Author: Andrew Durkin
Publisher: Pantheon
ISBN: 0307911764
Category : Music
Languages : en
Pages : 538
Book Description
Decomposition is a bracing, revisionary, and provocative inquiry into music—from Beethoven to Duke Ellington, from Conlon Nancarrow to Evelyn Glennie—as a personal and cultural experience: how it is composed, how it is idiosyncratically perceived by critics and reviewers, and why we listen to it the way we do. Andrew Durkin, best known as the leader of the West Coast–based Industrial Jazz Group, is singular for his insistence on asking tough questions about the complexity of our presumptions about music and about listening, especially in the digital age. In this winning and lucid study he explodes the age-old concept of musical composition as the work of individual genius, arguing instead that in both its composition and reception music is fundamentally a collaborative enterprise that comes into being only through mediation. Drawing on a rich variety of examples—Big Jay McNeely’s “Deacon’s Hop,” Biz Markie’s “Alone Again,” George Antheil’s Ballet Mécanique, Frank Zappa’s “While You Were Art,” and Pauline Oliveros’s “Tuning Meditation,” to name only a few—Durkin makes clear that our appreciation of any piece of music is always informed by neuroscientific, psychological, technological, and cultural factors. How we listen to music, he maintains, might have as much power to change it as music might have to change how we listen.
Decomposition
Author: Andrew Durkin
Publisher: Pantheon
ISBN: 0307911764
Category : Music
Languages : en
Pages : 538
Book Description
Decomposition is a bracing, revisionary, and provocative inquiry into music—from Beethoven to Duke Ellington, from Conlon Nancarrow to Evelyn Glennie—as a personal and cultural experience: how it is composed, how it is idiosyncratically perceived by critics and reviewers, and why we listen to it the way we do. Andrew Durkin, best known as the leader of the West Coast–based Industrial Jazz Group, is singular for his insistence on asking tough questions about the complexity of our presumptions about music and about listening, especially in the digital age. In this winning and lucid study he explodes the age-old concept of musical composition as the work of individual genius, arguing instead that in both its composition and reception music is fundamentally a collaborative enterprise that comes into being only through mediation. Drawing on a rich variety of examples—Big Jay McNeely’s “Deacon’s Hop,” Biz Markie’s “Alone Again,” George Antheil’s Ballet Mécanique, Frank Zappa’s “While You Were Art,” and Pauline Oliveros’s “Tuning Meditation,” to name only a few—Durkin makes clear that our appreciation of any piece of music is always informed by neuroscientific, psychological, technological, and cultural factors. How we listen to music, he maintains, might have as much power to change it as music might have to change how we listen.
Publisher: Pantheon
ISBN: 0307911764
Category : Music
Languages : en
Pages : 538
Book Description
Decomposition is a bracing, revisionary, and provocative inquiry into music—from Beethoven to Duke Ellington, from Conlon Nancarrow to Evelyn Glennie—as a personal and cultural experience: how it is composed, how it is idiosyncratically perceived by critics and reviewers, and why we listen to it the way we do. Andrew Durkin, best known as the leader of the West Coast–based Industrial Jazz Group, is singular for his insistence on asking tough questions about the complexity of our presumptions about music and about listening, especially in the digital age. In this winning and lucid study he explodes the age-old concept of musical composition as the work of individual genius, arguing instead that in both its composition and reception music is fundamentally a collaborative enterprise that comes into being only through mediation. Drawing on a rich variety of examples—Big Jay McNeely’s “Deacon’s Hop,” Biz Markie’s “Alone Again,” George Antheil’s Ballet Mécanique, Frank Zappa’s “While You Were Art,” and Pauline Oliveros’s “Tuning Meditation,” to name only a few—Durkin makes clear that our appreciation of any piece of music is always informed by neuroscientific, psychological, technological, and cultural factors. How we listen to music, he maintains, might have as much power to change it as music might have to change how we listen.
Spatial Biases in Perception and Cognition
Author: Timothy L. Hubbard
Publisher: Cambridge University Press
ISBN: 1107154987
Category : Psychology
Languages : en
Pages : 505
Book Description
Numerous spatial biases influence navigation, interactions, and preferences in our environment. This volume considers their influences on perception and memory.
Publisher: Cambridge University Press
ISBN: 1107154987
Category : Psychology
Languages : en
Pages : 505
Book Description
Numerous spatial biases influence navigation, interactions, and preferences in our environment. This volume considers their influences on perception and memory.
Aesthetic Composition Notebook
Author: D. Young Dreams
Publisher:
ISBN:
Category :
Languages : en
Pages : 120
Book Description
Looking for a one-of-a-kind notepad for school that complements your style? This lovely ethereal composition notebook is ideal for anyone who wants to make a clever impression. For home, office and school use.
Publisher:
ISBN:
Category :
Languages : en
Pages : 120
Book Description
Looking for a one-of-a-kind notepad for school that complements your style? This lovely ethereal composition notebook is ideal for anyone who wants to make a clever impression. For home, office and school use.
Midare Performance and the Aesthetics of Decomposition
Author: Reginald R. Jackson
Publisher:
ISBN:
Category : Calligraphy, Japanese
Languages : en
Pages : 694
Book Description
Publisher:
ISBN:
Category : Calligraphy, Japanese
Languages : en
Pages : 694
Book Description
The Aesthetic and Miscellaneous Works Comprising Letters on Christian Art, an Essay on Gothic Architecture [???]
Author: Friedrich von Schlegel
Publisher:
ISBN:
Category : Architecture, Gothic
Languages : en
Pages : 590
Book Description
Publisher:
ISBN:
Category : Architecture, Gothic
Languages : en
Pages : 590
Book Description
Aesthetics and the Art of Musical Composition in the German Enlightenment
Author: Johann Georg Sulzer
Publisher: Cambridge University Press
ISBN: 0521360358
Category : Music
Languages : en
Pages : 224
Book Description
Can an abstract theory of Empfindsamkeit aesthetics have any value to a musician wishing to study composition in the classical style? The eighteenth-century German theorist and pedagogue Heinrich Koch showed how this question could be answered with a resounding yes. Starting with the systematic aesthetic theory of the Swiss encyclopedist Johann Sulzer, Koch was creatively able to adapt Sulzer's conservative ideas on ethical mimesis and rhetoric to concrete problems of music analysis and composition. In this collaborative study, Thomas Christensen and Nancy Baker have translated and analysed selected writings of Sulzer and Koch respectively, bringing to life a little-known confluence of philosophical and musical thought from the German Enlightenment. Koch's appropriation of Sulzer's ideas to the service of music represents an important development in the evolution of Western musical thought.
Publisher: Cambridge University Press
ISBN: 0521360358
Category : Music
Languages : en
Pages : 224
Book Description
Can an abstract theory of Empfindsamkeit aesthetics have any value to a musician wishing to study composition in the classical style? The eighteenth-century German theorist and pedagogue Heinrich Koch showed how this question could be answered with a resounding yes. Starting with the systematic aesthetic theory of the Swiss encyclopedist Johann Sulzer, Koch was creatively able to adapt Sulzer's conservative ideas on ethical mimesis and rhetoric to concrete problems of music analysis and composition. In this collaborative study, Thomas Christensen and Nancy Baker have translated and analysed selected writings of Sulzer and Koch respectively, bringing to life a little-known confluence of philosophical and musical thought from the German Enlightenment. Koch's appropriation of Sulzer's ideas to the service of music represents an important development in the evolution of Western musical thought.
An Aesthetics and de Composition
Author: Clinton R. Davis
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
The Genesis of Art-form
Author: George Lansing Raymond
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 344
Book Description
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 344
Book Description
Hellenistic Aesthetic and the Poetic Composition of Lucretius' De Rerum Natura
Author: Yang Wang
Publisher:
ISBN:
Category :
Languages : en
Pages : 626
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 626
Book Description
Composition
Author: Arthur Wesley Dow
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 140
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 140
Book Description