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Author: Jinx Coleman Broussard
Publisher: LSU Press
ISBN: 0807150541
Category : Social Science
Languages : en
Pages : 0
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Book Description
Though African Americans have served as foreign reporters for almost two centuries, their work remains virtually unstudied. In this seminal volume, Jinx Coleman Broussard traces the history of black participation in international newsgathering. Beginning in the mid-1800s with Frederick Douglass and Mary Ann Shadd Cary—the first black woman to edit a North American newspaper—African American Foreign Correspondents highlights the remarkable individuals and publications that brought an often-overlooked black perspective to world reporting. Broussard focuses on correspondents from 1840 to modern day, including reporters such as William Worthy Jr., who helped transform the role of modern foreign correspondence by gaining the right for journalists to report from anywhere in the world unimpeded; Leon Dash, a professor of journalism and African American studies at the University of Illinois at Urbana-Champaign who reported from Africa for the Washington Post in the 1970s and 1980s; and Howard French, a professor in Columbia University's journalism school and a globetrotting foreign correspondent. African American Foreign Correspondents provides insight into how and why African Americans reported the experiences of blacks worldwide. In many ways, black correspondents upheld a tradition of filing objective stories on world events, yet some African American journalists in the mainstream media, like their predecessors in the black press, had a different mission and perspective. They adhered primarily to a civil rights agenda, grounded in advocacy, protest, and pride. Accordingly, some of these correspondents—not all of them professional journalists—worked to spur social reform in the United States and force policy changes that would eliminate oppression globally. Giving visibility and voice to the marginalized, correspondents championed an image of people of color that combatted the negative and racially construed stereotypes common in the American media. By examining how and why blacks reported information and perspectives from abroad, African American Foreign Correspondents contributes to a broader conversation about navigating racial, societal, and global problems, some of which we continue to contend with today.
Author: Jinx Coleman Broussard
Publisher: LSU Press
ISBN: 0807150541
Category : Social Science
Languages : en
Pages : 0
Get Book Here
Book Description
Though African Americans have served as foreign reporters for almost two centuries, their work remains virtually unstudied. In this seminal volume, Jinx Coleman Broussard traces the history of black participation in international newsgathering. Beginning in the mid-1800s with Frederick Douglass and Mary Ann Shadd Cary—the first black woman to edit a North American newspaper—African American Foreign Correspondents highlights the remarkable individuals and publications that brought an often-overlooked black perspective to world reporting. Broussard focuses on correspondents from 1840 to modern day, including reporters such as William Worthy Jr., who helped transform the role of modern foreign correspondence by gaining the right for journalists to report from anywhere in the world unimpeded; Leon Dash, a professor of journalism and African American studies at the University of Illinois at Urbana-Champaign who reported from Africa for the Washington Post in the 1970s and 1980s; and Howard French, a professor in Columbia University's journalism school and a globetrotting foreign correspondent. African American Foreign Correspondents provides insight into how and why African Americans reported the experiences of blacks worldwide. In many ways, black correspondents upheld a tradition of filing objective stories on world events, yet some African American journalists in the mainstream media, like their predecessors in the black press, had a different mission and perspective. They adhered primarily to a civil rights agenda, grounded in advocacy, protest, and pride. Accordingly, some of these correspondents—not all of them professional journalists—worked to spur social reform in the United States and force policy changes that would eliminate oppression globally. Giving visibility and voice to the marginalized, correspondents championed an image of people of color that combatted the negative and racially construed stereotypes common in the American media. By examining how and why blacks reported information and perspectives from abroad, African American Foreign Correspondents contributes to a broader conversation about navigating racial, societal, and global problems, some of which we continue to contend with today.
Author: Jinx Coleman Broussard
Publisher: LSU Press
ISBN: 0807150568
Category : Social Science
Languages : en
Pages : 336
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Book Description
Though African Americans have served as foreign reporters for almost two centuries, their work remains virtually unstudied. In this seminal volume, Jinx Coleman Broussard traces the history of black participation in international newsgathering. Beginning in the mid-1800s with Frederick Douglass and Mary Ann Shadd Cary -- the first black woman to edit a North American newspaper -- African American Foreign Correspondents highlights the remarkable individuals and publications that brought an often-overlooked black perspective to world reporting. Broussard focuses on correspondents from 1840 to the present, including reporters such as William Worthy Jr., who helped transform the role of modern foreign correspondence by gaining the right for journalists to report from anywhere in the world unimpeded; Leon Dash, a professor of journalism and African American studies at the University of Illinois, who reported from Africa for the Washington Post in the 1970s and 1980s; and Howard French, a professor in Columbia University's journalism school and a globetrotting foreign correspondent. African American Foreign Correspondents provides insight into how and why African Americans reported the experiences of blacks worldwide. In many ways, black correspondents upheld a tradition of filing objective stories on world events, yet some African American journalists in the mainstream media, like their predecessors in the black press, had a different mission and perspective. They adhered primarily to a civil rights agenda, grounded in advocacy, protest, and pride. Accordingly, some of these correspondents -- not all of them professional journalists -- worked to spur social reform in the United States and force policy changes that would eliminate oppression globally. Giving visibility and voice to the marginalized, correspondents championed an image of people of color that combatted the negative and racially construed stereotypes common in the American media. By examining how and why blacks reported information and perspectives from abroad, African American Foreign Correspondents contributes to a broader conversation about navigating racial, societal, and global problems, many of which we continue to contend with today.
Author: Jinx Coleman Broussard
Publisher: LSU Press
ISBN: 080715055X
Category : Language Arts & Disciplines
Languages : en
Pages : 281
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Book Description
This book traces the history of African Americans who have served as foreign correspondents from the mid-1800s to the present.
Author: Mark A. Huddle
Publisher: University Press of Kansas
ISBN: 0700618910
Category : Social Science
Languages : en
Pages : 208
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Book Description
When black journalist Vincent "Roi" Ottley was assigned to cover the European theater in World War II, he provided a perspective shared by few other war correspondents. But what he really saw has taken more than sixty years to come to light. Already famous as the author of New World A-Coming-in which he decried the hypocrisy of America fighting for freedom in Europe while denying it to blacks at home-Ottley was sent to cover the experiences of African American soldiers that neither white journalists nor the American military felt obliged to report. But while his dispatches documented this assignment, his personal diary reveals a different war-one that included mess hall brawls between Southern white soldiers and their black counterparts, the British public's ignorance toward their own black soldiers, and other subtle glimpses of wartime life that never made it into print. That journal remained buried in a collection of Ottley's papers at St. Bonaventure University until Mark Huddle discovered it in the school's archives. With this book, he offers us a new look at World War II as he brings a forgotten figure out of history's shadow. While Ottley may have had an agenda in his published articles of proving the worth of black soldiers, his diary is rich in personal reflections-from his fears while enduring a bombing raid in London to his true feelings about fellow reporters to his encounters with celebrities such as Ernest Hemingway and Edward R. Murrow. And at every turn Ottley kept a keen eye on race issues, revealing a highly political as well as entertaining writer while reflecting a growing awareness that the African American freedom movement was part of a larger international struggle by peoples of color against Western imperialism. Huddle's introduction frames Ottley's career and contributions, and his annotations throughout the book provide additional context to the reporter's experiences. Huddle also includes thirteen of Ottley's published dispatches to demonstrate the differences between his personal musings and his professional output. The publication of this lost diary restores the reputation of a trailblazing figure, showing that Roi Ottley was both a brilliant writer and one of America's keenest observers of race issues. It offers all readers interested in race relations or World War II a more nuanced picture of life during that conflict from a perspective rarely encountered.
Author: Stephen Hess
Publisher: Brookings Institution Press
ISBN: 9780815736301
Category : Social Science
Languages : en
Pages : 236
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Book Description
In this fifth volume of his highly acclaimed Newswork series, Stephen Hess offers a revealing look at how the print and broadcast media cover international affairs and how foreign correspondents do their work, and concludes with suggestions for improving international coverage.
Author: Jean Marie Lutes
Publisher: Cornell University Press
ISBN: 150172830X
Category : History
Languages : en
Pages : 242
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Book Description
The first study of the role of the newspaperwoman in American literary culture at the turn of the twentieth century, this book recaptures the imaginative exchange between real-life reporters like Nellie Bly and Ida B. Wells and fictional characters like Henrietta Stackpole, the lady-correspondent in Henry James's Portrait of a Lady. It chronicles the exploits of a neglected group of American women writers and uncovers an alternative reporter-novelist tradition that runs counter to the more familiar story of gritty realism generated in male-dominated newsrooms. Taking up actual newspaper accounts written by women, fictional portrayals of female journalists, and the work of reporters-turned-novelists such as Willa Cather and Djuna Barnes, Jean Marie Lutes finds in women's journalism a rich and complex source for modern American fiction. Female journalists, cast as both standard-bearers and scapegoats of an emergent mass culture, created fictions of themselves that far outlasted the fleeting news value of the stories they covered. Front-Page Girls revives the spectacular stories of now-forgotten newspaperwomen who were not afraid of becoming the news themselves—the defiant few who wrote for the city desks of mainstream newspapers and resisted the growing demand to fill women's columns with fashion news and household hints. It also examines, for the first time, how women's journalism shaped the path from news to novels for women writers.
Author: Keith B Richburg
Publisher: Basic Books
ISBN: 0465021018
Category : Biography & Autobiography
Languages : en
Pages : 262
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Book Description
Keith B. Richburg was an experienced and respected reporter who had paid his dues covering urban neighborhoods in Washington D.C., and won praise for his coverage of Southeast Asia. But nothing prepared him for the personal odyssey that he would embark upon when he was assigned to cover Africa. In this powerful book, Richburg takes the reader on an extraordinary journey that sweeps from Somalia to Rwanda to Zaire and finally to South Africa. He shows how he came to terms with the divide within himself: between his African racial heritage and his American cultural identity. Are these really my people? Am I truly an African-American? The answer, Richburg finds, after much soul-searching, is that no, he is not an African, but an American first and foremost. To those who romanticize Mother Africa as a black Valhalla, where blacks can walk with dignity and pride, he regrets that this is not the reality. He has been there and witnessed the killings, the repression, the false promises, and the horror. "Thank God my nameless ancestor, brought across the ocean in chains and leg irons, made it out alive," he concludes. "Thank God I am an American."
Author: R.j.m. Blackett
Publisher: Da Capo Press
ISBN: 9780306804533
Category : Social Science
Languages : en
Pages : 392
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Book Description
In 1864 the Philadelphia Press commissioned Thomas Morris Chester, son of an ex-slave to cover the activities of black troops on the Virginia front. The only black correspondent for a major daily during the Civil War, Chester covered the crucial final year of the war around Richmond. His dispatches constitute the most sustained and extensive first-hand account of black soldiers in existence. As the war came to a close, Chester richly described the responses of Confederate troops and civilians to encounters with black soldiers, as he joined the black troops of the 25th Army Corps as they led the victorious Union forces into Richmond. In this volume, R.J.M. Blackett provides a concise biography of Chester and reproduces in annotated form his Civil War dispatches, which are remarkable for their detail and their graphic accounts of the destruction, the excitement and the liberation of theCivil War experience.
Author: Dorothy Butler Gilliam
Publisher: Center Street
ISBN: 154608343X
Category : Biography & Autobiography
Languages : en
Pages : 348
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Book Description
Dorothy Butler Gilliam, whose 50-year-career as a journalist put her in the forefront of the fight for social justice, offers a comprehensive view of racial relations and the media in the U.S. Most civil rights victories are achieved behind the scenes, and this riveting, beautifully written memoir by a "black first" looks back with searing insight on the decades of struggle, friendship, courage, humor and savvy that secured what seems commonplace today-people of color working in mainstream media. Told with a pioneering newspaper writer's charm and skill, Gilliam's full, fascinating life weaves her personal and professional experiences and media history into an engrossing tapestry. When we read about the death of her father and other formative events of her life, we glimpse the crippling impact of the segregated South before the civil rights movement when slavery's legacy still felt astonishingly close. We root for her as a wife, mother, and ambitious professional as she seizes once-in-a-lifetime opportunities never meant for a "dark-skinned woman" and builds a distinguished career. We gain a comprehensive view of how the media, especially newspapers, affected the movement for equal rights in this country. And in this humble, moving memoir, we see how an innovative and respected journalist and working mother helped provide opportunities for others. With the distinct voice of one who has worked for and witnessed immense progress and overcome heart-wrenching setbacks, this book covers a wide swath of media history -- from the era of game-changing Negro newspapers like the Chicago Defender to the civil rights movement, feminism, and our current imperfect diversity. This timely memoir, which reflects the tradition of boot-strapping African American storytelling from the South, is a smart, contemporary consideration of the media.
Author: Rodger Streitmatter
Publisher: University Press of Kentucky
ISBN: 0813149053
Category : Biography & Autobiography
Languages : en
Pages : 217
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Book Description
Each chapter is a biographical sketch of an influential black woman who has written for American newspapers or television news, including Maria W. Stewart, Mary Ann Shadd Cary, Gertrude Bustill Mossell, Ida B. Wells-Barnett, Josephine St.Pierre Ruffin, Delilah L. Beasley, Marvel Cooke, Charlotta A. Bass, Alice Allison Dunnigan, Ethel L. Payne, and Charlayne Hunter-Gault.
