in the future? This thoroughly revised and updated new edition provides an international overview of the music industry and its future prospects in the world of global entertainment. Patrik Wikström illuminates the workings of the music industry, and captures the dynamics at work in the production of musical culture between the transnational media conglomerates, the independent music companies and the public. New to this second edition are expanded sections on the structure of the music industry, online business models and the links between social media and music. Engaging and comprehensive, The Music Industry will be a must-read for students and scholars of media and communication studies, cultural studies, popular music, sociology and economics.
