Author: Hiromi Tsuchiya Dollase
Publisher: SUNY Press
ISBN: 1438473915
Category : Literary Criticism
Languages : en
Pages : 226
Book Description
Examines the role that Japanese girls’ magazine culture played during the twentieth century in the creation and use of the notion of shōjo, the cultural identity of adolescent Japanese girls. Hiromi Tsuchiya Dollase examines the role that magazines have played in the creation and development of the concept of shōjo, the modern cultural identity of adolescent Japanese girls. Cloaking their ideas in the pages of girls’ magazines, writers could effectively express their desires for freedom from and resistance against oppressive cultural conventions, and their shōjo characters’ “immature” qualities and social marginality gave them the power to express their thoughts without worrying about the reaction of authorities. Dollase details the transformation of Japanese girls’ fiction from the 1900s to the 1980s by discussing the adaptation of Western stories, including Louisa May Alcott’s Little Women, in the Meiji period; the emergence of young female writers in the 1910s and the flourishing girls’ fiction era of the 1920s and 1930s; the changes wrought by state interference during the war; and the new era of empowered postwar fiction. The bookhighlights seminal author Yoshiya Nobuko’s dreamy fantasies and Kitagawa Chiyo’s social realism, Morita Tama’s autobiographical feminism, the contributions of Nobel Prize–winning author Kawabata Yasunari, and the humorous modern fiction of Himuro Saeko and Tanabe Seiko. Using girls’ perspectives, these authors addressed social topics such as education, same-sex love, feminism, and socialism. The age of shōjo, which began at the turn of the twentieth century, continues to nurture new generations of writers and entice audiences beyond age, gender, and nationality. “This book provides many fascinating, perceptive, and fresh insights into a variety of aspects of girls’ literature and culture, which have not yet been discussed in English.” — Helen Kilpatrick, author of Miyazawa Kenji and His Illustrators: Images of Nature and Buddhism in Japanese Children’s Literature
Age of Shojo
Author: Hiromi Tsuchiya Dollase
Publisher: SUNY Press
ISBN: 1438473915
Category : Literary Criticism
Languages : en
Pages : 226
Book Description
Examines the role that Japanese girls’ magazine culture played during the twentieth century in the creation and use of the notion of shōjo, the cultural identity of adolescent Japanese girls. Hiromi Tsuchiya Dollase examines the role that magazines have played in the creation and development of the concept of shōjo, the modern cultural identity of adolescent Japanese girls. Cloaking their ideas in the pages of girls’ magazines, writers could effectively express their desires for freedom from and resistance against oppressive cultural conventions, and their shōjo characters’ “immature” qualities and social marginality gave them the power to express their thoughts without worrying about the reaction of authorities. Dollase details the transformation of Japanese girls’ fiction from the 1900s to the 1980s by discussing the adaptation of Western stories, including Louisa May Alcott’s Little Women, in the Meiji period; the emergence of young female writers in the 1910s and the flourishing girls’ fiction era of the 1920s and 1930s; the changes wrought by state interference during the war; and the new era of empowered postwar fiction. The bookhighlights seminal author Yoshiya Nobuko’s dreamy fantasies and Kitagawa Chiyo’s social realism, Morita Tama’s autobiographical feminism, the contributions of Nobel Prize–winning author Kawabata Yasunari, and the humorous modern fiction of Himuro Saeko and Tanabe Seiko. Using girls’ perspectives, these authors addressed social topics such as education, same-sex love, feminism, and socialism. The age of shōjo, which began at the turn of the twentieth century, continues to nurture new generations of writers and entice audiences beyond age, gender, and nationality. “This book provides many fascinating, perceptive, and fresh insights into a variety of aspects of girls’ literature and culture, which have not yet been discussed in English.” — Helen Kilpatrick, author of Miyazawa Kenji and His Illustrators: Images of Nature and Buddhism in Japanese Children’s Literature
Publisher: SUNY Press
ISBN: 1438473915
Category : Literary Criticism
Languages : en
Pages : 226
Book Description
Examines the role that Japanese girls’ magazine culture played during the twentieth century in the creation and use of the notion of shōjo, the cultural identity of adolescent Japanese girls. Hiromi Tsuchiya Dollase examines the role that magazines have played in the creation and development of the concept of shōjo, the modern cultural identity of adolescent Japanese girls. Cloaking their ideas in the pages of girls’ magazines, writers could effectively express their desires for freedom from and resistance against oppressive cultural conventions, and their shōjo characters’ “immature” qualities and social marginality gave them the power to express their thoughts without worrying about the reaction of authorities. Dollase details the transformation of Japanese girls’ fiction from the 1900s to the 1980s by discussing the adaptation of Western stories, including Louisa May Alcott’s Little Women, in the Meiji period; the emergence of young female writers in the 1910s and the flourishing girls’ fiction era of the 1920s and 1930s; the changes wrought by state interference during the war; and the new era of empowered postwar fiction. The bookhighlights seminal author Yoshiya Nobuko’s dreamy fantasies and Kitagawa Chiyo’s social realism, Morita Tama’s autobiographical feminism, the contributions of Nobel Prize–winning author Kawabata Yasunari, and the humorous modern fiction of Himuro Saeko and Tanabe Seiko. Using girls’ perspectives, these authors addressed social topics such as education, same-sex love, feminism, and socialism. The age of shōjo, which began at the turn of the twentieth century, continues to nurture new generations of writers and entice audiences beyond age, gender, and nationality. “This book provides many fascinating, perceptive, and fresh insights into a variety of aspects of girls’ literature and culture, which have not yet been discussed in English.” — Helen Kilpatrick, author of Miyazawa Kenji and His Illustrators: Images of Nature and Buddhism in Japanese Children’s Literature
Straight from the Heart
Author: Jennifer S. Prough
Publisher: University of Hawaii Press
ISBN: 0824860578
Category : Social Science
Languages : en
Pages : 201
Book Description
Manga is the backbone of Japanese popular culture, influencing everything from television, movies, and video games to novels, art, and theater. Shojo manga (girls’ comics) has been seminal to the genre as a whole and especially formative for Japanese girls’ culture throughout the postwar era. In Straight from the Heart, Jennifer Prough examines the shojo manga industry as a site of cultural storytelling, illuminating the ways that issues of mass media, gender, production, and consumption are involved in the process of creating shojo manga. With their glittery pastel covers and focus on human relationships and romance, shojo manga are thoroughly marked by gender—as indeed are almost all manga titles, magazines, and publishing divisions. Drawing on two years of fieldwork on the production of shojo manga, Prough analyzes shojo manga texts and their magazine contexts to explain their distinctive appeal, probe the gendered dynamics inherent in their creation, and demonstrate the feedback system that links producers and consumers in a continuous cycle of "affective labor." Each chapter focuses on one facet of shojo manga production (stories, format, personnel, industry dynamics), providing engaging insights into this popular medium. Tacking between story development, interactive magazine features, and relationships between male editors and female artists, Prough examines the concrete ways in which shojo manga reflect, refract, and fabricate constructions of gender, consumption, and intimacy. Straight from the Heart thus weaves together issues of production and consumption, human relations, and gender to explain the unique world of shojo manga and to interpret its dramatic cultural and economic success on a national—and increasingly global—scale.
Publisher: University of Hawaii Press
ISBN: 0824860578
Category : Social Science
Languages : en
Pages : 201
Book Description
Manga is the backbone of Japanese popular culture, influencing everything from television, movies, and video games to novels, art, and theater. Shojo manga (girls’ comics) has been seminal to the genre as a whole and especially formative for Japanese girls’ culture throughout the postwar era. In Straight from the Heart, Jennifer Prough examines the shojo manga industry as a site of cultural storytelling, illuminating the ways that issues of mass media, gender, production, and consumption are involved in the process of creating shojo manga. With their glittery pastel covers and focus on human relationships and romance, shojo manga are thoroughly marked by gender—as indeed are almost all manga titles, magazines, and publishing divisions. Drawing on two years of fieldwork on the production of shojo manga, Prough analyzes shojo manga texts and their magazine contexts to explain their distinctive appeal, probe the gendered dynamics inherent in their creation, and demonstrate the feedback system that links producers and consumers in a continuous cycle of "affective labor." Each chapter focuses on one facet of shojo manga production (stories, format, personnel, industry dynamics), providing engaging insights into this popular medium. Tacking between story development, interactive magazine features, and relationships between male editors and female artists, Prough examines the concrete ways in which shojo manga reflect, refract, and fabricate constructions of gender, consumption, and intimacy. Straight from the Heart thus weaves together issues of production and consumption, human relations, and gender to explain the unique world of shojo manga and to interpret its dramatic cultural and economic success on a national—and increasingly global—scale.
International Perspectives on Shojo and Shojo Manga
Author: Masami Toku
Publisher: Routledge
ISBN: 131761075X
Category : Social Science
Languages : en
Pages : 385
Book Description
This collaborative book explores the artistic and aesthetic development of shojo, or girl, manga and discusses the significance of both shojo manga and the concept of shojo, or girl culture. It features contributions from manga critics, educators, and researchers from both manga’s home country of Japan and abroad, looking at shojo and shojo manga’s influence both locally and globally. Finally, it presents original interviews of shojo manga-ka, or artists, who discuss their work and their views on this distinct type of popular visual culture.
Publisher: Routledge
ISBN: 131761075X
Category : Social Science
Languages : en
Pages : 385
Book Description
This collaborative book explores the artistic and aesthetic development of shojo, or girl, manga and discusses the significance of both shojo manga and the concept of shojo, or girl culture. It features contributions from manga critics, educators, and researchers from both manga’s home country of Japan and abroad, looking at shojo and shojo manga’s influence both locally and globally. Finally, it presents original interviews of shojo manga-ka, or artists, who discuss their work and their views on this distinct type of popular visual culture.
Passionate Friendship
Author: Deborah M. Shamoon
Publisher: University of Hawaii Press
ISBN: 0824861116
Category : Literary Criticism
Languages : en
Pages : 198
Book Description
Shojo manga are romance comics for teenage girls. Characterized by a very dense visual style, featuring flowery backgrounds and big-eyed, androgynous boys and girls, it is an extremely popular and prominent genre in Japan. Why is this genre so appealing? Where did it come from? Why do so many of the stories feature androgynous characters and homosexual romance? Passionate Friendship answers these questions by reviewing Japanese girls’ print culture from its origins in 1920s and 1930s girls’ literary magazines to the 1970s “revolution” shojo manga, when young women artists took over the genre. It looks at the narrative and aesthetic features of girls’ literature and illustration across the twentieth century, both pre- and postwar, and discusses how these texts addressed and formed a reading community of girls, even as they were informed by competing political and social ideologies. The author traces the development of girls’ culture in pre–World War II magazines and links it to postwar teenage girls’ comics and popular culture. Within this culture, as private and cloistered as the schools most readers attended, a discourse of girlhood arose that avoided heterosexual romance in favor of “S relationships,” passionate friendships between girls. This preference for homogeneity is echoed in the postwar genre of boys’ love manga written for girls. Both prewar S relationships and postwar boys’ love stories gave girls a protected space to develop and explore their identities and sexuality apart from the pressures of a patriarchal society. Shojo manga offered to a reading community of girls a place to share the difficulties of adolescence as well as an alternative to the image of girls purveyed by the media to boys and men. Passionate Friendship’s close literary and visual analysis of modern Japanese girls’ culture will appeal to a wide range of readers, including scholars and students of Japanese studies, gender studies, and popular culture.
Publisher: University of Hawaii Press
ISBN: 0824861116
Category : Literary Criticism
Languages : en
Pages : 198
Book Description
Shojo manga are romance comics for teenage girls. Characterized by a very dense visual style, featuring flowery backgrounds and big-eyed, androgynous boys and girls, it is an extremely popular and prominent genre in Japan. Why is this genre so appealing? Where did it come from? Why do so many of the stories feature androgynous characters and homosexual romance? Passionate Friendship answers these questions by reviewing Japanese girls’ print culture from its origins in 1920s and 1930s girls’ literary magazines to the 1970s “revolution” shojo manga, when young women artists took over the genre. It looks at the narrative and aesthetic features of girls’ literature and illustration across the twentieth century, both pre- and postwar, and discusses how these texts addressed and formed a reading community of girls, even as they were informed by competing political and social ideologies. The author traces the development of girls’ culture in pre–World War II magazines and links it to postwar teenage girls’ comics and popular culture. Within this culture, as private and cloistered as the schools most readers attended, a discourse of girlhood arose that avoided heterosexual romance in favor of “S relationships,” passionate friendships between girls. This preference for homogeneity is echoed in the postwar genre of boys’ love manga written for girls. Both prewar S relationships and postwar boys’ love stories gave girls a protected space to develop and explore their identities and sexuality apart from the pressures of a patriarchal society. Shojo manga offered to a reading community of girls a place to share the difficulties of adolescence as well as an alternative to the image of girls purveyed by the media to boys and men. Passionate Friendship’s close literary and visual analysis of modern Japanese girls’ culture will appeal to a wide range of readers, including scholars and students of Japanese studies, gender studies, and popular culture.
Mr. Arashi's Amazing Freak Show
Author: Suehiro Maruo
Publisher:
ISBN: 9780922233069
Category : Freak shows
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9780922233069
Category : Freak shows
Languages : en
Pages : 0
Book Description
Shōjo Across Media
Author: Jaqueline Berndt
Publisher: Springer
ISBN: 3030014851
Category : Social Science
Languages : en
Pages : 401
Book Description
Since the 2000s, the Japanese word shōjo has gained global currency, accompanying the transcultural spread of other popular Japanese media such as manga and anime. The term refers to both a character type specifically, as well as commercial genres marketed to female audiences more generally. Through its diverse chapters this edited collection introduces the two main currents of shōjo research: on the one hand, historical investigations of Japan’s modern girl culture and its representations, informed by Japanese-studies and gender-studies concerns; on the other hand, explorations of the transcultural performativity of shōjo as a crafted concept and affect-prone code, shaped by media studies, genre theory, and fan-culture research. While acknowledging that shōjo has mediated multiple discourses throughout the twentieth century—discourses on Japan and its modernity, consumption and consumerism, non-hegemonic gender, and also technology—this volume shifts the focus to shōjo mediations, stretching from media by and for actual girls, to shōjo as media. As a result, the Japan-derived concept, while still situated, begins to offer possibilities for broader conceptualizations of girlness within the contemporary global digital mediascape.
Publisher: Springer
ISBN: 3030014851
Category : Social Science
Languages : en
Pages : 401
Book Description
Since the 2000s, the Japanese word shōjo has gained global currency, accompanying the transcultural spread of other popular Japanese media such as manga and anime. The term refers to both a character type specifically, as well as commercial genres marketed to female audiences more generally. Through its diverse chapters this edited collection introduces the two main currents of shōjo research: on the one hand, historical investigations of Japan’s modern girl culture and its representations, informed by Japanese-studies and gender-studies concerns; on the other hand, explorations of the transcultural performativity of shōjo as a crafted concept and affect-prone code, shaped by media studies, genre theory, and fan-culture research. While acknowledging that shōjo has mediated multiple discourses throughout the twentieth century—discourses on Japan and its modernity, consumption and consumerism, non-hegemonic gender, and also technology—this volume shifts the focus to shōjo mediations, stretching from media by and for actual girls, to shōjo as media. As a result, the Japan-derived concept, while still situated, begins to offer possibilities for broader conceptualizations of girlness within the contemporary global digital mediascape.
Kageki Shojo!! The Curtain Rises
Author: Kumiko Saiki
Publisher: National Geographic Books
ISBN: 1645058352
Category : Comics & Graphic Novels
Languages : en
Pages : 0
Book Description
The critically acclaimed shojo manga about the drama of all-women musical theater! (And don't miss the anime adaptation!) Watanabe Sarasa has always dreamed of being an otokoyaku, an actress who plays male roles in an all-female theater troupe. Narata Ai also has a dream: the disgraced former idol wants to live in a world full of women and not have to deal with men at all. When they both get into a competitive all-girls theater school, the stage is set for Ai and Sarasa to enter the limelight and take their first step toward stardom.
Publisher: National Geographic Books
ISBN: 1645058352
Category : Comics & Graphic Novels
Languages : en
Pages : 0
Book Description
The critically acclaimed shojo manga about the drama of all-women musical theater! (And don't miss the anime adaptation!) Watanabe Sarasa has always dreamed of being an otokoyaku, an actress who plays male roles in an all-female theater troupe. Narata Ai also has a dream: the disgraced former idol wants to live in a world full of women and not have to deal with men at all. When they both get into a competitive all-girls theater school, the stage is set for Ai and Sarasa to enter the limelight and take their first step toward stardom.
The Living Age
Author:
Publisher:
ISBN:
Category : American periodicals
Languages : en
Pages : 858
Book Description
Publisher:
ISBN:
Category : American periodicals
Languages : en
Pages : 858
Book Description
Age of Shōjo
Author: Hiromi Tsuchiya Dollase
Publisher: State University of New York Press
ISBN: 1438473923
Category : Literary Criticism
Languages : en
Pages : 226
Book Description
Hiromi Tsuchiya Dollase examines the role that magazines have played in the creation and development of the concept of shōjo, the modern cultural identity of adolescent Japanese girls. Cloaking their ideas in the pages of girls' magazines, writers could effectively express their desires for freedom from and resistance against oppressive cultural conventions, and their shōjo characters' "immature" qualities and social marginality gave them the power to express their thoughts without worrying about the reaction of authorities. Dollase details the transformation of Japanese girls' fiction from the 1900s to the 1980s by discussing the adaptation of Western stories, including Louisa May Alcott's Little Women, in the Meiji period; the emergence of young female writers in the 1910s and the flourishing girls' fiction era of the 1920s and 1930s; the changes wrought by state interference during the war; and the new era of empowered postwar fiction. The book highlights seminal author Yoshiya Nobuko's dreamy fantasies and Kitagawa Chiyo's social realism, Morita Tama's autobiographical feminism, the contributions of Nobel Prize–winning author Kawabata Yasunari, and the humorous modern fiction of Himuro Saeko and Tanabe Seiko. Using girls' perspectives, these authors addressed social topics such as education, same-sex love, feminism, and socialism. The age of shōjo, which began at the turn of the twentieth century, continues to nurture new generations of writers and entice audiences beyond age, gender, and nationality.
Publisher: State University of New York Press
ISBN: 1438473923
Category : Literary Criticism
Languages : en
Pages : 226
Book Description
Hiromi Tsuchiya Dollase examines the role that magazines have played in the creation and development of the concept of shōjo, the modern cultural identity of adolescent Japanese girls. Cloaking their ideas in the pages of girls' magazines, writers could effectively express their desires for freedom from and resistance against oppressive cultural conventions, and their shōjo characters' "immature" qualities and social marginality gave them the power to express their thoughts without worrying about the reaction of authorities. Dollase details the transformation of Japanese girls' fiction from the 1900s to the 1980s by discussing the adaptation of Western stories, including Louisa May Alcott's Little Women, in the Meiji period; the emergence of young female writers in the 1910s and the flourishing girls' fiction era of the 1920s and 1930s; the changes wrought by state interference during the war; and the new era of empowered postwar fiction. The book highlights seminal author Yoshiya Nobuko's dreamy fantasies and Kitagawa Chiyo's social realism, Morita Tama's autobiographical feminism, the contributions of Nobel Prize–winning author Kawabata Yasunari, and the humorous modern fiction of Himuro Saeko and Tanabe Seiko. Using girls' perspectives, these authors addressed social topics such as education, same-sex love, feminism, and socialism. The age of shōjo, which began at the turn of the twentieth century, continues to nurture new generations of writers and entice audiences beyond age, gender, and nationality.
Takane & Hana, Vol. 1
Author: Yuki Shiwasu
Publisher: VIZ Media LLC
ISBN: 1974701913
Category : Comics & Graphic Novels
Languages : en
Pages : 194
Book Description
The meeting between Takane and Hana ends in an explosive manner, and Hana is convinced that she’ll never have to see that awful Takane again. But Takane actually seems interested in Hana! Exasperated by Takane’s immature attitude, yet amused and intrigued despite herself, Hana wonders if her hilarious rivalry with Takane just might lead to love! -- VIZ Media
Publisher: VIZ Media LLC
ISBN: 1974701913
Category : Comics & Graphic Novels
Languages : en
Pages : 194
Book Description
The meeting between Takane and Hana ends in an explosive manner, and Hana is convinced that she’ll never have to see that awful Takane again. But Takane actually seems interested in Hana! Exasperated by Takane’s immature attitude, yet amused and intrigued despite herself, Hana wonders if her hilarious rivalry with Takane just might lead to love! -- VIZ Media