Allied Arts

Allied Arts PDF Author: Sandra Alfoldy
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773539603
Category : Architecture
Languages : en
Pages : 253

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Book Description
Considering a wide range of craftspeople, materials, and forms, The Allied Arts investigates the history of the complex relationship between craft and architecture by examining the intersection of these two areas in Canadian public buildings.

Allied Arts

Allied Arts PDF Author: Sandra Alfoldy
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773539603
Category : Architecture
Languages : en
Pages : 253

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Book Description
Considering a wide range of craftspeople, materials, and forms, The Allied Arts investigates the history of the complex relationship between craft and architecture by examining the intersection of these two areas in Canadian public buildings.

American Art Directory

American Art Directory PDF Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 806

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Book Description
The biographical material formerly included in the directory is issued separately as Who's who in American art, 1936/37-

American Art Annual

American Art Annual PDF Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 794

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Book Description


American Art Directory

American Art Directory PDF Author: Florence Nightingale Levy
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 652

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Book Description


Artsplan

Artsplan PDF Author: Arts Alliance of Washington State
Publisher:
ISBN:
Category : Art patronage
Languages : en
Pages : 218

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Book Description


Crafting Identity

Crafting Identity PDF Author: Sandra Alfoldy
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773528604
Category : Art
Languages : en
Pages : 318

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Book Description
"By contrasting American experience with the Canadian context, which includes a unique Quebec identity and a Native dimension, Sandra Alfoldy argues that the development of organizations, advanced education for craftspeople, and exhibition and promotional opportunities have contributed to the distinct evolution of professional craft in Canada over the past forty years. Alfoldy focuses on 1964-74 and the debates over distinctions between professional, self-taught, and amateur craftspeople and between one-of-a-kind and traditional craft objects. She deals extensively with key people and events, including American philanthropist Aileen Osborn Webb and Canadian philanthropist Joan Chalmers, the foundation of the World Crafts Council (1964) and the Canadian Crafts Council (1974), the Canadian Fine Crafts exhibition at Expo 67, and the In Praise of Hands exhibition of 1974. Drawing upon a wealth of previously unexploited materials, this richly documented survey includes descriptions and illustrations of significant works and identifies the challenges that lie ahead for professional crafts in Canada."--Pub. desc

Publication

Publication PDF Author:
Publisher:
ISBN:
Category : Income tax
Languages : en
Pages : 1112

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Book Description


American Art Annual

American Art Annual PDF Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 652

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Book Description


Cumulative List of Organizations Described in Section 170 (c) of the Internal Revenue Code of 1954

Cumulative List of Organizations Described in Section 170 (c) of the Internal Revenue Code of 1954 PDF Author:
Publisher:
ISBN:
Category : Charitable uses, trusts, and foundations
Languages : en
Pages : 1200

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Book Description


Spirituality, Feminism, and Pre-Raphaelitism in Modern British Art and Culture

Spirituality, Feminism, and Pre-Raphaelitism in Modern British Art and Culture PDF Author: Alice Eden
Publisher: Taylor & Francis
ISBN: 135100428X
Category : Art
Languages : en
Pages : 323

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Book Description
This book proposes new understandings of modern life in Britain by bringing constructs of female spirituality centre stage and examining three ‘forgotten’ artists identified with the Pre-Raphaelites and Victorianism. Thomas Cooper Gotch, Robert Anning Bell and Frederick Cayley Robinson are resituated squarely within the tumultuous social and cultural changes of the period. Becoming visible again, in more inclusive histories, allows such artists not only to re-inhabit but to reshape narratives of modernism, reanimating the scholarly discourse and creating a dynamic cultural history of modern Britain expressed through their striking visions of womanhood. This book will be of interest to scholars in art history, gender studies and British studies.