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Author: John Tzetzes
Publisher:
ISBN: 9780674967854
Category : Allegories
Languages : en
Pages : 0
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Book Description
As a didactic explanation of pagan ancient Greek culture to Orthodox Christians, John Tzetzes's Allegories of the Iliad is deeply rooted in the mid-twelfth-century circumstances of the cosmopolitan Comnenian court. As a critical reworking of the Iliad, it is part of the millennia-long global tradition of Homeric adaptation.
Author: John Tzetzes
Publisher:
ISBN: 9780674967854
Category : Allegories
Languages : en
Pages : 0
Get Book Here
Book Description
As a didactic explanation of pagan ancient Greek culture to Orthodox Christians, John Tzetzes's Allegories of the Iliad is deeply rooted in the mid-twelfth-century circumstances of the cosmopolitan Comnenian court. As a critical reworking of the Iliad, it is part of the millennia-long global tradition of Homeric adaptation.
Author: John Tzetzes
Publisher:
ISBN: 9780674238374
Category : Epic poetry, Greek
Languages : en
Pages : 0
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Book Description
The twelfth-century Byzantine scholar, poet, and teacher John Tzetzes composed the verse commentary Allegories of the Odyssey to explain Odysseus's journey and the pagan gods and marvels he encountered. This edition presents the first translation of the Allegories of the Odyssey into any language alongside the Greek text.
Author: Corinne Ondine Pache
Publisher: Cambridge University Press
ISBN: 1108663621
Category : Literary Collections
Languages : en
Pages : 974
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Book Description
From its ancient incarnation as a song to recent translations in modern languages, Homeric epic remains an abiding source of inspiration for both scholars and artists that transcends temporal and linguistic boundaries. The Cambridge Guide to Homer examines the influence and meaning of Homeric poetry from its earliest form as ancient Greek song to its current status in world literature, presenting the information in a synthetic manner that allows the reader to gain an understanding of the different strands of Homeric studies. The volume is structured around three main themes: Homeric Song and Text; the Homeric World, and Homer in the World. Each section starts with a series of 'macropedia' essays arranged thematically that are accompanied by shorter complementary 'micropedia' articles. The Cambridge Guide to Homer thus traces the many routes taken by Homeric epic in the ancient world and its continuing relevance in different periods and cultures.
Author: Heraclitus
Publisher: Society of Biblical Lit
ISBN: 1589831225
Category : Allegory
Languages : en
Pages : 176
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Book Description
Author: Luc Brisson
Publisher: University of Chicago Press
ISBN: 0226075389
Category : Philosophy
Languages : en
Pages : 222
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Book Description
This study explains how the myths of Greece and Rome were transmitted from antiquity to the Renaissance. Luc Brisson argues that philosophy was ironically responsible for saving myth from historical annihilation. Although philosophy was initially critical of myth because it could not be declared true or false and because it was inferior to argumentation, mythology was progressively reincorporated into philosophy through allegorical exegesis. Brisson shows to what degree allegory was employed among philosophers and how it enabled myth to take on a number of different interpretive systems throughout the centuries: moral, physical, psychological, political, and even metaphysical. How Philosophers Saved Myths also describes how, during the first years of the modern era, allegory followed a more religious path, which was to assume a larger role in Neoplatonism. Ultimately, Brisson explains how this embrace of myth was carried forward by Byzantine thinkers and artists throughout the Middle Ages and Renaissance; after the triumph of Chistianity, Brisson argues, myths no longer had to agree with just history and philosophy but the dogmas of the Church as well.
Author: Marina Warner
Publisher: Univ of California Press
ISBN: 0520227336
Category : Art
Languages : en
Pages : 487
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Book Description
A brilliant examination of the allegorical uses of the female form to be found in the sculpture ornamenting public buildings as well as throughout the history of western art.
Author: Christina-Panagiota Manolea
Publisher: Brill's Companions to Classica
ISBN: 9789004243439
Category : Literary Criticism
Languages : en
Pages : 512
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Book Description
"Brill's Companion to the Reception of Homer from the Hellenistic Age to Late Antiquity presents a comprehensive account of the afterlife of the Homeric corpus. Twenty chapters written by a range of experts in the field show how Homeric poems were transmitted, disseminated, adopted, analysed, admired or even criticized across diverse intellectual environments, from the 3rd century BCE to the 6th century CE. The volume explores the impact of Homer on Hellenistic prose and poetry, the Second Sophistic, the Stoics, some Christian writers and the major Neoplatonists, showing how the Greek paideia continued to flourish in new contexts. Contributors are: Gianfranco Agosti, John Dillon, Mark Edwards, Christos Fakas, Jeffrey Fish, Luis Arturo Guichard, Malcolm Heath, Ronald E. Heine, Lawrence Kim, Robert Lamberton, Jane L. Lightfoot, Enrico Magnelli, Antony Makrinos, Diotima Papadi, Robert J. Penella, Aglae Pizzone, Ilaria Ramelli, Anne Sheppard, Georgios Tsomis, Cornelia van der Poll, Sarah Klitenic Wear"--
Author: Paul De Man
Publisher: Yale University Press
ISBN: 9780300028454
Category : Literary Criticism
Languages : en
Pages : 324
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Book Description
This important theoretical work by Paul de Man sets forth a mode of reading and interpretation based on exemplary texts by Rousseau, Nietzsche, Rilke, and Proust. The readings start from unresolved difficulties in the critical traditions engendered by these authors, and they return to the places in the text where those difficulties are most apparent or most incisively reflected upon. The close reading leads to the elaboration of a more general model of textual understanding, in which de Man shows that the thematic aspects of the texts--their assertions of truth or falsehood as well as their assertions of values--are linked to specific modes of figuration that can be identified and described. The description of synchronic figures of substitution leads, by an inner logic embedded in the structure of all tropes, to extended, narrative figures or allegories. De Man poses the question whether such self-generating systems of figuration can account fully for the intricacies of meaning and of signification they produce. Throughout the book, issues in contemporary criticism are addressed analytically rather than polemically. Traditional oppositions are put in question by a rhetorical analysis which demonstrates why literary texts are such powerful sources of meaning yet epistemologically so unreliable. Since the structure which underlies this tension belongs to language in general and is not confined to literary texts, the book, starting out as practical and historical criticism or as the demonstration of a theory of literary reading, leads into larger questions pertaining to the philosophy of language. "Through elaborate and elegant close readings of poems by Rilke, Proust's Remembrance, Nietzsche's philosophical writings and the major works of Rousseau, de Man concludes that all writing concerns itself with its own activity as language, and language, he says, is always unreliable, slippery, impossible....Literary narrative, because it must rely on language, tells the story of its own inability to tell a story....De Man demonstrates, beautifully and convincingly, that language turns back on itself, that rhetoric is untrustworthy."--Julia Epstein, Washington Post Book World "The study follows out of the thinking of Nietzsche and Genette (among others), yet moves in strikingly new directions....De Man's text, almost certain to be endlessly provocative, is worthy of repeated re-reading."--Ralph Flores, Library Journal "Paul de Man continues his work in the tradition of 'deconstructionist criticism, '... which] begins with the observation that all language is constructed; therefore the task of criticism is to deconstruct it and reveal what lies behind. The title of his new work reflects de Man's preoccupation with the unreliability of language. ... The contributions that the book makes, both in the initial theoretical chapters and in the detailed analyses (or deconstructions) of particular texts are undeniable."--Caroline D. Eckhardt, World Literature Today
Author: Homer
Publisher: Open Road Media
ISBN: 1504064941
Category : Poetry
Languages : en
Pages : 632
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Book Description
These two timeless epics by the ancient Greek poet—each translated by a world-renowned author—have captured the Western imagination for millennia. The Iliad: Alexander Pope “works miracles” in this beautiful verse translation of Homer’s epic poem set near the end of the Trojan War. It centers on a quarrel between the invading Greek king Agamemnon and his greatest asset in battle, the warrior Achilles. From this conflict, Homer weaves a tale of warring nations, vengeful gods, and the terrible consequences of prideful rage (The New York Times). The Odyssey: The Trojan War is over and Odysseus, the king of Ithaca, embarks to return home. But he is cursed by the god Poseidon to wander the perilous earth for ten years before reaching his destination. Homer’s epic adventure of survival by wit and battling mythical creatures is presented here in a stirring prose translation by Samuel Butler.
Author: Mark Heerink
Publisher: University of Wisconsin Pres
ISBN: 0299305449
Category : History
Languages : en
Pages : 264
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Book Description
During a stopover of the Argo in Mysia, the boy Hylas sets out to fetch water for his companion Hercules. Wandering into the woods, he arrives at a secluded spring, inhabited by nymphs who fall in love with him and pull him into the water. Mad with worry, Hercules stays in Mysia to look for the boy, but he will never find him again . . . In Echoing Hylas, Mark Heerink argues that the story of Hylas—a famous episode of the Argonauts' voyage—was used by poets throughout classical antiquity to reflect symbolically on the position of their poetry in the literary tradition. Certain elements of the story, including the characters of Hylas and Hercules themselves, functioned as metaphors of the art of poetry. In the Hellenistic age, for example, the poet Theocritus employed Hylas as an emblem of his innovative bucolic verse, contrasting the boy with Hercules, who symbolized an older, heroic-epic tradition. The Roman poet Propertius further developed and transformed Theocritus's metapoetical allegory by turning Heracles into an elegiac lover in pursuit of an unattainable object of affection. In this way, the myth of Hylas became the subject of a dialogue among poets across time, from the Hellenistic age to the Flavian era. Each poet, Heerink demonstrates, used elements of the myth to claim his own place in a developing literary tradition. With this innovative diachronic approach, Heerink opens a new dimension of ancient metapoetics and offers many insights into the works of Apollonius of Rhodes, Theocritus, Virgil, Ovid, Valerius Flaccus, and Statius.
