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Author: Fred Allen
Publisher: Chicago Review Press - Fulcrum
ISBN: 9781555911546
Category : Biography & Autobiography
Languages : en
Pages : 0
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Book Description
Allen offered a thinking person's humor, delivered every week to 30 million Americans in his 17-year-long radio show (1932-1949). The book showcases many of Fred Allen's previously published and unpublished letters, essays, radio scripts, and quips.
Author: Fred Allen
Publisher: Chicago Review Press - Fulcrum
ISBN: 9781555911546
Category : Biography & Autobiography
Languages : en
Pages : 0
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Book Description
Allen offered a thinking person's humor, delivered every week to 30 million Americans in his 17-year-long radio show (1932-1949). The book showcases many of Fred Allen's previously published and unpublished letters, essays, radio scripts, and quips.
Author: Christopher Gullo
Publisher: Xlibris Corporation
ISBN: 1469120631
Category : Biography & Autobiography
Languages : en
Pages : 422
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Book Description
In All Sincerity... Peter Cushing by Christopher Gullo with a foreword by Peter Sasdy In All SincerityPeter Cushing is a new book examining the career of the gentle man of horror. In a career spanning six decades and many mediums, including film, television, theatre, radio, and writing, Peter Cushing has been hailed as a consummate actor who was loved by both fans and co-workers alike. Whether through his early days touring with Laurence Olivier, becoming Englands first television star, recreating the characters of Baron Frankenstein and Abraham Van Helsing for Hammer Films, or appearing in Star Wars, the most famous science fiction film ever produced, Peter Cushing exemplified dignity, preparedness and dedication to his craft. Four years in the making, In All SincerityPeter Cushing breaks down the actors career into decades from his very beginnings in local theatre, his stint in Hollywood, and his rise to fame as the king of horror and beyond. Over eighty actors, actresses and directors have contributed to the book, including Val Guest, Robert Quarry, Francis Matthews, Brian Cox, Forrest J. Ackerman, Yvonne Monlaur, Mark Hamill, John Carpenter, Ted Newsom, Caroline Munro and the late Sir Nigel Hawthorne. Featuring dozens of pictures, In All SincerityPeter Cushing includes some rare candid and never before published photos of Peter Cushing on the sets of The Curse of Frankenstein, The Gorgon, The Skull, Frankenstein Created Woman, and Tendre Dracula, at leisure; indulging in his love of painting, the 1975 Famous Monsters convention and the 1992 opening of Cushings View. Also featured is a dedication from his life-long love Helen Beck six months before their marriage. In All SincerityPeter Cushing offers fans a personal look at a truly talented man. Author Christopher Gullo has been a life-long admirer of actor Peter Cushing. He has spent the last four years collecting rare materials and conducting interviews with Cushings co-workers for his research on the book. In the beginning of 2000, he took over the running of The Peter Cushing Association, a club for all fans of the great actor, which was created under the guidance of Peter Cushings former secretary, Joyce Broughton. YOU COULD OWN A GENUINE PIECE OF PETER CUSHING MEMORABILIA: Author Christopher Gullo is offering all fans who order the book and e-mail him at
[email protected] (including their name, mailing address, and e-mail address) the chance to win an actual letter written by Peter Cushing to the BBC in 1986. It is on a piece of Mr. Cushings official stationery, written on both sides, and signed by him. All names and addresses will be kept on file, and at the time of the books publication will be entered into a draw - the first one drawn will win Peter Cushings letter.
Author: Jennifer Frost
Publisher: NYU Press
ISBN: 0814728235
Category : Biography & Autobiography
Languages : en
Pages : 298
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Book Description
Frost argues that Hopper has had a profound and lasting influence on popular and political culture and should be viewed as a pivotal popularizer of conservatism. As practiced by Hopper and her readers, Hollywood gossip shaped key developments in American movies and movie culture, newspaper journalism and conservative politics, along with the culture of gossip itself.
Author: Jackie Byars
Publisher: Routledge
ISBN: 1134910800
Category : Performing Arts
Languages : en
Pages : 348
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Book Description
All that Hollywood Allows explores the representation of gender in popular Hollywood melodramas of the 1950s. Both a work of feminist film criticism and theory and an analysis of popular culture, this provocative book examines from a cultural studies perspective top-grossing film melodramas, such as A Streetcar Named Desire, From Here to Eternity, East of Eden, Imitation of Life and Picnic. Stereotypically viewed as a complacent and idyllic time, the 1950s were actually a time of dislocation and great social change. Jackie Byars argues that mass media texts of the period, especially films, provide evidence of society's consuming preoccupation with the domestic sphere - the nuclear family and its values - and she shows how Hollywood melodramas interpreted and extended societal debates concerning family structure, sexual divisions of labour, and gender roles. Her readings of these films assess a variety of critical methodologies and approaches to textual analysis, some central to feminist film studies and some previously bypassed by scholars in the field.
Author: John Fawell
Publisher: Bloomsbury Publishing USA
ISBN: 0313356939
Category : Social Science
Languages : en
Pages : 240
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Book Description
Although we tend to accord our highest praise to films with strong messages, Hollywood is resolutely unserious in its goals, and closer perhaps to music than to literature in this regard. Thus, in order to appreciate Hollywood's classic movies, we have to understand them as the result of a style of filmmaking that justifies itself through the grace and beauty of its form. This beauty, when seen, challenges our notion of film as the poorer cousin of the high arts, or as worthwhile only when it serves a social purpose. The Hidden Art of Hollywood draws from a huge fund of recorded interviews with the directors, writers, cinematographers, set designers, producers, and actors who were a part of the studio process, in order to give the filmmakers themselves the chance to explain a very elusive phenomenon: the glancing beauty of the Hollywood film. While the greatness of the classic Hollywood film is, for many of us, settled business, there are also a great number who have difficulty understanding why these films—which can often seem dated and unrealistic compared to modern fare—are taken as seriously as they are. Although we tend to accord our highest praise to films with strong and often didactic messages, Hollywood is resolutely unserious in its goals, and closer perhaps to music than to literature in this regard. Thus, in order to appreciate classic American movies, we have to understand them as the result of a style of filmmaking that justifies itself not through ideas or social relevance, but through the grace and beauty of its form. The beauty of the Hollywood film challenges our notion of film as the poorer cousin of the high arts, or as worthwhile only when it serves a social purpose. In his effort to answer the many questions that classic American cinema suggests, author John Fawell considers previous criticism of Hollywood, but also draws from a huge fund of recorded interviews with the directors, writers, cinematographers, set designers, producers, and actors who were a part of the studio process, in order to give the filmmakers themselves the chance to explain a very elusive phenomenon: the glancing beauty of the Hollywood film. The films of certain great auteurs, including Charlie Chaplin, Ernst Lubitsch, Preston Sturges, Alfred Hitchcock, Billy Wilder, John Ford, and Orson Welles, receive particular attention here, but this book is organized by ideas rather than films or artists, and it draws from a wide array of Hollywood films, both successes and failures, to make its points.
Author: Timothy B. Cochran
Publisher: Routledge
ISBN: 0429874693
Category : Music
Languages : en
Pages : 216
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Book Description
Musical Sincerity and Transcendence in Film focuses on the ways filmmakers treat music reflexively—that is, draw attention to what it is and what it can do. Examining a wide range of movies from the last thirty-five years including examples from Indiewood, teen film, and blockbuster cinema. The book explores two recurring ideas about music implied by foregrounded musical activity on screen: that music can be a potent means of sincere expression and genuine human connection and that music can enable transcendence of disenchantment and the mundane. The book covers eclectic critical terrain to highlight various layers of musical sincerity and transcendence in film, including the nineteenth-century aesthetics of E.T.A. Hoffmann, David Foster Wallace’s literary resistance to irony (sometimes called the New Sincerity), strategies of self-revelation in singer-songwriter repertoires, Lionel Trilling’s distinction between sincerity and authenticity, theories of play, David Nye’s notion of the American technological sublime, and Svetlana Boym’s writings on nostalgia. These lenses reveal that film is a way of perpetuating, revising, and critiquing ideas about music and that music in film is a potent means of exploring broader social, emotional, and spiritual desires.
Author: Ernst van Alphen
Publisher: Stanford University Press
ISBN: 0804758271
Category : Philosophy
Languages : en
Pages : 353
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Book Description
The essays in this volume demonstrate how the performance of sincerity is culturally specific and is enacted in different ways in different media and disciplines, including law and the arts.
Author: Fred Allen
Publisher: Ravenio Books
ISBN:
Category : Performing Arts
Languages : en
Pages : 266
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Book Description
In the spring of 1932, I had finished a two-year run in Threes A Crowd, a musical revue in which I appeared with Clifton Webb and Libby Holman. The following September I was to go into a new show. I had no contract; merely the producers promise. When I returned to New York to start rehearsals, I discovered that there was to be no show. It had been a hot summer. Many people hadn’t been able to keep things. One of the things the producer hadn’t been able to keep was his promise. With the advance of refrigeration, I hope that along with the frozen foods someday we will have frozen conversation. A person will be able to keep a frozen promise indefinitely. This will be a boon to show business where more chorus girls are kept than promises. With no immediate plans for the theater, I began to wonder about radio. Many of the big-name comedians were appearing on regular programs. In the theater the actor had uncertainty, broken promises, constant travel and a gypsy existence. In radio, if you were successful, there was an assured season of work. The show could not close if there was nobody in the balcony. There was no travel and the actor could enjoy a permanent home. There may have been other advantages but I didn’t need to know them. The pioneer comedians on radio were Amos and Andy, Ray Knight and his Cuckoo Hour, the Gold Dust Twins, Stoopnagle and Budd and the Tasty Yeast Jesters. With the exception of Amos and Andy, who had been playing smalltime vaudeville theaters under the name of Sam and Henry, the others were trained and developed in radio. All of these artists performed their comedy routines in studios without audiences. Their entertainment was planned for the listener at home. In the early 1930’s when the Broadway comedians descended on radio, things went from hush to raucous. The theater buffoon had no conception of the medium and no time to study its requirements. The Broadway slogan was “Its dough—lets go!” Eddie Cantor, Jack Pearl, Ed Wynn, Joe Penner and others were radio sensations. They brought their audiences into the studios, used their theater techniques and their old vaudeville jokes, and laughter, rehearsed or spontaneous, started exploding between the commercials. The cause of this merriment was not always clear. The bewildered set owner in Galesburg, Illinois, suddenly realized that he no longer had to be able to understand radio comedy. As he sat in his Galesburg living room he knew that he had proxy audiences sitting in radio studios in New York, Chicago and Hollywood watching the comedians, laughing and shrieking “Vass you dere, Charlie” and “Wanna buy a duck” for him.
Author: Catherine Jurca
Publisher: Univ of California Press
ISBN: 0520951964
Category : Performing Arts
Languages : en
Pages : 284
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Book Description
In Hollywood 1938, Catherine Jurca brings to light a tumultuous year of crisis that has been neglected in histories of the studio era. With attendance in decline, negative publicity about stars that were "poison at the box office," and a spate of bad films, industry executives decided that the public was fed up with the movies. Jurca describes their desperate attempt to win back audiences by launching Motion Pictures’ Greatest Year, a massive, and unsuccessful, public relations campaign conducted in theaters and newspapers across North America. Drawing on the records of studio personnel, independent exhibitors, moviegoers, and the motion pictures themselves, she analyzes what was wrong—and right—with Hollywood at the end of a heralded decade, and how the industry’s troubles changed the making and marketing of films in 1938 and beyond.
Author: Marc Freden
Publisher: Sunstone Press
ISBN: 1632930498
Category : Fiction
Languages : en
Pages : 232
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Book Description
Mica Daly is a popular on-camera reporter on the daily entertainment news program Drop Zone and a fixture on the red carpet circuit. But he’s hungry for more—a hot story that he can really sink his teeth into. And there is Chad Martin, little more than a wannabe actor when he and Mica met at one of Roger Keenan’s infamous dinner parties. As their relationship grows, so does Chad’s career. In fact, Chad’s rise to stardom is meteoric. But Joey Chase has ambition too. A paparazzi with a nose for news, he captures a series of provocative pictures of Chad with a mystery man causing rumors to swirl that there is more to the Chad Martin story than meets the media’s scrutinizing eye. Lydia Gray, Mica’s unscrupulous boss, sees an opportunity and assigns Mica to find out just who the man is in Chad’s life. Caught in having to out his own boyfriend to save his career, Mica soon finds that even choosing the high road is bumpy and may just lead down a path Mica is not ready to travel—a road paved with deceit, heartbreak, jeopardy, even death.
