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Author: Jean Pommerol
Publisher:
ISBN:
Category : Sahara
Languages : en
Pages : 360
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Book Description
Author: Jean Pommerol
Publisher:
ISBN:
Category : Sahara
Languages : en
Pages : 360
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Book Description
Author: Jean Pommerol
Publisher:
ISBN:
Category :
Languages : fr
Pages : 343
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Book Description
Author: Jean Pommerol
Publisher: Rarebooksclub.com
ISBN: 9781230099958
Category :
Languages : en
Pages : 60
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Book Description
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1900 edition. Excerpt: ... OLD MALEKITE CODE. 175 they be torn by conflicting.emotions---pride in the ownership of their well, and pity for those who drag themselves to it in the hope of a drink. Their husbands often repeat to them fragments of the old Malekite code, by which the torrid South was ruled before the arrival of the Mussulmans: --"Article 122o.--The master of a well can dispose of it as of water in a vessel belonging to him. "Article I221.--Nevertheless, he is bound to give to drink gratuitously to him who is in danger of perishing of thirst, and to others in return for payment. "Article I223.--But whosoever shall have dug _a well in the dead districts of the Sahara (this is the great bone of contention--where do the cultivated districts end and the dead ones begin?) shall be bound to let all use the water without payment, in the following prescribed order. "Article I224.--First of all the traveller may drink, and the bucket for drawing up the water shall be lent to him; after him the inhabitant of the district shall drink; then the animals or the flocks of the owner of the well; each one in his turn can drink of the water, but in case of urgency let him who is in danger drink first! " Ah, danger! That is the word, the one most important thing which binds together all the wanderers in the Desert. I remember one broiling day when we missed one of the subalterns of our escort, a silly young fellow named Tahar. We had exhausted our supply of water, but for all that the sokr/zars and guides all declared that they would wait on those burning dunes, where it was as hot as in an oven, until Tahar was found. To go in search of him would only be to lessen his chance of joining them again. We should all drink, or nobody should! The...
Author:
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ISBN:
Category : Electronic journals
Languages : en
Pages : 768
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Author:
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 612
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Author:
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 1266
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A weekly review of politics, literature, theology, and art.
Author: Mme. Daubenton (Marguerite)
Publisher:
ISBN:
Category :
Languages : en
Pages : 236
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Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 712
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Author: Carnegie Library of Pittsburgh
Publisher:
ISBN:
Category : Classified catalogs (Dewey decimal)
Languages : en
Pages : 704
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Book Description
Author: Mary Kelly
Publisher: Routledge
ISBN: 1000405346
Category : Art
Languages : en
Pages : 270
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Book Description
This book is the first full-length study dedicated to French women Orientalist artists. Mary Kelly has gathered primary documentation relating to seventy-two women artists whose works of art can be placed in the canon of French Orientalism between 1861 and 1956. Bringing these artists together for the first time and presenting close contextual analyses of works of art, attention is given to artists’ cross-cultural interactions with painted/sculpted representations of the Maghreb particularly in Algeria, Tunisia and Morocco. Using an interdisciplinary ‘open platform of discussion’ approach, Kelly builds on established theory which places emphases on the gendered gaze. This entails a discussion on women’s painted perspectives of and contacts with Muslim women as well as various Maghrebi cultures and land—all the while remaining mindful of the subject position of the French artist and the problematic issues which can arise when discussing European-made ‘ethnographic’ scenes. Kelly argues that French women’s perspectives of the Maghreb differed from the male gaze and were informed by their artistic training and social positions in Europe. In so doing, French women’s socio-cultural modernity is also examined. Moreover, executed between 1861 and 1956, the works of art presented show influences of Modernism; therefore, this book also pays close attention to progressive Realism and Naturalism in art and the Orientalist shift into Modernist subject matter and form. Through this research into French women Orientalists, Kelly engages with important discussions on the crossing view of the historical female other with the cultural other, artistic hybridity and influence in art as well as the postcolonial response to French activities in colonial Algeria and the protectorates of Tunisia and Morocco. On giving focus to women’s art and the impact of cross-cultural interchanges, this book rethinks Orientalism in French art. This book will be of particular interest to scholars in the history of art, gender studies, history, and Middle Eastern and North African studies.
