Americas Favorite Comedy Acts

Americas Favorite Comedy Acts PDF Author: Charles River Editors
Publisher: Createspace Independent Publishing Platform
ISBN: 9781978287280
Category :
Languages : en
Pages : 316

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Book Description
*Includes pictures *Includes the comedy acts' most famous quotes *Includes bibliographies for further reading *Includes a table of contents There has been no shortage of comedy acts in American history, but the most famous and popular of them all is The Three Stooges, an act that has become synonymous with slapstick. Bring up their name to any American or even ask about slapstick comedy, and invariably, certain images will come to mind, most of which came from the comedy shorts featuring three bumbling but likable fools getting into all sorts of trouble due to their inability to think or behave properly. Moe, Larry and Curly quickly became a hit in comedy shorts on screen, and even as other similar acts like Abbot & Costello went on to make full length films, the Stooges continued to star in shorts, producing the iconic scenes that everyone associates with them, from Larry asking what he did wrong to Moe trying to hit Curly and Curly's efforts to block him. By the 1920s, English comic Stan Laurel had been in dozens of films and American Oliver Hardy had appeared in hundreds, but it was not until they formed a duo together in 1926 that they began to truly be noticed. Once they did, however, Laurel & Hardy became one of the most famous comedy teams in American history, with a career that spanned 4 decades and included over 100 combined shorts and feature films. Even today, nearly 60 years after their last performances together, Laurel & Hardy are still popular, alongside legends like The Three Stooges and Abbott & Costello, and their routines are still watched across the globe. Ironically, one of America's most famous comedy duos, and the performers of the country's most famous skit, came together in part because Lou Costello had already failed to cut it in the film industry. In fact, Costello had appeared in a Laurel & Hardy film in 1927 before meeting his partner, Bud Abbott, on the burlesque circuit in New York City. In fact, the two first performed together in 1935 only because Abbott filled in for Costello's usual partner, who happened to be ill one fateful day. Over time, Abbott & Costello perfected their routine, which typically consisted of Abbott playing the straight man while his dimwit partner acted foolishly and interrupted his plans. It was a shtick that also did well on radio, albeit one that required Costello to modify his voice with a higher pitch that not only differentiated his from Abbott but also made him sound appropriately dumber. By 1940, they were not only successful on the radio but also among America's most popular movie stars, a status they held almost consistently throughout the decade and into the early 1950s. Working as "Martin and Lewis," the team of Dean Martin and Jerry Lewis became the most popular nightclub act in America, commanding huge fees for their appearances all across the country. Perhaps the most ironic aspect of their success is that Dean Martin was not a comedian in any real sense of the word, and even during their act, he essentially served as the straight man to Jerry Lewis. The routine ensured that critics took more notice of Jerry Lewis, who intentionally came across as an awkward figure with a brand of bodily humor that was borrowed from a lineage of Yiddish humor predicated on physical slapstick. And just as Martin benefited from Lewis' comedic skills, Lewis also further developed a singing career thanks to the more famous Martin's crooning. Though it's often forgotten now, the duo eventually broke up in the mid-1950s because Lewis was starting to outshine Martin in their joint film career.

Americas Favorite Comedy Acts

Americas Favorite Comedy Acts PDF Author: Charles River Editors
Publisher: Createspace Independent Publishing Platform
ISBN: 9781978287280
Category :
Languages : en
Pages : 316

Get Book Here

Book Description
*Includes pictures *Includes the comedy acts' most famous quotes *Includes bibliographies for further reading *Includes a table of contents There has been no shortage of comedy acts in American history, but the most famous and popular of them all is The Three Stooges, an act that has become synonymous with slapstick. Bring up their name to any American or even ask about slapstick comedy, and invariably, certain images will come to mind, most of which came from the comedy shorts featuring three bumbling but likable fools getting into all sorts of trouble due to their inability to think or behave properly. Moe, Larry and Curly quickly became a hit in comedy shorts on screen, and even as other similar acts like Abbot & Costello went on to make full length films, the Stooges continued to star in shorts, producing the iconic scenes that everyone associates with them, from Larry asking what he did wrong to Moe trying to hit Curly and Curly's efforts to block him. By the 1920s, English comic Stan Laurel had been in dozens of films and American Oliver Hardy had appeared in hundreds, but it was not until they formed a duo together in 1926 that they began to truly be noticed. Once they did, however, Laurel & Hardy became one of the most famous comedy teams in American history, with a career that spanned 4 decades and included over 100 combined shorts and feature films. Even today, nearly 60 years after their last performances together, Laurel & Hardy are still popular, alongside legends like The Three Stooges and Abbott & Costello, and their routines are still watched across the globe. Ironically, one of America's most famous comedy duos, and the performers of the country's most famous skit, came together in part because Lou Costello had already failed to cut it in the film industry. In fact, Costello had appeared in a Laurel & Hardy film in 1927 before meeting his partner, Bud Abbott, on the burlesque circuit in New York City. In fact, the two first performed together in 1935 only because Abbott filled in for Costello's usual partner, who happened to be ill one fateful day. Over time, Abbott & Costello perfected their routine, which typically consisted of Abbott playing the straight man while his dimwit partner acted foolishly and interrupted his plans. It was a shtick that also did well on radio, albeit one that required Costello to modify his voice with a higher pitch that not only differentiated his from Abbott but also made him sound appropriately dumber. By 1940, they were not only successful on the radio but also among America's most popular movie stars, a status they held almost consistently throughout the decade and into the early 1950s. Working as "Martin and Lewis," the team of Dean Martin and Jerry Lewis became the most popular nightclub act in America, commanding huge fees for their appearances all across the country. Perhaps the most ironic aspect of their success is that Dean Martin was not a comedian in any real sense of the word, and even during their act, he essentially served as the straight man to Jerry Lewis. The routine ensured that critics took more notice of Jerry Lewis, who intentionally came across as an awkward figure with a brand of bodily humor that was borrowed from a lineage of Yiddish humor predicated on physical slapstick. And just as Martin benefited from Lewis' comedic skills, Lewis also further developed a singing career thanks to the more famous Martin's crooning. Though it's often forgotten now, the duo eventually broke up in the mid-1950s because Lewis was starting to outshine Martin in their joint film career.

Laurel & Hardy and Abbott & Costello

Laurel & Hardy and Abbott & Costello PDF Author: Charles River Charles River Editors
Publisher: Createspace Independent Publishing Platform
ISBN: 9781981892587
Category :
Languages : en
Pages : 146

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Book Description
*Includes pictures *Includes the men's quotes own quotes about their lives and careers *Includes a transcript of Abbott & Costello's "Who's on First?" *Includes a bibliography for further reading By the 1920s, English comic Stan Laurel had been in dozens of films and American Oliver Hardy had appeared in hundreds, but it was not until they formed a duo together in 1926 that they began to truly be noticed. Once they did, however, Laurel & Hardy became one of the most famous comedy teams in American history, with a career that spanned 4 decades and included over 100 combined shorts and feature films. Even today, nearly 60 years after their last performances together, Laurel & Hardy are still popular, alongside legends like The Three Stooges and Abbott & Costello, and their routines are still watched across the globe. Perhaps most importantly, Laurel & Hardy were forerunners of slapstick comedy and thus influenced those that followed. Their complementary styles of slapstick humor, with the thin, childish Laurel acting as a foil for the overweight and overly pompous Hardy, offered a template for others to follow, and the duo established several famous gags that other acts like the Stooges subsequently mimicked. For example, when Laurel occasionally came up with a smart idea, something completely out of character, the surprised Hardy would ask him to repeat what he just said, and Laurel would be unable to replicate it. That theme would recur with Curly and the Stooges, and Laurel & Hardy's use of "D'oh!" has been made even more famous by Homer Simpson in The Simpsons. Of course, the physical aspects of their slapstick, which often included destruction and mayhem, proved popular for them and several groups as well. Ironically, one of America's most famous comedy duos, and the performers of the country's most famous skit, came together in part because Lou Costello had already failed to cut it in the film industry. In fact, Costello had appeared in a Laurel & Hardy film in 1927 before meeting his partner, Bud Abbott, on the burlesque circuit in New York City. In fact, the two first performed together in 1935 only because Abbott filled in for Costello's usual partner, who happened to be ill one fateful day. Over time, Abbott & Costello perfected their routine, which typically consisted of Abbott playing the straight man while his dimwit partner acted foolishly and interrupted his plans. It was a shtick that also did well on radio, albeit one that required Costello to modify his voice with a higher pitch that not only differentiated his from Abbott but also made him sound appropriately dumber. By 1940, they were not only successful on the radio but also among America's most popular movie stars, a status they held almost consistently throughout the decade and into the early 1950s. The legendary comedy duo performed together for decades, and like similar acts, their popularity began to wane over time, but Abbott & Costello are still household names today. While all of their material is still in syndication and watched by many, they are best known today for "Who's on First", the famous routine in which Abbott's answers about the names of baseball players at various positions on the field sound like questions and completely confuse Costello. Although the skit was pieced together from various others, it was immortalized by Abbott & Costello and helped popularize not only the duo but some of their subsequent material. Laurel & Hardy and Abbott & Costello: America's Most Popular Comedy Duos examines the lives, careers, and comedy of the famous performers. Along with pictures and bibliographies, you'll learn about them like never before.

Stan and Ollie: The Roots of Comedy

Stan and Ollie: The Roots of Comedy PDF Author: Simon Louvish
Publisher: Macmillan
ISBN: 9780312325985
Category : Biography & Autobiography
Languages : en
Pages : 546

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Book Description
A biography of Laurel and Hardy describes their original teaming in the 1927 short, "Duck Soup, " their considerable innovations, and their ongoing influence.

Stand-up Comedy in Theory, or, Abjection in America

Stand-up Comedy in Theory, or, Abjection in America PDF Author: John Limon
Publisher: Duke University Press
ISBN: 0822380501
Category : Performing Arts
Languages : en
Pages : 161

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Book Description
Stand-Up Comedy in Theory, or, Abjection in America is the first study of stand-up comedy as a form of art. John Limon appreciates and analyzes the specific practice of stand-up itself, moving beyond theories of the joke, of the comic, and of comedy in general to read stand-up through the lens of literary and cultural theory. Limon argues that stand-up is an artform best defined by its fascination with the abject, Julia Kristeva’s term for those aspects of oneself that are obnoxious to one’s sense of identity but that are nevertheless—like blood, feces, or urine—impossible to jettison once and for all. All of a comedian’s life, Limon asserts, is abject in this sense. Limon begins with stand-up comics in the 1950s and 1960s—Lenny Bruce, Carl Reiner, Mel Brooks, Mike Nichols, Elaine May—when the norm of the profession was the Jewish, male, heterosexual comedian. He then moves toward the present with analyses of David Letterman, Richard Pryor, Ellen DeGeneres, and Paula Poundstone. Limon incorporates feminist, race, and queer theories to argue that the “comedification” of America—stand-up comedy’s escape from its narrow origins—involves the repossession by black, female, queer, and Protestant comedians of what was black, female, queer, yet suburbanizing in Jewish, male, heterosexual comedy. Limon’s formal definition of stand-up as abject art thus hinges on his claim that the great American comedians of the 1950s and 1960s located their comedy at the place (which would have been conceived in 1960 as a location between New York City or Chicago and their suburbs) where body is thrown off for the mind and materiality is thrown off for abstraction—at the place, that is, where American abjection has always found its home.

We Killed

We Killed PDF Author: Yael Kohen
Publisher: Macmillan
ISBN: 0374287236
Category : Biography & Autobiography
Languages : en
Pages : 338

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Book Description
Kohen assembles America's most prominent comediennes to piece together an oral history about the revolution that happened to (and by) women in American comedy.

Dean Martin & Jerry Lewis

Dean Martin & Jerry Lewis PDF Author: Charles River Editors
Publisher: Createspace Independent Publishing Platform
ISBN: 9781978314207
Category :
Languages : en
Pages : 116

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Book Description
*Includes pictures. *Includes Martin and Lewis' quotes about their lives and careers. *Includes a bibliography for further reading. Like Frank Sinatra, Dean Martin is an American legend for his longevity and success across a garden variety of different platforms. Martin began as a nightclub singer, performed in a comedy act, starred in films, recorded hit albums, and capped his career by serving as a television host. In fact, there may be no star who was better able to transcend the different avenues of entertainment. Martin's success was made all the more amazing by the fact that he never had to change his personality or persona to find success in his different endeavors. From the beginning, Martin's public persona remained largely unchanged. He grew more famous and wealthy, but he always remained the smooth-talking Italian with the easy charm and the cool veneer. As Jerry Lewis noted in his memoirs about Martin, "Dean had this uncanny way of making everything bad look like it wasn't all that bad." If anything, Martin suggested that no matter the circumstances, people can always face their situation with leisurely charm. Jerry Lewis has been in show business for over 7 decades, a multi-talented entertainer known for comedy, acting, singing, and producing and directing films to match, but he is best known for his work with Dean Martin, and in that sense, he remains overshadowed by his more famous partner. There's no doubt part of this was due to the stark contrast between their images, as Martin was suave and traditionally masculine while Lewis was a bundle of frantic energy. Although the circumstances that initiated their partnership are unusual and purely coincidental, the natural contrasts between the two ensured a perfect and complementary comedic fit. Working as "Martin and Lewis", the team became the most popular nightclub act in America, commanding huge fees for their appearances all across the country. Perhaps the most ironic aspect of their success is that Dean Martin was not a comedian in any real sense of the word, and even during their act, he essentially served as the straight man to Jerry Lewis. The routine ensured that critics took more notice of Jerry Lewis, who intentionally came across as an awkward figure with a brand of bodily humor that was borrowed from a lineage of Yiddish humor predicated on physical slapstick. And just as Martin benefited from Lewis' comedic skills, Lewis also further developed a singing career thanks to the more famous Martin's crooning. Though it's often forgotten now, the duo eventually broke up in the mid-1950s because Lewis was starting to outshine Martin in their joint film career. Dean Martin and Jerry Lewis profiles the lives and careers of two of America's most famous entertainers. Along with pictures of important people, places, and events, you will learn about Martin and Lewis like never before.

Focus On: 100 Most Popular Vaudeville Performers

Focus On: 100 Most Popular Vaudeville Performers PDF Author: Wikipedia contributors
Publisher: e-artnow sro
ISBN:
Category :
Languages : en
Pages : 1438

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Book Description


The Comedians

The Comedians PDF Author: Kliph Nesteroff
Publisher: Open Road + Grove/Atlantic
ISBN: 0802190863
Category : Performing Arts
Languages : en
Pages : 460

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Book Description
“Funny [and] fascinating . . . If you’re a comedy nerd you’ll love this book.” —Pittsburgh Post-Gazette Named a Best Book of the Year by Kirkus Reviews, National Post, and Splitsider Based on over two hundred original interviews and extensive archival research, this groundbreaking work is a narrative exploration of the way comedians have reflected, shaped, and changed American culture over the past one hundred years. Starting with the vaudeville circuit at the turn of the last century, the book introduces the first stand-up comedian—an emcee who abandoned physical shtick for straight jokes. After the repeal of Prohibition, Mafia-run supper clubs replaced speakeasies, and mobsters replaced vaudeville impresarios as the comedian’s primary employer. In the 1950s, the late-night talk show brought stand-up to a wide public, while Lenny Bruce, Mort Sahl, and Jonathan Winters attacked conformity and staged a comedy rebellion in coffeehouses. From comedy’s part in the civil rights movement and the social upheaval of the late 1960s, to the first comedy clubs of the 1970s and the cocaine-fueled comedy boom of the 1980s, The Comedians culminates with a new era of media-driven celebrity in the twenty-first century. “Entertaining and carefully documented . . . jaw-dropping anecdotes . . . This book is a real treat.” —Merrill Markoe, TheWall Street Journal

The Abbott & Costello Story

The Abbott & Costello Story PDF Author: Stephen Cox
Publisher: Cumberland House Publishing
ISBN: 9781888952612
Category : Comedians
Languages : en
Pages : 0

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Book Description
The Abbott & Costello Story is a fond tribute to the comedy team that made Who, What, and I Don't Know the most hilarious names of baseball players ever batted around on the silver screen.

American Legends

American Legends PDF Author: Charles River Editors
Publisher: Createspace Independent Publishing Platform
ISBN: 9781496013835
Category : Biography & Autobiography
Languages : en
Pages : 36

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Book Description
*Includes pictures. *Includes the Stooges' quotes about their lives and career. *Includes a bibliography for further reading. "Oh, a wise guy, eh?" - Moe Howard "I'm a victim of soicumstance." - Curly Howard "I'm sorry, Moe, it was an accident!" - Larry Fine A lot of ink has been spilled covering the lives of history's most influential figures, but how much of the forest is lost for the trees? In Charles River Editors' American Legends series, readers can get caught up to speed on the lives of America's most important men and women in the time it takes to finish a commute, while learning interesting facts long forgotten or never known. There has been no shortage of comedy acts in American history, but the most famous and popular of them all is The Three Stooges, an act that has become synonymous with slapstick. Bring up their name to any American or even ask about slapstick comedy, and invariably, certain images will come to mind, most of which came from the comedy shorts featuring three bumbling but likeable fools getting into all sorts of trouble due to their inability to think or behave properly. The Three Stooges had several lineups over the decades, but two of them are most closely associated with the act. Two of the Howard brothers, Moe and Shemp, had their origins in 1920s vaudeville along with Larry Fine, but after Shemp quit, he was replaced by his younger brother Curly. Moe, Larry and Curly quickly became a hit in comedy shorts on screen, and even as other similar acts like Abbot & Costello went on to make full length films, the Stooges continued to star in shorts, producing the iconic scenes that everyone associates with them, from Larry asking what he did wrong to Moe trying to hit Curly and Curly's efforts to block him. Whether the boys were inept plumbers in A Plumbing We Will Go or unable to become gentlemen in The Hoi Polloi, the routine usually revolved around their humorously incompetent performances in every conceivable walk of life, with each setting making the act feel fresh even though viewers knew what was likely to happen in each circumstance. Although the Stooges were at their peak in the 1930s and early 1940s, the act continued almost right up until the death of Moe, the last one left. Curly, widely considered the most popular Stooge, had suffered a debilitating stroke that left him unable to perform after 1946, and Shemp returned until his death in 1955. Moe and Larry carried on with other teammates, including a "Fake Shemp" and Curly Joe, but no matter how often they tried to recapture the magic of the old lineups, the Stooges' heyday was over, at least when it came to original material. All told, their career spanned over 200 films, a heavy majority of which were shorts. However, with their older stuff constantly being televised, they have remained popular with new generations, and they are still watched and remembered fondly by people of all ages. As author Ted Okuda put it, "Their humor was the most undistilled form of low comedy; they were not great innovators, but as quick laugh practitioners, they place second to none. If public taste is any criterion, the Stooges have been the reigning kings of comedy for over fifty years." American Legends: The Three Stooges examines the lives and careers of America's most famous comedy team. Along with pictures of important people, places, and events, you will learn about the Stooges like never before, in no time at all.