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Author: Christopher Wilson
Publisher: BoD – Books on Demand
ISBN: 3732661032
Category : Fiction
Languages : en
Pages : 134
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Book Description
Reproduction of the original: Shakespeare and Music by Christopher Wilson
Author: Christopher Wilson
Publisher: BoD – Books on Demand
ISBN: 3732661032
Category : Fiction
Languages : en
Pages : 134
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Book Description
Reproduction of the original: Shakespeare and Music by Christopher Wilson
Author: William Shakespeare
Publisher: Franklin Classics Trade Press
ISBN: 9780353395947
Category : Drama
Languages : en
Pages : 184
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Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 430
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Book Description
Author: B. J. Sokol
Publisher: Bloomsbury Publishing
ISBN: 1350021954
Category : Literary Criticism
Languages : en
Pages : 342
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Book Description
This study of the many poets, musicians and visual artists portrayed or described in Shakespeare's plays and poems reveals a fascination with art and its makers that continued to influence Shakespeare's work throughout his career. It also uncovers unexpected aspects of an enthusiastic Elizabethan consumption of artworks, an enthusiasm that had significant bearing on the quite new profession that Shakespeare himself followed. A high valuation placed on art and artists, and at the same time certain fears of these and fears for these, made for a very complex reception of the figure of the artist, and Shakespeare's treatments were equal to that complexity.
Author: Ross W. Duffin
Publisher: W. W. Norton & Company
ISBN: 1324064684
Category : Drama
Languages : en
Pages : 536
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Book Description
A remarkable work that recovers the songs Shakespeare's audiences actually heard and brings them to life through performance. Winner of the Claude V. Palisca Award of the American Musicological Society Shakespeare lovers have long lamented that so few songs in his plays survive with original music; of about sixty song lyrics, only a handful have come down to us with musical settings. For over 150 years, scholars have aspired—without success—to fill that gap. In Shakespeare's Songbook, Ross W. Duffin does just that. Eight years in the making, Shakespeare's Songbook is a meticulously researched collection of 155 songs—ballads and narratives, drinking songs, love songs, and rounds—that appear in, are quoted in, or alluded to in Shakespeare's plays. Drawing substantially on the unmatched resources of the Folger Shakespeare Library, Duffin brings complete lyrics (many newly recovered) and music notation together for the first time, and in the process sheds new light on Shakespeare's dramatic art. With performances by leading early-music singers and instrumentalists, the accompanying audio CD brings the songbook to life. Shakespeare's Songbook is the perfect gift for lovers of Shakespeare and an invaluable reference for singers, actors, directors, and scholars.
Author: Edward W. Naylor
Publisher: Good Press
ISBN:
Category : History
Languages : en
Pages : 192
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Book Description
"Shakespeare and Music" by Edward W. Naylor. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 440
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Book Description
Author: Harold Reeves (Firm)
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 620
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Book Description
Author: Richmond Samuel Howe Noble
Publisher: London : Oxford University Press
ISBN:
Category : Music and literature
Languages : en
Pages : 172
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Book Description
Author: Kendra Preston Leonard
Publisher: Scarecrow Press
ISBN: 0810869586
Category : Performing Arts
Languages : en
Pages : 165
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Book Description
Shakespeare's three political tragedies_Hamlet, Macbeth, and King Lear_have numerously been presented or adapted on film. These three plays all involve the recurring trope of madness, which, as constructed by Shakespeare, provided a wider canvas on which to detail those materials that could not be otherwise expressed: sexual desire and expectation, political unrest, and, ultimately, truth, as excavated by characters so afflicted. Music has long been associated with madness, and was often used as an audible symptom of a victim's disassociation from their surroundings and societal rules, as well as their loss of self-control. In Shakespeare, Madness, and Music: Scoring Insanity in Cinematic Adaptations, Kendra Preston Leonard examines the use of music in Hamlet, Macbeth, and King Lear. Whether discussing contemporary source materials, such as songs, verses, or rhymes specified by Shakespeare in his plays, or music composed specifically for a film and original to the director's or composer's interpretations, Leonard shows how the changing social and scholarly attitudes towards the plays, their characters, and the conditions that fall under the general catch-all of 'madness' have led to a wide range of musical accompaniments, signifiers, and incarnations of the afflictions displayed by Shakespeare's characters. Focusing on the most widely distributed and viewed adaptations of these plays for the cinema, each chapter presents the musical treatment of individual Shakespearean characters afflicted with or feigning madness: Hamlet, Ophelia, Lady Macbeth, King Lear, and Edgar. The book offers analysis and interpretation of the music used to underscore, belie, or otherwise inform or invoke the characters' states of mind, providing a fascinating indication of culture and society, as well as the thoughts and ideas of individual directors, composers, and actors. A bibliography, index, and appendix listing Shakespeare's film adaptations help complete this fascinating volume.
