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Author: Ian Chapman
Publisher: Bloomsbury Publishing USA
ISBN: 150138953X
Category : Music
Languages : en
Pages : 145
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Book Description
Alastair Riddell's band Space Waltz was a short-lived one-album New Zealand rock act who hit gold with a #1 hit single in October 1974 with the song 'Out On The Street' but thereafter failed to achieve anything even close to that feat. While relegated to one-hit-wonder status in the eyes of many, to this day Riddell and Space Waltz epitomize the mid-1970s heyday of glam rock in New Zealand. But in truth their impact went far beyond this. Their generationally divisive nation-wide debut on the hugely popular MOR television talent quest Studio One/New Faces demonstrated the power of mass media exposure – they were instantly signed to a record deal with industry giant EMI – while Riddell's controversial gender-bending image provided a cultural crossroads that greatly impacted the wider youth culture of Aotearoa New Zealand. In addition, while the album's most famous track, 'Out On The Street,' is rightly regarded as New Zealand's glam rock anthem, the wider album demonstrates a compositional and musical depth that goes far beyond glam rock and into the realm of sophisticated progressive rock, ultimately providing an unlikely and highly unique musical amalgam.
Author: Ian Chapman
Publisher: Bloomsbury Publishing USA
ISBN: 150138953X
Category : Music
Languages : en
Pages : 145
Get Book Here
Book Description
Alastair Riddell's band Space Waltz was a short-lived one-album New Zealand rock act who hit gold with a #1 hit single in October 1974 with the song 'Out On The Street' but thereafter failed to achieve anything even close to that feat. While relegated to one-hit-wonder status in the eyes of many, to this day Riddell and Space Waltz epitomize the mid-1970s heyday of glam rock in New Zealand. But in truth their impact went far beyond this. Their generationally divisive nation-wide debut on the hugely popular MOR television talent quest Studio One/New Faces demonstrated the power of mass media exposure – they were instantly signed to a record deal with industry giant EMI – while Riddell's controversial gender-bending image provided a cultural crossroads that greatly impacted the wider youth culture of Aotearoa New Zealand. In addition, while the album's most famous track, 'Out On The Street,' is rightly regarded as New Zealand's glam rock anthem, the wider album demonstrates a compositional and musical depth that goes far beyond glam rock and into the realm of sophisticated progressive rock, ultimately providing an unlikely and highly unique musical amalgam.
Author: Ian Chapman
Publisher:
ISBN: 9781501389542
Category : Glam rock (Music)
Languages : en
Pages : 0
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Book Description
"Explores the career and one-album output of Space Waltz, a short-lived New Zealand glam rock band with a #1 hit song that was a vehicle for singer-songwriter Alastair Riddell"--
Author: Ian Chapman
Publisher: Routledge
ISBN: 1317588185
Category : Music
Languages : en
Pages : 347
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Book Description
This book is the first to explore style and spectacle in glam popular music performance from the 1970s to the present day, and from an international perspective. Focus is given to a number of representative artists, bands, and movements, as well as national, regional, and cultural contexts from around the globe. Approaching glam music performance and style broadly, and using the glam/glitter rock genre of the early 1970s as a foundation for case studies and comparisons, the volume engages with subjects that help in defining the glam phenomenon in its many manifestations and contexts. Glam rock, in its original, term-defining inception, had its birth in the UK in 1970/71, and featured at its forefront acts such as David Bowie, T. Rex, Slade, and Roxy Music. Termed "glitter rock" in the US, stateside artists included Alice Cooper, Suzi Quatro, The New York Dolls, and Kiss. In a global context, glam is represented in many other cultures, where the influences of early glam rock can be seen clearly. In this book, glam exists at the intersections of glam rock and other styles (e.g., punk, metal, disco, goth). Its performers are characterized by their flamboyant and theatrical appearance (clothes, costumes, makeup, hairstyles), they often challenge gender stereotypes and sexuality (androgyny), and they create spectacle in popular music performance, fandom, and fashion. The essays in this collection comprise theoretically-informed contributions that address the diversity of the world’s popular music via artists, bands, and movements, with special attention given to the ways glam has been influential not only as a music genre, but also in fashion, design, and other visual culture.
Author: Matthew Bannister
Publisher: Bloomsbury Publishing USA
ISBN: 1501390112
Category : Music
Languages : en
Pages : 129
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Book Description
The Front Lawn is a multi-award-winning, much-loved New Zealand duo-turned-trio made up of Don McGlashan, Harry Sinclair and, eventually, Jennifer Ward-Lealand. A 1980s variety act, The Front Lawn was part of an Aotearoa/New Zealand alternative tradition of duos that combine music, comedy, theatre and film. Their debut album Songs from The Front Lawn (1989) distilled McGlashan and Sinclair's theatrical stage show and their groundbreaking short films, Walkshort and The Lounge Bar, while also thrusting the band into the burgeoning New Zealand indie scene. The album is a snapshot of '80s New Zealand, a turbulent, creative period for indie music, indie film and musical theatre, celebrating local identity in new ways. Starting with a social and cultural background of New Zealand in the late 1970s, the book covers McGlashan and Sinclair's upbringing on Auckland's North Shore, early artistic influences and overseas experiences leading to the formation of the group. Much attention is paid to the duo's philosophy, early performances, the process of recording the album – including The Front Lawn's collaboration with Wellington avant-garde/cabaret group Six Volts and the addition of Jennifer Ward-Lealand as the group's third member – and analysis of each of the album's 10 songs. In parting, Matthew Bannister discusses the group's second and final album, More Songs from The Front Lawn, as well as the individual members' subsequent artistic careers
Author: John Encarnação
Publisher: Bloomsbury Publishing USA
ISBN: 1501373374
Category : Music
Languages : en
Pages : 137
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Book Description
Ed Kuepper's history as a rock pioneer with The Saints and Laughing Clowns means that his albums of the early 1990s represent a remapping of the singer-songwriter concept. His classic Honey Steel's Gold shares a looseness with blues and folk recordings of the 1940s and 1950s, capturing performances that take detours, stretch and contract, wax and wane, such as the album's hit The Way I Made You Feel." Honey Steel's Gold is a landscape to be immersed in, to get lost in. It provides a space not where questions are answered but where we might stop and get a drink; an environment that provides solace, but not platitudes; where we can share a wry smile about the downsides of the human condition rather than attempt the illusion of blocking them out completely. This study incorporates a consideration of Kuepper's iconoclastic career, at odds with the music industry and the grunge era into which the album was released. Beyond the apparent facts, though, there is interpretation, speculation, and attempts to meet Honey Steel's Gold on its own terms in some imaginary place.
Author: Clinton Walker
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Music
Languages : en
Pages : 153
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Book Description
Saturday Night Fever is simultaneously one of the biggest-selling albums of all time and one of the most reviled. How can a record create such a polarizing reaction? Australian writer Clinton Walker attempts to answer that question and finds that, among other things, a certain seemingly unlikely Australianness is part of the reason. Fever was a supernova for disco, for the Bee Gees, for the domineering Robert Stigwood, producer of the film and its true auteur, and for the entire record business. This book traces all the interdependent convolutions that fed into the film and its music – not least the Australian roots that Stigwood and Gibb brothers shared, which gave them an Otherness and almost gormless, shape-shifting self-determination – and it finds that sometimes great art can be made by a committee ... that sometimes, five songs are enough to change the world.
Author: Adrian Renzo
Publisher: Bloomsbury Publishing USA
ISBN: 1501382993
Category : Music
Languages : en
Pages : 137
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Book Description
Kylie Minogue's self-titled debut album produced hits, controversy and a perfect mainstream storm. The then soap and children's television star 'crossed over' to music with hit writer/producers SAW - and the shamelessly commercial approach of all involved saw the 'real' music industry get its back up. This book interrogates the way that commercial pop albums are remembered in both the popular music press and in academic research. Is there a way of dealing with 'mainstream' pop without denigrating the music and (just as importantly) without validating it according to the terms of a 'high art' canon? This text sheds light on the way that notions of 'mainstream' and 'other' play out in a local context-specifically, Australia and New Zealand music on a global stage.
Author: Lasse Lehtonen
Publisher: Bloomsbury Publishing USA
ISBN: 1501378147
Category : Music
Languages : en
Pages : 169
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Book Description
It is not an exaggeration that Matsutoya Yumi-better known by her stage name Yuming-is one of the most influential figures in Japanese popular music history. A singer-songwriter recognized globally for her songs used in Miyazaki Hayao's beloved animations, Yuming has captured the hearts of listeners of different generations since her debut in the early 1970s. Her fourth album, The 14th Moon, released in 1976, was a milestone in establishing her signature style: the posh, “city” sound that later paved the way to the 1980s City Pop and 1990s J-pop. In addition to examining the album's astonishing stylistic versatility, this book explores how Yuming revolutionized the position of women in Japanese popular music and how her work can help us understand social changes in Japan of the 1970s.
Author: Lila Ellen Gray
Publisher: Bloomsbury Publishing USA
ISBN: 1501346229
Category : Music
Languages : en
Pages : 177
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Book Description
The voice of Amália Rodrigues (1920-1999), the Queen of Fado and Portugal's most celebrated diva, was extraordinary for its interpretive power, soul wrenching timbre, and international reach. Amalia à l'Olympia (1957) is an album made from recordings of her first performances at the fabled Olympia Music Hall in Paris in 1956. This album, which was issued for multiple national markets (including: France; USA; Japan; Britain; the Netherlands) catapulted Amália Rodrigues into the international limelight. During its time, this album held the potential for international listeners, outside of Portugal, to represent Portugal, while also standing in for cosmopolitanism, the glamorous city of Paris, and to present a sonorous voyage in sound. This book introduces readers to the voice of Amália Rodrigues and to the genre of the Portuguese fado, offering a primer in how to listen to both. It unpacks this iconic album and the voice, sound, style, and celebrity of Amália Rodrigues. It situates this album within a historical context marked by cold war Atlanticist diplomacy, Portugal's dictatorial regime, and the emergence of new forms of media, travel, and tourism.In so doing, it examines processes that shaped the internationalization of peripheral popular musics and the making of female vocal stardom in the mid-20th century.
Author: Dianne Rodger
Publisher: Bloomsbury Publishing USA
ISBN: 1501392697
Category : Music
Languages : en
Pages : 137
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Book Description
The success of the Hip-Hop album The Calling (2003) by the Hilltop Hoods was a major event on the timeline of Hip-Hop in Australia. It launched a formerly 'underground' scene into the spotlight, radically transforming the group members' lives and creating new opportunities for other Hip-Hop artists. This book analyses the impact of the album by drawing on original interviews with fifteen Hip-Hop practitioners from across Australia, including artists who contributed to the album. These primary interviews are interwoven with material from media sources and close readings of song lyrics and album imagery. An exploration of the early histories of Hip-Hop in Australia with a focus on the formation of Obese Records and the Hilltop Hoods' biography gives way to analysis of specific tracks from the album and the Hoods' prowess as live performers. The book uses The Calling as a lens to examine the beliefs and practices of Hip-Hop enthusiasts in Australia, including changes since the album was released. Published in 2023 to coincide with the album's twenty-year anniversary, the book is an engaging evaluation of a musical release that was so significant that people now use it explain two distinct periods in Australian Hip-Hop (pre or post The Calling).
