Akten des Symposiums "125 Jahre Sarkophag-Corpus" PDF Download
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Author: Rita Amedick
Publisher:
ISBN:
Category : Antiquities
Languages : de
Pages : 364
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Book Description
Author: Rita Amedick
Publisher:
ISBN:
Category : Antiquities
Languages : de
Pages : 364
Get Book Here
Book Description
Author: Jas Elsner
Publisher: Walter de Gruyter
ISBN: 3110216787
Category : History
Languages : en
Pages : 454
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Book Description
This volumepresents acollection of essays on different aspects of Roman sarcophagi. These varied approaches will produce fresh insights into a subject which is receiving increased interest in English-language scholarship, with a new awareness of the important contribution that sarcophagi can make to the study of the social use and production of Roman art. The book will therefore be a timely addition to existing literature. Metropolitan sarcophagi are the main focus of the volume, which will cover a wide time range from the first century AD to post classical periods (including early Christian sarcophagi and post-classical reception). Other papers will look at aspects of viewing and representation, iconography, and marble analysis. There will be an Introduction written by the co-editors.
Author: Barbara Borg
Publisher: Cambridge University Press
ISBN: 1108472834
Category : Art
Languages : en
Pages : 371
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Book Description
Explores four key questions around Roman funerary customs that change our view of the society and its values.
Author: Galit Noga-Banai
Publisher: OUP Oxford
ISBN: 019152722X
Category : Literary Criticism
Languages : en
Pages : 252
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Book Description
In this pioneering study, the first of its kind, Galit Noga-Banai analyses silver reliquaries decorated with Christian figurative themes. She offers a clearer and more detailed picture of the beginnings of the cult of relics, which were an essential asset to the Church in its establishment of pilgrimage centres and local hagiographic heritage sites, first in Italy and later in other places around Europe and North Africa. At the same time, Noga-Banai highlights the identity of the objects as portable art, treating the reliquaries as visual historical testimonies. The book is illustrated with nearly 100 finely reproduced drawings and photographs.
Author: Alan Cadwallader
Publisher: ATF Press
ISBN: 1925232557
Category : Religion
Languages : en
Pages : 241
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Book Description
An engagingly visual guide book to a lost city from a scholar in the forefront of research on Colossae. Alan Cadwallader distils information, insights and interpretation into a rich collection of evidence from Colossae and its environs, giving us access to a fascinating and under-researched city. Together with a significant chapter by Rosemary Canavan, Cadwallader's often ground-breaking work gives us unprecedented access into the life and context of this city. A book for all who enjoy time travel with expert guides!
Author: Janet Huskinson
Publisher: Oxford University Press
ISBN: 0199203245
Category : Art
Languages : en
Pages : 366
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Book Description
This volume is the first full study of Roman strigillated sarcophagi, the largest group of ancient Roman sarcophagi to survive. Manufactured from the mid-second to the early fifth century AD, covering a critical period in Rome, they provide a rich historical source for exploring the social and cultural life of ancient Rome.
Author: Ben Russell
Publisher:
ISBN: 0199656398
Category : Art
Languages : en
Pages : 473
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Book Description
Russell provides an examination of the production, distribution, and use of carved stone objects in the Roman world. Focusing on the market for stone and its supply, he offers an assessment of the practicalities of stone transport and how the relationship between producer and customer functioned even over considerable distances.
Author: Galit Noga-Banai
Publisher: Oxford University Press
ISBN: 019087466X
Category : History
Languages : en
Pages : 233
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Book Description
Sacred Stimulus offers a thorough exploration of Jerusalem's role in the formation and formulation of Christian art in Rome during the fourth and fifth centuries. The visual vocabulary discussed by Galit Noga-Banai gives an alternative access point to the mnemonic efforts conceived while Rome converted to Christianity: not in comparison to pagan art in Rome, not as reflecting the struggle with the emergence of New Rome in the East (Constantinople), but rather as visual expressions of the confrontation with earthly Jerusalem and its holy places. After all, Jerusalem is where the formative events of Christianity occurred and were memorialized. Sacred Stimulus argues that, already in the second half of the fourth century, Rome constructed its own set of holy sites and foundational myths, while expropriating for its own use some of Jerusalem's sacred relics, legends, and sites. Relying upon well-known and central works of art, including mosaic decoration, sarcophagi, wall paintings, portable art, and architecture, Noga-Banai exposes the omnipresence of Jerusalem and its position in the genesis of Christian art in Rome. Noga-Banai's consideration of earthly Jerusalem as a conception that Rome used, or had to take into account, in constructing its own new Christian ideological and cultural topography of the past, sheds light on connections and analogies that have not necessarily been preserved in the written evidence, and offers solutions to long-standing questions regarding specific motifs and scenes.
Author:
Publisher: Oxford University Press
ISBN: 0198908725
Category : Literary Collections
Languages : en
Pages : 454
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Book Description
Statius' Achilleid is the most extensive treatment of the myth of Achilles hiding disguised as a girl on the island of Scyros. In the Achilleid, the hero, who had been trained to be an outstanding warrior by the centaur Chiron, complies with a scheme devised by his divine mother, Thetis, who does not want him to sail to Troy since her son is fated to die there. She proposes that he dress as a girl in order to hide himself from the Greeks who wish to enlist him in the martial expedition; despite his inclinations developed by Chiron, Achilles acquiesces, but only in order to pursue his desire for the princess Deidamia. Odysseus and Diomedes, sent by the Greek army, come to Scyros to reclaim Achilles, and the poem depicts the struggles faced by Deidamia and Achilles' future comrades as they coax him in opposite directions. While Achilles tries to sort out his desires, he reflects upon love, family, social obligations, and the lessons that have been imparted to him. Throughout the Middle Ages and up to the current day, Statius' depiction of the great Greek hero has attracted artistic and scholarly attention for its treatment of themes such as education, heroism, fate, and gender and sexuality. Statius' poem, written at the end of the first century CE, also engages deeply with the entirety of the Greek and Roman literary traditions--in particular, epic poems such as the Iliad, the Odyssey, Vergil's Aeneid, and Ovid's Metamorphoses. The Achilleid's reworking of these earlier poems amounts to a tour-de-force reconsideration of the entire genre of epic poetry. This new edition of the Achilleid contains an extensive introduction (encompassing mythological background, details about Statius' language and meter, and a survey of the reception of the poem since late antiquity), a Latin text (based upon recent scholarship) with facing-page English translation, and the first full-scale commentary in English in nearly 70 years.
Author: Alexandros Kampakoglou
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110571285
Category : Literary Criticism
Languages : en
Pages : 536
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Book Description
Visual culture, performance and spectacle lay at the heart of all aspects of ancient Greek daily routine, such as court and assembly, cult and ritual, and art and culture. Seeing was considered the most secure means of obtaining knowledge, with many citing the etymological connection between ‘seeing’ and ‘knowing’ in ancient Greek as evidence for this. Seeing was also however often associated with mere appearances, false perception and deception. Gazing and visuality in the ancient Greek world have had a central place in the scholarship for some time now, enjoying an abundance of pertinent discussions and bibliography. If this book differs from the previous publications, it is in its emphasis on diverse genres: the concepts ‘gaze’, ‘vision’ and ‘visuality’ are considered across different Greek genres and media. The recipients of ancient Greek literature (both oral and written) were encouraged to perceive the narrated scenes as spectacles and to ‘follow the gaze’ of the characters in the narrative. By setting a broad time span, the evolution of visual culture in Greece is tracked, while also addressing broader topics such as theories of vision, the prominence of visuality in specific time periods, and the position of visuality in a hierarchisation of the senses.
