American Fiction in the Cold War PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download American Fiction in the Cold War PDF full book. Access full book title American Fiction in the Cold War by Thomas H. Schaub. Download full books in PDF and EPUB format.
Author: Thomas H. Schaub
Publisher: Univ of Wisconsin Press
ISBN: 9780299128449
Category : Literary Criticism
Languages : en
Pages : 230
Get Book Here
Book Description
Schaub presents American fiction in the political climate of its time. Through the 1930s, he portrays authors as typically left of center and becoming disillusioned with communism as a result of Stalin's purges and his nonaggression pact with Hitler. Subsequent authors embraced a His general discussion comes to focus on the works of Barth, O'Connor, Ellison, and Mailer. Paper edition (unseen), $12.95. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Thomas H. Schaub
Publisher: Univ of Wisconsin Press
ISBN: 9780299128449
Category : Literary Criticism
Languages : en
Pages : 230
Get Book Here
Book Description
Schaub presents American fiction in the political climate of its time. Through the 1930s, he portrays authors as typically left of center and becoming disillusioned with communism as a result of Stalin's purges and his nonaggression pact with Hitler. Subsequent authors embraced a His general discussion comes to focus on the works of Barth, O'Connor, Ellison, and Mailer. Paper edition (unseen), $12.95. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Steven Belletto
Publisher: University of Iowa Press
ISBN: 1609381130
Category : Literary Criticism
Languages : en
Pages : 250
Get Book Here
Book Description
Authors and artists discussed include: Joseph Conrad, Edwin Denby, Joan Didion, Ralph Waldo Emerson, Allen Ginsberg, Frank Berbert, Richard Kim, Norman Mailer, Malcolm X, Alan Nadel, and John Updike,
Author: David Seed
Publisher: Routledge
ISBN: 1135953821
Category : Art
Languages : en
Pages : 223
Get Book Here
Book Description
American Science Fiction--in both literature and film--has played a key role in the portrayal of the fears inherent in the Cold War. The end of this era heralds the need for a reassessment of the literary output of the forty-year period since 1945. Working through a series of key texts, American Science Fiction and the Cold War investigates the political inflections put on American narratives in the post-war decades by Cold War cultural circumstances. Nuclear holocaust, Russian invasion, and the perceived rise of totalitarianism in American society are key elements in the author's exploration of science fiction narratives that include Fahrenheit 451, Invasion of the Body Snatchers, and Dr. Strangelove.
Author: Samuel Cohen
Publisher: University of Iowa Press
ISBN: 1587298902
Category : Literary Criticism
Languages : en
Pages : 249
Get Book Here
Book Description
In this bold book, Samuel Cohen asserts the literary and historical importance of the period between the fall of the Berlin wall and that of the Twin Towers in New York. With refreshing clarity, he examines six 1990s novels and two post-9/11 novels that explore the impact of the end of the Cold War: Pynchon's Mason & Dixon, Roth's American Pastoral, Morrison's Paradise, O'Brien's In the Lake of the Woods, Didion's The Last Thing He Wanted, Eugenides's Middlesex, Lethem's Fortress of Solitude, and DeLillo's Underworld. Cohen emphasizes how these works reconnect the past to a present that is ironically keen on denying that connection. Exploring the ways ideas about paradise and pastoral, difference and exclusion, innocence and righteousness, triumph and trauma deform the stories Americans tell themselves about their nation’s past, After the End of History challenges us to reconsider these works in a new light, offering fresh, insightful readings of what are destined to be classic works of literature. At the same time, Cohen enters into the theoretical discussion about postmodern historical understanding. Throwing his hat in the ring with force and style, he confronts not only Francis Fukuyama’s triumphalist response to the fall of the Soviet Union but also the other literary and political “end of history” claims put forth by such theorists as Fredric Jameson and Walter Benn Michaels. In a straightforward, affecting style, After the End of History offers us a new vision for the capabilities and confines of contemporary fiction.
Author: Deborah N. Cohn
Publisher: Vanderbilt University Press
ISBN: 0826518044
Category : History
Languages : en
Pages : 282
Get Book Here
Book Description
How the dissemination of Latin American literature in the U.S. was "caught between the desire to support the literary revolution of the Boom writers and the fear of revolutionary politics" (John King).
Author: Natalia Voinova
Publisher: Anchor Academic Publishing (aap_verlag)
ISBN: 3954895587
Category : Computers
Languages : en
Pages : 42
Get Book Here
Book Description
This study will compare the USSR and the United States according to their cinematic use of science fiction in the late 1950s and 1960s in order to coincide with the period of de-Stalinisation and thaw in the USSR, and late McCarthyism in the United States. The genre provides an opportunity to express the two powers' scientific stand-off through fiction, and serves as a vehicle for the dissemination of ideas and propaganda. Post-1956 marks the time when the period of de-Stalinisation officially began and science fiction saw a carefully crafted rebirth for it served as a tool that could reflect the socialist ideal and quasi-religious faith in science that was promoted by the party. Science fiction uniquely demands for an imaginative view of the future, and therefore, corresponds with the Marxist- Leninist future-oriented ideology. For this period, the themes for American science fiction are hyperbolised monsters and invasion, and reflect the fear of the otherness of the Soviet Union, and its threat on domestic ideals. These themes are reflected in movies as 'Angry Red Planet', and 'Them!'. On the other hand, Soviet science fiction movies focus on the heroic Soviet man who frequently receives calls for help from outer space, and overcomes great trials to save those not living in utopia. This storyline is represented in 'Towards a Dream', and 'The Sky is calling'. The author gives special attention to the Soviet movie 'The Sky is calling' and the subsequent redubbed American version 'Battle beyond the Sun'. Further, she addresses alterations or plot, and subtle propaganda messages in the Soviet movies 'Planet of Storms', and the Hollywood remake 'Journey to the Prehistoric Planet'.
Author: Woody Haut
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 248
Get Book Here
Book Description
Essential reading for those interested in Noir writing, hardboiled fiction and films, and the psot-war era..
Author: John N. Duvall
Publisher: Cambridge University Press
ISBN: 0521196310
Category : Literary Criticism
Languages : en
Pages : 293
Get Book Here
Book Description
A comprehensive 2011 guide to the genres, historical contexts, cultural diversity and major authors of American fiction since the Second World War.
Author: Sarah Daw
Publisher: Edinburgh University Press
ISBN: 147443004X
Category : Literary Criticism
Languages : en
Pages : 256
Get Book Here
Book Description
A study of a key modernist form, its theory, practice and legacy.
Author: Steven Belletto
Publisher: University of Iowa Press
ISBN: 1609386310
Category : Literary Criticism
Languages : en
Pages : 315
Get Book Here
Book Description
Bringing together noted scholars in the fields of literary, cultural, gender, and race studies, this edited volume challenges us to reconsider our understanding of the Cold War, revealing it to be a global phenomenon rather than just a binary conflict between U.S. and Soviet forces. Shining a spotlight on writers from the war’s numerous fronts and applying lenses of race, gender, and decolonization, the essayists present several new angles from which to view the tense global showdown that lasted roughly a half-century. Ultimately, they reframe the Cold War not merely as a divide between the Soviet Union and the United States, but between nations rich and poor, and mostly white and mostly not. By emphasizing the global dimensions of the Cold War, this innovative collection reveals emergent forms of post-WWII empire that continue to shape our world today, thereby raising the question of whether the Cold War has ever fully ended.
