Agamemnon in Performance 458 BC to AD 2004 PDF Download
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Author: Fiona Macintosh
Publisher: OUP Oxford
ISBN: 019160836X
Category : Literary Criticism
Languages : en
Pages : 502
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Book Description
Aeschylus' Agamemnon, the first play in the Oresteia trilogy, is one of the most influential theatrical texts in the global canon. In performance, translation, adaptation, along with sung and danced interpretations, it has been familiar in the Greek world and the Roman empire, and from the Renaissance to the contemporary stage. It has been central to the aesthetic and intellectual avant-garde as well as to radical politics of all complexions and to feminist thinking. Contributors to this interdisciplinary collection of eighteen essays on its performance history include classical scholars, theatre historians, and experts in English and comparative literature. All Greek and Latin has been translated; the book is generously illustrated, and supplemented with the useful research aid of a chronological appendix of performances.
Author: Fiona Macintosh
Publisher: OUP Oxford
ISBN: 019160836X
Category : Literary Criticism
Languages : en
Pages : 502
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Book Description
Aeschylus' Agamemnon, the first play in the Oresteia trilogy, is one of the most influential theatrical texts in the global canon. In performance, translation, adaptation, along with sung and danced interpretations, it has been familiar in the Greek world and the Roman empire, and from the Renaissance to the contemporary stage. It has been central to the aesthetic and intellectual avant-garde as well as to radical politics of all complexions and to feminist thinking. Contributors to this interdisciplinary collection of eighteen essays on its performance history include classical scholars, theatre historians, and experts in English and comparative literature. All Greek and Latin has been translated; the book is generously illustrated, and supplemented with the useful research aid of a chronological appendix of performances.
Author: Aeschylus
Publisher: BookCaps Study Guides
ISBN: 1621075567
Category : Fiction
Languages : en
Pages : 139
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Book Description
Revenge. Adultery. Murder. It certainly sounds like a lively play. Unfortunately, archaic translation make understanding Aeschylus' "Agamemnon" a little difficult. Until now! If you have struggled in the past reading the ancient classic, then BookCaps can help you out. This book is a modern translation with a fresh spin. The original text is also presented in the book with a comparable version of the modern text. We all need refreshers every now and then. Whether you are a student trying to cram for that big final, or someone just trying to understand a book more, BookCaps can help. We are a small, but growing company, and are adding titles every month.
Author: Aeschylus
Publisher: Athanata Arts
ISBN: 9780972799355
Category : Drama
Languages : en
Pages : 82
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Book Description
The Agamemnon is the first play of the Oresteia trilogy, which won Aeschylus a first prize in 458 BCE. It presents the return of Agamemnon to his home in Argos after the fall of Troy, as his victorious homecoming soon gives way to the horrors of an ancient curse and the consequences of vengeance. With its accounts of war, sacrifice, confessions, prophecy, and prayer, this tragic drama begins both a brutal and compassionate journey toward redefining justice. Through the use of syllabic verse, this new version maintains an organic link with the original Greek text, while recreating the music of poetry in contemporary speech for reading and performance.
Author: Edith Hall
Publisher: MHRA
ISBN: 1904350615
Category : Literary Criticism
Languages : en
Pages : 411
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Book Description
Flying to Heaven to demand an end to war, building Cloudcuckooland in the sky, descending to Hades to retrieve a dead tragedian - such were the cosmic missions on which Aristophanes, the father of comedy, sent his heroes of the classical Athenian stage. The wit, intellectual bravura, political clout and sheer imaginative power of Aristophanes' quest dramas have profoundly influenced humorous literature and satire, but this volume, which originated at an international conference held at the Archive of Performances of Greek and Roman Drama at Oxford University in 2004, is the first interdisciplinary study of their seminal contribution to the evolution of comic performance. Interdisciplinary essays by specialists in Classics, Theatre, and Modern Literatures trace the international performance history of Aristophanic comedy, and its implication in aesthetic and political controversies, from antiquity to the twenty-first century. The story encompasses Jonson's satire, Cromwell's Ireland, German classicism, British Imperial India, censorship scandals in France, Greece and South Africa, Brechtian experiments in East Berlin, and musical theatre from Gilbert and Sullivan to Stephen Sondheim.
Author: Leah Himmelhoch
Publisher: Bloomsbury Publishing
ISBN: 1350154911
Category : Drama
Languages : en
Pages : 409
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Book Description
This accessible edition for students brings the Agamemnon, Aeschylus' opening play in the Oresteia trilogy, to life for first-time readers. A hugely popular play in antiquity and with a rich reception history to the present day, this is an essential play for students of classics, drama and the canon of western literature. Leah Himmelhoch provides a helpful guide for students and instructors wishing to study and teach the play, building on her over twenty-five years of experience teaching college and university students. A quick introduction sets out Agamemnon's historical, literary, and performative context, its use of imagery and themes (especially gender conflict and the perversion of sacrificial ritual), and its subsequent literary and cultural impact while extensive commentary notes guide students through every line of the Greek text. Difficult passages are carefully explained while the power and beauty of the language is brought out at every opportunity. Himmelhoch's commentary also offers a companion website with a running vocabulary for the entire Agamemnon as further help for students.
Author:
Publisher: Bloomsbury Publishing
ISBN: 147250304X
Category : Performing Arts
Languages : en
Pages : 223
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Book Description
No Laughing Matter is a wide-ranging collection of new studies of the comic theatre of Athens, from its origins until the 340s BCE. Fifteen international scholars employ an array of approaches and methodologies that will appeal to Classics and Theatre scholars while still remaining accessible to students. By including discussions of fragmentary authors alongside Aristophanes, the collection provides a broad understanding of the richness of Athenian comedy. The collection showcases the best of the new scholarship on Old and Middle Comedy, using the most up-to-date texts and tools. No Laughing Matter has been prepared in tribute to Professor Ian Storey of Trent University (Peterborough, Ontario), whose work on Athenian comedy will continue to shape scholarship for many years to come.
Author: Giulia Maria Chesi
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110390213
Category : History
Languages : en
Pages : 212
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Book Description
"The play of words" examines the dynamics of interfamilial violence in the Oresteia. It argues that the key element of the play's discourse about violence is to be found in the inquiry for a definition of Clytemnestra's motherhood. The failure of this research challenges the reader with some open questions: who is Clytemnestra? Where is justice if a mother dies? By reading the play's narrative on interfamilial violence and matricide as a narrative of uncertainties in terms of the role of the mother figure, this book illustrates the complexity of the maternal role of Clytemnestra. It also breaks silence among scholars, who have generally portrayed Clytemnestra as the bad mother who kills the children's father and as the bad wife who betrays her husband.
Author: Amit Shilo
Publisher: Cambridge University Press
ISBN: 1108961932
Category : History
Languages : en
Pages : 261
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Book Description
The Oresteia is permeated with depictions of the afterlife, which have never been examined together. In this book Amit Shilo analyses their intertwined and conflicting implications. He argues for a 'poetics of multiplicity' and 'poetics of the beyond' that inform the ongoing debates over justice, fate, ethics, and politics in the trilogy. The book presents novel, textually-grounded readings of Cassandra's fate, Clytemnestra's ghost scene, mourning ritual, hero cult, and punishment by Hades. It offers a fresh perspective on the political thought of the trilogy by contrasting the ethical focus of the Erinyes and Hades with Athena's insistence on divine unity and warfare. Shedding new light on the trilogy as a whole, this book is crucial reading for students and scholars of classical literature and religion. This title is available as open access on Cambridge Core.
Author: Rita Felski
Publisher: JHU Press
ISBN: 9780801887390
Category : Literary Criticism
Languages : en
Pages : 386
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Book Description
This groundbreaking collection provokes a major reassessment of the significance of tragedy and the tragic in late modernity. A distinguished group of scholars and theorists extends the discussion of tragedy beyond its usual parameters to include film, popular culture, and contemporary politics. Seven new essays—as well as eight essays originally published in a New Literary History special issue on tragedy—address important, previously neglected areas of tragedy and postcolonial criticism. The new material explores the tragic dimensions of popular culture, the relationship between tragedy and pity, and feminism's avoidance of the tragic, and includes an incisive history of tragic theory. Classic and cutting-edge, this collection offers a provocative, accessible, and comprehensive treatment of tragedy and tragic theory. Contributors: Elisabeth Bronfen, University of Zurich; Stanley Corngold, Princeton University; Simon Critchley, University of Essex; Joshua Foa Dienstag, University of California, Los Angeles; Wai Chee Dimock, Yale University; Page duBois, University of California, San Diego; Terry Eagleton, University of Manchester; Rita Felski, University of Virginia; Simon Goldhill, Cambridge University; Heather K. Love, University of Pennsylvania; Michel Maffesoli, University of Paris (V); Martha C. Nussbaum, University of Chicago; Timothy J. Reiss, New York University; Kathleen M. Sands, University of Massachusetts, Boston; David Scott, Columbia University; George Steiner, University of Geneva; Olga Taxidou, University of Edinburgh
Author: D. McInnis
Publisher: Springer
ISBN: 1137403977
Category : Literary Criticism
Languages : en
Pages : 300
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Book Description
Lost Plays in Shakespeare's England examines assumptions about what a lost play is and how it can be talked about; how lost plays can be reconstructed, particularly when they use narratives already familiar to playgoers; and how lost plays can force us to reassess extant plays, particularly through ideas of repertory studies.
