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Author: Lorrie Goldensohn
Publisher: Columbia University Press
ISBN: 9780231133104
Category : Literary Criticism
Languages : en
Pages : 460
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Book Description
Arranged by war, the book begins with the Colonial period and proceeds through Whitman admiring Civil War soldiers crossing a river to end with Brian Turner, who published his first book in 2005, beckoning a bullet in contemporary Iraq.
Author: Lorrie Goldensohn
Publisher: Columbia University Press
ISBN: 9780231133104
Category : Literary Criticism
Languages : en
Pages : 460
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Book Description
Arranged by war, the book begins with the Colonial period and proceeds through Whitman admiring Civil War soldiers crossing a river to end with Brian Turner, who published his first book in 2005, beckoning a bullet in contemporary Iraq.
Author: Edith Wharton
Publisher: Arcturus Publishing
ISBN: 1788880196
Category : Poetry
Languages : en
Pages : 153
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Book Description
The horrors of the First World War released a great outburst of emotional poetry from the soldiers who fought in it as well as many other giants of world literature. Wilfred Owen, Rupert Brooke and W B Yeats are just some of the poets whose work is featured in this anthology. The raw emotion unleashed in these poems still has the power to move readers today. As well as poems detailing the miseries of war there are poems on themes of bravery, friendship and loyalty, and this collection shows how even in the depths of despair the human spirit can still triumph.
Author: Edward Brunner
Publisher: University of Illinois Press
ISBN: 9780252072178
Category : History
Languages : en
Pages : 330
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Book Description
Mainstream American poetry of the 1950s has long been dismissed as deliberately indifferent to its cultural circumstances. In this penetrating study, Edward Brunner breaks the placid surface of the hollow decade to reveal a poetry sharply responsive to issues of its time. Cold War Poetry considers the fifties poem as part of a dual cultural project: as proof of the competency of the newly professionalized poet and as a user-friendly way of initiating a newly educated, upwardly mobile postwar audience into high culture. Brunner revisits Richard Wilbur, Randall Jarrell, and other acknowledged leaders of the period as well as neglected writers such as Rosalie Moore, V. R. Lang, Katherine Hoskins, Melvin B. Tolson, and Hyam Plutzik. He also examines the one-sided authority of the (male-dominated) book review process, the ostracizing of female and minority poets, poetic fads such as the ubiquitous sestina, and the power of the classroom anthology to establish criteria for reading. Attributing the gradual change in poetic style during the 1950s to the slow collapse of the authority of the state, Brunner shows how a secretive, anxious poetics developed in the shadow of a disabled government. He recontextualizes the much-maligned domestic verse of the 1950s, reading its shift toward the private sphere and the recurrent image of the child as a reflection of the powerlessness of the post-nuclear citizen. Through a close examination of poetry written about the Bomb, he delineates how poets registered their growing sense of cosmic disorder in coded language, resorting to subterfuge to continue their critique in the face of sanctions levied against those who questioned government policies. Brilliantly decoding the politics embedded in the poetry of an ostensibly apolitical time, Cold War Poetry provides a powerful rereading of a pivotal decade.
Author: Harvey Shapiro
Publisher:
ISBN:
Category : History
Languages : en
Pages : 310
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Book Description
Acclaimed poet and World War II veteran Shapiro's pathbreaking gathering of work by more than 60 poets of the war years includes Randall Jarrell, Anthony Hecht, George Oppen, Richard Eberhart, William Bronk, and Woody Guthrie.
Author: Philip Metres
Publisher: University of Iowa Press
ISBN: 1587297388
Category : Literary Criticism
Languages : en
Pages : 297
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Book Description
Whether Thersites in Homer’s Iliad, Wilfred Owen in “Dulce et Decorum Est,” or Allen Ginsberg in “Wichita Vortex Sutra,” poets have long given solitary voice against the brutality of war. The hasty cancellation of the 2003 White House symposium “Poetry and the American Voice” in the face of protests by Sam Hamill and other invited guests against the coming “shock and awe” campaign in Iraq reminded us that poetry and poets still have the power to challenge the powerful. Behind the Lines investigates American war resistance poetry from the Second World War through the Iraq wars. Rather than simply chronicling the genre, Philip Metres argues that this poetry gets to the heart of who is authorized to speak about war and how it can be represented. As such, he explores a largely neglected area of scholarship: the poet’s relationship to dissenting political movements and the nation. In his elegant study, Metres examines the ways in which war resistance is registered not only in terms of its content but also at the level of the lyric. He proposes that protest poetry constitutes a subgenre that—by virtue of its preoccupation with politics, history, and trauma—probes the limits of American lyric poetry. Thus, war resistance poetry—and the role of what Shelley calls unacknowledged legislators—is a crucial, though largely unexamined, body of writing that stands at the center of dissident political movements.
Author: Leon Stokesbury
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 272
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Book Description
A collection of American poetry about World War II by fifty-two poets.
Author: Lee Bennett Hopkins
Publisher: Simon and Schuster
ISBN: 1416918329
Category : Juvenile Nonfiction
Languages : en
Pages : 108
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Book Description
A collection of poems about America at war from the Revolution to the Iraq war.
Author: Adam Gilbert
Publisher: Culture and Politics in the Company
ISBN: 9781625343017
Category : History
Languages : en
Pages : 0
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Book Description
The American war in Vietnam was one of the most morally contentious events of the twentieth century, and it produced an extraordinary outpouring of poetry. Yet the complex ethical terrain of the conflict is remarkably underexplored, and the prodigious poetic voice of its American participants remains largely unheard. In A Shadow on Our Hearts, Adam Gilbert rectifies these oversights by utilizing the vast body of soldier-poetry to examine the war's core moral issues. The soldier-poets provide important insights into the ethical dimensions of their physical and psychological surroundings before, during, and after the war. They also offer profound perspectives on the relationships between American soldiers and the Vietnamese people. From firsthand experiences, they reflect on what it meant to be witnesses, victims, and perpetrators of the war's violence. And they advance an uncompromising vision of moral responsibility that indicts a range of culprits for the harms caused by the conflict. Gilbert explores the powerful and perceptive work of these soldier-poets through the lens of morality and presents a radically alternative, deeply personal, and ethically penetrating account of the American war in Vietnam.
Author: Karen L. Kilcup
Publisher: University of Michigan Press
ISBN: 0472131559
Category : Literary Criticism
Languages : en
Pages : 426
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Book Description
Throughout the 19th century, American poetry was a profoundly populist literary form. It circulated in New England magazines and Southern newspapers; it was read aloud in taverns, homes, and schools across the country. Antebellum reviewers envisioned poetry as the touchstone democratic genre, and their Civil War–era counterparts celebrated its motivating power, singing poems on battlefields. Following the war, however, as criticism grew more professionalized and American literature emerged as an academic subject, reviewers increasingly elevated difficult, dispassionate writing and elite readers over their supposedly common counterparts, thereby separating “authentic” poetry for intellectuals from “popular” poetry for everyone else.\ Conceptually and methodologically unique among studies of 19th-century American poetry, Who Killed American Poetry? not only charts changing attitudes toward American poetry, but also applies these ideas to the work of representative individual poets. Closely analyzing hundreds of reviews and critical essays, Karen L. Kilcup tracks the century’s developing aesthetic standards and highlights the different criteria reviewers used to assess poetry based on poets’ class, gender, ethnicity, and location. She shows that, as early as the 1820s, critics began to marginalize some kinds of emotional American poetry, a shift many scholars have attributed primarily to the late-century emergence of affectively restrained modernist ideals. Mapping this literary critical history enables us to more readily apprehend poetry’s status in American culture—both in the past and present—and encourages us to scrutinize the standards of academic criticism that underwrite contemporary aesthetics and continue to constrain poetry’s appeal. Who American Killed Poetry? enlarges our understanding of American culture over the past two hundred years and will interest scholars in literary studies, historical poetics, American studies, gender studies, canon criticism, genre studies, the history of criticism, and affect studies. It will also appeal to poetry readers and those who enjoy reading about American cultural history.
Author: Jon Silkin
Publisher: Penguin
ISBN: 9780141180090
Category : Poetry
Languages : en
Pages : 324
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Book Description
A selection of poetry written during World War I. In the introduction Jon Silkin traces the changing mood of the poets - from patriotism through anger and compassion to an active desire for social change. The book includes work by Sassoon, Owen, Blunden, Rosenberg, Hardy and Lawrence.
